Vol. 5, No. 2, May-Jun 2000 CONTENTS ALAN MARSHALL SHORT STORY AWARD 2000 3 JOHN BRACK: DIRECTOR Exhibition review 7 GARDENS, MEMORY & IMAGINATION Book review 9 IT'S ALWAYS POSSIBLE Book review 12 BRUSH WITH PARADISE Peter Oyston interview 14 FELIX BOSARI, 1945-2000 Obituary 15 TOP ARTS VCE 1999 16 JEFFERY SMART Exhibition review 18 THE DENNIS GARDEN 19 WORDS AND MUSIC BY … Book review 22 TRAVELS IN 1840S IRELAND Book review 23 CD REVIEWS 24 RECIPE 26 CD REVIEW Betty Scarlet 27 ARTIN ABOUT 28 WINING & DINING 30 ARTISTS SERVICES 32 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) art streams, john brack, museum of modern art at heide, alan marshall short story award, kinglake gallery, bahnhof cafe, gwen ford, plenty views golf park, carlucci's, eltham wiregrass gallery, peter oyston, felix bosari, top arts, jeffrey smart, helen dennis, craig horne, jill blee, dynamic vegies, faces coffee place, montsalvat, maria sangiorgi, helen lucas, were street cafe

Material pertaining to the production of a history of the Shire of Eltham, "Pioneers & Painters: One Hundred Years of Eltham and its Shire" in recognition of the shire's centenary in 1971 Item Title 04769-1 Manuscript: Pioneers & Painters - A History of Eltham Shire, edited by Alan Marshall, 1971 04769-2 Eltham District Road Board Members 04769-3 Shire of Eltham Councillors 04769-4 Galley Proof, Pioneers & Painters, Appendices pp137-138 04769-5 Eltham Shire Celebrates 100 Years of Colour and Progress; Book Review, The Australian Municipal Journal, July 1971, p 13 04769-6 Letter: Acknowledgement from RHSV to Shire of Eltham Historical Society that Pioneers & Painters is to be reprinted, 10 November 1978 The idea to develop a book on the history of the Shire of Eltham to be edited by noted author, Alan Marshall in celebration of the shire's centenary was initiated in 1969. The Shire of Eltham Historical Society undertook significant research in conjunction with Alan Marshall locating material at various institutions and other societies; interviewing longer term residents and a public campaign through the local press to acquire photographic material for duplication and use in the book. The public campaign received generous response and the material collected became the genesis for the Shire of Eltham Pioneers Photograph collection now held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library).Paper documents of various sizesalan marshall, cr. charis pelling, manuscript, pioneers and painters, rhsv, royal historical society of victoria

Feature news story about 1979 Eltham Parade with photo of Society members Joh Ebeli and Russell Yeoman pushing Peter Bassett-Smith along in a wheelbarrow. Others featured were Eltham Rugby club float and Anne Mandel of the Slovenian Association of Melbourne. Other story on "Council elections provide shocks" featured the defeat of Eltham sitting councillors, Ken Hines and Helen Wells with Shire president Cr, Robert Marshall returned with a commanding majority. Reverse side (p2) story "Laughing cop no softy" is a feature article on Tony Zalewski of Greensborough CIB who was the key policeman involved in a hour-long siege in Norfolk Crescent, Bundoora in 1978 and for which he received the Victoria Police Valour AwardNewsprint page1979, anne mandel, ansell and muir, bundoora, elections, eltham festival, eltham rugby football club, greensborough cib, helen wells, joh ebeli, ken hines, lyon bros ford, norfolk crescent, parade floats, peter bassett-smith, robert marshall, russell yeoman, shire of diamond valley, shire of eltham, shire of eltham historical society, siege, slovenian association of melbourne, tony zalewski, victoria police valour award

A photo of 28 Legatees assembled in Canberra in 1930 for a Conference. The names are written on a paper label attached to the base of the photo. In brackets after the name is an initial, believed to be an indication of where the Legatee came from. (S) for Sydney, (Ad) for Adelaide, (M) for Melbourne, (C) for Canberra, (G) and (Br__) not known. Names include: Carr, Turnbull, Hillman, S Walker, J Freeman, W W Berry, McDonald, C R Carleton, Behan, H W Marshall, Hilmer Smith, E Harding, Seaborn, E J Fairnie, Penfold, Souter, S Rohu, Bastin, J Stewart, Perry, Gargett, E Terry, J Rex Hall, L Backwell, Paul Simonson, Frank Meldrum, Harrison.A record of a conference early in the establishment of Legacy. Black and white photo of the 1930 Canberra Conference delegates.The names of the men are written on a paper label attached to the base of the photo.conference, founding legatee

