Cut glass perfume bottle with stopper.personal effects, containers, perfume

Small clear cut glass vase

Commemorates the tenth anniversary (2012) of the independence of East Timor, achieved on 20 May 2002. The people of the first new nation of the century suffered some of the worst atrocities and trauma of modern times in their struggle for self-determination. Honours the spirit of the East Timorese people and their connection to BallaratThe artwork is of aesthetic and interpretative significance to the people of BallaratCorten metal laser cut sculpture2012 Australia East Timor Association (Ballarat) honours the spirit of the East Timorese People on the tenth anniversary of the restoration of their Independence. Artist, Marqy da Costa, Afalyca Art Baucau, East Timoreast timor, independence

The illustration looks northeast from Town Hall overlooking the intersection of Sturt and Lydiard Streets, towards Black Hill and Grenville St. Has two ESCo trams in view, both with roof-mounted destinations, Post Office, and the Grenville St shelter. C1907. Has the National Mutual building in the bottom right-hand corner advertising Commercial Unity and Doepel & Co.Yields information about the intersection of Sturt and Lydiard Streets and associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, post office, sturt st, lydiard st, esco

Set of two illustrations - back to back - the first a view from the Town Hall, looking northwest over the central Sturt St median strip. Has one ESCo tram in the view. Has on the corner of Sturt and Armstrong Streets, A Dawson store and R Ludbrook & Co furnishings. The second illustration is from the north side of Sturt St looking southwest towards Doveton St, Has Skewes Chemis, Wall paper warehouse, and Shoppee's Square in the view.Yields information about Sturt St and the associated buildings.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, armstrong st, doveton st

Illustration titled - "Sturt Street (looking west) with an ESCo tram turning from Sturt St into Lydiard St North from the Grenville St terminus. The tram has the destination box above the driver, c1907. A horse-drawn cart is in the view along with the Town Hall, the National Mutual building with the Jeweller's sign C Marks visible. On the left hand side is the Robbie Burns statue.Yields information about Sturt St and the associated buildings and ESCo operations.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, lydiard st, ballarat town hall, statues

Illustration titled "Lydiard and Sturt Streets" - Centre of Ballarat, showing Post Office. In the bottom left-hand corner is a single-deck horse tram with a Havelock Tobacco advert on the roof. The illustration gives a sweeping wide angle view of the intersection with the Post Office marked with the words "Post Office". There are several horse-drawn vehicles and pedestrians in the view. The image has the initials "HJS" and "PS&Co" on both photos in the bottom corners. On the rear is a photo of the Gong Gong Reservoir with a note about its size and construction - built 1877.Yields information about a single deck horse tram and the intersection of Sturt and Lydiard StreetsIllustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, post office, horse trams, single deck horse tram, gong gong reservoir

Illustration titled - "Sturt Street Ballarat" Image is of an ESCo tram (No. 5) just to the west of the Armstrong and Sturt St. intersection with the Ballarat Town Hall, the National Mutual building in the background. Tram traveling east. Tram has a destination box on the roof, but no driver's windows, say 1906 - 1912 or 1910c. Some horse-drawn vehicles in the image. Snows has a "Summer Clearance" sign on the building. See also items 5129, 8414 and 837 for other postcards using this image.Yields infomation about Sturt St and ESCo tramsIllustration cut from a magazine or publicationballarat, illustrations, sturt st, esco, ballarat town hall, tram 5, armstorng st, town hall,

Illustration titled - "Sturt and Lydiard Streets" Shows an ESCo tram with all the blinds drawn in Sturt St just to the west of Lydiard St. Has the National Mutual building with C Marks & Co jewelers, Craigs Hotel, and the Town Hall in the view. On the rear is another view of Sturt St, not the full width of the original item, with an ESCo tram at the intersection with Armstrong St. Has Snows and Shoppee's Square in the view.Yields information about Sturt St at Lydiard St and Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, esco, armstrong st, town hall, national mutual, craigs hotel

Set of two wide-angle views - both with the initials HJS and PS&Co in the bottom corners. 1 - Illustration titled - "Ballarat Looking East from Town Hall Tower" - with a horse tram turning from Sturt St into Lydiard St North and another running westbound on the north side of Sturt St. 2 - "Town Hall to Bridge St from GPO Tower" - There are no horse trams in the view. The National Mutual building is yet to be built - see reference.Yields information about Sturt St from Bridge St to Armstrong St.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, town hall, national mutual, craigs hotel, horse trams

Set of two views from an illustrated publication on Ballarat. 1 - "Panorama from the Town Hall" - with three ESCo trams in the view, though very few pedestrians or other vehicles. High lights Mount Warrenheip. 2 - A view of Lake Wendouree - Fairyland.Yields information about Sturt St from the Town Hall towards Mt Warrenheip.Illustration cut from a magazine or publicationballarat, illustrations, sturt st, lydiard st, esco, mount warrenheip, lake wendouree

