Showing 55150 items
matching text-book
-
Uniting Church Archives - Synod of Victoria
Plaque - Metal plaque, 1952
Small oblong copper metal plaque with engraved text."TO THE GLORY OF GOD and in loving Remembrance of JOHN THOMAS LAWTON M.A. The First minister called by this Congregation The Cross and Windows in this Church were Erected by members and Friends and Dedicated on 19'10'1952 "I believe in a Christlike World I know of nothing better and Can be content with nothing less"".john thomas lawton, hartwell presbyterian church -
Uniting Church Archives - Synod of Victoria
Communion token
Oval Presbyterian communion token with text on both sides."F.N.Y. C.C.M." "I.COR. II.28"presbyterian church -
Uniting Church Archives - Synod of Victoria
Communion token
Two round communion tokens with text on both sides."PRESBYTERIAN CHURCH OF VICTORIA" "THIS DO IN REMEMBRANCE OF ME LUKE 22.C.19.V"presbyterian church of victoria -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen IrisBlue and white triangular felt pennant with grey text."P.G.F.B.B.A. D GRADE 1946 PREMIERS" -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen IrisBlue and white triangular felt pennant with grey text."P.G.F.B.B.A. A GRADE 1947 PREMIERS" -
Uniting Church Archives - Synod of Victoria
Pennant
From Glen IrisBlue and white triangular felt pennant with grey text."P.G.F.B.B.A. A GRADE 1948 RUNNERS UP" -
Victorian Aboriginal Corporation for Languages
Book, Tania Wanganeen, Ngayi bammadja =? I'm going, 2006
Children's illustrations with bi-lingual text. Elementary standard.Illustrationsnarungga, south australia -
Victorian Aboriginal Corporation for Languages
Book, Tania Wanganeen, Ngayi dhura =? my family, 2006
Children's illustrations with bi-lingual text. Elementary standard.Illustrationsnarungga, south australia -
Victorian Aboriginal Corporation for Languages
Book, Sharnthi H Krishna-Pillay, A dictionary of Keerraywoorroong and related dialects, 1996
Dictionary with text in English and Keerray Wooroong and related dialects.maps, word lists, b&w illustrations, b&w photographs, colour photographswestern district, keerray woorroong, gunditjmara, warrnambool, peek wooroong, koornkopanoot, wooloowoorroong, keewoorroong, tyagootwoorroong, thawoortwoorong -
Victorian Aboriginal Corporation for Languages
Book, Sources of Victoria's heritage : catalogue of manuscripts held by the Royal Historical Society of Victoria Inc. : supplement one 1984-1998, 1999
Contains - text only, listing items and their box numbers.royal historical society of victoria, historical directories -
The Royal Children's Hospital Archives
Decorative object, The Royal Children's Hospital Centenary flag, 1970
Felt rectangle with printed text, stapled to wooden dowelChildren's Hospital. The future is a child. 1870 - 1970 -
Uniting Church Archives - Synod of Victoria
Lapel Badge
Round lapel badge. White with brown text and image."Methodist Church Diamond Jubilee Daylesford 1861 - 1921"methodist church, methodist church daylesford, methodist church diamond jubliee -
National Wool Museum
Ephemera - Wool Tags, Younghusband Limited
The company was founded by merchant squatter, Isaac Younghusband, originally as Younghusband & Co Ltd and was registered in Victoria on 1 May 1889. The business was engaged in woolbroking and as stock and station agents. In 1897 it became a proprietary company under the name of Younghusband & Co Pty Ltd. Another change in name occurred in 1902 when the company took over the woolbrokers R Goldsbrough Row & Co Pty Ltd and became known as Younghusband Row & Co Pty Ltd. In 1920 the company became known as Younghusband Limited. In September 1971 the company was taken over by Elder Smith Goldsbrough Mort Ltd.Orange and cream wool tag with black printed text. Front: [printed] TO / YOUNGHUSBAND LIMITED / WOOL, SKIN, HIDE AND TALLOW BROKERS / KENSINGTON / Owner / Address / Date Despatched / No. of / Packageswool brokers, kensington, textile industry, wool, skin, tallow, hide, sheep, wool industry, younghusband limited -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Agricultural & Pastoral Society 1973 Show.Dark red wool ribbon with yellow stamped text. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1969.Navy blue wool ribbon with stamped yellow text. -
National Wool Museum
Ribbon
