Yarra Plenty Regional Library local and family history librarian Liz Pidgeon discusses the 2016 exhibition "Writing the War" at Eltham Library.News clipping, black text and colour image.liz pidgeon, yarra plenty regional library, world war 1

A digital copy of a military band in Egypt. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

A digital copy of Baron Empain Palace in Egypt. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

A digital copy of groups of soldiers, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Groups of soldiers at the beach, Moascar Isolation Camp, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt, moascar isolation camp

Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

The Sphinx, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Street scene, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Street scene - washing on line, Egypt 1916. Taken by Private Samuel Rich in 1916. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Hospital boat Indiana at wharf in Egypt 1917. Taken by Private Samuel Rich in 1917. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1, egypt

Private Samuel Rich in hospital group 1917, following an injured arm. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1

Private Samuel Rich in hospital ward 1917, following an injured arm. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1

Private Samuel Rich's x-ray of injured arm. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographMilitary Hospital Devonportsamuel rich, world war 1

Private Samuel Rich. Notification of wounding to next of kin 1917, following an injured arm. Other photographs taken by Samuel Rich during WWI are available at items 3973-3987.Digital copy of black and white photographsamuel rich, world war 1

Commemorative program includes historical information about the Band over its 40 years of existence as well as musical items played at "The Music of War" commemorative performance, Saturday 16 August 2014. 48 p. commemorative program, text and coloured and black & white photographs.Label "Mr Lewis C Tulk"manningham concert band, world war 1

The "Anzac Coves" was a revue created by Frank Crossley during the First World War. Wal Luxford and Cec Jessop were part of the team to produce this entertainment. Digital copy of colour photograph.luxford family, cecil jessop, anzac coves revue, world war 1

The "Anzac Coves" was a revue created by Frank Crossley during the First World War. Wal Luxford and Cec Jessop were part of the team in 1917 but their names are not on this program.Digital copy of colour photograph.luxford family, cecil jessop, anzac coves revue, world war 1

The "Anzac Coves" was a revue created by Frank Crossley during the First World War. This postcard dated 14 June 1918, shows Cecil Jessop top left, Wallace Luxford top right. Digital copy of colour photograph.luxford family, cecil jessop, anzac coves revue, world war 1

Wallace Luxford in uniform, 19 February 1919 Digital copy of black and white photograph. luxford family, world war 1

The old brick building at Greensborough Primary School on Grimshaw Street. Built in 1879, this building is now heritage listed by the National Trust. This photograph shows the "Greensborough State School 2062 Honor Board" for the Great War 1914-1918.Digital copy of colour photographgreensborough primary school, greensborough state school, world war 1

St Katherine's Church St Helena dates from 1858. The Church was built by Major Anthony Beale in memory of his wife Katherine Rose Beale. This photograph shows the Church Honour Board from World War I.Digital copy of colour photographst katherines church st helena, anthony beale, world war 1

