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Federation University Historical Collection
Book, Yallourn, 10/1962
In the foreword the Chairman and General Manager, W.H. Connolly, wrote: "Australia's progress since the Second World War has been remarkable - and nowhere more so than in Victoria. Although the smallest pf the mainland States, Victoria is today the most highly industrialised, the second most populous and the most rapidly developing State in the Commonwealth. Many factors have contributed to this growth, bu the one of greatest importance is the vast wealth of easily extractable brown coal in the Latrobe Valley which is the source of Victoria's electricity and a major part of its solid fuel. ... "White and green soft covered book of 34 pages with black & white and coloured illustrations. The book includes starts with an historical section, and includes information the open cut, Yallourn Power Station, Yallourn Briquette Works, the town, Morwell Open Cut, and includes a map of the Latrobe Valley Brown Coal resources.yallourn, connolly, open cut, power station, kernot, coal, briquette, lyle, monash, yallourn open cut, yallourn power station, yallourn briquette works, morwell open cut, hazelwood, brown coal, gippsland, horses, turning sod -
Flagstaff Hill Maritime Museum and Village
Book, Poems by Elizabeth Barrett Browning
This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Poems by Elizabeth Barrett Browning Author: Elizabeth Browning (Mrs E B Browning) Publisher: George Routledge & Sons Date: 1887 The label on spine cover with typed text PAT 821 BRO Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library -
Flagstaff Hill Maritime Museum and Village
Domestic object - Plate, c. 1850's
In the words of the donor, Betty Stone, "This pewter plate belonged to Joshua and Susan Chamberlain. They, with their family, arrived in Australia as assisted migrants in January 1855. Our Chamberlain family was among those chosen to participate in a Bounty Scheme and on 24 October 1854 embarked on SS Shand to begin their journey. A few years later they set up a home on a small farming property in Wangoom, Warrnambool with the possessions they had brought with them from the village of Thriplow, Cambridgeshire, England. Amongst those household possessions was this plate. During the first half of the nineteenth century, a Bounty scheme was introduced to encourage migrants to Australia to work on properties granted or sold to settlers. Agents in England were engaged to select suitable emigrants; applicants had to be "sober, industrious and of good moral character....and married men over the age of forty-eight were only eligible to receive the bounty if they had five or more children over the age of ten years'. The successful applicant also had to pay one pound sterling for each adult, and ten shillings for each child between the ages of one and fourteen years. This payment covered the cost of a mattress, bolster, blanket, small box, knife and fork, two spoons, metal plate, and drinking mug, all of which became the emigrant's property on arrival in the colony. The pewter plate, handed down from one generation to the next, was always valued by members of the family as an important artefact. The plate has a mark stamped on the back which is almost indecipherable." (Reference- Brown Martyn- Australia Bound! The story of West Country connections 1688- 1888 Bradford on Avon Wiltshire Ex Libris Press 1988 p 112.) (Note: For additional information please refer to Betty Stone’s book “Pioneers and Places - A History of three Warrnambool Pioneering Families” ie. Chamberlain, Dale and Lees Families)This item is associated with the families of Chamberlain, Dale and Lees. These families are listed in the "Pioneers' Register" for Warrnambool Township and Shire, 1835-1900, published by A.I.G.S. Warrnambool Branch. The plate is an example of the goods emigrants brought to Australia under the Bounty Scheme in the 1850s.Pewter plate: metal plate with a wide rim and shallow bowl. The top has a gold-brown colour, underside is grey with a red-brown mark. Made c. 1850. The plate has an Inscription stamped on the back and front.It is part of the 'Chamberlain, Dale and Lees Collection' Maker's Mark on back: 'rectangle with rounded corners / T H all within a circle' almost indecipherable. Mark heavily stamped on front: 'L / T M'flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, chamberlain, dale, lees, stone, betty stone, warrnambool pioneers, pewter plate, emigration, bountey system, dinner ware, joshua chamberlain, susan chamberlain, 1855, emigrant, assisted migrant, ss shand, wangoom, triplow, cambridgeshire -
