This piece may originally have been Indian in origin. It was purchased by the donor at the Oxford Street Market in Paddington, Sydney.Small ceramic figurine of a woman giving birth, attended by a doctor. Scene depicts a woman in a white gown lying on her back an obstetric table, with her knees up and feet flat on the table. A doctor dressed in white is sitting on a chair at the end of the table, between the patients legs, with arms raised ready to receive a baby. Both figures in the scene have brown skin and black hair. A word is engraved on the underside of the base of the figurine, which may be the name of the artist, but it is illegible.obstetric delivery

Reproduction done for Port of Echuca c.1980 heritage project. Henry Hopwood who founded Echuca in 1853, made the following charges for the use of his punt across the Murray River utiliising his own tokens. Charges - one penny for 2 sheep, six pence for 1 cow or head of cattle, ninepende for 1 horse, 18 pence for 1 horseman, "footmen" were free. 2 reproduction Hopwood Pennies, in frame with gold surrounds, pennies in centre of frameInscription BRIDGE HOTEL 1858 on one penny shows scene of Bridge Hotel and the other has inscripition HOPWOODS PUNT ECHUCA 1857 One Penny and scene of same.

JACK EMMETT COLLECTION black and white photograph mounted on cardboard of WW1 Australian soldier taken in a studio with a garden scene in the background -photographer -Arthur & Son Mount GambierArthur & Son Mount Gambierphoto, soldier, ww1, arthur & son mount gambier

JACK EMMETT COLLECTION black and white photograph mounted on cardboard of WW1 Australian soldier taken in a studio with garden scene in background - Photographer Kalman , 57-59 Pall Mall BendigoKalman , 57-59 Pall Mall Bendigophoto, soldier, ww1, photographer kalman , 57-59 pall mall bendigo

The trophy has 2 pieces - a cup and a lid with a cricketer on the top. The cricket bat is missing. The cup is engraved with a pair of crossed cricket bats on the stem.The Derby Tobacco Cricket Trophy was presented by David Dunlop of Petersburg Virginia USA . Won by Stanley Cricket Club Inscription 'Won by Stanley C.C.Season 1896-97 '. Engraved scene of cricketers in park setting of trees and buildings in background.

Silver engraved - filigree - 5 leafy arms (one arm missing). Two trunks hold up the actual cup. Cup engraved with 4 palm trees at back. Front shows a cricket match scene with fence, tents and pavilion. Small leaves at base. Base covered with small flowers and rocksW Edwards, Melbourne. Leading supplier of silverware c1889.Collins St East, Melbourne

The photograph depicts the 2nd important stage in tobacco growing--transplanting seedlings into open paddocks. It depicts early post-war machinery in use at the time until affordable modern tractors were available. The planting machine has probably been adapted from the horse-drawn era pre-World War 2. The scene is one near Myrtleford in the Ovens Valley.The photograph depicts the slow adaptation of modern tobacco farming methods in the immediate post-war period and the type of terain suitable for tobacco growing. The labour intensive nature of tobacco planting is also depicted.A colourized photograph of tobacco planting activity in a paddock near Myrtleford.Inscription: Planting Tobacco N.E. Victoria"tobacco farming tobacco planting machinery

The Vliet is a canal in the western Netherlands, in the province of South Holland. It starts at the Oude Rijn at Leiden and joins the Delfshavense Schie canal at Delft. Places along its banks include Voorschoten, Leidschendam, Voorburg, The Hague and Rijswijk. The canal was dug in 47 AD under command of Roman general Corbulo, who wished to connect the river Rhine, of which the current Oude Rijn stream in Roman times was the main branch, to the Meuse estuary. It is unclear what the canal's trajectory was beyond the current city of Delft; the Delfshavense Schie canal, which connects Delft to the Nieuwe Maas river was not dug until 1389. In the Middle Ages the Vliet was an important trade link that attracted all kinds of trade, as it flowed through the heart of the County of Holland. Windmills have been constructed alongside the Vliet, including the completely renovated mill 'De salamander' in Leidschendam. The Vliet area was particularly attractive among richer families, who built their mansions along its banks.An historic small town scene etched (or possibly printed) on thin metal and subsequently fastened to a plywood backing. The delicately presented scene is said to show the intersection of Old Church Street and the Vliet Canal bridge in Voorburg, as well as a section of wharf. On the canal are one large and two much smaller vessels. A very tall crane-like construction arises from the wharf to the roof of waterside buildings. The people are soberly dressed in possibly 17th or 18th century costumes.On the reverse has been written: "Oude Kerkstraat Brug over de Vliet Voorburg". (Old Church Street; Bridge over the Vliet canal; Voorburg). However, research proves that the church is actually the Old Church in Delft, a short distance further down the Vliet Canal.