The grave of Thomas Sweeney, former convict turned respectable citizen. The Murray and Sweeney families were both early settlers of the Eltham district and connected by marriage. Their family plots are located side by side in the Catholic section of the Eltham Cemetery. Irish-born Thomas Sweeney is regarded as the first settler in Eltham. He was transported to Sydney in 1823 after being convicted of arson. He was granted his freedom in 1838 and married Margaret Meehan in the same year. They moved to Melbourne and in 1842 Thomas purchased 110 acres beside the Yarra River in the vicinity of present-day Sweeneys Lane. He called the property ‘Culla Hill’ and built a small slab hut (reputedly with Wurundjeri help; Margaret is said to have run an informal hospital for them in return). This was followed in 1846 by more substantial buildings consisting of a three-roomed Irish-style ‘longhouse’ and a barn made of stone and handmade bricks, with doors large enough to accommodate a fully loaded wagon. When the gold rush came, Thomas prospered by selling meat and potatoes to the prospectors, enabling him to purchase a further 308 acres in 1856. He promoted the construction of a bridge over the Plenty River and the establishment of a school at Eltham. Roman Catholic Church services were held at Culla Hill in the early years. When he died in 1867, he was regarded as a respected member of the community. Thomas and Margaret are buried in Eltham Cemetery with many of their descendants. Their first son John continued to farm Culla Hill until his death in 1909. Culla Hill passed out of the Sweeneys' possession in 1939. The house and barn remain today, though lesser outbuildings have gone. The facade of the house is much the same as it was in the 1840s. Sacred To the memory of Thomas Sweeney Who died Sep 6th 1867 Aged 65 years May his soul res in peace Also his wife Margaret Died Oct 3rd 1884 aged 73 years And their daughters Annie Died Aug 22nd 1860 aged 21 years Johanna Died Aug 19th 1872 aged 22 years Margaret Died 7th Sep 1913 aged 72 years R.I.P. Also In Memory Of John Sweeney Died 24th May 1909 Aged 65 years Also of his wife Ellen Died 8th March 1910 Aged 64 years R.I.P Also In Memory Of Caroline Infant daughter of John & Ellen Sweeney Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p55 From the piety and poverty of 19th century Eltham, 20th century artists and environmentalists, to today’s comfortable middle class, Eltham Cemetery records it all — and more. A visit to Eltham Cemetery reveals an important social record since its beginnings in 1858. The cemetery was situated on about six acres (2.4ha) (now around 4.8ha) at the corner of Mount Pleasant and Metery Roads.1* It is thought that Metery Road was originally called Cemetery Road, but in the early 1940s, a resident, possibly a councillor, objected to the name resulting in the change.2 Much can be gleaned about the developing Eltham community from burial styles and the names of former local residents. Originally the cemetery was divided into Christian denominations, like others of that time, following the United Kingdom burial system. In 1861 the cemetery included Church of England, Presbyterian, Roman Catholic and Wesleyans (later Methodist) sites. Graves also indicated social class. Some had grand tombstones, perhaps fenced with ornamental cast iron railing, but most in the 1860s and 1870s were constructed of modest stone slabs.3 This indicated the poverty of the district, which was largely inhabited by farmers on small landholdings. A poignant reminder of the high rates of infant mortality of those times, are the many infants and young children recorded on the headstones. Major changes occurred in the cemetery in the late 20th century as Christian adherence weakened and society became more egalitarian and informal. In the early 1970s a non-denominational lawn section for burials was established. Since then all new areas have been non-denominational to accommodate the more diverse local community. Now, instead of large ornamental headstones, some mourners have chosen boulders, reflecting the natural Eltham style, while others choose graves in the lawn areas or niches in walls. In the late 1970s, the University Donor Section was established north-west of Candlebark Lawn for those who donated their bodies for The University of Melbourne medical research. In the early 1980s the natural Australian garden style, popular in Eltham, was mirrored in a new section called Ashes Walk. Local landscape architect Gordon Ford, who had popularised this style, designed the Walk using boulders shaded by native plants beside curved pathways. Landscape architect Robert Boyle later redesigned Ashes Walk and developed other parts of the cemetery in keeping with this style.4 Appropriately Ford, who died in 1999, was interred in the Native Garden Section in a cluster of sites shaded by a large eucalyptus tree.5 By 2007, about 6400 interments were recorded in the Eltham Cemetery. Close inspection reveals notable names in the district’s history. The grave of Thomas Sweeney, a former convict who became a respected citizen, can be found in the Roman Catholic section near the path. Eltham Primary School’s first headmaster, David Clark, is buried in a modest grave in the Church of England section to the east of the path from the main entrance. Sir William Irvine, Victorian Premier from 1900 to 1902, whose grave is in the north-east Presbyterian section was at various times Victoria’s Chief Justice, Deputy Governor and Treasurer.6 Further south is the grave of social reformer Bertram Wainer, born in Scotland in 1928 and died in 1987. He campaigned to legalise abortion and exposed police corruption in allowing illegal ‘backyard’ abortions. Other prominent local residents interred in the cemetery include: Justus Jörgensen, who founded Montsalvat; Alistair Knox, the mud-brick housing pioneer and Eltham Shire Councillor from 1971 to 1975 and President in 1975; Clem and Nina Christensen, who had a major influence on the literary development of post World War Two Australia. Others were: composer Dorian Le Gallienne; artist Peter Glass; Stephen Dattner, a prominent Melbourne furrier; ALP parliamentarian for Greensborough, Pauline Toner and political scientist and commentator, Professor William Macmahon Ball.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, annie sweeney, caroline sweeney, ellen sweeney, eltham cemetery, graves, gravestones, johanna sweeney, john murray, john sweeney, margaret sweeney, mary ellen drain, mary murray, thomas murray, thomas sweeney

Black and white photograph - Teachers, 1971."Attached to photograph" Back Row- L to R: Leslie Emerson, Joy Leslie, Amy Douglas, Martha Celnar, Gwen Whitney, Ann Jacobs, Joan Mathey, Isobel Marshall, Maureen Keogh, Jennifer Molders. Front Row- L to R: Baden Chadwick, Bernadette Martyn, Rae Jacobsen, Jeanette Parks, Alex Enterkin, Miss O'Toole, Randall Smith, Jean Watson, Joan Hallett, Anne Schneider, John Roach.

Names on back 6975-17 Stawell State School 502 Grade 6B 1968 Teacher Mrs Pearce Top Row. Ronald Cameron, Morris Seamons. Kenny Killeen, David O’Donald, Greg Dryburgh, Mark Lewis, Allan Hall, Steven Cameron, Terry Rickard, Mrs Pearce Second Row. Mark Lever, Peter Tangey, Stephen Stewart, Kerryn Bibby, Susan McKenzie, Susan Walker, Marita Kriewaldt. Judy Kennedy, Julie Devlin, Ian Cameron, Trevor Waterfield, Gilbert Whealan, Third Row. Ruth Ellett. Katy Collins, Helen Marshall, Barbara Wilson, Betty Mitchell, Leanne Rickard, Debbie Oliver, Lynn Roder, Jeni Guy. Janine, Ralph, Gillian Beecroft, Susan Sinclair. Students Standing and sitting in front of building with windows open in backgroundStawell State school SS 502 Grade 6b1968education