Australian Racing Museum
Cigarette Card, Jockey S.D. Fisher, Australian Jockeys, Sniders and Abrahams Issues, Standard Cigarettes, Series of 61 unnumbered, Issued 1908-1909, 1908 - 1909
S.D. Fisher, Australian Jockeys, Sniders and Abrahams Issues, Standard Cigarettes, Series of 61 unnumbered, Issued 1908-1909Cream, cardboard card. Front, image of jockey in pink jacket with brown hoops, brown sleeves and brown cap, with jockey name in brown text on bottom of image. Back, 'Standard Cigarettes' in tan text in box.s.d. fisher -
The Beechworth Burke Museum
Animal specimen - Australaisn Bittern, Trustees of the Australian Museum, 1860-1880
The Australaisn Bittern is a partly nocturnal bird who resides in costal and sub-coastal locations in south-west mainland Australia, south east Australia and Tasmania. They can be found in wetlands, swamps and among reeds. These birds are mostly brown and yellow in colour and with short legs and a stocky body. The "woomph" sound made by the Bittern late at night is thought to have been the origin of the traditional Aboriginal myth of the Bunyip. The Bunyip, like the Australasian Bittern, was believed to reside in reedy swamps. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Australaisn Bittern is a stocky bird with mainly yellow and brown colouring. This colouring makes the bird difficult to see in the dense, reedy vegetation it resides amongst in shallow freshwater wetlands. When threatened, the Australaisn Bittern will raise its bill skyward in a pose which helps it camouflage. This specimen has streaked yellow-brown feathers, a yellow bill and legs which are a yellow-green colour. It stands on a wooden platform.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, bunyip, myths, australaisn bittern, bittern -
Falls Creek Historical Society
Photograph - Paul Hogan at Julian's Lodge 1973
Julian Newton-Brown arrived at Falls Creek in 1957. He had studied Pharmacy at Melbourne University. After developing a love for the mountains, Julian moved to Mt. Beauty and then Falls Creek. He worked for the SEC in the test laboratory at Rocky Valley reading weather instruments. By working several jobs, Julian was able to build a small lodge of 10 beds named “Arundel”, located at 18 Slalom Street, Falls Creek. The lodge is now the “Elk at Falls”. Arundel prospered and Julian extended it to include 32 beds and changed its name to "Julian’s” in 1961. When alcohol restrictions were eased in Falls Creek, Julian built a night club which he called “Big Julian’s” and later “THE MAN”. When Julian and his wife Beth retired and left Falls Creek, their son took over running the lodge. An active community man, Julian was a member of the Falls Creek Chamber of Commerce, a member of the SES, a stakeholder in Falls Creek, an author and a documentary maker. Julian Newton-Brown died in May 2020. In 2003 when this flyer was published operation of Julian's Lodge transferred from Julian and is wife Beth to their son Charlie Brown, a former Australian Champion and World Cup skier and his wife, Bena.This item is significant because it gives details of an important lodge at Falls Creek, Victoria.A black and white image of Paul Hogan, John Cornell and other people sitting near fire place in the dining room at Julian's Lodge in 1973. Paul Hogan and a group of actors and film crew spent several days in Falls Creek filming a Winfield cigarette commercial, in which they were portrayed as ski instructors. According to Julian Brown's book "Falls Creek - How it came to be", they brought in a truck load of polystyrene balls to create snow. The commercial was in 16mm for television and 36 mm for cinemas. It took them three days to shoot a six second scene in the dining room at Julian's lodge.julian's lodge, julian newton brown, falls creek ski lodges, accommodation falls creek, charlie brown -
