CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint of seated male in black suit. Background is a pale pink covered with an ornate orange and dark pink vine-like pattern. This pattern is continued in the man's suit by using two shades of black. No Matt. Wooden and gold frame with glass glazing.Front: Portland Commemorative Print (lower left) (stamp) 1/20. A Gee The Groom (Lower centre) (pencil) John Cain (signature, brown ink) Premier of Victoria (black in stamp) (lower right) Back: (no inscriptions)

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint with green and orange grassy foreground. Centre of image shows a grey body of water with black swans and ducks. Top half of work features a blue/grey cloud with ducks in flight on the right side.Front: Artists Proof (lower left) Urban Lagoon (lower centre) R. Davies '84 (lower right) Back: 4

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with light blue background. Top left side features a large pink and brown bird (albatross) in flight. The bottom third of the work is a large brown and yellow rectangle which represents a sheep ship.Front: 5/6 (lower left) "The Sheep of Fools" (centre) Wendy Black '83 (lower right) Back: 1.

Port of Portland Authority archives.Front: (no inscriptions) Back: (no inscriptions)port of portland archives

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint which features various images on a blue and green background. The images from the top are: high tension wires and supports; numerous 'Coca-Cola' cans that descend in size; a war memorial statue; bluestone building; several orange sheep with one black sheep.Front: (no inscriptions) Back: 30

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a seascape with water and trees (she-oaks) in the foreground. The background illustrates a calm ocean meeting a cloudy sky. Only two colours have been used within the print, a light blue and a dark green.Front: 8/20 (lower left) She-oak (lower centre) Signature (lower right) (pencil) Back: 6

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of twig with flowers. The twig has green leaves, red buds, and red flowers with yellow centres. The work is printed on cream paper with torn edges.Front: 17/18 (lower left) MD Solly '84 (lower right) (pencil) Back: 40

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint using numerous colours with primary focus on a whale and crayfish. Background is blue, green and yellow with various patterns and text "150 YEARS OF PORTLAND RBR 35".Front: 6/25/83 (lower right) (pencil) Back: 34

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint with blue, green and white background. Four pink lines (in various shades) flow horizontally across the work. In the bottom left corner is a pink/red shell.Front: P. Jarrett (signature, lower right) (pencil) Back: 22

Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives

CEMA Art collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of seascape with pink flowers and ferns in the foreground. The centre of the image illustrates the ocean in shades of blue, pink, grey and black. In the background of the image is a large pink cloud.Front: 10/11(lower left) "Pink Hibisky" (lower centre) Signature (lower right) Back: 7

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984. Work used as cover for A Community View Catalogue.Laminated screenprint of Portland Bay focusing on Portland Baths. The image depicts the beach, several piers and the Bath House. The image is predominately red, orange, blue and grey.Front: 3/12 (lower left) Umbrellas at the Beach (lower centre left) Angela Gee '84 (lower left) (pencil) Back: 13

Depiction of a beach with large boulders. The boulders are covered in lichen and algae, and beach sweeps up towards centre right of image. The central third of painting shows the sea (continuing behind the boulders), depicted in blue with white highlights and dark blue shadows. It is edged in the background by a cliff face (painted in brown and grey). Sky is darker blue at top and lighter blue where it meets the horizon. Mounted in double matt (pale tan on faun) with decorative cut-out border, framed under glass in wooden frame.Front: Rankin '90 (lower right) (white paint) Back: 333 (upper left) (sticker) 1990- (upper left) (pencil). Low tide Cape Grant area September 1990 $350 Pastel Ian Rankin. 46 Hurd St Portland Vic 3305 Phone Portland 231465. Phone 055/231465.