Wood Stacks at Stawell Rail Yards 1942stawell

This photograph was taken from the newly completed tower of the Ballarat Town Hall. Framed photograph showing Ballarat looking north west. St Patrick's Cathedral bell tower in Dawson Street South is evident at the top right. The street in the central part of the photograph is Errard Street South. Businesses shown in the photograph include: Klug Brothers, O'Farrell and Sons Horse Bazaar, Smith Brothers Timber Yard, J. McKay, Dobson's Timber Yard, Criterion Hotel, Saddler's Arms Hotel, Stork Hotel ballarat, kulg, smith, o'farrell, ballarat townscape, st patrick's cathedral, william bardwell, fotobiennale

Photograph depicting a series of split rail fences, in the left background there is a small brick? Building with two chimneys, there are arched windows either side of an arched doorway. On the right of the photo , set back in a recess in the yards is a small cottage, possibly the home of Mr. Lloyd who was the cattle yards inspector for many years. Just visible to the right of the cottage are a large number of horses. In the foreground are what appears to be animal skins on the ground.Batchelderplace, bendigo, saleyards, saleyards, cattle yards, lloyd

Flanged Tramway Rails - sections from The North Eastern Steel Co. Ltd. Middlesborough - see https://www.gracesguide.co.uk/North_Eastern_Steel_Co 1 - Walthamstow & District Light Railways BS Section No. 3C - 106 lbs. per yard 1904 - Dick Kerr & Co. Contractors London. See https://en.wikipedia.org/wiki/Tottenham_Outrage 2 - Bath & District Tramways 95 lbs per yard 1903 - George Hopkins & Sons Engineers London 3 - Burton on Trent Tramways 90 lbs per yard 1903 - Messrs Kincaid, Waller & Manville, Consulting Engineers 4 - Swindon Corporation Tramways BS Section No. 4 C, 111 lbs per yard, 1904 - Messrs J G White & Co. Ltd, Contractors London 5 - Wigan Corporation Tramways BS Section No. 5, 100 lbs per yard, 1903 - Messrs J G White & Co. Ltd, Contractors London 6 - Derby Corporation Tramways BS Section No. 6, 107 lbs per yard, 1904 - Messrs J G White & Co. Ltd, Contractors London 7 - Nottingham Corporation Tramways BS Section No. 1 , 90 lbs per yard, 1903, J. G. White Ltd, London, Contractors. 8 - Swindon Corporation Tramways, BS Section No. 4, 105 lbs per yard - Messrs J G White & Co. Ltd, Contractors London, Messrs Lacy & Sillars Consulting Engineer 9 - Kalgoorlie Electric Tramways BS Section ? 96 lbs per yard. 1904 - Messrs J G White & Co. Ltd, Contractors London 10 - Leicester Corporation Tramways & Track? 100 lbs per yard 1903, I George Maybey? MICE Engineer 11 - Ipswich Tramways 90 lbs per yard, 1902, Dick Kerr & Co. Contractors London Shows the type of tramway rail and cross section produced by The North Eastern Steel Co early 1900's, the relationship to the British Standard and who used them. Provenance of the item not fully known. Possibly given to the Electric Supply Co of Victoria at the time when they would have been ordering rails for use in Ballarat. May have been collected by other parties.Plywood sheet, covered in black cloth displaying 11 different British Standard Rail Sections made by The North Eastern Steel Co. Ltd. Middlesborough , early 1900's. Each section secured with two 20mm (¾”) long, 3mm dia (1/8”) machine screws, countersunk with a slotted head from the rear. All nickel plated on both sides, engraved as to the tramway used on, date of production on the head of the rail, Designing Engineers on the web and the manufacturer on the foot of the rail. Cloth secured with staples and drawing pins on the rear. On the rear is a chalked sign, the principal one being "No Thoroughfare"Engraved as listed.tramway rails, rails, tramways, north eastern steel co, middlesborough, walthamstow, bath, burton on trent, swindon, wigan, derby, nottingham, kalgoorlie, leichester, ipswich, j g white & co, dick kerr

