Our collection includes a number of documents on the history of the line including a film Heritage on the Line produced in 1992 and Down the line to Upfield by Jon Saul and Wendy Moore. 3rd edition 1994 and Northern Suburbs Transport Plan prepared by the Upgrade Upfield Coordinating Committee 1994. / The Upfield Line Heritage Study by Andrew Ward (1990) can be found on the Merri-bek Council website. / The Lonie Report prepared by the State Government in 1988 recommended conversion of all or part of the line to light rail. Some proposals involved replacing the Sydney Road trams with light rail, freeing up the rail reservation for a freeway, while others proposed installing the light rail on the rail reservation from Upfield to Park Street, where the line would divert to join the Royal Parade tram line. / Our collection includes documents on the community campaign to save the line from the Cain Government in 1989-90 and the Kennett Government in 1992-93. The Save the Upfield Line Campaign was set up and composed of local residents. We have a collection of their minutes and campaign materials. Brunswick Council was also actively involved in campaigning to save the line and set a Council and community committee to work on this. We also have minutes of its meetings and some Council reports on the issue. / In 1995 the State Government finally agreed to retain and upgrade the line. Document file"rail services, upfield railway line, community campaigns"

Photographs of Poulter Avenue power station at Greensborough Railway Station in February 2021, before the planned rebuild of the station as part of the Hurstbridge rail line upgrade. 4 Colour digital photographsgreensborough railway station, hurstbridge rail line upgrade, poulter avenue greensborough

Colour photo of a concrete bridge deck on the Miller St Preston tram over rail overbridge, known as "The Hump". The bridge was later duplicated. Mid 1980s.Yields information about the installation of a new concrete deck at the Miller St tram over rail bridge.Colour print with plain backtrams, tramways, preston workshops, "the hump", miller st, bridges

Part of a collection of Rose & Valentine Postcards. Copied by John Jansson 1984Black & White Postcard. view from end of Cowes Pier looking back at the Isle of Wight Hotel. Large crowd of locals on pier, some sitting on Rail Trolley. Children in foreground Gwenda & Keith MacIlwraith.local history, photography, photographs, postcards, phillip island, black & white postcard copy, cowes pier, jetties, rail trolley, macilwraith children, isle of wight, cowes

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a suit and standing at the rail of what appears to be a boat (perhaps the Staten Island Ferry). In the background can be seen the Statue of Liberty. The man is Frank Wright and the place is New York.frank wright, new york, statue of liberty, conductor

The suitcase didn't catch on until the end of the 19th century, it was quite literally as a case for suits. A typical suitcase came equipped with an inner sleeve for storing shirts, and sometimes a little hatbox on the side. But even in the early 20th century, the "dress-suit case" was only one of countless styles of container travellers could buy, from steamer trunks to club bags. By the late 19th century a significant point was reached in the history of transportation, it was the beginning of mass tourism, rather than travel for travels sake made use of by the wealthy in society. Travel wasn't just for the wealthy any more but everyone. Suitcases began as an afterthought in the luggage and leather goods business, but they soon became the very symbol of travel. An 1897 wholesale price list included the words "suitcase" only twice in a 20-page list of luggage types. In America a 1907 T. Eaton & Co. Catalogue, trunks took up a full page while suitcases share a page with club bags and valises. In a 1911 a United Company catalogue, now displayed around 40 per cent of the advertisements were for suitcases. Early suitcases were lighter and more portable than trunks, but they were still bulky by today's standards. Leather, canvas, wicker or thick rubbery cloth was stretched over a rigid wood or steel frame. Corners were rounded out using brass or leather caps and some had wooden rails running around the case. Until steamship travel declined during the mid-20th century, many of these types of the case were advertised as waterproof with some lightweight models marketed specifically to women. The item gives us a snap-shot as to how people undertook travelling during a time when undertaking a journey for pleasure at the end of the 19th century was mainly only for the wealthy. This time saw the beginnings of change from the wealthy in society being able to travel, to the onset of mass tourism. Along with this change in societal norms saw many innervation's to the design of luggage as it became a fashionable item.Suitcase/trunk with inner tray, brown canvas covered with 2 hinge clamps and a central Eagle lock, four wooden lateral buffer railed slats running around the case, leather handles each end. noneflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, suitcase

Black and white photograph of the New Chum mine reef. Inscriptions: on back - in pencil.: 'N.C. Rail Co. 190?', 'Reef in ? Below 380 cut'. 'Depth from surface 4,200 ft (about)', 'looking south'.topic, mining, new chum reef

Postcard. Photo of young girl holding a bunch of flowers in her right arm, the bottom of a flat plate in her left hand, standing at a post and rail fence. With best love. Rear. Some names deleted.