Beechworth Honey Archive
Publication, Bee-Keeping In Victoria 1949 Edition (Dept of Agriculture Victoria), 1949
soft paper covered book slightly longer than A5, light brown cover with a picture of a beehive in brown & brown writing 165 pages -
Bendigo Military Museum
Document - DOCUMENTS VARIOUS WW2, c.1940 onwards
Herbert Hewston VX71132, refer Cat No 2893.2 for his service history. Part of the HEWSTON collection WW1 & WW2..1) Army Driving Licence, folded material covered, brown. .2) Record of Service Book, brown. .3) Demobilization Procedure Book, brown.“HEWSTON H T, VX71132”military history - service records, documents - licences -
Bendigo Military Museum
Postcard - POSTCARD, PHOTOGRAPHIC
Photo of an Australian soldier taken in a formal position. No identification but likely WW1.Small black and white photo of a soldier in uniform leaning against a stand and holding a baton under his arm. Photo is on the front of a postcard that had not been used.Written on the back "Lizzie Brown" Imprint on corner of photo - " Kalima", some numbers and "Bendigo".ww1, soldier, post card, photo -
Benalla Art Gallery
Painting, E. Phillips FOX, Evening (Charterisville hillside, Ivanhoe), c. 1894
Born: Fitzroy, Victoria, Australia 1865; Died: 1915ImpressionismGift of Dr Robert W. Henderson 2004Rural night landscape with road, buildings and moon. Gold painted wooden frame.Recto: Signed "E Phillips Fox" in brown paint l.l.c of composition; Not dated; Not titledlandscape, evening, moon rising, rural, road, australian art -
Benalla Art Gallery
Watercolour, Louis BUVELOT, Bush hut, 1868
Born: Morges, Vaud, Switzerland 1814; Lived and worked: Brazil 1835-1852; Arrived: Melbourne, Victoria, Australia 1865; Died: Melbourne, Victoria, Australia, 1888VictorianLedger Gift, 1979Rural landscape with rustic hut, pile of wood, figures, trees, hill and sky. Unframed.Recto: Signed and dated "L. Buvelot 1868" in brown watercolour in l.r.c of composition; Not titledwatercolour, landscape, house, figures, hills, trees, rural -
Benalla Art Gallery
Painting, W. LISTER LISTER, Flowering gums, Not dated
Born: Manly, New South Wales, Australia 1859; Lived and worked: England 1884-1888; Died: Sydney, New South Wales, Australia 1943ImpressionismGift of Wooleen Pty. Ltd., 1980Treed path leading up to top of hill and building. Bronze brushed timber frame.Recto: Signed "W LISTER LISTER" in brown oil in l.r.c of composition; Not dated; Not titledpainting, trees, building, landscape, path -
Benalla Art Gallery
Painting, W. B. MCINNES, Moonrise, 1910
Born: St Kilda, Victoria, Australia 1889; Died: Melbourne, Victoria, Australia 1939ImpressionismGift of Wooleen Pty. Ltd., 1980Evening rural landscape with buildings, trees and moon. Gold brushed timber frame.Recto: Signed and dated 'W.B. / McINNES 10' in brown oil in l.l.c of composition; Not titled painting, landscape, tree, sky, house, farm, moon -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Cows, early morning, 1905
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941NationalismGift of Wooleen Pty. Ltd., 1980Rural landscape with grazing cows and trees. Gold gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.r.c of compostion; Not dated; Not titled painting, landscape, pastoral, cows, animals, trees, grass, rural -
Benalla Art Gallery
Watercolour, Charles BENNETT, Pioneer’s cottage, Mornington, 1891
Born: South Yarra, Victoria, Australia 1869; Died: Mornington, Victoria, Australia 1930VictorianLedger Gift, 1985Sunlit rural landscape with buildings, figures, wagon, trees, water, reflections and a hill. Gold brushed ornate timber frame.Recto: Signed and dated "C. S. BENNETT / 1891" in brown watercolour in l.r.c; Not titledwatercolour, landscape, riverscape, house, trees, water, reflection -
Phillip Island and District Historical Society Inc.