6975-18 Stawell High School Form 1B 1969 Teacher Miss Absolom Top Row, Jenny Jenkins, Carol Mason, Jenny Eagles, Judy Kennedy, Maree Hupfield. Second Row. Jillian Johnston, Marie Hunt, Ruth Ellett, Christine Jones, Lynette Matheson, Robyn Honeyman, Gayle McCann, Sue Maher, Robyn Hill, Third Row. Marita Kriewaldt, Suzan McKenzie, Annette Langdon, Janet Friend, Beth Kindred, Carey Gilas. Janette Howden, Sandra McKellar, Marlene Dunmore, Helen Hofferman, Fourth Row. Michelle Gross, Helen Marshall, Elizabeth McCann. Karan McIntyre. Jeni Guy, Miss Absolom. Janine Lang. Anne McConachie. Lynette Hallam. Denise Gross, Jenny Karslake. Students and Teacher Class Photo beside high School wingsStawell High School Form 1Beducation

A series of photos of Pugh at work. Clifton Pugh (1924-1990) was born at Richmond Victoria, and educated at various schools including Briar Hill Primary, Eltham Higher Elementary School and Ivanhoe Grammar. He studied art at the National Gallery School of Victoria 1948-52. Pugh is recognised as a one of Australia’s foremost painters. He is represented in major galleries throughout the country and overseas. He founded the “Dunmoochin” artists colony at Cottles Bridge. This front image from "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall, page 128 shows Pugh working on his portrait of Dame Mabel Balcombe Brookes (1890-1975).. Accoridng to an entry in the Australian Dictionary of Biography for Dame Brookes, this Pugh portrait remains in the family. This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital image Various prints and colour reversal films artists, clifton pugh, cottles bridge, dunmoochin, eltham local characters, painters, "pioneers and painters", sepp, shire of eltham pioneers photograph collection, painting, dame mabel brookes

In 1951 the first intake of students at the Ballarat Girls Junior Technical School occurred. The school was a part of the Ballarat School of MinesBlack and white image scanned from the 1951 Ballarat School of Mines Student Magazine. The image shows 28 girls in school uniform standing in front of a building. They are the foundation students of the Ballarat Girls' Junior technical School, also known as Central Girls' Technical School. Back Row: Lynette Robson, Lois Snibson, Janice Rogers, Joy Mills, Lynn Gilbert, Dawn Searle, Valerie Mills, Bonnie Cody (Simpson), Judith Bryan, Dawn Peacock. Middle Row: Margaret Paine, Carole Seddon, Valma Vincent, Raylee Bennets, Valerie Hughes, Kay Buchanan, Dorothy Robertson, Loris Gilbert, Dawn Lang. Front Row: Elizabeth Kinnane, Margaret Thompson, Lorraine Horwood, Brenda Beaumont, Yvonne Rowlands, Janette Sandwith, Dawn Parkes, Doreen New, Marion Marshall. ballarat school of mines, junior technical school, girls education, education, central technical school, ballarat girls junior technical school

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. Debonair: the Axedale hall hosted its first debutante ball on December 28, 1945. Taking part were: (back row) Bill Moore, Gus Cullinan, Neil Bennett, Bill Murphy, Dick Burke, Frank O'Connor, Graham Marshall, Les Giri, Don McKenzie. Middle row: Bernie Ryan, john O'Dwyer, Marie Murphy, Alice Moore, Greta O'Connor, Monica Byrne, Una Bennett, Doug Bennett, Ken Wells. Front row: Margaret McKenzie, Dorothy Burke, Dorothy Bennett, Evelyn Turner, Mrs M. Drake (chaperone), Joyce Wells, Jean O'Connor, Doreen Hickson, Valma Langham, flower girl Eileen Byrne, page boy Bruce Mill, Absent from the photo were Mary Gleeson and Frank Windsor. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Black and white photograph - Staff, 1972."Attached to photograph" Back Row- L to R: Nancy Mullen(V.P), Brian Smith, Brian Windebank, Ian Romeril, Joan Hallett. 2nd Row- L to R: Jeanette Parks, Rhonda Burns, Joan Mattey, Maureen Keogh, Jennifer Molders, Amy Douglas, Lorraine Brown. Front Row- L to R: Geraldine Cunnington, Isabel Marshall, Lesley Errerson, Alex Enterkin, Randall Smith(V.P), Gwen Whitney, Elizabeth Goode.

Black and white photograph - Grade 6C,1961"Attached to photograph" Back Row- L to R: Gary Goodman, ?, Robert Taylor, ?, ?, ?, ?, ?, ?, ?. 2nd Row- L to R: Mary Attik, ?, ?, Cheryl Collings, Margaret Parker, ?, Judith Kennedy, ?, Marilyn Marshall, ?, ?. 3rd Row- L to R: ?, Colin Fitzgerald, ?, Bruce Rosel, Kelvin Nann, Russell Littlepage, ?, ?, ?, ?. Front Row- L to R: Robin (?), ?, ?, Judith Whitford, Ruth Reeves, Ann Blore, Jennifer Hall, ?, Susan (?), Jill Bryant, Janice Spackman. Teacher:

