The Victa company was founded by Mervyn Victor RICHARDSON in Australia in 1952 initially to manufacture lawnmowers. This badge was on the back gate of a former shop in Princes Street, Port Melbourne. The owner, Victor, salvaged the badge, painted it green to match his house and used it as the 'nameplate' for his residence.Photograph of green painted, boomerang shaped metal object with raised letters 'VICTA' & the number 18 in situ.victa, mervyn victor richardson, industry - manufacturing, built environment - domestic

David Ham (1830 - 1908) MLC donated the two marble lions in 1893. These were characteristic of grand entrances in 19th Century landscapes and the lions were also an emblem of the strength of the British nation. The lions are located inside grand entrance gates to the Ballarat Botanical Gardens.The lions are of historic and aesthetic significance to the people of BallaratTwo large marble lions Presented by the Hon David Ham M.L.C 1893.19th century lions

Photo of Z28 (Spencer St, route 75) in Flinders St after crossing Swanston St. The tram has The Met logos, an advert for Westpac Bank. In the background is part of Young & Jackson Hotel and the Port Phillip Arcade. Photo taken from Princes Gate Plaza.Yields information about Melbourne trams late 1980s.Colour photograph with paper parts on rear.melbourne, tramways, tramcars, flinders st, z class, tram 28, route 75, trams

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of glimpses of a white rendered house seen behind a low unpainted brick fence with a hedge and " 20" on the white letterbox beside the driveway. Other features seen through the trees include tiled roof, a porch with unpainted brick edging on the doorway and a black cast iron entrance gate.murrumbeena, houses, beauville avenue, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, letterboxes, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick fences, rendered houses, cast iron work, brick features

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits, one standing behind an open tourer car and the other is sitting at the driver's steering wheel. They are parked beside a gravel road with a gate and fence directly behind and then open fields and in the far distance is a row of trees. The man standing is Frank Wright.Written in pencil on back - 26/4/53frank wright, open tourer, conductor, car, automobile, transport

Frank Wright was a renoun resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia. He died on 16 November 1970.Black and white photograph of a man dressed in a dark suit standing on a made road with three little boys around him. Behind him is a timber house enclosed by a wooden fence. The fence posts and gate posts are carved in the Maori tradition. The man is Frank Wright and the place is Rotorua, New Zealand.Written in pencil on back - At Rotorua, Feb 1940frank wright, musician, adjudicator, brass bands, rotorua, maori carved fence posts

Photo: Symbester House. Black and white, house with central two panelled door, window either side. Low panel fencing in front with wire gate. Roof is corrugated iron, house appears to be brick, painted light colour. Television Antennae above the roof. See also photo 1613.house, public, symbester house, symbester house

Photograph. A stereoscope card of the entrance to Canterbury Park, Eaglehawk, with the Eaglehawk Post Office showing the clock tower in the back ground, the clock is at 11.07am. The photo was taken from inside the park, showing the entrance gates with its ornate columns, a shrine is to the left with a palm tree and small shrubs in the fore ground.Valentine Seriesphotograph, streetscape, eaglehawk, eaglehawk post office, eaglehawk canterbury park.

Group of four black and white photographs depicting Bendigo landmarks in 1912. (a) The Bendigo Conservatory, (b) Interior of the Fernery, (c) Photograph showing a set of ornamental gates set into a picket fence, with many large mature trees behind. On the reverse is written ' Entrance to Lake ' , (d) Bendigo Benevolent Asylum.place, bendigo, landmarks, bendigo conservatory, fernery, entrance to the lake, benevolent asylum

Front view of Stawell Shire Hall in Longford Street with wrought iron fence and 1920's motor vehicle parked outside. The photograph taken in 1949 was donated by Mr. F. M. Mortyn who was Secretary of the Stawell Shire from 1947 - 1960. A small black & white photo of the Stawell Shire Hall with its brick facade with a parapet top. The entrance doorway in the centre with windows each side. In front a wrought iron fence. The gate of the fence is painted white. A 1920's motor vehicle is parked out the front to the right of the Shire Hall. Stawell Shire Hall 1949.stawell