This window was originally above the door at 29 Murphy Street, a butcher shop run by Jas. Ferguson and Company and later bought by Bob Hoysted who had worked for Jas Ferguson as an apprentice. The window sits in a painted wood frame and illustrates a pastoral scene with a cow, two grazing sheep and a path leading to an open gate. Butcher shops typically illustrated their business with illustrations of the animals they sold. The painted glass pieces are held together by lead. Some of the pieces are textured. The artist is unknown. It is possible that the window was imported from Europe since decorative glass works in Australia at the end of the 19th century were rare, if not non-existent. Decorating store fronts with windows such as this one was popular in Melbourne at the end of the 19th century.

Born: Casterton, Victoria, Australia 1887; Died: 1935TonalismGift of an anonymous donor, 1978Seaside landscape with trees, grass and rocks. Old gold coloured timber frame.Recto: Signed “C Beckett” in brown paint l.l.c of composition; Not dated; Not titledseascape, landscape, trees, water, australian art

Born: Uxbridge, Middlesex, England 1872; Active Australia from 1908; Died: Melbourne, Victoria, Australia 1952ImpressionismGift of Pamela Davies, 2005Seaside landscape with seated figure and figures on sand and in the water.Recto: Not signed; Not dated; Not titledbeachscape, figures, summer, sand, waves, umbrella, australian art

Born: Ballarat, Victoria, Australia 1864; Lived and worked: France and England 1890-1893, England, Wales, France 1897-1939; Died: Looe, Cornwall, England 1939VictorianGift of Mrs E.E. Ledger, 1976Harbour scene with large ships, smoke, a wharf, water and a grey sky. Gold brushed timber frame.Recto: Signed "Davies" in brown oil in l.r.c of composition; Not dated; Not tiltedpainting, seascape, ships, boats, smoke, industrial, dock

Born: Mount Duneed, Victoria, Australia 1867; Lived and worked: England 1897-1919; Died: Olinda, Victoria, Australia 1943Heidelberg SchoolLedger Gift, 1977Harbour scene with large ships, buildings, water and a grey sky. Timber frame.Recto: Signed "A Streeton" in dark grey oil in l.l.c of composition; Date obscured by framing; Not titledpainting, seascape, maritime, ships, dock, clouds, sky, industrial

Born: Devon, Devonshire, England 1839; Arrived: Melbourne, Victoria, Australia 1868; Died: Melbourne, Victoria, Australia 1901VictorianLedger Gift, 1978Australian bush scene with two figures, a horse and a dog on a track with trees, hills, clouds and sky. Unframed.Recto: Signed and dated "J W CURTIS / 82" in black oil in l.l.c of composition; Not titledpainting, landscape, figure, horse, animal, trees, colonial, path, track

Born: London, Middlesex, England 1868; Arrived: Sydney, New South Wales, Australia 1884; Lived and worked: France and England 1890-1909; Died: Virginia Water, Surrey, England 1909Heidelberg SchoolGift of Wooleen Pty. Ltd., 1980Architectural setting with figures, food, water and buildings. Unframed.Recto: Signed "CONDER" in red pastel in l.r.c of compostion; Not dated; Not titledpainting, interior, figures, women, feast, table

Born: Addlestone, Surrey, England 1851; Arrived: Melbourne, Victoria, Australia 1878; Died: Bondi, New South Wales, Australia 1942VictorianLedger Gift, 1985Interior scene with small figure standing at doorway to outside fenced garden. Unframed.Recto: Signed and dated "J. R. ASHTON / 1877" in red watercolour in l.l.c of compositionwatercolour, interior, exterior, child, door, fence, tree

