Copy of N.J. Caire print 'View of Golden Square township' mounted on light brown board.N.J. Caire, Photo Sandhurst. Forbes & Halmes, Agents.education, primary, golden square laurel st p.s., golden square township.

Large photograph of Ms. Amanda Hubber acting principal of Golden Square Secondary College in 2007On the back in pencil Ms. Amanda Hubber acting principal G.S.S.C. 2007golden square secondary college, 2007, acting principal

Large photograph of Mrs. Jennifer Izard acting principal of Golden Square Secondary College in 2008On the back in pencil Mrs. Jennifer Izard acting principal G.S.S.C. 2008golden square secondary college, acting principal, 2008

Square white linen handkerchief with triangular lace edging on all four corners. Central cloth handkerchiefs, lace

Curved, wedge-shaped hammer head, with square nose and tapered, flattened tail. Made of steel?No visible markingstrades, tools, hammer, steel, nails, tool

Square China Jug (Johnnie Walker Scotch Whisky) Inset Handle from Glenorchy Hotel stawell

Square Beaded Edged Pin Cushion, Navy Velvet on top, wool work on Canvas back. stawell

Square resin mould of a circular design depicting two nude figures around an oval object.Nonematcham skipper, mould, jewellery, nude

This is the wedding dress of Ella Janetzki, nee Sutcliffe, who married Eric Janetzki in Adelaide on 25 January 1941. The dress was made to measure in a shop in Rundle Street, Adelaide, and cost four guineas. Eric had enlisted in the army in 1940 and was called to duty in 1941, which determined the date of the wedding - though Eric very nearly didn't make it! He caught the train from his home town of Nhill, Victoria on the eve of the wedding only to be held up by flooding on the tracks, ultimately arriving three hours late amid much fuss. Ella later said that there were so many setbacks it was amazing they married at all. They remained together for 58 years until Eric's death in 1999. The dress was also worn by Ella's sister Eileen in October 1943 when she married Jack Edwards at the Church of Christ, LaTrobe Terrace, Geelong. As this was during the war, the sisters did not have enough clothing coupons to purchase another dress. BHS also holds Ella's daughter Rayleen Haig's wedding dress (T0131).Cream lace wedding dress with high square collar, short puffed sleeves and long train.wedding dress, wartime bride, 1940s, ella sutcliffe, ella janetzki, eric janetzki, eileen sutcliffe, jack edwards

The sewing palm was used by visually impaired workers in the mat making workshop at the Royal Victorian for the Blind Institute during the binding of mats to protect their palms from the 17cm-long curved mat making needle.1 leather folded band with indented metal square attached and leather lacing fastening at back assistive devices, employment

Norman Keith HOFMAIER (12.08.1951- ) Born Beulah, Wimmera, Victoria Norman Hofmaier was a scion of a well-known family, he completed his secondary education at Hopetoun High School and Ballarat College. Later he studied Visual Art at University of Ballarat, including painting, design and sculpture. Hofmaier’s childhood in Beulah was spent on the family property running beside the Yarriambiack Creek. Both he and his father had an intimate knowledge of the flora and fauna of the Mallee. The Wyperfeld National Park, home to the Big Desert, was a favourite place for Norman’s uncle who planted acres of native trees at the family property. Dr Di Bresciani explains: “The colours and vastness of the Mallee are represented in many works which reflect, variously, the relentless quiet and swirling energies found in the ‘dust storm might’ of the Mallee area. Most works may be described as abstract, lyrical abstract or abstract expressionist." From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. His work reflected his exploration of his inner state, sometimes flowing and placid, sometimes tempestuous. After a brief sojourn into city-life Norman returned to working in the country, until finally submitting to mental illness and permanent care in the mid 1990s. Norman Hofmaier's works are represented in major collections including that of the well- known artist Mitch Pearson ( an important influence and lifelong friend). The work 'Pastel of a Nude' was shown in a widely distributed magazine and two works owned by Mark Shannon were planned to be published as record covers in 1993. He won an award during the bicentennial recognising his skill as a Wimmera artist. From the 1970s until the 1990s he began an outpouring of work, using oil-based paints overlaid manually on large, specially-prepared boards using brushes, cloths, sponges, sprays or rollers. Petrol solvents were used to soften, blur and enhance shapes and edges. This work was purchased from the exhibition 'Norman Hofmaier: Mallee Mysteries' at the Lost Ones Gallery in Camp Street, Ballarat. The exhibition explored the legacy of Hofmaier’s work as well as raising money for the Ballarat Art Foundation. The Hofmaier family donated 16 works of the artist to be sold to raise funds for the foundation, to support emerging artists.Original painting in square format, featuring abstract swirls of blue, white, red, yellow and green.On back of work: 1. pools of diluted oil paint covering approximately 8 cm from each edge, 2. in right hand corner in permanent marker "N Hofmaier" 3. middle right hand side, torn exhibition label, with the words, "Belauh", "Local Art", "Prome", "Local Art", "$350", "Collect A", "oin" 4. Bottom right corner, two exhibition labels on card. Cards read: The flowing of movement before any known bodies are formed. Matter and gases bubble forming kaleidoscopic colours and shapes. Promethius 1 Oil based pigment with petrol on prepared board 1320 x 1210 mm On front of work, bottom right hand corner, in white lettering, N Hofmaier. Bottom right hand olive green frame damaged on front of work.painter, mallee, beluah, norman hofmaier, wimmera, abstract, alumni

