Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Two preliminary sketches of the terrace houses at 7 and 9 Doona Avenue, Kew. See 1980.0024 for a more complete monochrome drawing. Signed: "JStewart".joy stewart, doona avenue (kew)

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. See '3rd Year Exhibition 1992' Program (005803)Wheel thrown stoneware lidded jar, decorated with incised and glazed poppies. Signed on base. art, artwork, ceramic, craig moore, ceramics

If you can assist with information on this artist and artwork please use the comment link below.Signed versoavailable, industrial, kelly mcniece

"I am an Australian of German parents born in Persia. I was taught by Peter Rushforth, with a very strong Japanese influence. My work attempts to incorporate these four elements of my history. For form, my influence comes from Art Nouveau, or Jugendstil as it is called in Germany. Techniques are informed by pottery from Japan, China, Korea and Germany. My colours are inspired by the Australian landscape. Using the language of woodfiring, I create a personal vocabulary with new subjects, grammar and syntax, which make each pot a one-off object containing all my diverse influences." (Roswitha Wulff)Roswitha WULFF (1941- ) Born Tabrize, Iran. Arrived Austrqalia c1949 Roswitha Wulff spent her early childhood with her mother, potter Helma Klett, in Germany. In 1964, she obtained a ceramics certificate from the East Sydney Technical College. From 1964-65, she worked with Robin Welch and Ian Sprague at Sprague's Mungeribar Pottery in Upper Beaconsfield, VIC. In 1966 she worked at the Sturt Pottery in Mittagong, NSW under Les Blakebrough. Between 1967 and 1969 Roswitha Wulff travelled overseas, spending 6 monthe with Robin Welch after his return to England and 9 months as a full-time thrower at Briglin Pottery, London, as well as working in potteries in Denmark and Germany. From 1969-70, she worked in North-West Pakistan as a research scholar for the Smithonian Institute and the University of NSW. Returning to Australia in 1970, she set up a workshop in Paddington, NSW, with the help of an Australia Council grant and taught part-time at the East Sydney Technical College and the Willoughby Workshop Art Centre. Since then she has been a lecturer and Head of Ceramics in many institutions, including the National Art School. In the 1990s she moved her studio to Botany Bay, NSW.. While working with the vessel form, she sees her pots as abstract landscapes. Recently she has also been working with wall tiles. During a residency at the Canberra School of Art in 2002, she developed tiles that looked like woodfired pillows with soft rounded rims. In 2007, she used such tiles to create a mural commemorating the Sesquicentenary of St Vincent's Hospital in Paddington. Woodfired stoneware bowl with flay ashSigned on baseroswitha wulff, jan feder, jan feder memorial ceramics collection, woodfire, ceramics, gippsland campus, botany bay studio pottery

18th CenturyPlateSigned and dated

Mexico 1959LinocutSigned and dated

1978Pen and InkSigned I.I

Australia 1933-2004ConteSigned u.I

Australia 1922-2004ConteSigned l.r

Australia 1922- 2004Ink and wash, conte on paperSigned I.r

German 1870-1938Lithograph (Schult 225)Signed l.r

Mexico 1923LinocutSigned and dated

Mexico 1911 - 2005LithographSigned l.r

Mexican 1926 -LinocutSigned l.r

Mexican 1926 - LinocutSigned l.r

AustralianOil on canvasSigned and dated

Australia 1944 -Print 2/10Title and signed

Acrylic and oil on canvasSigned and dated

Australia 1913 - 1986Charcoal on paperSigned and dated

Australia 1913 - 1986Black ink, chalk, white body colour for caricature for newspaperSigned u.l

Australia 1913 -1986Lithograph s.16Signed bot.c,

Australia 1913 - 1986Lithograph 34/100 s.19Edition and signed

Australia 1913 - 1986LithographSigned l.r

Australia 1913 - 1986Colour Screenprint s.26Signed and titled

Australia 1913 - 1986Linocut [Artists Proof] on tissue paper s.34Signed and editioned

Australia 1913 - 1986Conte on green paperSigned and dated

Australia 1913 - 1986Brush drawing in inkSigned and dated

Australia 1913 - 1986Oil on boardSigned and dated