Born: St Petersurg, Russia 1828; Arrived: Melbourne, Victoria, Australia 1854; Lived and worked: Switzerland 1845-1848, Germany 1851-1854, Australia 1854-1865, New Zealand 1865-1866, England 1870-1902; Died: London, Middlesex, England 1902RomanticismGift of Mrs E.E. Ledger, 1985View from rustic house with two figures overlooking lake surrounded by mountains and trees. Grey brushed stained timber.Recto: Signed and dated "N.Chevalier. / 1886" in brown watercolour in l.l.c of composition; Not titledwatercolour, landscape, waterscape, building, trees, mountains, water, cabin, sunset

(on mount) l.l; N.J.CAIREwork on paper, photograph, photographer, albumen, sandhurst, bendigo, central goldfields, street, town city, victoria, regional victoria

.1 White metal medal with a tricolour ribbon of red, white and blue. Attached to a ring connected to the medal. One side depicts the scene of landing at Portland in 1834 and the other side depicts a pioneer on the south bank of the Yarra river looking across Melbourne. On Reverse: Centenary of Victoria 1934 and Portland 1834 On Obverse: Centenary of Melbourne 1935 (AD)centenary of victoria 1934, centenary of melbourne 1935

Purchased through the Horsham Art Gallery Trust Fund with assistance from the Nance Kroker Bequest, 2016silver gelatin photographs

Gift of Mack Jost, 1992

The George Hotel in St Kilda was one of the largest and most well known hotels in Victoria and the largest in Melbourne outside the city. By the late 1970s and early 1980s, renamed the Seaview in 1976, it no longer operated as a hotel and fostered Melbourne's alternative and punk music scenes. It was de-licenced and closed in 1987 and redeveloped in the mid 1990s as apartments, with bars, cafes and shops at ground level and an art gallery and cinema. On 6 January 1996, Harry Hogg, a local photographer and a member of the Save St Kilda movement, sent the photographs of the demitasse coffee cup to the new owner of The George, Donlevy Fitzpatrick. His covering letter said: 'The reason for this note is to send you copies of photographs of a fragment of a demitasse coffee cup I unearthed recently from along the light rail in Albert Park. I regret the poor quality of the prints (I was funning a test on a 1000 ASA film in low flat light) but hope the contents of the photographs may be of interest to you.'Colour photographSide of cup: George Hotel St Kilda; image of warrior on horse Base of cup: Dunn Bennet's (Gold Medal) Hotel Ware. Burslem, England. Made for: J. Leigh Jones & C Sydney.st kilda, dunn bennett, george hotel, fitzroy street, donlevy fitzpatrick

An example of tableaux drama. Ten 'scenes from the Empire' were presented: King Alfred Disguised as a Harper in the Camp of the Danes'; 'The Signing of the Magna Carta'; 'Queen Elizabeth Knighting Drake on the Deck of the "Golden Hind"' etc. Contains details of Executive of the Victorian Artists' Society and the St Kilda Executive Committee. Under the patronage and in the presence of, among others, the Governor of Victoria, the Lord Mayor of Melbourne and Madame Melba. To raise funds 'to provide an Ambulance for the Australian Wounded'.Yellowed cream cardboard, printed in black and gold, folded in half to form the cover. Inside two sheets of paper, printed in black and red and folded to make four pages, are fastened to the cover by stitched red string.wwi, world war i, victorian artists' society, wwi fund-raising

black and white photograph, unmounted laminated poor conditionHandwritten on back St Kilda by the Sea Annual

Leisure scene, mingling groups walking to and from baths; 1940s cars aligning street; Looking towards the Baths, St Kilda, Vicblack and white postcard, unmounted, good condition, two copies, unused[printed on front] The Rose Series p. 3274; Looking towards the Baths, St Kilda, Vic. [postcard format on back]

Scene on Beach, St Kilda, pavilion in foreground, two 1920s motocylcles in front, Valentine Series Postcard, black and white postcard, gloss paper, unmounted, good condition[front, printed] Valentine Series no. 577, Scene on Beach, St. Kilda [back, handwritten, pencil] 13th October 1929 [postcard format imprint]

St Kilda Pier, with Esplanade hotel in background, Alfred Sq. Scene of large crowd , four boats.black and white postcard, unmounted, original, goood conditionPublished By Kellett &Co Series M1781

Talma & Co Postcard of Mr George Lauri as "The Cigalee" black and white postcard, unmounted, original, fair conditionOn back 5/8/06 Dear Emma, I received your PC yes the other day. I like actresses and scenes as well. Thank you all the same. Love to all Maud