Murray Comrie Collection.Monochrome photograph of soldiers in uniform posed in a military camp, with buildings made of corrugated iron in the background. Main assembled subjects are residents of Tarnagulla and other towns in surrounding district. All subjects served in First World War, dating the image to circa 1914-1918. Same image as THA-2019.0202 Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. ______________ 2. Lew Allen 3. Bob Clark Middle Row: 1. ______________ 2. ________________ 3. _________________ 4. _________________ Front Row: 1. _______________ 2. Jack Sheldon 3. Will Kilgour 4. _________________ tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, kilgour, allen, clark, sheldon

Murray Comrie Collection. Significance of group or purpose of image not known. This photograph is a somewhat faded image created from an older original. Copy probably made by Murray Comrie in the 1970s. A group of employees of the Exchange Store and Tarnagulla Flour Mill Back row, from the left: TT Cheetham, H Johnson, P Sheehan, , W Reilly, Cheetham, B. Llewellyn. Middle row: W Fitzgerald, Carr, C Turner, T Leonard. Front row: W Lawry, D Reilly, B Cousins.Monochrome photograph depicting a group of men (some of them young men) posed in front of a peppercorn tree. Man at far left has a bicycle. Man at far right holding a pipe. Accompanying note identifies subjects as: (Left to right) Back row: P. Cheetham (with bicycle), H. Johnson, P. Sheehan, Mr, Reilly, T. Cheetham, B. Llewellyn (with pipe). Middle row: Mr. Fitzgerald, Mr. Carr, Mr. Turner (with dog), Mr. Leonard. Front row (kneeling): B. Lawry, D. Reilly, B. Cousins. tarnagulla, people

A drawing done by artist Pat Hanna and sent to friends at Legacy. He was living in London at the time and drew this on his letterhead. It was stored with other items including a letter to Frank in 1972 (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01403). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted to film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years. Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Drawing of a kangaroo and kiwi from Pat Hanna on his letterhead pasted onto brown cardboard. Also a digger's face, a rising run and maps of Australia and New Zealand.Handwritten in the drawing 'Heres to every cobber who wore the old chapeau, 20 - 30 - 40 - 50 years ago!!!' and 'There's a wee toon on the Yarra with streets broad and narra that's where we first toasted dear old Legacy.'hanna, founding legatee

A cartoon drawing done by artist Pat Hanna and sent to friends at Legacy. It looks like a funny caption is missing from the drawing. It was stored with other items including a letter to Frank (possibly L/- Frank Doolan who was making an attempt to collect items relevant to Legacy's history for an official archive project - see items 01400 to 01404). Pat Hanna was an entertainer, comedian, artist and producer of reveues, plays and movies. One of his first revues was performed in France just after the armistice. A popular stage show was 'Diggers' that performed around Australia post-war and adapted into a film in 1931. He was asked to pose for photographer Jack Cato for the iconic image of a digger shown in 01400. He was born George Patrick Hanna, 18 March 1888 in Whitianga, New Zealand and served in the First World War, was a founding member of Melbourne Legacy and was involved with Legacy for many years.Pat Hanna was a founding member of Melbourne Legacy and an artist and producer. Legacy kept some of his works in the archive.Cartoon drawing of a four people playing cards signed Pat (Hanna).Signed 'Pat'hanna, founding legatee, cartoon