Cut glass light shade base.lighting, electric, shade

Ruby red cut glass vasevases

Colour Illustration showing the northeast corner of Sturt and Lydiard Streets, post office, tram track, and one tram partially obscured. Has many people in view and some horse-drawn vehicles. Titled "Lydiard Street and Post Office Ballarat, Victoria". Published by WTP. See item 4376 for the related postcard. Yields information about the post office corner at the time of the opening of the tramway and demonstrates colour printing techniques.Colour Illustration cut from a journalOn rear in pencil - "Looking up Lydiard Street North from Marks Corner (Sturt Street) before 1913tramways, trams, sturt st, esco, post office, lydiard st north

Illustration of an ESCo tram leaving the intersection of Grenville St. and Bridge St. and proceeding east along Bridge St. Photo taken behind junction points. Has the Nicholl & Allan building on the left side of the photo and the Bucks Head Hotel on the right. Numerous people walking around the street. Shows overhead construction in the area. Titled Bridge St (Looking East), Ballarat. Image by WTP&Co of Ballarat. See item 841 for postcards of this image. Yields information of Bridge St at Grenville St, c1905Colour Illustration cut from a journaltramways, trams, sturt st, esco, grenville st, bridge st

The Bentwood chair has been called ‘the world’s most popular chair’. The original Bentwood chair, was designed by German-Austrian cabinet maker and Master Joiner, Michael Thonet (b.1796 - d.1871) and introduced to the market in 1859. Thonet started his business in his home town of Boppard as an independent cabinet maker in 1819. In the 1830’s he began trying to make furniture from glued (laminated) and bent wooden slats. Over the next few years his attempts to patent this process failed in Germany, Great Britain, France, and Russia. He then began using lightweight, strong wood and bending it into elegant, comfortable furniture. The Bentwood technology took Thonet years to perfect. In simple terms, the wooden rods or lengths were wet by soaking or steaming, bent into shape and then held in place until they hardened into the moulded curved shape or pattern. The wood usually chosen for the bentwood chairs was maple or beech. Thonet had revolutionised an older process by industrialising the process. The dowels of wood were cut and prepared as components of furniture, treated by the ‘bentwood’ process, then ready immediately for assembling with very little extra workmanship needed. Thonet held 2 patents for this process, the second one ended on 10th July 1869 and was non-renewable. At the Trade Fair at Koblenz of 1841 Prince Klemens Wenzel von Mettemich was very impressed with Thonet’s furniture, especially the chairs. In 1842 Thonet sold his Boppard business and emigrated to Vienna, and began working, along with his sons, on the interior decoration of the Palais Leichtenstein, for the Carl Leistler establishment. In 1849 he began his own business again, the Gebruder Thonet to include his sons (translated “Brothers Thonet”). He produced the “No. 1” Bentwood chair. He received a bronze medal for his Vienna bentwood chairs at the World Fair in London in 1851, and a silver medal in Paris in 1855. In 1856 he opened a new factory in Koritchan (Moravia), where there were extensive woods of beech trees available for his enterprise. In the next years, five more Eastern European production sites were established in Bystritz (1862), Nagy-Ugrócz (1866), Wsetin (1867), Hallenkau(1867) and Nowo-Radomsk(1880). Thonet’s 1859 No. 14 “chair of chairs” (or “Konsumstuhl Nr. 14” – coffee shop chair no. 14) was the most famous of all of Thonet’s Bentwood chairs. In 1867 he received a gold medal at the Paris World Fair. This new style of furniture making became very popular. Up until 1830 50 million of these chairs had been produced. By the 1870’s Thonet owned offices in almost 20 countries, with sales locations across Europe, in Chicago and New York. In 1889 he set Thonet set up a head office in Frankenberg, Hesse. Bentwood models designed in the mid to late 19th century featured hand-caned or laminated wood seats and were usually stamped with the country of origin. The Bentwood elements were the backrest, seat rim and legs. Typically the seat was covered with ‘bucket’ leather. After the Patent ran out in 1869, companies such as Jacob & Josef Kohn began the production of bentwood furniture.The popularity of the Bentwood chair that was introduced by Michael Thonet in the 1850s is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, pair of two. Backrest has full length inverted U inside frame. Support rail and wire reinforcing between legs. 3692.01 seat has floral pattern pressed into wood 3692.02 seat is plain (replacement seat). Made by Harnison & Co.3692.01 chair's marks; Label ""HARNISON & CO./ NEUSOL / BUDAPEST" and "WIENER NOBEL" and "(symbol) N inside circle, under Crown" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, domestic furniture, dining furniture, bentwood chair, harnison & co., neusol, budapest, wiener nobel