Great Hall at Montsalvat built 1938-52, designed by Justus Jorgensen Covered under National Estate, National Trust of Australia (Victoria) State Significance, Victorian Heritage and Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p129 At first glance, Montsalvat, the artists’ community at Hillcrest Avenue, Eltham, could belong to another time and place. The French provincial Gothic-style buildings blend picturesquely with the introduced and native trees and farm animals on the five hectare property. But Montsalvat belongs very much to today’s Eltham, having inspired much of its creative activity and style. The use of mud-brick and recycled building materials, for which Eltham is so well-known, was largely popularised by Montsalvat. Montsalvat – unique in Victoria and probably in Australia – is registered by the National Trust and National Estate.1 Montsalvat, named after the castle of the Knights of the Holy Grail, has attracted artists and intellectuals since it was founded in 1934. For years at weekends, artists, lawyers, philosophers, politicians and others, who shared a love for what Montsalvat stood for, gathered for a meal and stimulating discussion. The focus for this gathering of talent was Justus Jörgensen, an eccentric man with vision and charisma. It was Jörgensen’s foresight that saw the creation of Montsalvat, which in 1975 was formed into a trust to benefit the Victorian people. The property was then valued at about three million dollars. It is now visited by thousands of people annually. Born in 1894 and brought up a Catholic, Jörgensen had trained as an architect. He later studied painting at the National Gallery School under artist, Frederick McCubbin, then joined the studio of artist Max Meldrum. In 1924, Jörgensen married medical student Lillian Smith, and with artist friends they travelled to Europe to study the great masters. In London Jörgensen exhibited in several major galleries. One of his still life paintings was included in the book The Art of Still Life by Herbert Furst, which featured 100 of the greatest ever still life paintings.2 In 1929, Jörgensen returned to Melbourne where Lil, now qualified, worked as an anaesthetist at St Vincent’s Hospital. They bought a small house in Brighton and Jörgensen rented a large building in Queen Street for his studio until the Royal Automobile Club of Victoria bought it in 1955. While designing and overseeing the building of a studio for his friend the famous cartoonist Percy Leason, in Lavender Park Road, Jörgensen decided to buy land for a country retreat in Eltham. So the building of Montsalvat began. Jörgensen gathered around a dozen of his friends and students from his Queen Street studio. They set to work, first at weekends then some decided to live permanently on the site. Jörgensen had seen mud-brick buildings in Spain and recognised that Eltham’s clay soil was ideal for mud-bricks and although labour intensive, it was a very cheap way of building. Jörgensen’s students and friends worked under his direction with the help of local tradesmen, including carpenter, Len Jarrold and later stone mason, Horrie Judd. In return Jörgensen would give the students a painting lesson or two. It was the Great Depression when many were out of work. Jörgensen also inspired people to give generously of money and materials. With their help Jörgensen found second-hand materials for building. Friends donated slate for roofing, discarded firebricks were used for flooring and windows and doors and a cast-iron circular staircase came from a wrecker. The students’ day started at 7am with building and domestic chores, shared equally between the sexes. The first building was used by his friends at weekends and then became a home for his wife Lil. It consisted of three rooms and an attic under a high-pitched roof. Jörgensen then built a similar structure with the same high-pitched roof as a more permanent home for his students. The two buildings were joined together with a tower and a studio for Jörgensen. While excavating for the studio a reef of yellow mud-stone was found and then used in construction. The next building was the Great Hall, to be used for dining, exhibitions and meetings and completed in 1958, after a halt during the war. Whelan the Wrecker donated the stone-framed windows from the building that housed the Victorian Insurance Co. in Collins Street, which had been demolished in the 1930s. The swimming pool was donated and cubicles were built for the students with their initials marked in tiles on each doorstep.1 One of Jörgensen’s great abilities was to recognise how to use material which harmonised. He would comb through wreckers’ yards for what he needed. Regarding his buildings as sculptural pieces, his first consideration was for the aesthetic quality of a building and only then for its functionality.2 At Montsalvat, Jörgensen found he was able to put his ideas into practice without compromise and those who worked with him had to conform to his ideas. With the Jörgensens, the colony’s original nucleus consisted of the Skipper family – Mervyn and wife Lena, daughters Helen and Sonia and son Matcham,who was to become an eminent jeweller and sculptor represented in National Gallery collections throughout Australia and in European museums.3 Other members were Arthur Munday, Lesley Sinclair, Helen Lempriere, Ian Robertson, John Smith, George Chalmers, John Busst and Sue Van der Kellan; also Jörgensen’s three sons – Max, Sebastian and Sigmund – and Saskia, Sonia Skipper and Arthur Munday’s daughter. Montsalvat went through some hard times when local gossips spread rumours of sexual shenanigans at Montsalvat. However Montsalvat also had many local supporters – especially amongst the local tradespeople. The colony was certainly unconventional – with Jörgensen’s wife Lil (and son Max) and life-time partner Helen Skipper, (mother of Sebastian and Sigmund) living at Montsalvat. Sonia Skipper says in her biography that the group were ‘very conscious of their responsibilities to each other and a desire to make their relationships work’.4 By World War Two many buildings around the Great Hall were completed. Jörgensen was a pacifist, as were most of his students. Some of the Montsalvat community enlisted while others engaged in essential services like dairy farming and market gardening for the war effort. It was then that Jörgensen constructed farm buildings. After the war many well-known personalities such as Clifton Pugh, landscape gardener Gordon Ford, and builder Alistair Knox, were drawn to Montsalvat. They learnt that building was not a ‘sacred cow’ only for professionals, but that anyone who was willing to get their hands dirty could do it. The post-war shortage of materials also encouraged builders to follow Montsalvat’s lead in reusing materials. When Jörgensen died in 1975, his influence did not – thanks largely to the vigilance of his son, Sigmund, who became its administrator. The weekend dinners have gone, but in 2008 about 14 artists still work at Montsalvat – some living there – including a couple who have been there since its early days. Under Sigmund’s direction Montsalvat further expanded its activities which included festivals, art exhibitions, concerts and weddings. Sigmund completed the Chapel, then the Long Gallery next to the pool, After the barn burnt down, he replaced it in 1999 (the builder was Hamish Knox, Alistair’s son) with a new gallery and entrance and added a restaurant. Sigmund has been careful that any new building blends in with the character of Montsalvat. In 2006 Montsalvat was restructured for its continued financial viability and with the help of Arts Victoria a new executive officer was appointed. A representative board from the wider community was established, which includes members from the former Montsalvat Trust including Sigmund Jörgensen – who is now the heritage and arts adviser to the new company Montsalvat Ltd.5 Today, visiting Montsalvat one still sees artists, students and visitors enjoying the unique and beautiful surroundings.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, eltham, great hall, montsalvat