This is a photograph of crew members that formed the football team of the S.S. Tasmania. Taken place on the deck of the ship, it is a snapshot in timeAn addition to the collection of crew photographs in the MTSV Collection with all crew members featured in the image named and dated with name of ship making it a useful research and reference image.Black and white photograph of S.S. Tasmania football team in 1922. The photograph is mounted onto a grey green cardboard frame with the text, 'S.S. "Tasmania's" Football Team 1922' on the top. The bottom reads, 'The Happy Thirteen', handwritten in black ink. The photograph itself is of 13 men in three rows, 6 on top row standing, 4 in the middle row sitting on a bench and 3 on the bottom row sitting with their legs crossed. All men have their arms crossed across their chest. On either side of the front row is a lifesaver with the text "S.S. Tasmania/Plymouth". The men are posed on the ships deck. On front mount with photograph: 'S.S "Tasmania's" Football Team 1922' / The Happy Thirteen Inscribed back:of mount names in ink : Thomas Holohay / William Bridges / James. H. Stone / George Angus / James Arthurs / George Arthurs / C. Quinell / C. (Lawrence/labence ?) / W. Manon / M. Zard / I. Ancell LT/JL ?. Chipperfield / F. Franksuniform, team, s.s. tasmania, 1922, football, crew, life buoy, crews and ships

