Glasses, also known as eyeglasses or spectacles, are frames bearing lenses worn in front of the eyes. They are normally used for vision correction or eye protection. Pince-nez is a French style of spectacles, popular in the 19th century, that are supported without earpieces, by pinching the bridge of the nose. The name comes from French pincer, "to pinch", and nez, "nose". Although pince-nez were used in Europe in the 15th, 16th, and 17th centuries, modern ones appeared in the 1840s and reached their peak popularity around 1880 to 1900 A solid bridge piece is moulded to fit the curvature of the bridge of the nose. They are anchored onto the bridge of the nose via two small spring-loaded clips terminating in special nose-pads made from bone or tortoise shell on metal called plaquettes, which are tweezered apart for placement on the face through applying pressure to two small lever-like finger-pieces located on the front of the bridge. Plaquettes could be either hinged and flexible, permitting a better fit, or static as in the older examples of this type.. They were popular from the 1890s through to the 1950s, One half of a pair of lady’s Pince-nez eyeglasses with 1 gold rimmed glass lens , a gold style bridge and a fine gold chain that is attached to the side of the lens frame and to a shaped over- ear metal piece. eyes, spectacles, eye glasses, optometry, moorabbin, bentleigh, cheltenham, market gardeners, pioneers, early settlers, pince-nez

Pewter Tankard. (previously #100 from mechanics Institute Eaglehawk) Damaged upper rim. 16cm high, inscribed ' James Yates' QUART. See research tab. Also impressed into side Crown, E 7, VIC.domestic equipment, food consumption, tankard

Painting of Schwerkolt Cottage by Barbara Rogalski, member of WHS "Autumn" is one of 4 paintings.Oil painting of end of building in treed setting with autumn tree in foreground on grass. Schwerkolt Cottage - Mitcham Painting mounted on beige fabric with inner beige plastic frame. Outer frame of brown wood with gold rim.Signed by B. Rogalskipainting, schwerkolt cottage - autumn, barbara rogalski

Marion “Annie” (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green and black felt woman’s hat retailed by Anne Harrison of Kew. The pale green crown is bordered by a black turned up rim. An additional adornmant to the hat is an abstract bow at the front made of black felt.Label: Anne Harrison of Kew. WM 9906.anne harrison, women's clothing, costume accesories - hats, fashion and textiles collection - kew historical society, cloche hats, milliners - kew (vic)

This pulley was found by Geoff Stevenson, on a beach near Cape Conran (east of Orbost). It probably came from a sailing ship which was wrecked there. Pulleys are simple devices for increasing mechanical advantage in a wire, chain or rope system. A pulley consists of a wheel with a specialized rim that rotates on an axle and carries some type of cable or chain. Ships used a variety of blocks (pulleys) for various tasks, such as stowing cargo or handling the sails. A large wooden pulley encased in iron. It was probably used on a sailing ship. pulley cape-conran sailing-ship maritime

The seller of these items was A.L.V. Jenkins who was a bookseller and stationer in Warrnambool and obviously also sold miscellaneous goods such as spectacles. It is known that Mr Jenkins was in Warrnambool in 1910. The type of glasses suggest early 20th century use. These items are of interest as examples of spectacles used over a hundred years ago. They are also one of the few items we have connected to the business of A.L.V. Jenkins.This is a pair of spectacles with the glass intact and with gold metal rims, nose and side pieces and screws. They are in a brown leather case with a cardboard lining and a slot in the leather to insert the leather tongue that acts as a closing device. The leather is slightly worn and torn. ‘A.L.V. Jenkins, Warrnambool’ a.l.v. jenkins, early type spectacles, warrnambool