Rain cape, also used as a groundsheet, issued Australian servicemen. Purchased for the donor from an "Army Surplus" store and re-purposed for camps as a Scout in the late 1960s. The MK VII Groundsheet (Rain Cape / Poncho) was introduced in October 1917 during WW1. They were made from dyed cotton, proofed with a rubber compound, "well vulcanized" on one side. Weight 3lb. 8oz;. 78 inches long by 36 inches wide and made by the Victoria Rubber Co. Edinburgh. They were used again during WWII 1939-45 Today the Army uses the hootchie - a sheet of 70D nylon or PU-coated cotton with various press snaps and webbing tape loops attached around the outside which allow it to be used in a variety of configuration. During WWII Australian forces fighting the Japanese in the Islands had an urgent requirement for a decent individual shelter. The rubberized canvas groundsheets and rain capes continued to be used, but these were less than effective in the tropics. Towards the end of the war in the Pacific Australia began issuing its troops a lighter weight version of the groundsheet manufactured from polyurethane-coated cotton – During the Malayan Emergency of the 1950s, Australian troops were issued with hooded ponchos. Unlike the WWII US pattern ponchos which always had a hole in the dead centre of the poncho sheet, the Australian-issue hooded ponchos made an effective shelter – especially when two where clipped together. The problem of course is that the rubberized canvas ponchos were far too heavy for jungle use. 1960s Australian units in Borneo were issued with the first pattern lightweight hootchies. 1 Kg. 1970 the Vietnam War, a second pattern lightweight hootchie was issued made from nylon, but retaining the hardware and loops. This lightweight hootchie weighed a mere 680 grams, still heavy, but suitable for tropical use. Currently the hootchie is made from AUSCAM nylon material . Historic significance; representative of the type believed to have been issued to Australian servicemen in World War II, possibly in World War I.Waterproofed Canvas rain cape, also used as a groundsheet in the Australian Army, press studs to close as a cape, collar to cover neck.NILuniforms, australian army, world war ii, army surplus, scouts australia, bentleigh, moorabbin, world war 1, hooded ponchos, borneo, auscam nylon material, hootchies, malayan emergency, vietnam war, groundsheets

The Report recognizes a broad community acceptance that ANZAC Day is a solemn occasion of remembrance for the gallantry and sacrifices of Australians in wars and peace keeping effortsThis book is significant because it provides legislative guidance for the commemoration of ANZAC Day Medium size soft cover book with white background and two rows of medals featured on the front. Title in bold red writing. Back cover plain white with parliamentary logoanzac, parliament, victoria, commemoration, leglislation, world war 1, review, scrutiny of acts and regulations committee

Includes photograph of WW1 local enlistment John Bell. The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery.Born Digitalworld war 1, war memorials, shire of nillumbik, moor-rul viewing platform, interpretation panel, interpretative signage, lest we forget, shire of eltham war memorial, john bell, display panel

Coloured map of the world on blue including the words for the "Lest We Forget" lament. The Moor-Rul Viewing Platform, part of the Kangaroo Ground War Memorial Park opened in April 2007. Eight double-sided interpretation panels on the Moor-rul viewing platform highlight the area's Aboriginal and European history of the area and also details of local geology, flora and fauna. These panels feature high quality graphic design and professionally written text. The subjects covered are: ''Womin Je Ka" Welcome The Kulin Nation Singing, Dancing, Ceremony, Celebration This Country, My Home The Highland Taken Auld Lang Syne "Same Land Different Views" Working the Land Food from the Earth or "Earth's Harvest" Lest We Forget, "And with the going down of the Sun .... (3 panels) This Black Earth Those other indigenous inhabitants - Kangaroo Ground's Wildlife Silent Witnesses - Kangaroo Ground's White Manna Gums Belonging A Place of Reverence and A Tower of Strength Souce: EDHS Newsletter No 173 March 2007. As part of a program to acknowledge the Anzac Centenary Nillumbik Shire Council partnered with Yarra Plenty Regional Library to provide a bus tour with commentary of local sites of significance: Shire of Nillumbik World War One Memorials tour, 10 August 2016. These included Eltham township, the Shire of Eltham War Memorial at Kangaroo Ground, Christmas Hills war memorial, Hurstbridge memorial recreation park and finshed at Eltham Library to view the Writing the War exhibtion at Eltham Library Community Gallery. Born Digitalworld war 1, war memorials, shire of nillumbik, moor-rul viewing platform, kangaroo ground, shire of eltham war memorial, interpretative signage, interpretation panel, map, display panel

Copy of newspaper article in glass display case at the base of the stairs on the Shire of Eltham War memorial tower at Kangaroo Ground War Memorial Park. This is from "The Advertiser" 19 November 1926 page 3. A report on the "unveiling ceremony of the memorial" by the Governor General.Born Digitalworld war 1, war memorials, shire of nillumbik, shire of eltham war memorial, display, newspaper article