The Chinese Imperial Commissioner, Hwang How Cheng, visited Australia at the request of the Chinese Emperor for the purpose of establishing Chinese consulates in the Commonwealth. He visited Ballarat at the request of Ballarat’s Chinese community. The newspaper reported that it was hoped the Commissioner would visit the Ballarat School of Mines “where the knowledge he would get would probably be of the utmost usefulness in the development of the great resources of China.” The Commissioner was accompanied by interpreter Ah Ket (Melbourne barrister and solicitor), and met by members of Ballarat’s Chinese community, including Dr Wong Chock Son. Apparently the Chinese Commissioner wanted to visit SMB because of its international fame relating to education in mining. From the SMB Letter book (Cat. No. 436) comes the following which suggests the Commissioner was based in Adelaide) '17th November 1906 His Excellency, Hwang How Cheng Chinese Commission Adelaide May it please your Excellency By this post I have the pleasure in forwarding for your Excellency's kind acceptance (and one for Mr. When) copies of the photograph taken of your recent visit to the School of Mines. I trust they will serve a pleasing memento of what, I hope, was a pleasant visit to our Golden City. Yours Faithfully Fredk Martell Director' The visit was reported in the Ballarat Star in 14 November 1906:- The Chinese Imperial Commissioner, Hwang Hon Cheng, who recently arrived in Victoria on behalf of the Chinese Government, paid a visit to Ballarat last evening, and was entertained by his fellow countrymen at a dinner at the Bow Leong rooms, Main street. The commissioner, who came up by the express, was accompanied by his secretary and Mr Ah Ket, the well-known Chinese barrister, of Melbourne; but some disappointment was expressed by the fact that he did not wear his official robes, being attired in the more sombre European dress. Mr W. D. M’Kee presided at the dinner, on the invitation of the Bow Leong Society, and in addition to representative Chinese residents, three were also present the mayor of the city (Cr. J. J. Brokenshire), Crs. R. Pearse, G. Crocker (City), J. R. Elsworth, A. Mackenzie, J. A. M’Neil, A. Levy, G. Bunting, F. Penhalluriack (Town), Col. Williams, Mr. J. Gent, Messrs. F. J. Martell (director of the School of Mines), A. W. Hager (president of the Orphan Asylum), A. Kenny (superintendent), R. G. Fitzgerald (clerk of courts at Ballarat East), J. Trethowan, A. A. Buley, Serg Dalton, and others. Apologies were received from the mayor of the town Revs. J. West Lau, Dr Cairns, Hon. J. Y. M’Donald, L. Lederman, C. C. Shoppee and others. The gathering was a very cordial one, and the hospitality of the Chinese was greatly appreciated. After the loyal toasts, “The King” and “The Emperor of China,” had been honoured, the chairman extended a hearty welcome on behalf of the society and others to the commissioner. Mr M’Kee said he was privileged to speak in behalf of the Chinese. There was a warm feeling of friendship between them and himself, and his services were always at their command. If he were in China he would desire that a similar compliment would be extended to him. They were all pleased the Emperor of China had sent the commissioner to establish consulates in Australia with a view of the empire understanding the feelings of Australasia better than they did at present. He hoped the commissioner would have opportunity of visiting some of their industries, as they desired him to gain all the scientific and practical knowledge of those industries that he could. The toast of “The Commissioner” was proposed by Col. Williams who expressed pleasure at the visit of a gentleman of education and attainments to look into the condition of the scions of China in Australia. He hoped the commissioner would carry away a correct impression. In Australia they had nothing to conceal; they hoped to be understood. (Applause.) No intelligent man had the temerity to condescend to patronise China, one of the richest countries in the world, with a civilisation dating back thousands of years. In the matter of population alone it was equal to one-third of the world. They heard a lot about the “awakening of China.” They hoped it would be humane, just, and considerate if it had power. He hoped the commissioner would be satisfied with what he saw. The law of filial relation to the children was strictly observed in China, and he did not know whether it would not be a good thing if they had a little more of that religion here. It would be a fair thing to tell the commissioner that while he might inquire into the labour laws, the basis of these laws was not a desire to oppress but to enable every man to obtain the same conditions they expected from their own people. If he gained that impression he felt they would be fairly treated. (Applause.) Mayor Brokenshire supported the toast. They had, he said, in the Chinese a most law-abiding people. Their behaviour was an example to the British citizens. They were quiet, inoffensive men, and they toiled hard, even on Sundays. (Laughter.) Mr Ah Ket; That is what the government does with the railway employees. (Laughter.) The Commissioner replied through Mr Ah Ket, who in a graceful speech acknowledged the toast. The commissioner had, he said been delighted with what he had seen of the country – he believed it to be one of the finest in the world – and he greatly appreciated the hospitality extended to him. (Applause.) The Chairman proposed the toast of “The health of Mr Ah Ket,” and paid a tribute to his ability. It was satisfactory to see that he had risen to such a position, and it might be that in the future he would be asked to occupy a position on the bench. (Applause.) Mr Ah Ket, in response, said he had not come prepared to make a speech. He had come to Ballarat to have a quiet evening with his friends, and as soon as he arrived he had been whirled away in a motor car to a place where he found an aggregation of East and West. He was pleased to see them commingled at the festive board. That suggested the idea that East and West could meet together without friction. Misunderstandings arose only because men were superficial. If they threw off outer garments they would know each other better. He looked forward to the time when nations would understand each other. It was by an interchange of visits that such things could be accomplished, and nations would then live at peace with each other. (Applause.) Other toasts were also honored. Twelve men pose for a photograph on the stairs of a building at the Ballarat School of Mines. Back row left to right: A.D. Gilchrist (Prof. of Engineering), B. Whittington (Mathematics, Physics), Thomas S. Hart (Prof. of Geology and Mining), J.M. Sutherland (Electrical Engineering) Front row left to right: Dr Wong Chock Son (Ballarat), Fred. J. Martell, Alfred Mica Smith, Ah Ket esq (Melbourne Barrister), His Excellency Hwang How Cheng (Chinese Commissioner), Wen Esq (Secretary), Alderman Grase (mayor of Brisbane), Grase Esq (Ballarat).ballarat school of mines, alfred mica smith, fred martell, j m sutherland, a d gilchrist, b whittington, thomas hart, wong chock son, ah ket, hwang how cheng, chinese, chinese commissioner, international, new classrooms, administration building, a building

Photograph. The Patricia Coles (nee McLean) collection. Golden Square Football team, including cricketers? Copy of an original black and white photograph of 29 males, posed in 4 rows beside a timber building. Three headshots have been included in the photo, perhaps of absentees. The middle headshot has been identified as Richard Lee (a well known local footballer) by Neil Talbot (4/2/2014). The back row men are dressed in cricket jumpers. Players unidentified. President seated, and other official, identified in 3723.2 as Dr E W Turner and Herb Hamill (Sec) respectively.clubs, football, golden square football club, golden square football club.