Photograph, 1950
One of a collection of seven photographs of Amygdales polished by Dr G Baker CSIRO 1950. A fully coloured plate of the originals was to have appeared in the book "Phillip Island in Picture & Story".Black & White photograph of an Amygdale Stone."Phillip Island Amygdale - magnified 5 diam. Colours greyish brown with edges white".phillip island, amygdale stone, dr g baker, joshua w gliddon -
Ballarat Tramway Museum
Photograph - Colour Print/s - set of 10, Warren Doubleday, 13/09/2003 12:00:00 AM
Set of ten colour photographs excavations around the rail head to examine sleeper condition in vicinity of poles 4 and 6 in Wendouree Parade, taken by Warren Doubleday on 13.09.2002. Printed on Agfa Paper. 2603.1 - Road surface prior to commencement of excavation near pole 6 2603.2 - About three sleepers excavated - noted poor sleeper nearest to camera. 2603.3 - vertical photo from above showing sleepers and foot of rail. 2603.4 - ditto 2603.5 - ditto 2603.6 - Backfilling with crushed rock near pole 6 - Alan Snowball, Richard Gilbert and Oedf Bylsma. 2603.7 - ditto 2603.8 - Excavation near pole 4. 2603.9 - ditto 2603.10 -ditto On rear of each photo in brown felt tip pen, the details of the location and some notes.wendouree parade, trackwork, st aidans drive -
Ballarat Tramway Museum
Photograph - Colour Photograph/s - set of 2, Warren Doubleday, 13/09/2003 12:00:00 AM
Set of two colour photographs of the then new road signs indicating the BTM using the words "Tourist Tramway" in the central median strip of Sturt St. West, or Western Highway at the intersection with Hamilton Ave. Photos taken by Warren Doubleday on 13.09.2002. Printed on Agfa Paper. 2604.1 - Taken from the western side 2604.2 - ditto, but further back. On rear of each photo in brown felt tip pen, the words "New Signage at Highway".btm, hamilton ave, western highway, sturt st west -
Trafalgar Holden Museum
Container - saddle paste, c1900
used in the care and maintenance of leather harness and saddles c1900Imported and retailed by Holden and FrostRound metal container with directions inscripted on yellow twist top lidS & H Harris's Saddle Paste .Brown Harness leather paste and directions for useequine agricultural, equine civilian, leather paste -
Wodonga & District Historical Society Inc
Functional object - Balloon Flashlight Magnifying Glass
The Balloon flashlight magnifying glass was donated by a resident of Wodonga and is an unusual example of glass magnifiers with an inbuilt light made by the Balloon company.The flashlight magnifying glass has local significance due to its donation by a resident of Wodonga. It also has historical significance as an example of a relatively rare type of vintage Balloon magnifying glass with an inbuilt light.Metal and plastic flashlight magnifying glass, with a light attached to the interior end of the handle, to illuminate the magnified area."TRADE MARK / BALLOON / MADE IN HONG KONG" on the dark brown plastic end of the handle.magnifying glass, flashlight magnifying glass, balloon magnifying glass, balloon hong kong -
Rutherglen Historical Society
Microfiche, Corporation of the President of the of Jesus Christ of Latter Day Saints, Family Register Index, 1987
Identity the families registered with the Church of Jesus Christ of Latter Day Saintssmall sheet of film Alphabetical Index BROWN - JOSEPH H Church of Jesus Christ of Latter Day Saintsfamily, register, alphabetical -
Kew Historical Society Inc
Clothing - Evening Coat, 1920–1930