This photograph is of Tom Pearce, one of only 2 survivors from the shipwreck LOCH ARD. Loch Ard was bound for Melbourne in 1878 loaded with passengers and cargo when it ran into a rocky reef at the base of Mutton Bird Island, near Port Campbell. Of the 54 crew members and passengers on board, only two survived: an apprentice, Tom Pearce and a young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Coleman Jacobs composed the music “The Young Hero Schottische” and dedicated it, by permission, to Mr. Thomas R. (Tom) Pearce. The sheet music was published in 1878 by the Messieurs Roberts, professors of dancing etc. Melbourne. It was on sale for 3/- (3 shillings) and in aid of the “LOCH ARD” fund. [This is Coleman Jacobs’ only surviving musical work Coleman Jacobs, accomplished pianist, musical performer, singer, composer, professor of music and music teacher, was born in 1827 and died on 4 July 1885, aged 58 years. Coleman Jacobs was buried in the Melbourne Cemetery (grave 461, Church of England section).] The wreck of Loch Ard still lies at the base of Mutton Bird Island and much of the cargo has been salvaged. Some was washed up into what is now known as Loch Ard Gorge following the shipwreck. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. The photograph is significant for its association with the wreck of the Loch Ard. This wreck has been protected as a Historic Shipwreck since 11 March 1982, under the Commonwealth Historic Shipwrecks Act (1976) Flagstaff Hill’s collection of artefacts from Loch Ard is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register. The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the Loch Ard. The Loch Ard collection is archaeologically significant as the remains of a large international passenger and cargo ship. The Loch Ard collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the Loch Ard, which was one of the worst and best known shipwrecks in Victoria’s history. The Loch Ard collection meets the following criteria for assessment: Criterion A: Importance to the course, or pattern, of Victoria’s cultural history. Criterion B: Possession of uncommon, rare or endangered aspects of Victoria’s cultural history. Criterion C: Potential to yield information that will contribute to an understanding of Victoria’s cultural history. Photograph of Mr Tom Pearce dressed in a uniform with a medal pinned on it. Standing with his arm resting on a masonry pillar.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, loch ard shipwreck, tom pearce, thomas r pearce, eva carmichael, mutton bird island, loch ard survivor, loch ard hero, coleman jacobs, the young hero schottische, photograph of tom pearce

The man with the horse is Charles D'Alton, his cousin Alfred is beckoning him to come on. Charles was ther son of William D'Alton if "Silver Springs" on Dairy Creek, and Fred (Alfred) was the son of John D'Alton, Stawell Borough engineer. Fred and Charles were responsible for finding many of today's walking track routes through the Wonderland Range and in the Mt. Rosea area. The second copy is a transparency (slide) , no. 182 in the slide box.Photo shows man, left side corner with pack horse andother man middle ground with arm raised"Charles D'Alton beckoning to his cousin Alfred to come on" finding the best routegilbert rogers, vehicle track, people, d'alton

Nail remover with even round handle. Arm and metal claw corroded. Handle has one single groove. flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

These forceps were owned and used by obstetrician Dr Beresford Buttery.This style of obstetric forceps represent the only major innovation in forceps design during the 1900s. They were introduced by C. Kielland of Oslo in 1915. The forceps have virtually no pelvic curve. They possess a sliding lock. These innovations allow the head of an incorrectly positioned foetus to be rotated before traction is applied. They were made by instrument maker Downs Surgical in 1979. (Science Museum Group)Forceps, Keilland, obstetric, surgical steel. Owned and used by Beresford Buttery and engraved "Beresford Buttery" on the outer arm.obstetric delivery

Artwork. Norman Penrose collection: 5 pages of notes and illustrations of the muscles of the arm and leg. Written on drawing paper.drawing, ink, norman penrose collection, artwork, muscles of the arm and leg

Most likely donated by the late Dr Frank ForsterPerforator, Simpson's, with external screw joint and hinge. Manufacturer unknown.Stamped on inner arms "13' and, the other arm, "13+" .perforator, destructive instrument, obstetric delivery

Possibly collected by Dr Frank ForsterForceps, Denman's type, mahogany inserts in handle. Manufacturer's stamp, "Burgoyne Ac Burbidge" [London] on inner arm.forceps, obstetric

Possibly collected by Dr Frank ForsterForceps, Aveling's. Metal insert on hand grips, bronze coloured. Stamped "Mayer & Meltzer London" on inner armforceps, obstetric

Metal Tongs - 70cm. Rusted cast iron. One arm broken, with ornate handle and turned circular ornamentation.