Hygieia (Ύγεια, lit., “healing”) probably began as an abstraction, which later became personified. She does not appear to be a deity of extremely ancient origin, and there has been much scholarly debate as to exactly where and when worship of her first developed. Her cult most likely arose in the territory of Sikyon, where she was worshipped along with Asklepios, the legendary god of medicine. In later times Hygieia came to be regarded as the daughter of Asklepios, although her cult was not introduced to Epidauros, his principal sanctuary, until at least the 4th century BC. The earliest large-scale devotion to her is found in the aftermath of the Plague of Athens (420BC). The cult of Hygieia was taken to Rome, along with that of Asklepios (Æsculapius), in 293BC, to avert a pestilence. Here she gradually became integrated with the old Italian god Salus. Towards the end of the pagan era both Hygieia and Asklepios lost their specific associations with medicine, and became general protective deities. A beautiful wooden statue representing Hygieia, the Greek goddess of health.The figure is highly polished, which brings out the intricate grain of the timber. In it, the sculptor has endeavoured to combine the qualities of a classical pose with a contemporary yet timeless surreal sensuality. It will stand on a stone pedestal about 90cm high, and be placed in a prominent location in the Melbourne headquarters. The College’s statue is semi-abstract in style, carved from a single piece of jarrah. The piece of timber from which it is fashioned was salvaged from the remains of a century-old shearing shed on Rifle Downs, at Darkan in the south-west of Western Australia.

Magazine - 20 A4 pages centre stapled - titled "MetLines - Vol 1, No. 9 December 1985", staff newspaper of the Metropolitan Transit Authority. Has a number of "Santa Claus" on the front cover. Contains an article on page 8, "Keeping tram lines clean" and "Scrubber Cars" - featuring Frank Reale-Key posing in front of Scrubber 8W. Also has a photo of scrubber No. 11. Gives a background to the cars, when they are used, operated by Civil Branch. Gives hours of use and crews. On page 3 is a follow up to a question on a MTOC conductor with the large safety pins of the era.trams, tramways, scrubber tram, the met, conductors, track, mto co

Henry Beater Christian (1886-1962) , was a descendant of one of the earliest settler families in Kew. Employed at the Kew Asylum as a 'public servant', he was a skilled amateur photographer, photographing numerous scenes in Kew and on his travels around Victoria. The majority of his photographs date from 1916 to 1929. His finest photographs are housed in two photograph albums. Digital copy of a photograph from page 26 of the 47-page photograph album containing 261 gelatinous silver images, loaned by Diane Washfold with permission given to digitise and hold a copy in our collection. John Chapman has written in 'Bushwalking Clubs - A Brief History', about the establishment in Victoria of the first bushwalking club in 1888, and the popularisation of bushwalking during the interwar period. Henry Christian's 'walks' appear to have been undertaken solely or with a companion/s. On a trip to Marysville in 1926, he poses a figure in a landscape between two tall tree ferns with Eucalypts in the distance."Marysville / 1-1926"henry beater christian (1886-1962), landscape photography, christian-washfold collection, photograph albums, bushwalking, marysville

David Gordon Collection. Original sepia photograph (mounted on card backing) of soldiers in uniform posed in a military camp. Subjects are residents of Tarnagulla and other towns in surrounding district. All subjects served in First World War, dating the image to circa 1914-1918. A note accompanying a copy of this photo (THA-2019.0024) gives the following names: (Left to Right) Back Row: 1. ______________ 2. _______________ 3. Bert Whimpey 4. Bill Langan 5. Will Kilgour 6. Claude Whimpey 7. _______________ 8. ________________ Front Row: 1. Perce Ison 2. Arthur Whimpey 3. Syd Akers 4. Dave Roper

