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Uniting Church Archives - Synod of Victoria
Photograph, Rev. Colin Knox, Pre-1977
The C&N article using the photo is headed "Caught between vocations: Colin Knox makes a choice." Faced with the tension of being a parish minister and also with a special calling to communication through photography and the media, Knox chose to focus on the parish ministry and keep his communications interest as a sideline. He hoped that one day the UCA would establish a central audio-visual unit, not dependent upon a private person with privately-owned equipment.B & W photograph of Rev. Colin Knox standing next to an older woman with teddy bearsC&N identificationknox, colin, uniting church minister -
Stawell Historical Society Inc
Photograph, Two people in library next to a Microfische
Two People inside library, One man and one woman looking at a micro fische machine.biarri -
Stawell Historical Society Inc
Photograph, Two People Seated behind a table
Two women seated to right of table with crockery and cutlery, the woman nearest camera has glassesbiarri -
Stawell Historical Society Inc
Booklet - Realia, C.J. Williams Bread Factory, Patrick Street, c.1930
Recipies made with bread. These delicious Dishes are made with BREAD. BREAD is our Best Food Eat more of it.lEconomical, tempting RECIPES From Mor Bread campaign - W Slater M.L.A. Minister for Agricuture. Depresion era recipies.Paper - Blue. Colour Illustration of Woman with bob cut, green dress holding Steaming Dish75 Delicious Dishes made with bread with compliments from C.J. Williams, Bread Factory Patric Street STAWELL Telephone 333 -
Stawell Historical Society Inc
Book, Ida Stanton, Bridging The Gap 1988 -- The History of Halls Gap From 1840 by Ida Stanton, 1988
Tales of Hall's Gap in the Grampians, as collected by the Pupils of Hall's Gap Primary School, from the descendants of Pioneer Families, and Recorded prior to 1940. Rerecorded from old well worn notes, by Grant W Greenwood, Head Teacher 1937-1939.Fawn cover with drawing of trees and mountain in the background. in the foreground is a bridge over a river, with a woman in a dray. Presented to Stawell Historical Society Ida Stanton May 1989stawell grampians -
Stawell Historical Society Inc
Photograph - Portrait, Alice Martin, December 1908
Huttley - Martin FamilyStudio Portrait: woman on chaise lounge in formal wear with corsage, holding fan - Colour TintingAlice Martin my grandmother (Mother's Side) Madge Huttley's Grandmother Alice Herbert's Studio, Paris Panel Stawellhuttley, martin -
Stawell Historical Society Inc
Photograph, Herberts Photographer, Mr James Rathgeber & Mrs Sarah Rathgeber nee Unknown -- Studio Portrait
Black and White portrait of man seated and woman standing. James and Sarah (Prior) Rathgeber. c1900James + Sarah (nee Prior) Rathgeber Concongellaengine, industry, forrest, ww1 -
Rutherglen Historical Society
Photograph - Image, Grourelle, 1880s (Approximate)
Mounted sepia photograph of a young woman, standing, dressed in long velvet dress with lacy sleevesAt bottom of mount: "Grourelle | 69 & 71 Swanston Street | Melbourne"portrait photograph -
Rutherglen Historical Society
Image, Burlington, c1890
Photograph is part of a collection from the Presentation Sisters, Mount Carmel Convent. Black and white portrait photograph, mounted in a cardboard folder, of a young woman in an academic cap and gown.On front of folder there is an embossed coat-of-arms, and at the bottom: "The Burlington Studios. 294 Bourke St, Melbourne" On the back of the folder is written: "Aggie Crowe"mt carmel convent, presentation sisters, mount carmel convent, aggie crowe -
Rutherglen Historical Society
Image, 1920s
"Originally known as the “Old Ready Homestead” the house was built in the 1890’s and was surrounded by a larger parcel of land that at least included the lot next door (No 90) and possibly extended as far as the Church property. This area was the scene of many garden parties and Wedding parties and contained a large water fountain. The property remained in the Ready family until sometime after the death of Mabel Ready in 1967." [information from the Bed and Breakfast website in the link above] Peter and Pauline Meade sold the property in November 2017.Black and white photograph of the front of a Victorian style weatherboard house with a man and a woman standing on the veranda.On back of photo: "Ready's house in Rutherglen"roy ready, ready family, royston ready, ready house -
Bendigo Historical Society Inc.