Apart from around Maffra, the only other area where sugarbeet was grown was Lindenow. It was carted to Maffra by special beet trains.Copy photograph of Lindenow sugar beet ready for transport by rail to Maffra. In the photograph are two horses ready to pull a dray with a man standing nearby and another horse ready to pull a dray, with a woman standing nearby.sugarbeet

Photograph (proof56) of the settling ponds at Crusoe Gully Reservoir. There are two of the ponds visible and two men standing on the left hand side of the photo. In the background there is a post and rail fence bordering a roadway and a timbered hill behind these.place, water, settlinbg ponds, settling ponds , crusoe reservoir

Used in the late 19th century.A forged steel narrow headed mortising axe with a long wooden handle. It was used in the construction of post and rail fences where it could be used to chip out small pieces in the wood. It was used in the late 19th century.Indecipherableaxes, cutting tools, hand axes, froes, woodworking tools, cleaving tools

Black and white photograph of the newly formed Princes Highway. It shows the steep cutting into the Jemmys Point hill, the winding road, the post and rail fence, two people and car of the era on road. Lakes Entrance VictoriaNew Road Jemmy's Pointtopography, waterways, roads and streets, fences

Black and white photograph of the Princes Highway at Jemmys Point, showing post and rail fence beside road, Bullock Island, the houses of Carpenter town on the southern shore of Cunninghame Arm and Entrance. Lakes Entrance VictoriaLakes Entrance- Gippsland Lakes'coast, fences, roads and streets

Provided a detailed map of Melbourne's public transport, route number list and brief description. Has contact details for bookings and lost property etc. Priced 20c, published 1979 as map No. 9Demonstrates the methodology of providing map and transport information at the time.Fold out map (27 sections 9 across x 3 deep), coloured of Melbourne's Tram and Bus routes, route numbers, rail lines, detailed for the central part of Melbourne and insert section for Frankston. melbourne, map, tram and bus services, railways, mmtb, ministry of transport

Part of S E Surman collection (album) page 8.Sepia photograph of a young gentleman wearing pinstripe trousers, coat, waistcoat and wide tie, standing in garden setting with right arm resting on wooden rail beside him and left arm by side holding hat.l h bennett, surman collection

House constructed c.1928. Photograph taken in 1988.Colour photograph of double fronted timber house with pitched tile roof, two chimneys and verandah on part front and side of building. Set in garden with white 3 rail wooden fence along front of property.bennett family, buildings, houses, gordon bennett

The passenger liner 'Queen Frederica' was one of the many ships that transported Greek emigrants to Australia in the post World War 2 years up until air travel became a more efficient and faster means of travel. Between 1945 and 1965, two million immigrants arrived in Australia. The decision by the Australian Government to open up the nation in this way was based on the notion of ‘populate or perish’ that emerged in the wake of the Second World War. Among the new immigrants were the first government-sanctioned non-British migrants.A black and white photograph of a ship berthed at Princes Pier, Port Melbourne. Rail trucks and a crane are in the middle distance and a car, utility and trailer are parked beside the ship. The photograph has been mounted on chip board.51A/ 26port melbourne.

One of a small album of six photographs of the construction of the Cotham Road tramline in Kew, taken by Edgar James Dower in the second decade of the twentieth century. The reverse of each photo contains notes, written over time by the photographer, which are contained in the 'Inscriptions' field. Born and raised in Olinda, Dower's family later moved to Surrey Hills. He worked as an adult as a clerk in the city office of the Metropolitan Gas Company, and in his role as a 'collector', he was able to photograph scenes including the construction of tram and train lines and associated buildings in Kew, Hawthorn, Camberwell and Surrey Hills. Later he established a real estate agency with his brother - the E.J. Dower Real Estate Agency, Dandenong Office. The album as a whole can be viewed separately as the parent file.The image is an historically significant record of the development of transport infrastructure which was used to connect Victorians in the first two decades of the twentieth century. This development resulted from increases in population and the consequent extension of Melbourne's suburbs. The photographs in the album, as well as Dower's single photos mounted on card, individually and collectively richly detail the labour of workers and the tools and machinery used to create and extend Melbourne's tram and train networks in the years preceding and during World War 1.The first of six annotated photos in an album of photographs of the construction of the St Kilda to Kew electric tram line, taken in Cotham Road, Kew, by the amateur photographer, Edgar James Dower, in 1913. The album contains images detailing the preparation for the laying of the tracks plus work laying the line. The photographer notes on a number of the photos that te metal tracks were collected from the Hawthorn railway siding. The album, together with other phots by E.J. Dower has been made available by the owners for the Kew Historical Society to digitise and publish online and in print.Annotation verso: "1913 / Preparing for electric trams in Cotham Road Kew, looking west / Taken from corner of Burke Road by E.J. Dower / The metal was brought by horse and drays, from Hawthorn rail-way siding".keywords, theme -- connecting victorians by transport and communications, theme -- travelling by tram, photographers -- edgar james dower, cotham road -- kew (vic.)

Dray and Horsesblack and white photograph do 3 horse dray transport, rail, road, dray, horses, travel

Staff on Port Fairy Railway Station 1918 namedcomposite scan from information used in an exhibition on trains. This depicts staff and children transport, rail, road, train, railway station, staff

Turning first sod for the raillway in Port Fairy 1887black and white photographic copy of 62.20.042 group of men and boys inn semi circle celebrating the turning of the first sod of soil in the building of the railway line to Port Fairytransport, rail, road, first sod, port fairy, train

6 photographs of railway station in ruins before removal from siteDocuments the neglect of the railway station in the late 1970’s before the removal of the equipment and buildings6 coloured photographs in collage of dilapidated station transport, rail, road, derelict, railway, station

Train and red carriages Port Fairy railway station c.1970Coloured photograph of train with red ‘rattler’ carriages at Port Fairy Stationtransport, rail, road, carriage, railway station, 1970