Stawell Shire Hall in the process of being painted. The photo shows the painter up the ladder with a paint bucket. A bicycle is leaning against the decorative fence possible the painters bike.Coloured photograph of the Stawell Shire Hall being painted. A person in white overalls is standing on the top rails of the ladder painting the decorative window out the front. A taller ladder is positioned near the door and leaning against the parapet. The photo also shows the decorative fence, with a white post and white gate. Peterboro Cardboards The Canadian Board/Le Carton Canadian No. 337stawell

Part of Heritage StudyColour photograph of dwelling at 9 Doyle Court, it was relocated from Orme Street, known as The Grays House, timber weatherboard cottage, bull-nose veranda on two sides, bay window at front, entrance gates of timber pickets open to reveal driveway at side of house. Lakes Entrance Victoriafences, houses, heritage study

Also enlargement 20 x 25 cmBlack and white photograph of Gainsborough House, Jemmys Point, showing guests on the veranda of an attractive guest house, iron roof, single brick chimney centre rear of roof ridge. Building is of concrete construction. White painted rail fence, wire lace single gate. Lakes Entrance Victoriaguesthouses, architecture, tourism, people

A property illustration by Margret Picken Commissioned by a real estate agency for the purpose of advertising 49 O'Shannassy St., Nunawading This property is listed as having sold for $290,000 in 2003 Made by using Rotring ‘Rapidigraph’ drafting pens with Rotring ink on Rapidigraph polyester drafting film, double matte. Trained as a cartographic draftsman within the mining industry, Margaret Picken is an artist who worked producing property illustrations for real estate agencies in eastern suburbs of Victoria from 1983-2005. Retiring from the industry as technological changes favored coloured photography over illustrations, and commissioning companies over sole contractors.This artwork is of Historical Significance as a record of local domestic architecture.A black ink line drawing on drafters film by Margaret Picken, of a black and white line drawing of a single story weatherboard house. On the right is a driveway leading to a back gate. In the foreground on the left is a front yard, with garden beds edging a lawn. There are two holepunch holes on just under the upper edge.49 O'Shannassy St., Nunawading Picken - 2003 Realtorwhitehorse historical society, schwerkolt cottage, housing, architecture, margaret picken, house, garden, real estate, nunawading

Viewed from Leslie Street. The Steam Packet Inn continues to operate today. It was the closest hotel for anyone who had just come off a paddle boat. In the background can be seen two cyclists riding along Murray Esplanade, the swing gates are the entry into the railway yards.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, leslie street, murray esplanade, steam packet inn

Viewed from Leslie Street. The Steam Packet Inn continues to operate today. It was the closest hotel for anyone who had just come off a paddle boat. In the background can be seen two cyclists riding along Murray Esplanade, the swing gates are the entry into the railway yards.Digital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencygeorge coop collection, echuca, leslie street, murray esplanade, steam packet inn

Photo of A class 258 (City Lonsdale St, route 48) in Flinders St just after crossing Swanston St. The tram has The Met logos, a Fox FM radio station. In the background is the Port Phillip Arcade buildings. Photo taken from Princes Gate Plaza.Yields information about Melbourne trams late 1980s.Colour photograph with paper parts on rear.melbourne, tramways, tramcars, flinders st, a class, tram 258, trams, route 48

This is one of eight embroidered panels, completed during the 1988 Australian Bi-Centennial, and carried out under the auspices of City of Kew Council and the Kew Historical Society. Nearly 600 residents, including many children, participated in their production by adding a few or more stitches. A book records their names and the panels upon which they worked. Artist: Joy Stewart / Co-ordinator: Dorothy Benyei.4. Boroondara Cemetery, established 1859. A framed embroidery created by adults and children of the City of Kew as a Bicentennial project, based on a design by the artist Joy Stewart. Five of the six completed embroideries created in the project are/were displayed in the Kew Library. [The five embroidered panels have now been temporarily removed for conservation reasons].Inscription: "BOROONDARA CEMETERY / Established 1859. Horse drawn trams from Victoria Bridge terminated at gates, bringing visitors to the graves of relatives and friends, and sightseers to view the impressive pioneer memorials." Embroidered signature of the artist: "(c) JStewart, 1988"bicentennial project (kew), joy stewart, boroondara general (kew) cemetery, australian bicentennial