This is the stamp used by Ernest Phillips to mark his tools and his products. It was used both on wood and metal surfaces. Ernest Brighton Phillips (1875-1924) was born in Warrnambool and was apprenticed as a cabinet maker at the Warrnambool Box Works. By the 1890s he had established a furniture shop at the corner of Liebig and Koroit Streets and by the beginning of the 20th century he had the largest furniture warehouse and factory in Victoria outside of Melbourne. His products were sold all over Australia. He and his family lived at ‘Heatherlie’ in Koroit Street and today this site is occupied by the flats complex for senior citizens called ‘Heatherlie’. This stamp is of interest because it belonged to Ernest Phillips, a prominent Warrnambool businessman (late 1800s to the early 1900s.) It is also of interest as an example of an early name stamp. This is a small piece of metal with a rounded flange top and a wider flattened end. The end is serrated and cut to hold the letters, ‘E. Phillips’. Some white paint has been splashed on the end section.‘E.Phillips’ (letters reversed for stamping purposes)ernest phillips, history of warrnambool

Tobacco farming began circa 1960 in the Kiewa Valley and consequently became one of its major industries. Many of the Italian families were involved in tobacco farming.Historical: This equipment was used on one of the first tobacco farms in the Kiewa Valley at Mongans Bridge. The tobacco 'stretcher' was home-made showing the resourcefulness of farmers living in the Kiewa Valley. Provenance: This tobacco farmer came from Italy and was sponsored to visit a tobacco farmer in Myrtleford to learn how to grow tobacco so that he could transfer those skills to his own farm in the Kiewa Valley.The 'stretcher' was used for carrying dry tobacco from kiln to stacking shed and later from stacking shed to the grading benches. 2 tree logs parallel to each other with 2 hessian bags cut into a piece each to overlap down the middle and starched between and held by a plank of wood nailed along at each end. The tree logs are held in position across the middle and behind the hessian by a thick plank of wood.Holes. One piece of hessian has painted in green:- Albury NSW and 5 green rectangles printed on it at the top partly covered by wooden plank.tobacco. mongans bridge. kiewa valley. kiln. shed. parmesan. rossaro. lorenzi brothers.

Brass shell based cut down into an ash tray. Three semi-circular cut-outs on the rim support cigarettes. "trench Art"4.5x13.5ashtray, trench art

For the First Peoples of south-eastern Australia, making possum skin cloaks has long been a culturally important practice. But during the late nineteenth and early twentieth centuries, possums and other native animals were also heavily hunted by white colonists who coveted their warm and fashionable furs. This rug, made from fifteen possum pelts, was used in a Brighton home during cold winter months in the 1920s.Possum skin rug made from 15 rectangular cut pelts mounted onto a brown wool felt with cut scalloped edges. possum skin, rug, fur, 1920s

Ada of California was a Melbourne swimwear company founded in the early 1950s by Brighton locals Ada and Toni Murkies. Born in Poland in 1922, Ada was 17 when the Second World War reached her doorstep. She and her family were torn from their home by Soviet soldiers and sent to a brutal labour camp in Siberia as part of a series of mass deportations. In order to escape the horrific conditions of the camp, Ada and her sister Barbara joined the Soviet-backed Polish Army. During her time in the military she became close with a handsome young Jewish officer, Lieutenant Antoni Murkies, who later became her husband. After the war Toni was awarded 15 medals including the highest Polish military honour, the Virtuti Militari. Ada was awarded 10 medals, including the Order of the Cross of Grunwald. Emigrating to Australia as postwar refugees in 1948, Ada and Toni arrived in Melbourne with little to their name. Working initially in garment factories and building their connections, by the mid-1950s the couple were able to start a company of their own, with Ada designing the garments and Toni managing the business. Within ten years, Ada of California swimwear was being sold in department stores throughout Australia, and the Murkies family were able to build a permanent home of their own in Brighton. By the early 1980s they had acquired several other major labels, including Watersun. This swimsuit is believed to be one of a large quantity of samples, seconds and unsold Ada Productions stock donated to Brighton Historical Society in late 1990 by Brian Samuel, who worked at the company between 1979 and 1990.Black one-piece swimsuit with deep v-neck and low-cut back and high-cut legs. Halter neck. Ruched sides. Label in side: "ada / 16"swimwear, ada of california, ada productions, melbourne designers, ada murkies, toni murkies

.1) Base, round varnished wood, has a depression cut into top side to hold the mug. .2) Mug, silver, approx 10 fl oz volume, has handle mounted. On the side is a silver crest of the 38th Batt, laurel wreath with rampant against a shield. No hallmarks.“Motto of battalion on a banner”metalcraft - unknown metal, military history - souvenirs, passchendaele barracks trust, 38th