Flavour of Eltham: recipes and other things was collected and published by the Friends of Shillinglaw Cottage in 1964. The original cottage once stood about 100 metres away from its current location in Panther Place, Eltham. Built in the 1870’s, it is one of Eltham’s earliest buildings. In 1963 it faced demolition to make room for the Eltham Shire offices. But local residents came together to save the cottage. It was the first time that an early settler’s brick building was removed and reconstructed. A fundraiser was the resident’s compilation of loved recipes into the cookery book Flavour of Eltham. It also includes illustrations and advertisements for local buisnesses. The foreword of the book states: “This book is about Eltham. But more than that it is about intention. It originated when the people of Eltham, the first in Australia to preserve the reconstruction an historical building, removed and rebuilt a cottage that reflected the spirit of a period. The shilling law cottage was first built in 1859 and was rebuilt in 1964. It has beauty and is rich with the past. The people of Eltham stand for something. There is, in this community, a firm resolve to preserve for their children the natural beauty of the district; to establish a centre whose allegiance is to aesthetic values rather than to commercial ones. Eltham already has this reputation, a reputation that is known beyond the borders of Australia. Its desire is to increase it. This book is a step forward in that direction.” October 1964. Signed Alan Marshall The chapters include: Old time, Restaurants, are you in a hurry, Advance action, Serve it cold, Tea time tanstalizer, Pickles and preserves, Fabulous fare and Ne Buvez Jamais L’eau. The cover illustration was drawn by Peter Glass, First Edition: November 1964, Second Edition: January 1965, Third Edition: August 1965, Fourth Edition: August 1968 Additonal souce: Marshall, Marguerite, Nillumbik Now and Then, MPrint Publications, 2008Paperback; 116 p. : ill. ; 18 x 23 cm.shillinglaw cottage, cooking, recipes, cookery, friends of shillinglaw cottage

These 17 photographs of the Army Survey Regiment’s map production and facilities were taken at Fortuna Villa, Bendigo, April 1986. Photos .1P to .3P were taken in Cartographic Squadron’s Correcting Section in the Attic. located on the top floor of Fortuna Photos .4P to .5P were taken in Cartographic Squadron’s Proving Section, located in the Ballroom also on the top floor facing the lake. The technicians were probably involved in a rapid response map production, as they all were wearing field uniforms. As ‘Regiment Overcrowding’ is annotated on the plastic sleeve holding the negatives, it seems the photos were taken when the unit was at its capacity to demonstrate the lack of suitable work areas. The Army Survey Regiment’s Duty Room, RAP and Carpark appearing in Photo .10P was probably taken from the top steps near the SGT’s accommodation block. Two of the photos in this set are also published in item 6096.5P.This is a set of 17 photograph of Map Production and car park was taken at the Army Survey Regiment, Fortuna, Bendigo, in April 1986. The black & white photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, black & white, 1986. Correcting Section, Attic: L to R: CPL Andy Lucas, SPR Chris Gordon, unidentified, SPR Jan (Crighton) Minchin, CPL Robin Marshall, CPL Frank Downie, SPR Gayle Humphrey, unidentified (x2), Jason Wells at rear. .2) - Photo, black & white, 1986. Correcting Section, Attic: L to R: CPL Andy Lucas, SPR Chris Gordon, unidentified, SPR Jan (Crighton) Minchin, CPL Robin Marshall, CPL Frank Downie, SPR Gayle Humphrey, unidentified, Jason Wells, unidentified. .3) - Photo, black & white, 1986. Correcting Section, Attic: L to R: CPL Andy Lucas, CPL Robin Marshall, SPR Chris Gordon, unidentified, CPL Frank Downie, SPR Gayle Humphrey, unidentified, SPR Jan (Crighton) Minchin at rear., Jason Wells on phone. .4) & .5) - Photo, black & white, 1986. Proving Section, Ballroom: On left front to back: SGT Alan Staley, SGT Roger Rees, SGT Greg Anderson. On right front to back: SGT Denis McCarthy, SGT Tim Allanson, SSGT Adrian ‘Charlie’ Creedy. .6) - Photo, black & white, 1986. Records & Proofing buildings. .7) - Photo, black & white, 1986. Technical Services temporary buildings. .8) - Photo, black & white, 1986. Q-store and transport buildings. .9) - Photo, black & white, 1986. Technical Services temporary buildings in front of transport compound. .10) - Photo, black & white, 1986. Army Survey Regiment Duty Room, RAP and Carpark at Fortuna. .11) - Photo, black & white, 1986. Records & Proofing buildings. .12) - Photo, black & white, 1986. Other Ranks (OR’s) car park and barracks with kitchen in background. .13) - Photo, black & white, 1986. Other Ranks kitchen, parade ground and SGT’s/Officers barracks in background. .14) - Photo, black & white, 1986. Fortuna Villa taken from the steps near the SGT’s accommodation block. .15) - Photo, black & white, 1986. Fortuna Villa taken from the steps near the OR’s s accommodation block. .16) - Photo, black & white, 1986. Fortuna Villa taken from the roadway near the OR’s accommodation block. .17) - Photo, black & white, 1986. 20’ x 30’ Army tents set up on the basketball court..1P to .17P – ‘Regiment Overcrowding’ and the date are annotated on the plastic sleeve.royal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, asr

Sixteen of the 25 individuals are known but only four are specifically identified by position. W MATHEWS (1st left second row from rear); Nat ELDER (beside MATHEWS); H BARNES (Middle second front row); Choota BALMAN (on BARNE's left)B&W photo of Port Melbourne Football Club 2nd 18 team and officials from 1935. Presented to his Worship, CR. A. ROGERS, President, in appreciation of services rendered.sport - australian rules football, george alexander rogers, mayors, w mathews, nat elder, a bills, alex rogers, graham 'nuts' nugent, w payne, w cornwaithe, s tymms, h compton, h barnes, choota balman, h smith, marshall, d spence, s ware, m larwood, port melbourne railway united football club, port melbourne junior football club