BHS CollectionBlack and white photograph mounted on rectangular grey board. House, C.G.I. roof, finials to decorated gable ends, 3 brick chimneys w/decorated white capitals. Verandah has gable over front entrance, bowed corner window under verandah posts w/case iron lace above. Roughcast archway surrounds window under R.H. gable, two arched windows. R.H. rear of house. Wooden Fence pickets w/figured tops, capitals to gate posts, decorative front gate, hedge is clipped in harmony with fence tops. Cnr Hargreaves & Chapel Streets. Written on envelope: TC. Watts & Son, Cr Hargreaves and Chapel St. £1600.F.A. Jeffree, Photo, Bendigoplace, building, residential, chapel street, hargreaves street

Souvenirs collected by a member of BCOF in Japan Post WW2. Item in collection of "RICHARD WILLIAM McGILVERY". RAAF. Refer Cat No. 7287P for his service details, photos and awards.Silver heavy metal cigarette box, rectangular shape with curved bowl shape inside. Lid on top has engraved series of Japanese images (Buildings and Deer in gold, gate in red and tree branch in silver). Word - possibly MIYAYIMO engraved into bottom left corner. Inside burnished gold colour.Word - possibly "MIYAYIMO" engraved into bottom left corner.bcof, souvenir

Jack and Amy McKeon's house burnt out remains, their house was set back from the what is now called Grampians Rd, on land between Grand Canyon Motel And Tim's Place.Site of burnt out residence. Two brick chimneys and a tank remain standing. Two fir trees in foreground on the fence line. Man holding a dog near post of the gate and bicycle lean against the wire fence . A road and power lines cross the picture beyond the site,backed by gum trees.buildings, houses

Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown.City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of an unpainted variegated brown brick house. Other features include a square porch with 2 open arches, tiled roof, white sash windows, striped awnings and low unpainted matching brick fence in the foreground with "230" on the brick pillar with white cast iron gate beside the driveway.murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, porches, murrumbeena road, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, brick features, brick fences, arches, sash windows, striped awnings, cast iron work gate

Blue/black hard covered book of 234 pages including index and photographic reproductions. Contents include Uses of Water in Mining; Geology of Placer Deposits; Gold Recovery; Flumes, ditches, dams, pipes; Giants, valaves, gates, weirs, miner's inch, pressure box, dams; gravel elvators; exploiting. mining, hydraulics, water, dredge, dredging, gold mining

This book is part of a collection of books, photos and memorabilia donated from the Chatham-Holmes family collection. The book appears to be promotional.This seventy page, buff coloured, hard covered book has a cloth binding. The front cover has Guiness and Dublin printed and a picture of a harp. There is a picture of Arthur Guiness (1725-1803) on the page facing the contents page. At the back of this history of the St James's Gate Brewery are numerous photos of the place and the process.chatham-holmes family collection, guiness, arthur guiness, st james's gate brewery, guiness, beer, brewing, brewery, st james's gate brewey, cooper, barrell, ireland, dublin

black and white photo: stone building at left with central porch, 1 chimney, large sign '.. Cemetery' Tall dead tree at rear. Graves with headstones, treed hill at back. 2 bullocks with chain at front right. At left near gate, 2 children, adult male. In image B.R. Batchelder.Batchelderplace, cemetery, bendigo cemetery, carpenter street

Newspaper cutting dated Friday May 10th. Handwritten 1889. Wedding and reception of Miss M A Weigard to P Cooper described. Dressmaking business acknowledged. Kangaroo Flat police station description and need for a lamp over gate also included on cutting. Sandhurst Coffee Palace advertisement on rear of cutting.heritage

Colour photograph of the almost completed horse tram, missing off side gates and advertising boards. Handrails and lettering and stairway decoration completed. Photographed on the BTM depot fan, on the occasion of the 21st anniversary of the closure of the Ballarat tramway system - 19/9/1992. Tram 661 in the background. Print on Kodak paper.horse tram no. 1, tramcars, btps, reconstruction, tram 1, 661