Ribbon awarded to Mr Charles Wilson Peel of 'Callenondah' at Gnawarre. Mr Peel ran a superfine merino stud. This ribbon is from the Geelong Legacy Fleece Show 1973.Yellow/gold wool ribbon with red stamped text. -
Unions Ballarat
The Story of the National Union of Printing Bookbinding and Paper Workers, Bundock, Clement J, 1959
History of the National Union of Printing, Books, Bindings and Paper Workers.Significant to history of unions and the labour movement in the United Kingdom.Paper. Front cover: dark blue with white text.Front cover: author's name and title.national union of printing, books, bindings and paper workers, btlc, ballarat trades hall, ballarat trades and labour council, united kingdom, history, printing industry, unions, printers -
Ringwood RSL Sub-Branch
Shield - British Legion, 1982
Donated to the Ringwood RSL on the occasion of a visit rom British Legion members.Square wooden plaque will aluminium panel and engraved text.Eganstown and Gilfach Goch Branch British Legion "To our comrades in Australia 1982" -
Ringwood RSL Sub-Branch
Book Aircraft, The Pictorial History of Aircraft by David Mondey, 1975
Hard Cover 128 pages of text and coloured photos. -
Ballarat Heritage Services
Program, Opera Under the Stars, 31 August 2002
OPERA UNDER THE STARS 10th Anniversary Gala Starring Jennifer Barnes~soprano, Jaqueline Moran (Dark) ~Mezzo soprano, Stuart Skelton ~ Tenor, Douglas McNicol ~ Baritone, Francis Greep ~Piano SATURDAY 31 st AUGUST 2002 ~ 8pm THE MANGROVE HOTEL, BROOMEOne page dark blue background with white text.OPERA UNDER THE STARS 10th Anniversary Gala Starring Jennifer Barnes~soprano, Jaqueline Moran (Dark) ~Mezzo soprano, Stuart Skelton ~ Tenor, Douglas McNicol ~ Baritone, Francis Greep ~Piano SATURDAY 31 st AUGUST 2002 ~ 8pm THE MANGROVE HOTEL, BROOMEopera under the stars, jennifer barnes, jaqueline moran (dark), stuart skelton, douglas mcnicol, francis greep, 2002, the mangrove hotel, broome -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Poster - Print of Poem, In Flanders Field the poppies blow
Print of the poem with a colour image of poppies above the textflanders field, poppies, ww1, poem -
Wangaratta High School
WHS Building Opening Plaque, 1987
Rectangular wooden plaque with cream painted text reading:STAFFROOM OPENED MARCH 1987 BY MR. H. KILMINSTER FUNDS PROVIDED BY SCHOOL COUNCIL- PARENT CLUB AND MINISTARY OF EDUCATION -
Queen Victoria Women's Centre
Banner, Shilling Fund Banner, c.1996
Used for several QVWC events including grand opening weekend, and fundraising events. Cream satin banner with purple text 'Shilling Fund' -
National Wool Museum
Textile - Cook Well Self Raising Flour Bag
These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico bag with yellow and blue graphic text on front.Front: COOK-WELL \ SELF- \ RAISING \ FLOUR \ PREPARED WITH \ PHOSHATE AERATOR \ HENRY BERRY & Co (A/S??Ltd) \ 568 580 COLLINS STREET \ MELBOURNE \ NET 7 LBSwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen -
National Wool Museum
Document - Label, Tina Knitwear, 1980-2000
Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Thin paper white label with gold printed text.front: An Original by / Tina Knitwearknitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
National Wool Museum
Sign, 1950s - 1970s
Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Rectangular blue cardboard sign with printed black text.front: LUNCH ATwool sales, signs, dining, buyers, wool industry, business -
National Wool Museum
Sign, 1950s - 1970s
Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Rectangular blue cardboard sign with printed black text.front: STRACHAN & CO. LTD.wool sales, signs, dining, buyers, wool industry, business -
National Wool Museum
Sign, 1950s - 1970s
Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Rectangular blue cardboard sign with printed black text.front: DALGETY & N.Z.L.wool sales, signs, dining, buyers, wool industry, business -
National Wool Museum
Sign, 1950s - 1970s
Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Rectangular blue cardboard sign with printed black text.front: ELDER, SMITH & CO. LTD.wool sales, signs, dining, buyers, wool industry, business -
National Wool Museum
Sign, 1950s - 1970s
Signs used during wool sales, used to direct buyers to dining rooms. Particular companies would ‘host’ meals in different areas. Rectangular blue cardboard sign with printed black text.front: A.M.L. & F.wool sales, signs, dining, buyers, wool industry, business