Leisure object - STEREOSCOPE CARD
Card for stereoscope viewer showing domestic scene of 2 men and 1 woman in period costume.S.S.Hough & Co Importers of Fancy Novelties 75 Bourke St East Melbourne Theatre Royalphotography, viewers, stereoscope -
Tennis Australia
Decorative object, Circa 1985
Crescent shaped tin decorated with scene of man and woman playing tennis. Materials: Metal, Inktennis -
Tennis Australia
Page from Magazine, Sep-26
An article entitled 'Beauty - safeguard it', featuring an illustration of a woman with tennis racquet. Materials: Paper, Inktennis -
Kew Historical Society Inc
Headwear - Red Fabric & Net Cocktail Hat, 1950s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woven red woman’s half hat with the addition of red net and flowers at the side in the same colourNilwomen's clothing -- hats, cocktail hats, headwear -
Kew Historical Society Inc
Headwear - Red Velvet & Net Hat, 1950s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A maroon velvet and net close fitting woman’s hat. The edging is formed from folded velvet.women's clothing -- hats, headwear -
Kew Historical Society Inc
Headwear - Blue Velvet Sequinned Bowler Hat, 1980s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Bowler-shaped woman’s hat made of blue velvet with a rolled brim that is covered in blue sequins.Nilwomen's clothing -- hats, headwear, bowler hats - women's fashion -
Kew Historical Society Inc
Headwear - Green Corduroy Beret, 1970s
The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Dark teal green corduroy woman’s beret. The beret has a bow of the same fabric at the rear.Nilwomen's clothing -- hats, berets, headwear -
Stawell Historical Society Inc
Photograph, Portraits of William Hobbs Investors in Stawell Gold Mines and Wife Mary Ellen Hobbs c 1870
William and Mary Hobbs became wealthy mine owners in Stawell particularly from the Magdala cum Moonlight Mine. Two B/W portraits of man in suit leaning on pedestal., and Woman in hat and collared dress.On Portrait of male. Stewart & Co 219 219 Bourke Street East Melbournestawell -
The Dunmoochin Foundation
Oil Painting, Helen with Fugitive Smile, 1989
Portrait of a woman with blonde hair and hands clasped wearing a red dress against a red background.Inscribed (Ll) 'Helen, with a fugitive smile'.clifton pugh, painting, helen, dunmoochin -
The Dunmoochin Foundation
Oil Painting, Adriane in Bed, 1982
Portrait of woman with short brown hair lying on a blue and white patterned pillow with white coverlet. Signed (L.r) 'Clifton 22 July '82'. clifton pugh, painting, portrait, adriane -
The Dunmoochin Foundation
Oil Painting, Adriane with Flowers, 1982
Portrait of a nude woman with dark hair seated at a table with a bouquet of flowers against a turquoise background. Signed (L.r) 'Clifton 16-17 April '82'.clifton pugh, painting, portrait, adriane, flowers -
Montsalvat
Silver Belt Buckle, Diana and the hounds
Silver rectangular belt buckle depicting a woman running with two hounds contained within a circle.Rectangular sticker with number 71matcham skipper, belt buckle, silver, jewellery, dianna and the hounds -
National Wool Museum
Photograph - Portrait of Rhonda Kelly, Nicole Marie, 2021
Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Rhonda Kelly - Friends of Waurn Ponds Creek Conservation volunteer projects not only have great biodiversity outcomes but are also collegial community groups that bring people together. Rhonda Kelly has worked tirelessly for over a decade for Waurn Ponds Creek. The Friends group is recognised throughout Geelong as a well-run, well organised and successful community group. This is due to the hard work of people like Rhonda. Rhonda is involved with all aspects of the Friends Group as Convener of the group, seed collector and propagator of plants at the community nursery. She is welcoming, passionate and hardworking. Not only does she organise the planting days and monthly clean-up days, but she also works with the community and schools engaging people with the value and beauty of the creek. Photo at Waurn Ponds Creek by Nicole Marie.Image showing an environmental portrait of a woman holding two potted seedlings with trees and grass in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers -
Federation University Art Collection
Work on paper - Artwork - Bookplate, Norman Lindsay, Francis Crossle Bookplate by Norman Lindsay, 1927 (Norman Lindsay)
Art historian Robert C. Littlewood is a Private Press publisher who utilises his skills as a fine art photographer, a video producer, researcher and writer to document the lives and achievements of Australian artists who create (or created) original graphic prints. Littlewood is President of the Australian Bookplate Society and a Trustee of the Keith Wingrove Memorial Trust which administers the world's richest and Australia’s only Bookplate design award. Etched bookplate for Francis Crossle showing a nude male angel and a nude woman above a crestOn plate "Credo et amo Francis Crossle"bookplate, lyttlewood press, norman lindsay, francis crossle, etching, printmaking, crest, nude -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner historical information John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Nude woman sitting sideways on top of an oversize book, all depicted within an embossed circleSignature bottom right hand corner (possibly L May)keith wingrove memorial trust, australian bookplate design awards, printmaking, life drawing -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) A minimalist line drawing of a side on view of a nude woman sitting and leaning back on her handsPencil 85/200 and signature of what appears to be K Bener 84bookplates, printmaking, life drawing, australian bookplate design awards -
Vision Australia
Photograph - Image, Barbara Giblin assists a client move down a flight of stairs using her white cane
Barbara Giblin, a mobility instructor with RBS, guides a long cane user, down stairs. 1 B/W photograph of woman instructing another on using white cane down the stairsMiss Barbara Giblin, mobility instructor, with client on use of the Hoover long cane. Mobility - national. Negative number: 7/72105royal blind society of nsw, white cane day, orientation and mobility, barbara giblin -
Vision Australia
Photograph - Image, 2009 Vision Australia Christmas gift wrapper, 2009
Volunteer gift wrapper gets ready to wrap Christmas presents at Myer Gift Wrap. For each present, a gold coin donation ensures a well wrapped present and that funds are raised for Vision Australia.Coloured photograph of woman in white shirt and purple apron cutting ribbon on gift wrap tablevision australia, fundraising -
Federation University Art Collection
Work on paper - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman with red hair and pig tails is depicted reading a book whilst standing on a cloud.bookplate, printmaking, life drawing, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Artwork - Bookplate, ‘Ex Libris Edwin Jewell’
After a quiet period, interest in bookplates in Australia began to increase in the early 1970s, Entrepreneurial art and book collectors such as Edwin Jewell and others commissioned multiple Bookplate designs from a range of well known fine artists. At a 1997 meeting in Melbourne of the Ephemera Society of Australia Edwin Jewell and others announced the formation of the Australian Bookplate Society. The society was instrumental in promoting the art of the bookplate through establishment of the Australian Bookplate Design competition.A nude woman with red hair and a pony tail reads a book while standing beneath the moon.bookplate, australian bookplate design award, printmaking, keith wingrove memorial trust, life drawing