Pale green, square-based, heavy glass bottle with rounded upper corners and a cork stopper.bottles, glassware

Cream hand embroidered square cushion with floral design and Broderie Anglaise frill around the edgescushions

The quilt was made by Maria Ann Knight, born in England in 1829, died in 1908. She was buried in Castlemaine Cemetery. She came to Australia in 1855. Married to Henry Lancelot Goldsmith, born 1826 died 1912 and also buried at Castlemaine Cemetery.Large patchwork quilt, multi-patterned and multi-coloured. Made of large oblong and square pieces.manchester, bath linen, handcrafts, needlework

Large collections of 1258 corroded nails with rectangular heads. Square shaft narrows to a blunt tip.archaeology, historic building, former royal mint

Collection of 106 corroded nails with small square heads and rectangular shafts that narrows to a blunt tip.archaeology, historic building, former royal mint

Part of the Cooper Collection. 1. & 2. Embroidered Australian Coat of Arms in black thread on a square camouflage pattern background.cooper collection, rank insignia, warrant officer class 1.

Possibly made in Italy, the Maltese lace is bobbin lace in the style of quipure.Square handkerchief with silk centre and Maltese lace border. The Maltese lace incudes leaves and tallies.lace, handkechief, maltese lace, bobbin lace, silk

In 1903 electric traction overhead was inaugurated, extending to Quarry Hill, Golden Square and Lake Weeroona.basil miller

Hard cover Golden Square Patriotic League Annual Report and Minute Book. Lydia Pethard Hon. Sec. 1918 - 1942. Hard cover paper pages containing minutes of meetings of the Golden Square Patriotic League. This organisation affiliated with the Australian Comforts Fund in 1919 as the Golden Square Branch. Lydia Pethard was secretary of the branch. The ACF wound up in August 1920 and the local branch dispensed of its assets on 18 August 1920. In June 1940 Mrs Lydia Chancellor (nee Pethard) recommended the minutes of the ACF Golden Square. 'Minute Book' written on spine.Lydia Chancellororganization, club/society, golden square patriotic league, lydia chancellor collection, collection, golden square patriotic league, world war 11, war, australian comforts fund

The souvenir is believed to have been made by R.E. Hyatt.A home-made souvenir of Linton, which consists of a colour photograph taken in Sussex Street of the Linton Post Office and Bank of New South Wales buildings, with an early model Ford car parked in the street. The photograph has been mounted on a square of cardboard, and a border made of small green squares drawn or printed around it. "Linton" is inscribed within the border underneath the photograph. The square of cardboard with the photograph on it has in turn been mounted on a square of very thick cardboard, which has had its edges varnished. "My Home Town" and "R.E. Hyatt" are inscribed in ink on the back of the souvenir.souvenirs, buildings, linton post office, bank of new south wales linton branch, cars, r.e. hyatt

Black and white photograph of students at Golden Square State School Rural 1, 1960 Three rows of children, two holding sign at front stating 'golden Square State School Rural 1, 1960. male teacher at back. No names on image.bendigo, education, golden square primary school

Letter dated January 28 1998, from Jan Scott re grandmother Mary Oxnam ( nee Sampson) who taught at Golden Square PS, from 1905 until 1920. Jack Sampson Oxnam, was born at the Golden Square schoolhouse in 1907.bendigo, education, golden square primary school