Showing 7419 items
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Trafalgar Holden MuseumFunctional object - Gig, buggy and Spring hames
used in conjunction with horse collar for pulling carts and buggies Ca 1900Imported and sold by Holden and FrostBlack painted steel hames with leather strapping and bucklesequine, hames, steel and leather -
Trafalgar Holden MuseumContainer - LePage's liquid glue, Circa 1900
General purpose liquid glue as used Circa 1900As imported and sold by Holden and FrostShort tin can with screw top painted instructions onLe Page liquid glue Always ready for useglue, tin, general purpose -
Mont De LanceyTea Cosy, 1920's
Hand painted tea cosy, black with pink flowers.tea-cosies -
Ringwood RSL Sub-BranchSouvenir - Compct Case, Circa WW2
Square compact case, missing contents. Painted black.Has a badge on the front of HMAS Sydney. -
Wodonga & District Historical Society IncDomestic object - Lady's Pen and ink set, c1920s
This pen and ink set is part of a collection donated by Mrs. Jean Raper. It was used by the teacher at Upper Gundowring Primary school, Victoria. The school, number 2733, opened on 13 July 1886. Due to changing demographics in the region, in 1953 the school was merged with schools from Dederang North, Kergunyah, Gundowring, Kiewa, Red Bluff, Charleroi and Gundowing North on a 10 acre site with 11 rooms at Kiewa to become Kiewa Valley Consolidated School.This item is from Raper Collection donated to the Wodonga Historical Society by Mrs. Jean Raper. A china pen and ink set painted with a floral design.pen and ink, personal items, teacher supplies, upper gundowring primary school -
St Patrick's Old Collegians Association (SPOCA)Photograph - Buildings, SPJC, Artworks, 1870 Watercolour
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Federation University Art CollectionPainting, Robert Jenyns, 'Deux Cheveux' by Robert Jenyns, 2008
Robert JENYNS (1944- 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings he has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Humour and subtle satire is a focus of his work. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns Family, 2021Painting of a blue truck painted onto stretched canvas.truck, bob jenyns, robert jenyns, available, transport -
![Painting, Robert Jenyns, [Red Truck] by Bob Jenyns, c2008](/media/collectors/530576742162ef0fa09a2288/items/61836a34b24512e106e33c2d/item-media/61a780702c0ca648f18322b4/item-fit-380x285.jpg)
Federation University Art CollectionPainting, Robert Jenyns, [Red Truck] by Bob Jenyns, c2008
Robert JENYNS (1944 - 16/11/2015) Born Melbourne, Victoria Bob Jenyns' career spanned over four decades. Producing sculptures, prints, drawings, and paintings hee has participated in many of Australia's most significant art exhibitions including the first Biennale of Sydney (1973), the 1973, 1975 and 1978 Mildura Sculpture Triennials, the 1981 Australian Perspecta, the 2nd Australian Sculpture Biennale, and the 1990 Sculpture Triennial. Jenyns was a finalist in the 2006 Helen Lempriere National Sculpture Award, and in 2007 won the award with his work Pont de l'archeveche. At the age of 16 Jenyns studyied advertising art at the Caulfield Institute of Technology. He then studied fine art with artist/teachers including Ken Scarlett, Kenneth Jack and Fred Cress, and night life drawing classes at the National Gallery schools under John Brack. After graduating the 20 year old Jenyns taught sculpture and carving at Aspendale Technical School (Melbourne). Two years later he moved to Daylesford and where he taught art until 1978, having received teaching qualifications from Hawthorn Teachers College in 1972. From 1979 Jenyns was based in Tasmania, initially lecturing in sculpture at the Tasmanian School of Art and later serving as head of the sculpture department until 2005. Gift of the Jenyns family, 2021Painting of a red truck painted onto a stretched canvas.truck, bob jenyns, robert jenyns, transport, available -
Bialik CollegePlaque - The Kristina Williams Literature Collection
None available Please contact [email protected] to request access to this record. The Kristina Williams Literature Collection plaque, plastic and paintThe Kristina Williams Literature Collection donors, literature, bialik -
Linton and District Historical Society IncBottle opener, Bottle Opener, Presbyterian Church, Linton
Used by the Presbyterian Church Linton, for opening the communion grape juice. Donated to the Society on the Church closure in 1996.Gold painted bottle opener in shape of a right hand.presbyterian church linton, bottle opener -
University of Melbourne, Burnley Campus ArchivesMachine - Milling Saw, Niff
Used on Burnley Campus for milling large pieces of timber on a platform.Milling saw attachment painted yellow. Decommissioned parts.Nifftimber production, milling wood, sawing wood, arboriculture, horticulture -