Photograph - Black and white of a cable tram in Royal Parade or Sydney Road with the destination of Brunswick. Cable tram has four uniformed personnel on board, including an Inspector who appears to be doing a ticket check. The conductor can be seen at the back of the tram behind the person peering out. The bogie trailer (483) is one that was spliced together from two six window horse trams. Grip Car No. 423 - can be read on the front right hand pillar. Would appear to have been a posed photo. 2nd copy added 18/3/2021 - larger printIn ink on the rear: "M&MTB Cable grip Car No. 423 and Bogie Trailer No. 483 (spliced from two six-window horse cars Sydney Rd. 1930's " KSK print number SA931. one rear of 2nd copy "H227" in pencil, "150L 88% B/W" and "MMTB"trams, tramways, cable trams, sydney rd, brunswick, horse trams, royal parade, mto co, tram 483, tram 423

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders on the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Students posing for a group photograph after their graduation ceremony. They are with their lecturer, Dennis Else.Colour photograph of graduation students.viosh, victorian institute of occupational safety and health, graduation day, dennis else, ballarat

112 Page soft cover book titled 'The Victorian Readers Second Book' dark orange in colour with a cloth strip at the spine. On the front cover is a female child sitting on a wooden chair reading a book. The book consists of 102 pages of stories and poems plus 9 pages of language list. The back page has three children in various poses looking at a monkey on a swing hanging from two trees. Below the monkey written in script is 'The End' Inside the front cover hand written in blue ink is the name 'John M. Merifield' Registered by the Postmaster General for transmission through the post as a book.Education Department of Victoria. H.J. Green, Government Printer, Melbourne 1930.education, primary, victoria, the victorian readers second book

Photograph of a large group of children, boys and girls and three adults ( two men and one woman) they are posed in front of a brick building with the word 'Hall' just visible on a sign near the top of the building, The adult males are wearing three piece suits, watch chains are visible on their waistcoats. The female is wearing a long dress with a high collar and a brooch at her throat. There are two copies of this photo, on the reverse of one of the copies is written: Sailors Gully Mission Hall from Les Brown, and on the other copy Sailors Gully Mission Hall Negative A 132, C1910' ( the date has been written with a different pen)person, group, sailor's gully mission hall, sailors gully mission hall, les brown

Donald Clark Collection. A sepia photograph of men and women posed in front of the verandahe entrance of a brick house. All of subjects were Tarnagulla residents. Most performed on more than one occasion as 'The Evening Strollers' in performances at the Victoria Theate, Tarnagulla. The matching outfits worn by the subjects in this photo may relate to this Club (The Strollers Club). Subjects are: L to R Back row: Alf Radnell, Clive Bock?, Clem Theobald, Syd Taylor, William 'Bill' Jackson Front row: Dolly Comrie, Daisy Jackson, Rachel / Rachael Clark, Dorrie Bock. Front seated on ground: Reg 'Skeeter' Smith. Original photograph, mounted on card. tarnagulla, entertainment, clubs, music, theatre

Murray Comrie Collection. Significance of group or purpose of image not known. This photograph is a somewhat faded original. Monochrome photograph depicting a group of men (some of them young men) posed in front of a peppercorn tree. Man at far left has a bicycle. Man at far right holding a pipe. Subjects believed to be: (Left to right) Back row: P. Cheetham (with bicycle), H. Johnson, P. Sheehan, Mr, Reilly, T. Cheetham, B. Llewellyn (with pipe). Middle row: Mr. Fitzgerald, Mr. Carr, Mr. Turner (with dog), Mr. Leonard. Front row (kneeling): B. Lawry, D. Reilly, B. Cousins. Original photograph, mounted on card backing, from which THA-2019.0131 (copy) was made.tarnagulla, people