Black and white photograph - Grade 2,1945."Attached to photograph" Back Row - L to R: David Young, ?, ?, ?, ?, ?, 2nd Row - L to R: ?, Margaret Blood, ?, ?, ?, Margaret Burnside, ?, Lois Crouch, Rosamund Pellow, Lynette Mathews. 3rd Row - L to R: ?, Margery Anderson, Janice Yobb, Beth Williams, Joyce Marshall, Agnes Young, Leah Kelly, ?, ?, ?. 4th Row, Kneeling - L to R: No names. Front Row - L to R: Neville Burns, ?, ?, Tom Hancy, Derek Duke, ?, ?, Bruce Caughey. Teacher:

This program was given to attendees at the Bendigo Symphony Orchestra and Gisborne Singers performance on 24th November 2024 In a thrilling conclusion to their 2024 concert season, Bendigo Symphony Orchestra present Mahler’s Symphony No. 2 ‘The Resurrection’ – a transcendent journey from darkness to light. Witness the symphony on a colossal scale: ten trumpets, ten horns, two sets of timpani and an organ are just the beginning of Mahler’s mighty orchestration. And after the success of 2022’s inaugural Symphonia Choralis festival, BSO are once again partnering with the Gisbourne Singers to bring this glorious work to life. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!” Written in a letter to a friend, these are the questions Mahler hoped to answer with this symphony. While epitomising the emotion and drama of the Romantic era, the work also anticipates the radical advances of the 20th century. Beginning with a steely funeral march, Mahler spins German folk-song and klezmer-inspired flourishes through four stunning movements, culminating in a sublime hymn of resurrection. This symphony explores life and death on a cosmic scale, and showcases Mahler’s rich technicolour writing and flair for dramatic narrative. “The whole thing sounds as though it came to us from some other world. I think there is no one who can resist it. One is battered to the ground and then raised on angel’s wings to the highest heights.” Be swept away by an eternal masterpiece.MAHLER SYMPHONY NO. 2 RESURRECTION Sunday 24th November 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Chief Conductor Nicole Marshall Guest Conductor Merlyn Quaife AM Soprano Liane Keegan Contralto Gustav MAHLER Symphony No. 2 in C minor, ‘Resurrection’ I. Totenfeier: Allegro maestoso (25’) II. Andante moderato (12’) III. In ruhig fließender Bewegung (12’) IV. Urlicht (6’) V. Finale: Im Tempo des Scherzos (37’)bendigo symphony orchestra, luke severn, regional victorian orchestra, performance, gisborne singers

"Jones purchased a quiet little weekend retreat in the hill', published in 1928. Black and white drawing from a Bird’s eye perspective showing a house with veranda surrounded by shrubbery and a large gum tree. It features numerous people in the garden with a road full of various automobiles at the top of the picture. The image is reminiscent of the artists “Wiregrass” series of a mythical country town which were published in the Weekly “Table Talk” magazine from 1926 to 1937. Percy Leason (1889 - 1959) was a painter and cartoonist renowned for his depictions of Australian society in the 1920s and 1930s. He lived in Eltham from about 1924 to 1938 when he moved to the USA. Published by Thomas Nelson, Carlton date unknown. Published in "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall" (1971) Chapter 16 Eltham in Modern Times, page 97.This photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book, "Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.Digital imagesepp, shire of eltham pioneers photograph collection, eltham, percy leason, drawing, illustration

This black and white image appears on page 9 "Painters and Pioneers: One hundred years of Eltham and its Shire" by Alan Marshall (1971). (It is incorrectly acknowledged as S.T. Gill in the acknowledgements). It relates to Chapter 1 "The Beginning" and the description of explorer's Joseph Gellibrand journey through the area (and beyond) of the area now known as Eltham and wider Shire of Nillumbik. Gellibrand was accompanied by male aborigines. William Macleod (1850-1929) was a contributor to the "Picturesque Atlas of Australia" 1886. Described in "The Daily Telegraph" 21 June 1924 :"Macleod is a preserver of the scenic records of his own time, inasmuch as he has furnished posterity with many view of towns, rivers, and other localities, as they appeared in the years 1886-8. Among these, he has given us ...a blackfellow throwing a spear...' Image first published 1886. Image re-published in "Painters and Pioneers", 1971 pioneers and painters, aborigine, spear, drawing, william macleod, picturesque atlas of australia, aboriginal australian

French was born in Kent in 1852. He had a brief service in the Royal Navy before becoming a cavalry officer. He distinguished himself on the Gordon Relief Expedition and was rapidly promoted. French became a national hero during the Second Boer War. He won the Battle of Elandslaagte near Ladysmith, escaping on the last train as the siege began. He commanded the Cavalry Division, winning the Battle of Klip Drift during the march to relieve Kimberley. In Cape Colony he conducted Counter-insurgency operations. Attained the rank of Field Marshall. Awards he received: Knight of the Order of St Patrick, Knight Grand Cross of the Order of the Bath, Member of the Order of Merit, Knight Grand Cross of the Royal Victorian Order, Knight Commander of the Order of St Michael and St George. French died in Kent in !925, aged 72. Individual image from photographed poster of tobacco and cigarette cards.1st earl of ypres, john french, second boer war, gordon relief expedition, cavalry, battle of klip drift, battle of elandslaagte, cape colony, counter insurgency operations, field marshall, knight of the order of st patrick, knight grand cross of the order of the bath, order of merit, knight grand cross of the royal victorian order, knight commander of the order of st michael and st george

