The Aitken Gap Gaol was originally constructed at the Gap Settlement on the Calder Highway in 1857 for the gold escorts. It was relocated to its present site outside the Sunbury Police Station in Macedon Street between 1989 and 1991.A coloured photograph of the relocated Aitken Gap Gaol. It has bluestone walls and a moss covered slate roof. with 2 solid stained wooden doors and blue painted wooden trims. A small cell window is on the side of the building and a paved brick area surrounds the gaol.aitken gap gaol, gap village, sunbury police station, george evans collection

Worn by Edith Finger in the 1930s to local dances at Vermont.c 1930s Mauve shot silk taffetta with puff sleeves, gathered on shoulder and neck edge. Bodice falls into a inverted 'V'. Mid-riff skirt cut on cross. Trimmed with pink sequins. Back skirt gathered at centre - shaped tie fold over.costume, female

Woman's grey felt hat with felt bow and feather trim. Has a string to hold in place when worn. Label reads "Original model From Stella Long, 14 Block Arcade Melb 638507." c. 1950s. Owned by Mrs Jean Robinson.

Grey felt hat with grey felt trim, hat elastic and comb fitted inside. Label inside the hat says "from original model. Stella Long, 14 Block Arcade Melbourne 654 8507". c. 1950s. Owned by Mrs Jean Robinson.

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981Salmon-trout sushi from Toyama City is packaged in much the same way as the Osaka product. The lid of the container is held down by pieces of split bamboo firmly lashed with vine. An arrangement of trimmed bamboo leaves cover the contents. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Souvenir glassware to commemorate Back to Wandin Nth March 9th to 12th 1984A pair of memorial heavy based gold trimmed drinking glasses with gold lettering to commemorate Back to Wandin March 9th to 12th 1984 with a gold wheelbarrow at the top. There is also a General Store Wandin Nth gold inscription with a gold printed picture of the store above.Back to Wandin March 9th to 12th 1984 with a gold wheelbarrow. Also, General Store Wandin Nth with a picture of the store in gold.glassware, memorial glasses, tableware

Large plastic doll standing 80cm tall. Red hair in two plaits tied with faded satin ribbons. Her eyes close when laid down on her back and legs are jointed at the hips. She is wearing an ankle length blue and silver satin dress with long sleeves and blue and white sequinned braid at the neck and sleeve edge. Underneath the dress is a pale blue taffeta petticoat with a white satin and lace trim and bloomers of the same material trimmed with white satin bows and faux crystal drops. She is barefoot and her feet are cracked and broken. Her face and hands have several marks.toys, dolls, plastic

White cotton infant's nightgown with long sleeves. Yoked front and back. Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. Front of nightgown attached to yoke with series of knife pleats with lace trim on outer edges. Decorative lace across front at waist level with 40cm ties attached on either side. Back of nightgown gathered onto back yoke. Back opening (36cms) fastened with two different one cm plastic buttons. Long sleeves trimmed at wrist with two rows of lace and diagonal pintucks. Six horizontal rows of pintucks four cm above hemline.costume, children's, white cotton infant's nightgown

Cream coloured long sleeved infant's silk nightgown. Yoked front and back made up of overlay of vertical strips of lace. Ruffle of gathered lace around high neckline. Set in sleeves with 1.6cm lace trim and three pintucks at wrist. Skirt gathered onto yoke and front. Lower section of nightgown has three X four horizontal sections of four pintucks with lace inserts (2.5cm) between the sections. Gathered ruffle at hem,(15cms) with four pintucks and three cm lace trim with scalloped edge. Back opening (26cm) fastened with two X .8cm plastic buttons at either end of the yoke.costume, children's, cream coloured infant's silk nightgown

Clothing. Infant's white cotton gown with long sleeves. Round neck with casing for cotton tape ties. 2cm lace trim around neck. Back opening (18cm). Gathered at back from neckline. Front has pintucks from neckline to broiderie lace band at waist (15cm X 2.8cm). Gathered below band. Cotton fabric ties (66cm) attached to either side of waist band.Centre front of bodice has vertical lace insert (10cm X 2.8cm) from neck to waist. Ties and sleeves trimmed with 1cm lace. French seams. Machine stitched. Old box 230.costume, children's, infant's gown