Hellenic MuseumJuglet, 1800 – 1450 BCE
Cypriot White Painted Ware from the Middle/Late Cypriot Bronze Age. Slipped, Painted, Handmade.The mouth, neck and handle with light brown stripes, the body with crosshatched triangles over wavy line and cross bands of three wavy lines below. cypriot, ancient, pottery -
Orbost & District Historical Societytin trunk, Early 20th century
This cabin trunk was sold by Foy & Gibson, one of Australia's earliest department store chains. Foy & Gibson manufactured and sold clothing, manchester, leather goods, soft furnishings, hardware and food.A rectangular tin travelling trunk which was painted brown. It has rounded corners and a hinged lid which is dented. The front latch is missing. Inside the trunk it is painted red.Inside lid : ENTERPRISE Foy & Gibson COLLINGWOOD MELBOURNEluggage travel storage cabin-trunk -
Orbost & District Historical Societyplate, early to mid 20th century
This plate was used for serving carved meat at the dining table. This serving meat plate/platter dates to the 1914 to 1930's period in time. Generally fine bone china and crockery was imported. Pieces like this tray were often considered to be "good" crockery for use on special occasions.The item is an example of a piece of china used by local families in the early 20th century. It also has aesthetic significance.A large meat carving plate with a floral design around its rim. The plate is white china with pink and blue painted flowers. The edge is scalloped and painted with a gold edging.Underneath - H 4.....?domestic kitchen crockery, serving-plates platters food-preparation -
Upper Yarra Museum
Wooden Serviette holder individual x 6 painted Australian motifs, Unknown
This item was used at the Mayer Chalet, Warburton .In the Dinning room. the Marysville Historical Society donated to The Upper Yarra Museum in 2013The Chalet was burnt down.Wooden Serviette holder turned wood, light and dark in colour. Hand painted from Mayer Chalet. number 1. painted tree and fence with mountains in the back groundmayer chalet, warburton -
Tennis AustraliaRacquet, Circa 1880
A children's toy tennis racquet, with solid concave throat, red painted collar, and plain handle. Materials: Wood, Gut, Leather, Glue, Lacquer, Metal, Paint, Papertennis -
Tennis AustraliaRacquet, Circa 1895
A children's tennis racquet, featuring solid convex throat, red-painted collar, and fine-grooved handle. Materials: Wood, Gut, Paint, Glue, Lacquer, Metal, Leathertennis -
Mont De LanceyFunctional object - Mirror, Franz Streizel, Unknown
This hand carved framed mirror is part of a special bequest to the Mont De Lancey Museum of hand carved furniture and items made by Mr Franz Striezel by his grandaughter Mrs Dorothy Adamson. Dorothy was a friend of Nella Lord (nee Sebire). Dorothy passed away in 2007. It was to be known as The Franz Striezel Collection. Franz Streizel came from Germany in 1886 and was one of the three recognised craftsmen (Art Carvers) in Australia who contributed to the wood carvings in public buildings and honour boards throughout Australia. The National Gallery at their request had two small panels and a tobacco jar (some of his work), donated by Mrs D Adamson. They considered these pieces highly valuable.A rectangular beautifully carved wooden framed mirror featuring a gold painted carved lion head at the top and gold painted crest shaped ornamentation around the edges of the frame.mirrors, functional objects, wall mirrors, objects -
Tatura Irrigation & Wartime Camps Museum
Iron, 1940's
Made by internee at Camp 3 Tatura and used there to iron garments.Metal laundry iron. Covered with silver paint. Hinged lid, wooden handle painted red. Vents in base and lid to allow steam from coals to escape. Handmade.iron, wied l, camp 3 -
St Vincent's Hospital Melbourne ArchivesArtwork, other - Painting, Circa 1966-1967
This painting was presented to the St Vincent's civilian medical team by the people of An Giang Province, Vietnam, in recognition of their work in the area. St Vincent's sent four civilian clinical teams to Long Xuyen, South Vietnam, 1965 - 1966 as part of an aid program administered by the Australian Department of External Affairs to assist Vietnamese medical and paramedical personnel and provide medical aid to everyone who needed it. The service of the Australian civilian teams who went to Vietnam 1964 - 1972 was recognised with a special plaque within the grounds of the Australian War Memorial in October 2008. This item has historical significance because it is a memento of the hospital's involvement in a nationally significant wartime aid program to South Vietnam. Landscape painting of deer near a forest stream. Painted in the traditional Vietnamese style using lacquer and paint. Artwork is framed in a black frame but is not behind glass. The artist is unknown.Plaque is attached at lower left corner and translated reads: The people of An Giang Province / are extremely grateful to the Australian Surgical Team.st vincent's hospital melbourne, paintings, artworks, south vietnam, medical aid -