SATTELBERG AREA, NEW GUINEA. 1943-11-15. TROOPS OF THE 2/24TH. AUSTRALIAN INFANTRY BATTALION EATING MEAL DURING A LULL IN THE BATTLE FOR SATTELBERG. THEY ARE: NX10044 ACTING SERGEANT Stewart COLDHAM. (1) VX68432 PRIVATE Harold ANQUETAL. (2) VX80603 PRIVATE Thomas. F. BRYCE. (3) VX41167 PRIVATE Samuel T. SHERLOCK. (4) VX28432 LANCE CORPORAL Kenneth G. NORRIS. (5) ACTING CORPORAL Ralph F. KENYON. (6) VX43055 SIGNALMAN Ernest W. HORNER. (7) NX33751 PRIVATE Arol. J. PEIRCY. (8) VX71588 SIGNALMAN Francis. J. KELLY. (9) VX26381 PRIVATE John BUNNETT. NX86910 SIGNALMAN Ronald E. AMERY. QX13958 SERGEANT James S. GREGORY. SX30255 PRIVATE Cyril MARSHALL VX29721 SIGNALMAN Martin W. REIDY.The 2/24th Battalion was an infantry battalion of the Australian Army, which served during World War II .A unit of all-volunteers, it was formed in July 1940 from primarily Victorian volunteers and was known as "Wangaratta's Own" because of the time the battalion spent in the town during its formative period prior to deployment overseas. It served in North Africa in 1941–1942 as part of the 26th Brigade, which was assigned to the 7th Division, before being reassigned to the 9th Division. In early 1943, the battalion returned to Australia and later took part in campaigns against the Japanese in New Guinea in 1943–1944 and Borneo in 1945, before being disbanded in 1946. The 2/24th suffered the highest number of casualties of any 2nd AIF infantry battalion. The Unit was granted the Freedom of the City by the Rural City of Wangaratta in 1990 and one of the first, if not the first, to receive this type of honourReproduced black and white photograph of large group of soldiers having a meal. Soldiers are seated in the foreground and five standing behind. Nearly all have shirts removed.2/24th battalion, new guinea, ww2

6975-28 Stawell State School SS 502 Grade 4A 1968 Teacher Mr Judd Top Row. Mr Judd, Graham Deans, Richard Davies, Allen Marshall, Micheal Glisson, Ian Longmore, John Scott James Delley. Gavin Wright, Raymond Scott Second Row, David Allam, Russell Jennings, Andrew Allam. Alison Taylor, Amandas Spiby, Kaylene Clarke, Helen McMahon, Judith Jeffery, Lynne Bonney, Ronald Fry, Rodney Young, Clinton Cathro. Third Row, Wendy Mason, Robyn Whelan, Susan Prior, Jenny O'Neill, Kristene Slorach, Gayle Redford, Pamela Guy, Lyn Watson, Suzanne Overall, Jilleen Jenkins, Karen Vendy. Fourth Row, Peter Delley, Michael Pyke, Adrian Hodgkin, Stephen Quarrell, Reg Bach, Greg Yanner. Students and Teacherin front of SchoolBuildingSStawell State School ss 502 Grade 4A 1968education

The Kew Civic Centre, as opposed to the adjacent Kew Civic Hall (see also Kew City Hall), was built to house a new Council Chamber and Council Offices in 1972. The Kew Library was to be located on the ground floor and accessed from the current carpark. This building replaced the former Town Hall in Walpole Street, Kew which had served as a town hall from 1865-1972. After the sale of the old Town Hall, the new Civic Centre was built to a design of the architects A K Lines, MacFarlane & Marshall. A fit-out of the building was still occurring when councillors and council officers moved into the building. In 1987, the Kew Library (and the Kew Historical Society) moved across the road to the reconfigured Civic Hall. The Civic Centre, pictured here, was ultimately sold to Trinity Grammar School following the amalgamation of Kew into the City of Boroondara.These four black and white photographs were taken by a photographer in the City Engineer's Department during the final construction phase. Each is dated and inscribed with a description.Laying of concrete tiles in the forecourt of the new Kew Civic Centre in 1972. The Civic Hall (now the Kew Library) is in the background. Annotated verso: "Civic Centre - Forecourt / 17.7.72"kew civic centre, kew civic offices, city of kew -- council chamber

The Kew Civic Centre, as opposed to the adjacent Kew Civic Hall (see also Kew City Hall), was built to house a new Council Chamber and Council Offices in 1972. The Kew Library was to be located on the ground floor and accessed from the current carpark. This building replaced the former Town Hall in Walpole Street, Kew which had served as a town hall from 1865-1972. After the sale of the old Town Hall, the new Civic Centre was built to a design of the architects A K Lines, MacFarlane & Marshall. A fit-out of the building was still occurring when councillors and council officers moved into the building. In 1987, the Kew Library (and the Kew Historical Society) moved across the road to the reconfigured Civic Hall. The Civic Centre, pictured here, was ultimately sold to Trinity Grammar School following the amalgamation of Kew into the City of Boroondara.These four black and white photographs were taken by a photographer in the City Engineer's Department during the final construction phase. Each is dated and inscribed with a description.Forecourt of the new Kew Civic Centre in 1972.Annotated verso: "Civic Centre - Forecourt / 16.7.72"kew civic centre, kew civic offices, city of kew -- council chamber

The Kew Civic Centre, as opposed to the adjacent Kew Civic Hall (see also Kew City Hall), was built to house a new Council Chamber and Council Offices in 1972. The Kew Library was to be located on the ground floor and accessed from the current carpark. This building replaced the former Town Hall in Walpole Street, Kew which had served as a town hall from 1865-1972. After the sale of the old Town Hall, the new Civic Centre was built to a design of the architects A K Lines, MacFarlane & Marshall. A fit-out of the building was still occurring when councillors and council officers moved into the building. In 1987, the Kew Library (and the Kew Historical Society) moved across the road to the reconfigured Civic Hall. The Civic Centre, pictured here, was ultimately sold to Trinity Grammar School following the amalgamation of Kew into the City of Boroondara.These four black and white photographs were taken by a photographer in the City Engineer's Department during the final construction phase. Each is dated and inscribed with a description.Tiling the steps leading from the forecourt to the new Kew Civic Centre in 1972.Annotated verso: "Civic Centre - Forecourt / 16.7.72"kew civic centre, kew civic offices, city of kew -- council chamber