Murray Comrie Collection. Monochrome photograph depicting members of Tarnagulla Junior Football Club posed as a group in an unidentified interior, with a makeshift backdrop. An accompanying note identifies some of the subjects: Back row: 1. __________ 2. Bert Goltz 3. Clem Theobald 4. _H. Abbott 5. Bert Spencer 6. ________ 7. _______ 8. F. Shing Middle row: 1. _________ 2. W. Radnell 3. ___________ 4. Duggan 5. Whimpey 6. W. Cozens 7. L. Radnell 8. ___________ Front: 1. Joe Radnell 2. ___________ This fair quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, football, sport, clubs, people, radnell, duggan, theobald, goltz, abbott, spencer, whimpey, cozens

Murray Comrie Collection. Monochrome photograph depicting members of Tarnagulla Cricket Club posed as a group in an outdoor setting, possibly at the Recreation Reserve. An accompanying note identifies some of the subjects: Back row (in street dress): 1. __________ 2. __________ 3. Dan Duggan 4. __________ 5. Ted Toole Cricketers: Back row (standing): 1. Bill Minton 2. __________ 3. _________ 4. ___________ Middle row (kneeling): 1. _________ 2. __________ 3. _________ 4. ___________ Front row: 1. _________ 2. __________ 3. _________ 4. ___________ 5. Tom Page 6. __________ In distant background: 'Denty'. This fair quality copy was made from an older original photograph, probably in the late 1960s. tarnagulla, cricket, sport, clubs, people, duggan, toole, denty, minton, page

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Handwritten note on reverse gives the following names: (From Left to Right) Back Row: Luther Stone, George Corrie, Cash Fitzgerald, Harry Biggs, Geo. Williamson Front Row: Bert Runting, Claude Whimpey, Bill (WIlliam) James, Bert Gray Same image as THA-2019.0026 (slight difference in names) Handwritten on reverse '1914-19 War' and 'Tarnagulla Boys' plus names.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

This is a photo of Beth and Ida Johnson (now Ida Stanton).The photo shows two women posed for a photo. The woman on the right is standing; she is wearing what appears to be frilly, full length under-garments, a rough cloth jacket and a lace cap. She is wearing glasses, has blond wavy hair and is holding an open, folding fan. The woman on the left is seated; she is wearing a dark coloured dress or tunic with a frilly petticoat showing from the knees down. She also has a frilly cap on and is wearing glasses. She has long hair tied in two ponytails or plaits and she has a book on her knee. Behind them is a corrugated iron wall and a tree fern.people, johnson

This book is a "snapshot" in time (1950s) detailing life in Australia covering a time when a "man's word and handshake" were his moral and quasi legal bond, and the now relative defunct saying "smoko" (having a "time out" from work for a cigarette and tea or coffee). The book spans an era where the male was still the "head" of the family even though for a majority of families the women took on the many "male only" roles during the World War II period. This shift in the leadership of the family hierarchy is mentioned, so ever slightly, (not to offend the still predominant macho male image) in both rural and city environments. The effects of the war, and later the push for women's emancipation and equality in both family, social, workplace and political areas of life, since this book was published, is now finally resolved. However there are still some sections of the recent migrate population where this male dominance is causing a few problems.The significance of this book is not only because it was donated by Mrs C. Roper ( from the Roper Family, a pioneer Kiewa Valley and surrounding Region family - originally beef cattle graziers) but also a Kiewa Valley resident and family, experiencing the shift in the social and economical life of post World War II rural Australia. The strong heritage link to this region of many families still residing within its boundaries, is a clear affirmation of the bond that the Kiewa Valley and its Regions have upon family unity. This unity within the rural environment is something that is attracting more and more families from sometimes alienating city life.This printed coloured sketched, or painted paper sleeve of the book is freely wrapped over a dark red hard cover. Into the front of the cover is pressed a standing pose of a farmer with long sleeves rolled up over his elbows. Behind him and to the right are what appears to be three sacks of wheat and next to him is a merino sheep. To the left and down are two dogs one with a fox in its jaws. The book contains 240 pages, 300 illustrations in gravure and 25 pictures in full colour. The inside fly leaf is a colour photograph of a rural scene with dirt road running in the centre and to the left a farm house and a five bay open storage barnOn the tittle page is a signature "C Roper"country life, australian "outback", rural industries, life on the land, swag-man of the bush