The Maroondah System was first and foremost developed as a functional component of Melbourne's Water Supply System. In addition to functionality, the Melbourne and Metropolitan Board of Works (MMBW) envisioned the Maroondah Reserve to be enjoyed aesthetically and recreationally by the public. This souvenir illustrates the realisation of the Maroondah System as a local recreational and tourist attraction in the early 20th century. The Maroondah Reserve gardens were landscaped with English-style ornamental stonework, exotic trees, flower beds and rose gardens. All features of the water supply system became widely celebrated as beauty spots that continue to be very popular to this day with tourists and locals alike. This souvenir is a product of that flourishing tourist trade. These water supply sites continue to enhance Melbourne’s charm and liveability and are now recognised as places of cultural and historic significance.This souvenir item has been curated by Melbourne Water as it represents an important historical aspect of the organisation by demonstrating the popularity of its water asset sites as recreational places and tourist attractions, and although these sites are functional parts of the water supply system, they were also designed to be enjoyed by the public both aesthetically and recreationally. This Souvenir glass ashtray, used as a receptacle for ash from cigarettes, features a black and white photograph of The Maroondah Dam on the base, with text reading “Maroondah Dam, Healesville”. The ashtray is round in shape with three indents on the rim to place cigarettes. melbourne metropolitan board of works, mmbw, maroondah, dam, healesville, melbourne water, scenic view, souvenir, glass, ashtray

Used by children in the 1950’s and 60’s. could accommodate three children Not so common being double seated but much used by children for play Hand painted(red, white, blue) child’s tricycle with two hard metal seats, spoked wheels have perished rubber rims, chrome handle bars, rubber pedals. Has standing bar under the back seat

Possibly made on-siteof critical significance GALVANIZED METAL BATH. Rectangular shaped bath, with rounded ends, turned rim. Roughly soldered. Consisting of a wood & iron frame with 4 claw feet & plug. Decorative floral motif on upright supports joining to claw feet.bathing

Cypriot Bichrome Ware from Cypro-Geometric PeriodThe interior has a painted black spiral in the centre and a single band. The rim is painted to the twin wishbone handles (one missing). Another band at the foot, with a set of lines between, the underside is centred with a brown dot and three concentric lines. cypriot

The 10th Light Horse was raised in 1903 from Victorian Mounted Rifles companies in Gippsland. In 1912 the regiment was renumbered 13th Light Horse. In 1920 the regiment had the territorial title Gippsland Light Horse added. The regiment was raised as 13th Light Horse (Gippsland), a Citizen Forces unit. In 1940 the regiment converted from horse to mechanised, initially as 13th Motor Regiment then 13th Armoured Regiment. It trained in Victoria and, as the Japanese threat to the mainland declined, was disbanded in October 1943 with men going to other units.Set of one dozen white vitreous china side plates with a red monogram incorporating the regimental badge in the rim denoting the object was made specially for 13th Light Horse Officers' Mess. The red on white is the colour patch of the regiment."13th (Gippsland) LH Regt" above regimental badge, and "Officers' Mess" below badge. Marked on base of plate " 'Duraline' Supervitrifies Grindley Hotelware Co England" and "Loftus Moran Pty Ltd Melbourne" 13th, light horse, gippsland, monogram, officer, mess plate

Sheet metal vitreous enamel candle holder, of similar style to others. White with blue rim, shallow curved base with raised, flanged holder. Handle rounded and attached to both sides of base. Currently holding pink candle.No visible markingslighting, accessories, candle, holder, enamel

White china gravy boat with blue floral pattern on exterior, extending from rim to around 1/3 down the side, and leaf pattern on rounded handle. Large spout or lip for pouring. Some blue marks on inside.Maker's mark on base, circular stamp with female figure in centre. 'PEONY' printed at top, '… Pottery Coy Ltd. Glasgow' printed around circle, some missing because of bad printing. 'Made in Scotland' at bottom.domestic items, food & drink consumption, gravy, boat, container, blue and white, china, peony, scotland, glasgow

Single horse drawn dray (non-tipping) made of timber with metal fittings and wheel rims. Open all round with uprights spaced along the tray. Rail at the top of the uprights. Painted dark brown with unpainted tray boards.No inscriptions or markings.transport - goods; horse - drawn

Presented by Bradshaws business college for physical training. 1921- 1924 6th Bn Short challase shaped cyp with rimmed lip. Silver has oxidised and the finish is dark. One handle is missinf and the remaining one has been repaired Flaired stem with ridge halfway up Enscribed on obvers and reverse of cup Obverse- "2nd Brigade Annual S. Cadet Sports Presented by Bradshaws Business College for Physical Training" Reverse "Won by 1921. 6th Batt" 1922. 6th " " 1923. 6th " " 1924 6th" " Base "E.P/A/N.S WHITE THROUSH regimental property, 6bn

