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Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/27 Asquith Street, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/27 Asquith Street, Kew by Margaret Picken.2/27 ASQUITH ST., KEW / PICKEN (c) 2003 / 'FLETCHERS'artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/27 asquith street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2/27 Asquith Street, Kew, 2003
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2/27 Asquith Street, Kew by Margaret Picken.2/27 ASQUITH ST., KEW / WOODARDS ~ BALWYN ~ M.Partist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2/27 asquith street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 19 Atkins Street, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 19 Atkins Street, Kew by Margaret Picken.19 ATKINS ST., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 19 atkins street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 43 Atkins Street, Kew, 1989
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 43 Atkins Street, Kew by Margaret Picken.43 ATKINS ST., KEW / MARGARET PICKEN ~89 / WOODARDS ~ HAW.artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 43 atkins street -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 1A Balmoral Avenue, Kew, 1999
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 1A Balmoral Avenue, Kew by Margaret Picken.1A BALMORAL AVE., KEW / MARGARET PICKEN ~99 / WOODARDS ~artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 1a balmoral avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 2 Balmoral Avenue, Kew, 1991
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 2 Balmoral Avenue, Kew by Margaret Picken.2 BALMORAL AVE., KEW / MARGARET PICKEN ~91 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 2 balmoral avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 18 Banool Avenue, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 18 Banool Avenue, Kew by Margaret Picken.18 BANOOL AVE., KEW / MARGARET PICKEN (c) 2001 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 18 banool avenue -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3 Barenya Court, Kew, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3 Barenya Court, Kew by Margaret Picken.3 BARENYA CRT., KEW / MARG PICKEN ~87 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3 barenya court -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 27 Barkers Road, Kew, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 27 Barkers Road, Kew by Margaret Picken.27 BARKERS RD., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 27 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 93 Barkers Road, Kew, 1996
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 93 Barkers Road, Kew by Margaret Picken.93 BARKERS RD., KEW / MARGARET PICKEN ~96 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 93 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 101 Barkers Road, Kew, 2000
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 101 Barkers Road, Kew by Margaret Picken.101 BARKERS RD., KEW / MARGARET PICKEN (c) 2000 / FLETCHERS REAL ESTATEartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 101 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 9,13,14 / 103 Barkers Road, Kew, 2001
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2003. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of Units 9, 13 and 14, 103 Barkers Road, Kew by Margaret Picken.9,13,14 / 103 BARKERS RD., KEW / MARGARET PICKEN (c) 2001 / WOODARDS ~ HAWTHORNartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 103 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 3/287 Barkers Road, Kew, 1993
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 3/287 Barkers Road, Kew by Margaret Picken.3/287 BARKERS RD., KEW / MARGARET PICKEN ~93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 3/287 barkers road -- kew (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 4/287 Barkers Road, Kew, 1992
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a range of real estate agents in Melbourne between c.1983 and c.2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 4/287 Barkers Road, Kew by Margaret Picken.4/287 BARKERS RD., KEW / MARGARET PICKEN ~92 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 4/287 barkers road -- kew (vic) -
Koorie Heritage Trust
Book, Robinson, Fergus et al, The Black Resistance : an introduction to the history of the Aborigines' struggle against British Colonialism, 1977
Using materiqal largely ignored by historians, this book traces the dispossession of the Aboriginal people and records the strategic and tactical objectives of tribal defence as well as the aims and methods of the British invaders.137 p. : maps ; refs.; 22 cm.Using materiqal largely ignored by historians, this book traces the dispossession of the Aboriginal people and records the strategic and tactical objectives of tribal defence as well as the aims and methods of the British invaders.race relations. australia, 1788-ca.1900. | aboriginal australians -- government relations. | aboriginal australians -- history. | australia -- history -- 1788-1900. | race discrimination -- australia -- history. | race relations - violent - massacres, murders, poisonings etc. - to 1900 -
Koorie Heritage Trust
Book, Miller, Janette Brand et al, Tables of composition of Australian Aboriginal foods, 1993