The donor, whose parents owned an antique shop believed that the evening coat was owned by the family of Cr Morris Nathan and his wife Margaret Frances, nee MacKay. Maurice Nathan was born in Kew in 1914 and died in East Melbourne in 1982. He was a student of Trinity Grammar School, Kew. He was Lord Mayor, and his wife Lady Mayoress, of the City of Melbourne for two terms between 1961 and 1963. The age of the coat, created in a design typical of the 1920s would suggest that it is of an earlier vintage, almost certainly dating from the 1920s, but perhaps earlier. The opulence of the sequinned and beaded embroidery have led to the supposition that it may be an opera coat inherited from an earlier generation.Three quarter length, red and cream silk, padded evening coat highlighted on the cuffs and hem with iridescent sequins, beading and pearls of different shapes and sizes. These decorative features are arranged in a formal design, particularly at centre back. Above the beaded sections are sunbursts outlined in gold beads.Trimmed rabbit fur at collar and cuffs. The sleeves are shaped above the embroidered sections while the hem features a zig-zag profile. MEASUREMENTS - Neck to hem front 93cm; Neck to hem back 100cm; Circumference 126cm; Shoulder to cuff 72cm; Shoulder width 36cm.Traditionally, pre acquisition, stored in brown suitcase embossed in gilt with the name R. NATHANevening jackets, opera coats, fashion -- 1920s -
Trafalgar Holden Museum
Container - Small screw lid jar
Used for the upkeep of leather boots in the period of 1900'sImported and sold by Holden and FrostSmall glass jar with metal screw on lid, paper label with instructionsPropert's Boot cream 516 medium brown for leather boots (imprint of horse and rider)boot, cream, properts -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Full swing on the board, 1904
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941RealismGift of Mr Gordon S. Ross, 1978Interior of shearing shed with figures, shears, animals and wool. Copper coloured gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.l.c of composition; Not dated; Not titledpainting, interior, shed, shearing, sheep, figures, animals, wool, farm -
Trafalgar Holden Museum
Container - Saddle Paste
Used in the care and maintenance of leather harness and saddles c1900Imported and retailed by Holden and FrostRound metal container with directions inscripted on yellow twist top lidS & H Harris's Paste. Brown Harness leather paste and directions for use on lidequine agriculture, equine civilian, leather paste -
Trafalgar Holden Museum
Container - Leather dressing, Circa 1900
Used in the care and maintenance of leather harness and saddles c1900Imported and sold by Holden and FrostRound metal container with directions inscripted on yellow twist top lidS & H Harris's Paste. Brown Harness leather paste and directions for use on lidleather paste, agricultural, civilian -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Swan, Annie S. (Mrs Burnett Smith), The magic of love, [n.d.] [first published 1909]
250 p. : plain red coverfictionfiction, annie s. swan -
Eltham District Historical Society Inc
Journal - Magazine, Eltham High School, The Mercury, December 1950
1950 was the first edition of The Mercury published by the Eltham High School. 1949 was the last issue of The Mercury as the magazine of the Eltham Higher Elementary School.Inscribed on front cover G. Brown Form 2H Rear cover with multiple autographs1950, eltham high school, eltham higher elementary school, mercury, the mercury -
Stawell Historical Society Inc
Book, Golden Heritage N.W.O. Project, Stawell Gold Mines Past and Present - Exploring the Golden Heritage Stawell, 1996
Points of Interest in Stawellwith cover with photo of the town hall clock towerIn Brown Print: Stawell Gold Mines Past and Present Exploring the golden Heritage of Stawell stawell mining -
Clunes Museum
Memorabilia - LABEL
LABEL FOR BOTTLES OF VINEGAR FROM THE EBERHARD & CO. CORDIAL FACTORY IN CLUNESLABEL FOR VINEGAR BOTTLE - RECTANGULAR, WHITE BACKGROUND WITH RED, WHITE & BLUE PRINTING AND CROWN DESIGNIMITATION VINEGAR . BROWN TABLE VINEGAR . CONTENTS 26 OZS. EBERHARD & CO. CLUNESlocal history, commerce, labels, eberhard & co labels