Modesty was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens. The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. The artwork is of historic and aesthetic significance to the people of BallaratWhite marble statue, Modesty standing with right arm folded over chest, robed and with veil over face.Modestymodesty

Mounted b/w photograph of soldier Neil Magnussen at ease with a riding crop under his right arm.Printed on front: Chidley and Co. 73 Bell Street, Fitzroy Typewritten on white paper: Neil Magnussen Handwritten on back: Neil Magnussen (Una)chidley and company, photographers, magnussen, neil, soldiers, armed forces, george evans collection

Portrait of Bow Hutchings posing beside chair and pot plant in front of weatherboard buildingB/W Photgraph of a Young man Standing outside wearing a suit and bowtie. Left arm resting on a chair.stawell, bowen hutchings

Date made March 1978Colour photograph of the fishing boat William Rose in Cunninghame Arm, with sand hummocks in background. Lakes Entrance Victoriafishing industry, waterways, ships and shipping

Black and white photograph of the fishing boat Minawie in Cunninghame Arm, cottages opposite in background. Lakes Entrance Victoriafishing industry, ships and shipping, waterways

Colour photograph of the remains of a timber bridge on the former Princes Highway at Toorloo Arm Road, Lake Tyers, Victoriabridges, waterways

Colour photograph of the township viewed across the Cunninghame Arm from the New Works area. Lakes Entrance Victoriawaterways, township

Standing on a drum is Mr Albert E Clark, Manager of Lakes Oil Limited a company from 1942until 1950's. Win Clark a hat, others are unidentifiedBlack and white photograph of oil flowing from MacCulloch No. 2 Oil Bore North Arm Lakes Entranceoil and gas industry, engineering, social history

Port of Portland Authority archives.port of portland

Port of Portland Authority archives.port of portland

Port of Portland Authority archives.port of portland

Coloured postcard advertising Humme & Iser timber and iron yards, timber merchants, Charlston Road, Bendigo. On the back in pencil: railway to the side, saw mills hotel on left side.bendigo, business, hume & iser

Bendigo Advertiser ''The way we were'' from Thursday, June 23, 2005. Old school yard: grade 5 pupils from Golden Square School, photographed in 1938.newspaper, bendigo advertiser, the way we were

Black and white photograph. The small photo shows 2 cariages on their side. On the back Sea Lake mileage 239 5P up yards x Kulurn. Sunday, June 1961.place, train, derailment

German camp 3 internees formed a study group. The girls are: Annelies Bulach, Eleonore Ehnis, Gertrud Beilharz, Irene Beilharz, Magda Beilharz, Lotte Muller, Ruth Vollmer, Anny Kubler, Gertrud Scheerle, Helga Eppinger, Maria Streker, Liselotte Steller, Liselotte Streker and Evan Ruff.Black and white photograph of 10 young ladies standing, 4 seated. The number 828 centre front. To their right a tree stump in front of a hut several yards behind the stump.the number 828 internee children, camp 3, templer society, camp 3 study group

North Kew, now divided between Kew and Kew East, bordered the Yarra River. As such, it was a region subject to flooding in the Yarra Valley. Development beyond this point (ie Kellett Grove) was limited by the City of Kew's planning regulations. Prior to urban development, the area since European settlement and the first land sales in the district in the 1840s, had been used for dairy farming. Small sepia snapshot taken from the back yard of a house at 8 Kellett Grove, in what was then known as North Kew. The point of view is from a backyard looking towards Fairfield. Verso: 8 KELLETT GROVEyarra river -- north kew, floods -- yarra valley, floods -- north kew, floods -- 1934, natural disasters -- kew