Agfa plastic mount (blue base, white cover) with a photo of No. 14 (see slide BAS 7 (Reg No. 2317) for same ad arrangement) at City terminus. Dave Kellett standing by front of tram. Posed photograph. Tram is in the process of being fitted with dash canopy lights and tiger strips. Has Allan Bros. Jewellers, SEC office, Tunbridge's Furnishings and Macey's buildings in the background. Roof Advertisement for Ilford film, and dash panel advertisements for The AGE and SEC Briquettes. Slide rescanned at 3200 dpi 24-10-2020, jpg replaced, tiff file retained. This file was scanned in 2003 and may show colour changes."BAS 10" in penciltramways, trams, sturt st, city terminus, tram 14

Yields information about Ballarat's trams in the early 1970's and the street scape around Lake Wendouree.Black and white print of Ballarat 35, northbound in Drummond St North (check on this ). Tram has the destination of "Gardens via Drummond Nth" and SEC roof advertisement "Everything's under control in my all electric kitchen. Two copies. Photo by Doug Colquhoun, 5/1969. Note the conductor standing on the footstep on the wrong side (for traffic operation) of the tram - could have been a posed photograph. Photo print courtesy of Port Dock Railway Museum, now the National Railway Museum. See worksheet 4311 for letter and details of prints sent to Bill Scott, 19/10/2001. Any photo credit to mention NRM Collection.On rear of copy 1 "SEC Ballarat / 39 /Sturt St East / 5/1969 3743 / D.A. Colquhoun" and "75" in the top right hand corner. Copy 2 "DAC" in ink, bottom right hand corner.trams, tramways, conductors, drummond st nth, tram 39

Page with three black and white photos pasted onto it. Two are the same group of people, but in different poses. They are all holding a tray with Yes We Have No Bananas painted along the front edge. They are all wearing scarves, blouses, the ladies are wearing skirts and the men are wearing trousers. They are all wearing head scarves and large round ear rings. The third is a copy of an advertisement for 'Yes! We Have No Banana's, America's Greatest Song Craze. It has a man standing in front of fruit and vegies in a fruit shop. A picture on the wall shows two men and a lady with the names Bailey & Cowan with Estelle Davis. Also on it is: Published by J Albert & Son.photo, group, mixed group, peter ellis collection, arthur wylie, vera jewell, alf bennett, elsie fraser, bob green, elsie wandell, frank dodd, chris thompson, yes! we have no bananas, bailey & cowan, estelle davis, j albert & son

Murray Comrie Collection.Sepia photographic postcard, with image of soldiers in uniform posed in a makeshift studio setting, with a prop boulder at left. Subjects are residents of Tarnagulla and other towns in surrounding district who served in First World War, dating the image to circa 1914-1918. Reverse is printed with postcard template. Accompanied by a note that gives the following names: (Left to Right) Back Row: 1. Luther Stone 2. Geo. Corrie (Waanyarra) 3. Cashen Fitzgerald 4. Bill Langan 5. ______________ 6. _______________ Front Row: 1. Bert Runting 2. Claude Whimpey 3. Bill James 4. _________________ Same image as THA-2019.0201 (slight difference in names).Stamped on reverse 'M. Comrie'. Hadwritten on reverse 'M. Comrie' and 'For Le Messurier, per Bill Gore' and '1'.tarnagulla, waanyarra, war, military, service, soldiers, veterans, ww1, first world war, stone, corrie, fitzgerald, langan, runting, whimpey, james