The Kew Civic Centre, as opposed to the adjacent Kew Civic Hall (see also Kew City Hall), was built to house a new Council Chamber and Council Offices in 1972. The Kew Library was to be located on the ground floor and accessed from the current carpark. This building replaced the former Town Hall in Walpole Street, Kew which had served as a town hall from 1865-1972. After the sale of the old Town Hall, the new Civic Centre was built to a design of the architects A K Lines, MacFarlane & Marshall. A fit-out of the building was still occurring when councillors and council officers moved into the building. In 1987, the Kew Library (and the Kew Historical Society) moved across the road to the reconfigured Civic Hall. The Civic Centre, pictured here, was ultimately sold to Trinity Grammar School following the amalgamation of Kew into the City of Boroondara.These four black and white photographs were taken by a photographer in the City Engineer's Department during the final construction phase. Each is dated and inscribed with a description.Creating the forecourt to the new Kew Civic Centre in 1972.Annotated verso: "Civic Centre - Forecourt / 16.7.72"kew civic centre, kew civic offices, city of kew -- council chamber

.0 - Autumn 1980 - Passenger counting, Survey provides data, We lead the way with Z3, Wattle Park, transport in Moscow, Spike Milligan, Melbourne's decorated trams, transporting art, sports, training, and Raymond Stock, Assistant Traffic Manager Revenue .1 - Winter 1980 - Bourke St Mall is popular, Senior citizens help design new tram (Z3), A bus-only lane in Johnstone St., Depot Employees' Social and facility Melbourne. Has a profile on Mr R. C. Drummond, Traffic Manager. .2 - Spring 1980 - Christmas Message, supporting those children with polio in 1938, Trolley buses, Z3 trams being built, use of parafil in overhead, cleaning truck. Has a profile on Ken Hall, Assistant Chief Engineer - Mechanical and Reg Robinson who was the organiser for the 1938 polio event - bus driver / instructor. .3 - Summer 1981 - MMTB involvement with Australia Day pageant, note involvement of TMSV, Bendigo, BTPS 27 (26 Jan. 1981), film on apprentices, tram stop shelters, resilient track work, trolley buses, the supply and systems department including Hawthorn clothing workroom and printing department (photos) and profile on Mr Jerry Compton, Supply and systems department. (Two copies held) .4 - Autumn 1981 - new buildings at Footscray, South Melbourne, trolley buses for Melbourne?, building MAN buses, why join the Tramways Benefit Society, article that looks at the Engineering Branch and profile of John Grigg, Chief Engineer. (Two copies held) .5 - Winter 1981 - New passenger shelters, image of the Elizabeth St shelter proposal, where do old trams go?, "Around the Clock" Emergency Service (item on R10) (See Reg item 1004 for photo), formation of Tramway's Sporting Associations, retirement of Board's driver Peter Savage, bus driving school transferred to Hawthorn, Apprentices and Profile on Bill Sibbison, Depot Manager North Fitzroy. .6 - Spring 1981 - 8 pages - Making of Squizzy Taylor film - Flinders St station, Engineering Amenities at South Melbourne opened, traverser at Preston Workshops, track work - pressing curves at South Melbourne, Conductresses re-union, model tramway at the Royal Show, retirements, sporting association, tramway band, AVM, reducing noise levels, lists Editorial committee. .7 - Summer 1982 - 8 pages - Its Christmas Party time, want to charter a tram or bus?, portable radios, MMTB role in Paraplegic Games, MMTB Architect Gene Marshall retires, photo of WW2 most popular conductresses ball, MMTB Highlights, O-Bahn. Has a profile on Rob Downing - Deputy Chairman. Also Dick Newnham - lift operator at head office, Bob Moffatt - driver turned actor. Also has a follow up on the making of the Squizzy Taylor film "What's wrong with Squizzy" and a photo of the Editorial team and their names. .8 - Autumn 1982 - 8 pages - item on "Taking Melbourne by Storm", photo of Austerity bus 500, Radio Centre, Clifton Pugh tram 504, Essendon Depot (see Reg Item 1005) includes of photos of managers, revenue etc, story on the most popular conductress photo by Win Gibson (see Reg item 180 and 181), new apprentices, John Murdoch model train (Diamond Valley) builder, Sunday vintage tram service (V214) and L class to the zoo. Has a profile on Mr. Peter Saul, Architect. (two copies held) (see image 1178i5 for cover) .9 - Winter 1982 - 8 pages - changes to Doncaster bus - Eastern Free extension, changes to Ministry will affect Board - Steve Crabb, new uniforms, Footscray Depot, apprentice awards, follow up on Austerity buses, Norm Cross and Destination City, Profile on Alan Nolan Runningsheds Engineer, and Mike McLeod MMTB Photographer. (two copies held) .10 - Spring 1982 - book - see Melbourne by tram, Bundoora tramway work, new articulated vehicles (B class trams), Elizabeth St modal interchange shelter, Brunswick depot, demise of the F class bus (Mark VI), profile of Daryl Meade bus engineer, Joe Saccasan carpenter building branch and a list of Jargon. (two copies held).Demonstrates a MMTB employee newsletter, early 1980sMagazine, two colour printed on A2 sheet, folded to A3, "METRA News", published by the MMTB. Each issue unless noted otherwise four pages. Major items listed. Each issue has personnel news, including new staff, promotions, overseas items;trams, tramways, mmtb, z3 class, bourke st, track equipment, overhead, most popular conductress competition, hawthorn depot, clothing, trolley buses, fund raising, footscray, welfare, sale of trams, recovery, r10 vehicle, flinders st, films, radio centre, essendon depot, theatre, transporting art, austerity buses, footscray depot, doncaster, minister for transport, shelters, bundoora, brunswick depot, buses, mont albert, route 42