Items in the collection re: "William Anthony (Bill) THEODORE DSM". Refer Cat No. 7926P for his service records.1. 2. 3. Collars RAN Uniform worn by Recruit to Leading Seaman ranks. Navy blue colour cotton fabric, square shape sailors collar with white colour cotton trim in three rows. Collar secured by white cotton tapes. Lining - blue and white colour cotton ticking. Owners information on lining. 4. Collar RAN Uniform worn by Recruit to Leading Seaman ranks. Navy blue colour cotton fabric, square shape sailors collar with white colour cotton trim in three rows. Collar secured by white cotton tapes. Lining Navy blue colour cotton. Owner's information - black ink stamp. 1. & 2. "W.A. Theodore". 3. "O. ARDIS" uniform, ran, ww2, william anthony theodore dsm

This cream and green patterned vest is said to have been made for William Herbert Teal as part of his "trouseau" on the occasion of his marriage to Daisy Edith Davis on April 14th 1916 at St. Peter's Church, Merino, Victoria, Australia. It is a handmade waistcoat but it is not known who made it. William Teal was born in 1889 to Elijah Teal and Isabella Campbell Reid in Camperdown, Victoria and after marrying, William and Daisy also lived (and worked as farmers) in the Camperdown area. They had seven children. Daisy died in 1962 and William died in 1975. A wedding portrait of William and Daisy shows William wearing a dark suit consisting of a single breasted coat, trousers, good shoes, gloves and a shirt with a stiff, high collar, however if he is wearing this vest, it is unfortunately hidden under his coat. Although by 1916, men's "ready to wear" clothing were widely available, this waistcoat was handmade (possibly by his mother or sister or future wife) and has been preserved by his family for almost one hundred years. Men's suits in the early part of the twentieth century were predomininantly three piece, consisting of a jacket, vest ( or waistcoat) and trousers made from matching fabrics. On special occasions (such as a marriage) the groom might also wear gloves and have a flower in his buttonhole. Some men liked to wear a watch attached to their waistcoat with a fob chain.This item is of significance as a rare example of a man's vest that was made for a special occasion (William Teal's marriage in 1916) and preserved by his family for several generations.Man's handmade vest with a green and cream patterned brocade front, trimmed with green cord around the edges and featuring four inset pockets (also trimmed with the green cord). It has six buttonholes down the left front edge (plus a hand embroidered buttonhole to hold a fob chain) and six corresponding holes for shank buttons (which are missing) down the right front edge. The back and lining are made from cream cotton fabric. The back has a centre seam and a strap with a metal buckle with prongs (to allow for adjusting the length). The cream lining and back display some discolouration and brown marks.flagstaff hill maritime museum and village, great ocean road, warrnambool, camperdown, merino, teal family, william herbert teal, daisy teal, daisy davis, waistcoat, man's waistcoat, vest, wedding, handmade vest, wedding clothes

Clothing. Woman's grey, cream and black dress, with fine all-over swirling fern leaf design fabric.Eleven gores in skirt, home stitched dress. Long sleeves with a turn-back cuff 5cm wide at the peak, tapering to 2.5 cm wide at the 4 cm long opening, which fastens with one metal press-stud. The cuff is trimmed with decorative rouleau loops and coils, giving a flower petal effect. This effect is repeated on the peaks of the revere collar. A rouleau looped bow trims the centre front neckline. A shaped, peaked band on the front bodice extends from the side seams to give the effect of a belt at the back. This is stitched in place and trimmed with three rouleau coils-centre coil 2 cm in diameter, flanked by two coils 1-2 cm in diameter. Skirt has three stitched down pleats, ranging in length from 7 cm to 8.5 cm long,on either side of front skirt.costume, female, woman's grey.cream and black dress

Blazer, cap and pin all worn by Neil Webb (1940py). Neil was Cox for the 1937 Head of the Lake regatta. Boys black wool blazer with red trim. Pocket embroidered with crossed oars under crest. Pocket top has rowing colours and embroidered croosed oars. School pin in lapel has crossed oars . Red school cap with crest about narrrow peak. Inside school cap crown sewn name label: 'Neil Webb' rowing

Robert Charles Roberts No 3200 RAAF. Enlisted 17.1.1938, Rose to the rank of T/Sgt LAC 1.11.1939, transfer to Aircrew 26.11.1940, commissioned 29.7.1941, embarked for Canada 15.9.1941 then UK, posted to 455 Sqd (UK) 24.2.1942. Reported missing 10.4.1942 then presumed dead 11.4.1942.Coloured photo, cream background., head & shoulders portrait of Robert Charles ROBERTS in RAAF uniform. Peaked cap, white shirt & tie, Air Force wings badge on L breast. Brown wooden frame with gold trim, glass front, fawn cardboard backing.In black texta on back: Lyn Harrisonphotographs, raaf, framed