Murray Comrie Collection. Original print.Photographic postcard with monochrome image of soldiers in uniform posed in a military camp, with buildings made of corrugated iron in the background. Main assembled subjects are residents of Tarnagulla and other towns in surrounding district. Reverse of item is printed as a standard postcard format. All subjects served in First World War, dating the image to circa 1914-1918. Same image as THA-2019.0025 which was accompanied by a note that gives the following names: (Left to Right) Back Row: 1. ______________ 2. Lew Allen 3. Bob Clark Middle Row: 1. ______________ 2. ________________ 3. _________________ 4. _________________ Front Row: 1. _______________ 2. Jack Sheldon 3. Will Kilgour 4. _________________ tarnagulla, war, military, service, soldiers, veterans, ww1, first world war, kilgour, allen, clark, sheldon

The advent of anaesthesia posed immediate problems for the oral surgeons and dentists who were used to operating on awake patients with intact airway reflexes. Early anaesthetics were very light and often created an uncooperative patient. Dentists were quick to complain they had trouble opening the mouth quickly enough and dental props soon made an appearance. Gags and tongue depressors proliferated, all initially devised to improve surgical and anaesthetic access, not to protect the airway. Other instruments for opening the jaws included the somewhat fearsome devices known as mouth openers. Heister's mouth opener was incorporated in anaesthetic practice but was not designed for this purpose. Lorenz Heister (1983 - 1758) used his device for mouth inspection and for operations on the palate, tonsils and teeth in the pre-anaesthesia era. He was not impressed with the way it was used by others in his life time and believed that it overstretched the jaw when used inappropriately. Despite its apparent brutality, the Heister mouth gag was still advertised for sale in 1983 and its useful mechanism has been incorporated into modern surgical retractors.Steel cork-screw shaped object with a twist top handle which will force the two arms apart. Each arm has ribbing toward the end to create friction when inserted in the mouth.Stamped into the twist top handle: MAYER & MELTZERheister, mouth gag, mouth opener

Depicted are eight young women all dressed in white tennis uniforms comprising a knee-length skirt, knitted V-neck jumper with two presumably black stripes, a collared white shirt, white socks and white sneakers. The group is posing for the photograph on a tennis court on the grounds of Ruyton Girls' School. Six of the women are standing up, and two of the women are kneeling in the front row and to the right side. All of the women are holding tennis rackets. The earliest documented mention of tennis being played by students at Ruyton Girls' School is at least 1905. The February 1910 edition of The Ruytonian notes "the Ruyton Tennis Club have had a very successful year ... again won the Kia-Ora club pennant; this is the third year in succession, and fifth time altogether." Ruyton are recorded as having played intra-school tennis with Aldworth Girls' Grammar School, Lauriston Girls' School, and Strathearne Presbyterian Girls' School. The third woman from the left in the back row has been identified as Helen Gordon (maiden name Cole).The record has strong historic significance as it depicts a former notable student, Helen Gordon (maiden name Cole). Helen started at Little Ruyton in Prep 1940 and finished Year 12 in 1952 as School Captain, Bromby Captain, Form Captain for Matric, Tennis Captain, Hockey Captain, Swimming Vice Captain, and an award for Best All-Round Girl. She also played baseball for Victoria. After finishing school, Helen went on to graduate from the University of Melbourne as a physiotherapist in 1956. Her first position at age 19 involved setting up clinics with the Victorian Health Department Poliomyelitis Rural division. Helen’s strong ties to Ruyton continued when she held the position of President of the Old Ruytonians’ Association from the start of 1966 to the end of 1967. In 2019, Helen received an Order of Australia Medal for service to community health as a physiotherapist. She was also the recipient of the 2022 Victorian Senior Achiever Award at Parliament House. Helen passed away in July 2023 at age 88. The record's significance is further enhanced by its strong provenance, having been produced by Ruyton Girls' School and donated to the Archives by a familial connection.Black and white rectangular photograph printed on matte photographic paper.Reverse: HELEN GORDON / 1952. / Elaine (?) c Alpin / Elaine Macdonald . / Sally Backhouse /ruyton girls' school, kew, victoria, tennis, sport, women's sport, students, school, 1950s, uniform