Ballarat & Queens Old Grammarians' Association oval silver coloured badge with blue enamelling on the outside rim with light blue, crimson and yellow crest in middle at bottom of badge, with mitre above. On back a safety pin like catch.BALLARAT& QUEENS OLD GRAMMARIANS ASSOCIATION

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A small rusted and chipped lidded can or billy with a wire handle looped at the sides. It has a rolled blue trim around the rim of the can. The rolled lid has a small flattened handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

From the 1860's - 1930's various companies called their enamelware products by their own unique names, e.g. graniteware and agateware. The enamel coating put an end to metallic tasting food and prevented rust from contaminating food. It did scratch and chip easily. This lidded can could have been used for storing dripping or other liquids for cooking.A rusted and chipped grey speckled lidded can or billy with a wire handle looped at the sides. It has a rolled black trim around the rim of the can. The rolled lid has a small handle in the middle and the lid fits well to the can.enamel, metal, domestic object, cans

Ancestor of Sub Branch memberPte. Dempster was an ancestor of a Montmorency/Eltham sub-branch member.British War Medal Silver disc with a straight clasp suspender without a swivel Ribbon (in clasp) - wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue Obverse ... bare headed effigy of King George V (by Sir Bertram Mackennal) facing left with the legend around circumference Reverse ... St. George on horseback trampling shield of eagle (symbol of "Central Powers"); above is rising sun of victory. Victory Medal Bronze disc with circular loop which is threaded with ribbon Ribbon - a ‘two rainbow’ design, with the violet from each rainbow on the outside edges moving through to a central red stripe where both rainbows meet Obverse ... image of "winged Victory" Reverse ... inscription surrounded by laurel reathBritish War Medal Obverse ... GEORGIVS V BRITT OMN : REX ET IND. IMP. (George V, King of all the British Isles and Emperor of India) Reverse ... 1914 1918 Rim ... Pte J. H. Dempster, 24 BN AIF Victory Medal Obverse ... no inscription Reverse ... THE GREAT WAR FOR CIVILIZATION 1914 - 1919 Rim ... Pte J. H. Dempster, 24 BN AIFwar service medals, ww1

Five World War II medals attached to coloured ribbons. Clip on back. Two star medals, bronze, and three silver round medals.The 1939-1945 Star, The Pacific Star (two medals). On reverse of both, 56830 Tanner KL 1. 1939 1945 with lion, otherside, head of King George, on rim, A31746 Tanner KL. 2. 1939- 1945 with lion, other side, head of King George. 56830 Tanner KL. 3.Head of Queen Elizabeth, otherside, For long-service and good conduct, on rim, A31746 Tanner K.L.ww2 medals,tanner, pacific star., 1939- 1945 star

Women wore frames characterized by an upsweep on the top rim, a style that was very popular until the end of the 1950s, while men tended to sport gold wire frames. These glasses are probably men's glasses. By the latter half of the 20th century, spectacles were considered part of a person's wardrobe. Similar to clothes, eyeglasses needed to be continually updated or a person could be perceived as old-fashioned. More and more celebrities were influencing spectacle fashion.These items reflect how glasses styles have changed over time and are becoming a fashion accessory as well as a prosthesis and support for lenses, Six pairs of assorted glasses and 4 cases. spectacles

Three commemorative, but also usable, spoons with 'Lady Nell' and 'Seeing Eye Dog School' on a beige background, around a blue and beige circle with a dog in harness in the middle. An orange background as the outer rim makes it resemble an eye. The bowl and handles of the three spoons vary in design. Spoon collecting was a popular hobby during the late 1970s and early 1980s amongst souvenir hunters who found it an easily portable way to track their travels and interests. 3 silver plated spoons with various bowl and handle shapesfundraising, lady nell seeing eye dog school