Stawell Historical Society Inc
Tool - Realia, 3 Large wooden boxes, with carpenter, Shipwright tools beloning to G Pert of Stawell
41 items of Woodworking equipment and tools once belongng to G. Pert, 25 Seaby Street, Stawell, Victoria, Australia. Toolbox - Timber box with hinged lid and removable tray. Contents include woodworking tools. L 83.5 x D 41 x 211 cm. Toolbox - Timber Box black, hinged lid, lock. l 88 x H 32 x w 35 cm. Toolbox - tiber box, black metal handle, lock mechanism and tools. L 82 x H 30 x w 29 cm. 1 Plane Smoothing plane, coffin type, 1 Plane, Rabbet moulding plane, 1 Plane - Jack-type Farquarson, blade and wedge. 1 Auger - Ring auger. 1 Auger - Ring Auger, Mathieson. 1 Auger - Ring Auger. 1 Auger - Ring Auger, Matieson. 1 Auger - Ring Auger, Mathieson. 1 Ring Auger, Mathieson. 1 auger - Ring Auger. 1 Auger - Ring auger. 4 Auger - Ring Auger Mathieson. 1 Auger - Nose bit Auger JB & co. 1 Auger - Nose Bit auger. 2 Auger - Nose Bit Auger Mathieson 1 Auger - Nos bit Auger Sheffield. 1 Auger - nos bit auger Mathersion, L Vernes & co. 1 Auger Nosebit auger Matheison. 1 Auger Nose bit Auger Mathieson & Son. 3 Auger - nose bit Auger 1 uger head and ga=shaft. 1 Bit - Bit Double twist Matherison 1 Bit - Bit Double Twist, Barnsly (Broken end) BIt double twist symbol (3 Clovers) Mallet - Caulking Mallet wooden Head, iron Ferrules. Tool - Imporovised tool wooden handle metal ferrules. 1 Screwdriver - wooden handle Sheffield, Thos Well & sons. 1 Gauge - Bevel gauge wooden adjustable. 1 Nippers - wire nippers, pivoted, spring loaded, symbol (footprint) 1 Drill - drill hand operated, wooden handles an some red paint. 1 Maul - Shipwright maul, metal head, replaced handle. dotted embosssed inscription of name h 9.5 x L 63 x w 17 cm2 Black & 1 Brown boxes wiyh G Pert 25 Seaby St Stawell Victoria Australia painted on the lids. -
Federation University Art CollectionCeramic, 'Stoneware Jar' by Victoria Howlett, c1982
Victoria HOWLETT (b. 1945- ) Born London, United Kingdom Arrived Australia 1946 Victoria Howlett studied Ceramics at RMIT. She lectured at Prahran College for several years before travelling to Canada, The United States of America, Mexico, Africa and England. She began working as a potter full time in 1977, establishing a studio in Melbourne. In 1985 Victoria Howlett won the Stuart Devlin Award, Melbourne. She is a practicing artist in Apollo Bay, Victoria. The ceramic work of Victoria Howlett draws on the Oribe tradition of painted surface designs. During the 1980s, she moved from rounded vessels and lidded jars to the platter as the form to be decorated, using a well-charged brush and slips coloured with oxide. Wheel thrown stoneware jar with dipped and painted glaze decoration. The ceramic works of Victoria Howlett are impressed 'TOR' or painted or incised 'Victoria Howlett'. This work is part of the Jan Feder Memorial Ceramics Collection. Jan Feder was an alumna of the Gippsland Campus who studied ceramics on the campus. She passed away in the mid 1980s. Her student peers raised funds to buy ceramic works in her memory. They bought works from visiting lecturers who became leading ceramic artists around the world, as well as from many of the staff who taught there. Victoria Howlett was a visiting lecturer to the Gippsland Institute of Advanced Education Gift of the artistvictoria howlett, ceramics, gippsland campus, jan feder memorial ceramics collection -
Montmorency/Eltham RSL Sub BranchFunctional object - Vehicle Identification Plate, metal, Post WWII
Identification plate is for the Royal Australian Mechanical and Electrical engineers (RAME), 3rd Military District, vehicle number 743.Vehicle identification plate used by the Australian Army.Small square shaped steel metal plate. Khaki coloured paint on rear face. Blue, yelow and red horizontal painted stripes on the front face. White coloured numbers with a narrow horizontal white line painted on front face. Small hole drilled through the plate on the top.Horizontal blue, yelow and red horizontal stripes. Number 3 on top of a narrow horizontal white line with the numbers 743 underneath.vehicle, identification, plate, rame, 3rd military district -
Sunshine and District Historical Society IncorporatedRegistration Plate, SUNSHINE & DISTRICT COMMUNITY HOSPITAL