Blurb: ' This is the first comprhensive set of tables of composition of Australian indigenous foods. The data compiled here will be of interest to biologists and historians, exploreres and chefs, nutritionists and horticulturalists, as well as other Aboriginal and non-Aboriginal Australians.'x, 256 p. ; 25 cm.Blurb: ' This is the first comprhensive set of tables of composition of Australian indigenous foods. The data compiled here will be of interest to biologists and historians, exploreres and chefs, nutritionists and horticulturalists, as well as other Aboriginal and non-Aboriginal Australians.'aboriginal australians -- food. | food -- composition -- tables. -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 03. 1-2 1979, 1979
A series of articles on Aboriginal History by well-known historians.166p.; footnotes; bib.; ports.; facsimiles; 25 cm.A series of articles on Aboriginal History by well-known historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal australians -- missions -- new south wales | religions - christianity - missions | religions - christianity - missionaries | music - vocal | literature and stories - story telling and story tellers | language - texts and translations - aboriginal to non-aboriginal language | art - rock art - painting | photography - ethnographic | ceremonies | literature and stories - story telling and story tellers | world war, 1939-1945 -- participation, aboriginal australian. | aboriginal australian soldiers. | aboriginal australians -- northern territory -- arnhem land. | defence - world war ii | religions - christianity - lutheran church | religions - christianity - missions | settlement and contacts - colonisation - 1851- | settlement and contacts - colonisation - 1851- | government policy - initial period and protectionism - 1851-1900 | government policy - state and territory - queensland | animals - invertebrates - crustacea and molluscs - beche-de-mer / trepang | -
Koorie Heritage Trust
Journal - Serials, Department of Pacific and Southeast Asian History, Australian National University, Aboriginal History - Volume 02. 1-2 1978, 1978
A series of articles and reviews on Aboriginal History by leading historians.188 P.; ports.; bib.; footnotes; tables; 25 cm.A series of articles and reviews on Aboriginal History by leading historians.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | dutton, george (1886-1968) | government policy - self determination - 1972-1984 | race relations - violent - massacres, murders, poisonings etc. - to 1900 | settlement and contacts - colonisation - 1788-1850 | religions - christianity - missionaries | religions - christianity - missions -
Koorie Heritage Trust
Book, Broome, Richard et al, A man of all tribes : The Life of Alick Jackomos, 2006
No account of race relations in Victoria could be reliable, or complete, without a focus on Alick Jackomos. Ethnically Greek, he devoted his life to Aboriginal advancement, bringing sense to what were often pretty senseless situations.Colin Tatz - Visiting Fellow in Political Science - A.N.U.vi-xiv; 298 P.; ports; index; notes; bib.No account of race relations in Victoria could be reliable, or complete, without a focus on Alick Jackomos. Ethnically Greek, he devoted his life to Aboriginal advancement, bringing sense to what were often pretty senseless situations.Colin Tatz - Visiting Fellow in Political Science - A.N.U. jackomos, alick, 1924-1999. | political activists -- victoria -- melbourne -- biography. | aboriginal australians -- civil rights -- victoria. | historians -- victoria -- melbourne -- biography. -
Koorie Heritage Trust
Book, Bride, Thomas Francis, Letters from Victorian pioneers : being a series of papers on the early occupation of the colony, the Aborigines, etc., addressed by Victorian pioneers to His Excellency Charles Joseph La Trobe, Esq., Lieutenant-Governor of the colony of Victoria, 1899
The letters record events which will recall to many persons still living old Vctorian memories, and will have a great value for the future historian of Victoria, as narrating the experiences of actual movers in the early scenes of our colonization, while they will also possess interest as incidental contributions to the biographies of the men who half a century ago beagan to encounter the hardships and perils which beset the pioneer in every part of this continent. These papers also contain interesting contributions to our knowldge of the aborigines-their languages, customs , and conflicts with the white men; and although some of the incdents narrated have found their way into print before, they are now for the first time given in their entirety to the public.xiii, 325 p. : figs., map. index; Barabool dialect list; names of the tribe, about 1841-43; ; 22 cThe letters record events which will recall to many persons still living old Vctorian memories, and will have a great value for the future historian of Victoria, as narrating the experiences of actual movers in the early scenes of our colonization, while they will also possess interest as incidental contributions to the biographies of the men who half a century ago beagan to encounter the hardships and perils which beset the pioneer in every part of this continent. These papers also contain interesting contributions to our knowldge of the aborigines-their languages, customs , and conflicts with the white men; and although some of the incdents narrated have found their way into print before, they are now for the first time given in their entirety to the public. frontier and pioneer life -- victoria. | victoria -- history -- 1834-1900 -- sources. -