This item was bought by George Henry Douglas Russell when he married Hilda Raymond, a parson's daughter, in 1920. This galvanised metal wash tub was manufactured for domestic use prior to household plumbing, running water or waste removal in Australian homes. On farms in the late 19th / early 20th centuries there were no built-in coppers and concrete troughs with reticulated water. Thus the washing for the family of five daughters was done with this tub. .Tubs of this type vary in size and were used for washing dishes (It was the “ kitchen sink”) or for washing smaller items of clothing “the delicates”. This tub could also have been used to bathe the children. The water was heated on a wood fired stove, then carried to the tub. This could be a lengthy and physically demanding exercise. Much more labor intensive than loading the dishwasher. After use the water may have been “recycled”by being poured onto vegetable gardens and fruit trees. Later at harvesting this tub held maize and beans to top up the three bushel bags of the threshing machines. This was before the hand sewing of the top of the bags with needle and twine.This tub is an indication that items for domestic use in the early 20th century were “made to last” and not manufactured for planned obsolescence.A large galvanized iron was tub, circular with the sides tapering slightly to the flat base. It is seamed on both sides, made from two shets of iron. The base has been soldered on. and the top rim is folded. On either side handles are rivetted on.domestic laundry was-tub galvanized-iron

This earthenware dinner plate was donated by Lorna Jensen. It had belonged to her father Wally O’Brien, who was a cyclist and had ridden in the long Melbourne to Warrnambool Cycle Classic twice. Wally was given this plate by a diving friend who had recovered it from the wreck of the LOCH ARD, on the southwest coast of Victoria. The plate had been sitting in Lorna’s mum’s china cabinet until recently when she and her husband drove to Warrnambool to donate it to Flagstaff Hill Maritime Village. When they stopped at a friend’s home along the way the friend removed it from its plastic bag and tea towel and carefully wrapped it in protective packaging for the rest of its journey. The plate is very similar to other plates recovered from the wreck of the LOCH ARD. It is uncertain whether the plates were personal belongings or part of the cargo. The Asiatic Pheasant pattern is a transfer design and was the most popular design of the 19th-century Victorian era. It is still being produced today. The design was produced as high-quality, decorative dinnerware by the potters in the Staffordshire, England, area from the late 1830s, but no one is sure exactly who the original designer was. The industrial age made the production of this design more affordable to the ordinary person who purchased and proudly displayed settings in their homes. The high demand for production resulted in the loss of quality in both potting and design, particularly between 1860-1914 when the design reached its height of popularity, and the results were often a poor match for the earlier pieces’ quality and detail. Some engravers would make copies of the Asiatic Pheasant design (and other designs) onto copper plates and sell them to more than one pottery producer (the Copyright Act of 1842 was intended to control this very thing). Consequently, the list of Makers’ Marks associated with the Asiatic Pheasant is well over 100. A single pottery factory could have several owners, all with their own Marks. These factors all make the dating of pieces difficult. Also, after 1891, pieces produced for export were required to be stamped with “ENGLAND”, but pieces produced for the domestic market in England did not need this stamp, so early pieces and pieces produced for the domestic market would all be without the “ENGLAND” stamp, confusing the matter. Over time the body shape of the pieces changed, the feathered, curved and fluted edges giving way to simpler, cheaper oblong shapes. The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square-rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29-year-old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrellas, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that were intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3 am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4 am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head-on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold their position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open a case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some were washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck, it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register.Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history.Plate, earthenware dinner plate recovered from the wreck of the Loch Ard. Blue transfer design (Asiatic Pheasant) with a clear over-glaze. The outer rim is scalloped. Printed within cartouche on underside of plate "_ H E C L " Printed within cartouche on plate "_ H E C L "flagstaff hill, warrnambool, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, tom pearce, eva carmichael, loch ard, asiatic pheasant design, dinnerware, ceramic plate, wally o’brien, dinner plate

This mug with the name inscribed on the side was perhaps a present for a child. No information has been found on Henry Reeves though there have been well-known families bearing that surname in Warrnambool’s history.This mug, at this point of time, has no known local significance, but it is an attractive item and will be useful for display. This is a white china mug or cup with coloured flowers and foliage painted on the sides. The handle has a blue decoration and the rims of the base and the top are blue. There is a crack on the side and some staining on the inside of the mug. The name ‘Henry Reeves’ is painted on the side of the mug. ‘Henry Reeves’ household items, history of warrnambool, henry reeves

Cutaway of round for display and education purpose.Ammunition round 20 mm brass shell and cutaway of projectile for education purposes. Brass shell tapered cone shape with rim at base for ejection of round and detonator at end. The projectile is cone shaped with yellow plastic covering half the round.On brass shell - 20 mm - DS - MK - AN 149. Mod 1 ALN073. WC859 LOT 83. ADI 11/01.ammunition, round, inert, display