This brass registration plate was once attached to the former Sunshine District Community Hospital in King Edward Avenue, Albion, 3020. The hospital, under several names, served the local community since the 1920's. It became the Sunshine District Community Hospital in 1946 and was closed in 1989. The building was demolished and replaced by residential units. The plate was preserved by Carol Duvall a long serving nurse, who about 20 years later donated it to the Sunshine and District Historical Society.This brass plate is a rare physical relic of what was once the main hospital serving the Sunshine area, and in which many local babies were born.Tarnished brass plate with indented or carved lettering finished in black paint. The black paint is showing signs of deterioration. The plate has six holes for attaching it to a wall, and two of the corners have been bent probably during the removal of the plate. There is also a small amount of paint contamination on the edges.REGISTERED OFFICE / SUNSHINE DISTRICT COMMUNITY HOSPITALbrass plate, registered office, sunshine district community hospital, king edward avenue -
Tennis AustraliaRacquet, Circa 1920
An Eureka wooden tennis racquet, with concave throat, string whipping around shoulders, and thick, fine-grooved handle. Handle area is hand painted white and red, and painted across the the butt are the initials: B.A.R. Materials: Wood, Lacquer, Glue, Metal, Nylon, Leather, String, Ink, Painttennis -
![Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road](/media/collectors/550653872162f11fb04854aa/items/5729628d2162f108e8d6d03f/item-media/614c29204739c077d925d5a8/item-fit-380x285.jpg)
Kew Historical Society IncPainting - Section of mural from the ballroom of 'Ordsall' [Southesk], Cotham Road, Cullis Hill & Co, 1882
Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk -
Montmorency/Eltham RSL Sub BranchEquipment - Case, Mortar Sight, 3 Inch, WWII
World War II Manufactured during WWIIDark brown rectangular stitched leather case with folding lid for a WWII 3 inch Mortar sight, Mk1, Lensatic. The folding lid has a leather strap and metal buckle to hold the lid closed. The leather case has a leather adjustable carrying strap with a metal buckle. Shaped leather covered wooden mounting supports are located inside the case. Leather covered padding is provided on the inside of the case lid.CASE 3 INCH stamped on case top. Other markings on the case top are illegible. White painted number 3 with a faded red background on the case lower front. White number 1.3 painted on case top.3 inch, mortor, wwii, australian defence forces, case, sight, leather -
Glenelg Shire Council Cultural Collection
Memorabilia - Memorabilia - Game, n.d
a. Plywood boat shape game, painted blue and cream on outside, red fittings inside, bell mounted on red platform. b. 4 counters, shaped like sailors, wooden, blue painted 'hats', red base, numbered 1 - 4 underneath. Another counter, the same shape as other 4, red painted 'hat' with knob, painted blue base. c. Wooden top, red and blue stripes -
Bendigo Historical Society Inc.Weapon - Painted Wooden Truncheon
III GR on the top of the truncheon refers to King George the Third (r. 1760-1820). The truncheon was probably used by police during his reign.A heavy wooden truncheon 66 centimetres long and three centimetres diameter. There is a hole two centimetres from the top to put a lanyard through. The top seven centimetres is painted red with lettering (roman numeral 3) GR. The next nine centimetres is painted green with a gold and red crown painted on it. The next six centimetre section is yellow with gold lettering, G.P.A. and 1797 underneath. The last 44 centimetres is painted black.king george iii, truncheon -
Seaworks Maritime MuseumShipbuilders model, MV Millers Canopus
MILLERS CANOPUS As Merchant Knight (1952-63), Millers Canopus (1963-66), Lsoo Vung Tau (1966-?). In late 1963 Roderick W. Miller, with Commonwealth Government approval, purchased this tanker in Japan to enter the petroleum transport trade in opposition to overseas interests. Extensive modifications at Singapore ship yards upgraded the ship's facilities to meet Australian Seamen's standards. Renamed Millers Canopus, and had a crew of 42 seamen, including the officers. Sold mid 1966 to the Luzon Stevedoring Co Phillipines. Renamed Lsoo Vung Tau. No further details known.Formerly part of the collection of Howard Smith Ltd.Ship builders model of the tanker R W Miller in a glass case. The body is painted in colours of maroon, green and grey, the deck with detailed fittings and superstructure, an Australian merchant flag flying from the stern, within a mahogany framed glazed display caseplaque on base of model "MODEL BY I R AMIS LIMITED/ LONDON S.W. 20." Second plaque: " M.V MILLERSCANOPUS/ D/WT 15330 TONS/ DIMENSIONS 475' 0" B P X 67' 4 1/2" B.M X 37' 4" D.M./ BUILDERS-MESSRS SIRE JAMES LAING & SONS LTD. SUNDERLAND/ OWNERS - R.W MILLER & CO. PTY. LTD. SYDNEY/ YARD NO. 796/ 1952" on model: "MILLERS CANOPUS" painted with white