Peterborough History Group
Book, Jack Loney, Wrecks Along The Great Ocean Road, 1975
Shipwreck information from Point Lonsdale to PortlandReferences to local shipwrecks and to the town of Peterborough by a district historian.145 page soft cover book with an index to ships and index of surnames.First edition 1967, this edition further revised 1975shipwreck coast, schomberg, young australia, falls of halladale, newfield, antares, peterborough 3270, jack loney -
Peterborough History Group
Book, Jack Loney, Old Days and Ways Along the South Coast, 1992
Information about the wreck of the Antares and other local wrecks and mysteries.History by local, noted historian.77 page softcover book with Table of Contents and Index. Published 1992shipwreck coast, peterborough 3270, great ocean road, antares - shipwreck -
Peterborough History Group
Book, Don Charlwood, Settlers Under Sail, 1999, Third edition
Describes The Great Circle Route and includes information about Bully Forbes, Captain of the Schomberg.Significant as information compiled by a respected maritime historian and includes information about local shipwreck.Signed by the authorbully forbes, the schomberg, peterborough, shipwrecks, great ocean road, the shipwreck coast, don charlwood, great circle route, sailing ships -
Tatura Irrigation & Wartime Camps Museum
Document, G Butler, Architectoral Historian, Waranga Conservation Study 1988 Vol 4, 1988
Written as part of a series . Deals with buildings and historical context in which they may be judged. White plastic back/ clear plastic front/ white plastic spiral. Front cover illustrates Colbinabbin Homestead, Colbinabbin 1867.burnewang house -
Robin Boyd Foundation
Book, Manning Clark, The Puzzles of Childhood : His Early Life, 1989
Hardcover w/ Dust JacketAn invitation to Mrs. R Boyd to a perfume launchmanning clark, australian - historian - autobiography, walsh st library -
Kew Historical Society Inc
Book, Rosalie Triolo, Our Schools and the War, 2012
"The Great War profoundly touched the lives of Australian teachers, school children and local communities, and with lasting consequences. Every teacher had the task of explaining the war to their students. Many teachers, a disproportionately large number, fought and died, and were joined by their older students. For years after, the names of those who fell were respectfully displayed on school honor boards, in honor books and remembered by other commemorative means, including through the introduction of Anzac Day. How teachers and school communities were affected by patriotic appeals and activities, and how they responded to the long years of grim news from Gallipoli, the Western Front and other sites of training, fighting and convalescence, is revealed in an account that historians, general readers and today's students will find illuminating and deeply moving." --Back cover.North Melbourne, Vic. : Australian Scholarly Publishing, 2012 : xvii, 364 pages : illustrations, facsimiles, portraits ; 25 cm non-fiction"The Great War profoundly touched the lives of Australian teachers, school children and local communities, and with lasting consequences. Every teacher had the task of explaining the war to their students. Many teachers, a disproportionately large number, fought and died, and were joined by their older students. For years after, the names of those who fell were respectfully displayed on school honor boards, in honor books and remembered by other commemorative means, including through the introduction of Anzac Day. How teachers and school communities were affected by patriotic appeals and activities, and how they responded to the long years of grim news from Gallipoli, the Western Front and other sites of training, fighting and convalescence, is revealed in an account that historians, general readers and today's students will find illuminating and deeply moving." --Back cover.ww1, first world war, schools, education, wwi -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 63 Westbrook Street, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 63 Westbrook Street, Kew East by Margaret Picken.63 WESTBROOK ST., KEW E / MARGARET PICKEN ~95 / WOODARDS ~ BALWYNartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 63 westbrook street -- kew east (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 26 White Avenue, Kew East, 1995
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 26 White Avenue, Kew East by Margaret Picken.26 WHITE AVE., KEW / MARGARET PICKEN ~95 / WOODARDS ~ KEWartist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 26 white avenue -- kew east (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 64 White Avenue, Kew East, 1987
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 64 White Avenue, Kew East by Margaret Picken.64 WHITE AVE., EAST KEW / MARG PICKEN '87artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 64 white avenue -- kew east (vic.) -
Kew Historical Society Inc
Drawing - Property Illustration, Margaret Picken, 52 Willow Grove, Kew East, 1988
After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for real estate agents in Melbourne between 1983 and 2006. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Pen and ink drawing on drafting film of 52 Willow Grove, Kew East by Margaret Picken.52 WILLOW GVE., E KEW / MARG PICKEN '88 / WOODARDS ~ KEW ~ M.P.artist -- margaret picken 1950-, property illustrations — buildings — kew east (vic.), 52 willow grove -- kew east (vic.)