Used in shops and businesses in Australia prior to decimal currency being introduced in 1963.A Victor hand-operated adding machine covered in brown plastic trim. It has a lever on the right hand side which turns. Has eight columns of numbers with 1 - 11 on the right hand column and 1-9 on six columns and 1 only on one column.A gold VICTOR label on the front. adding-machine pre-decimal-currency

Councilor John Pollock Spiers was elected as a member of council in 1893 to 1902, 1904 to 1910 and 1915 to1918.He was appointed to two terms as :President 1889-90 and 1899-1900.Original Historic Photo.Sepia photo,oval,with gold trim,of Councilor John Pollock Spiers, set in light grey mount which forms a horse shoe.The photo is second from bottom of left side of horse shoe.It forms part of collection of photos of all councilors for 1885-86. Presented by the President G.Rennie Esq. to the Ballarat Shire Council 1885-86.ballarat shire council, spiers john pollock 1893 1902, 1904 1910, 1915 1918

White Bri-nylon flared knickers with centre front and centre back seams overlocked. Rectangular shaped gusset, with a centre overlocked seam which aligns with the centre front and back seams of the garment (and forms part of it.) A 4cms wide band of lace trims the edge of the legs.Hanro 0S. 100% Bri Nylon. Swiss Inspired.costume, female underwear, knickers

Dad & Dave Cafe was located in Pall Mall Charing Cross Bendigo. It was opened by dairy farmer and milk bar owner Les McClure in 1939. His Four'n Twenty meat pies were initially made in Bendigo in 1947. McClure sold his Four'n Twenty Pie's Pty. Ltd. to Peters Ice Cream (VIC) Ltd. in 1960.A cream coloured jug with green decorative trim and McClures on it. Its ten centimetres high, eight and half centimetres diameter at its base six centimetres at the top with a small spout. Opposite the spout there is a curved handle that's one centimetre wide and seven centimetres heigh.ceramics, dad and dave bendigo, leslie thompson mcclure

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Paper mache head and hands and 1 wooden boot covered with brown leather. 1 wooden leg carved as a hoof. Head painted red with white eyes and teeth trimmed in black. dressed in maroon trousers and coat with red and gold trimmings. Black felt collar.pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre

From the collection of Betty McPheeBrown bakelite self-filling fountain pen with lid It has a metal and bakelite nib. At the end of the barrel is a knurl screw fitting to enable self-filling. It has a pale brown trim one centimetre from the edge of the lid. Very fine engraved inscription on barrelOnoto Patent self filling pen De La Rue Londondomestic items, writing equipment

Hand sewn and machined by Elizabeth Webber nee Eddy1920s Black silk brocade gown lined with sateen trimmed with jet sequins and beads. It has a matching black silk brocade shirt front with high collar neck lined with cotton and false bolero lined with silk. Also matching is a black silk brocade vest.costume, female

Scarlet felt beret black canvas trim. Gold coloured anodised aluminium badge laurel with crown at top, crossed swords in middle and bow at bottom.(Royal Australian Corps of Military Police) has two pins to go through beret held by two clips.Label Christies Sydney. On inside on crown of hat imprint (faded) appears to be crown KENT. Pure Wool. Large.

Date made February 1993|Joan Marie Star, Tommy Greers boat, built Sydney by Holmes.|Part owner Ted Jackal, Incident on bar, Bairnsdale Advertiser 29 October 1964|Copied from original slideColour photograph showing the fishing vessel Joan Marie Star on the slips at the scallop wharf. Vessel painted deep blue with white trim, dark red anti fouling below, white shed below left, ladders and work gear on wharf. Lakes Entrance Victoriafishing industry, ships and shipping, jetties

A red Fiat 500 was replaced by a 1961 Truimph Herald Coupe as Patricia Boyd's car. Later the Truimph was replaced by an Alfa Romeo Coupe.Documentation for purchase of a 1961 model Triumph Herald Coupe (2 seats) in sebring white with mauve (not red, as invoice reads) trim, Registration number HKO 492. Four documents, one white, three blue. Deposit paid to Standard-Triumph two days earlier.Deposit has handwriting on reverse by Patricia Boyd.ohm2022, ohm2022_6

Hand painted enamelled Chinese vase on stand. Features a floral design predominately in colours of white, blue, pink, green, black with gold trim and edging. The gold finish is especially a feature inside the vase neck. Black enamelled wood stand with labels on the base with price.

Framed pastel titled: "Fauna in the night" painted by Dorothy Turnball. Features a possum perched on a branch amongst red blossoms. Set in grey card window mount with red and grey trim. Grey painted wood frame. Brass engraved plaque affixed to lower edge.