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Flagstaff Hill Maritime Museum and Village
Book, Verners Pride
Pattison Collection This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL MECHANICS’ INSTITUTE Warrnambool's Mechanics' Institute (or Institution as it was sometimes called) was one of the earliest in Victoria. On 17th October 1853, a meeting was held where it was resolved to request the Lieutenant Governor of the Colony to grant land for the erection of a Mechanics' Institutes building. A committee was formed at the meeting and Richard Osburne chaired the first meeting of this committee. The land on the North West corner of Banyan and Merri Streets was granted but there were no funds to erect the building. The Formal Rights of the Warrnambool Mechanics' Institute's encompassed its aims and these were officially adopted in1859; "This Institution has for its object the diffusion of literary, scientific, and other useful knowledge amongst its members, excluding all controversial subjects, religious or political. These objects are sought to be obtained by means of a circulating library, a reading room, the establishment of classes, debates, and the occasional delivery of lectures on natural and experimental philosophy, mechanics, astronomy, chemistry, natural history, literature, and the useful and ornamental arts, particularly those which have a more immediate reference to the colony." The Warrnambool Mechanics' Institute opened its first reading room in November 1884 in the National School building at the corner of Banyan and Timor Streets. The Institute was funded by member subscription, payable on a quarterly, half-yearly or yearly basis. Samuel Hannaford, the Manager of the Warrnambool Bank of Australasia, was the first Honorary Secretary of the Mechanics' Institutes, and an early President and Vice-President. He also gave several of the early lectures in the Reading Room. Another early Secretary, Librarian and lecturer was Marmaduke Fisher, the teacher at the National School. Lecture topics included The Poets and Poetry of Ireland', 'The Birth and Development of the Earth', 'The Vertebrae - with Remarks on the pleasures resulting from the study of Natural History' and 'Architecture'. In 1856 the Reading Room was moved to James Hider's shop in Timor Street, and by 1864 it was located in the bookshop of Davies and Read. In the 1860's the Mechanics' Institute struggled as membership waned but in 1866, after a series of fundraising efforts, the committee was able to purchase land in Liebig Street, on a site then called Market Square, between the weighbridge and the fire station. A Mechanics' Institute building was opened at this site in August 1871. The following year four more rooms were added to the main Reading Room and in 1873 the Artisan School of Design was incorporated into the Institute. The same year Joseph Archibald established a Museum; however, it deteriorated when he was transferred to Bendigo in 1877. In 1880, with Archibald's return to Warrnambool, the Museum was re-established, and in 1885 a new building was built at the back of the Institute to accommodate the re-created School of Design, the Art Gallery and the Museum. In 1887 the Museum section was moved to the former courthouse in Timor Street (for some time the walls of the building formed part of the TAFE cafeteria but all is now demolished)). In 1911 the Museum was transferred back to the original building and the management of the Mechanics' Institute was handed over to the Warrnambool City Council. The Museum and Art Gallery became one and housed many fine works of art, and the Library continued to grow. The building was well patronised, with records showing that at the beginning of the 20th century there were between 500 and 800 visitors. During World War One the monthly figures were in the thousands, with 3,400 people visiting in January 1915. The Museum was a much - loved Institution in Warrnambool until the contents of the Museum and Art Gallery were removed to make room for the Warrnambool City Council Engineers' Department. The contents were stored but many of the items were scattered or lost. When the original building was demolished the site became occupied by the Civic Centre, which included the new City Library. (The library was temporarily located in the old Palais building in Koroit Street.) In the process of reorganisation the Collection was distributed amongst the community groups: -The new City Library took some of the historical books and some important documents, historic photographs and newspapers. -The Art Gallery kept the 19th Century art collection and some of the artefacts from the museum. -The Historical Society has some items -The State Museum has some items -Some items were destroyed -Flagstaff Hill Maritime Village has old newspapers, Government Gazettes, most of the Mechanics' Institute Library, ledgers and documents connected to the Mechanics' Institute Library, some framed and unframed artworks and some photographs. The Warrnambool Mechanics' Institute Library book collection is deemed to be of great importance because it is one of the few collections in an almost intact state, and many of the books are now very rare and of great value. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Verners Pride by Mrs Henry Wood Label on spine with typed text PAT FIC WOO Pastedown front endpaper has a sticker from Warrnambool Mechanics Institute and Free Library Pastedown front endpaper has a sticker from Corangamite Regional Library Serviceverners pride, mrs henry wood, ellen price, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road -
Flagstaff Hill Maritime Museum and Village
Domestic object - Bellows, Late 19th to Early 20th century
The fireplace was the main heating source for small houses before 1900, so a bellows to coax a flame from a dying fire was important. Early bellows were a bag made from the skin of a small animal and a piece of metal, usually brass, to direct the gust of air created by squeezing the bellows to fan the flames. Such bellows existed in China at least since the 5th century BC, when it was invented, and had reached Europe by the 16th century. In 240 BC, The ancient Greek inventor Ctesibius of Alexandria independently invented a double-action piston bellow used to lift water from one level to another.An item in domestic use in homes to coax a domestic fire into flame, the subject item was probably used in the late 19th to early 20th century home with open fireplaces as a domestic object. It gives a snapshot into how domestic heating was provided using wood or coal before electricity or gas came into regularly used.Bellows wood, leather and metal, parts Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, flagstaff hill maritime village, great ocean road, bellows, blacksmith bellows, fire bellows -
Flagstaff Hill Maritime Museum and Village
Tool - Wood Moulding Plane, Unknown
A moulding plane is a specialised plane used for making the complex shapes found in wooden mouldings that are used to decorate furniture or other wooden object. Traditionally, moulding planes were blocks of wear resistant hardwood, often beech or maple, which were worked to the shape of the intended moulding. The blade, or iron was likewise formed to the intended moulding profile and secured in the body of the plane with a wooden wedge. A traditional cabinetmakers shop might have many, perhaps hundreds, of moulding planes for the full range of work to be performed. Large crown mouldings required planes of six or more inches in width, which demanded great strength to push and often had additional peg handles on the sides, allowing the craftsman's apprentice or other worker to pull the plane ahead of the master who guided it. The maker of this plane is unknown but probably made in London early to mid 18th century. There are many of his tools including decorative moulding planes of all sizes and designs for sale around the world with no makers marks however moulding planes from this era are well sought after by collectors of vintage tools.A vintage tool made by an unknown maker, this item was made commercially for firms and individuals that worked in wood and needed a tool that could produce a ornamental finish to timber. The tool was used before routers and spindle moulders came into use after World War ll, a time when to produce a decorative moulding for a piece of furniture, door trims etc or other items had to be accomplished using hand tools and in particular one of these types of planes. These profiled planes came in various shapes and sizes to achieve a decorative finish. A significant tool from the early to mid 18th century that today is quite rare and sought after by collectors. It gives us a snapshot of how furniture and other decorative finishes were created on timber by the use of hand tools. Tools that were themselves hand made shows the craftsmanship used during this time not only to make a tool such as the subject item but also the craftsmanship needed to produce a decorative finish that was needed to be made for any timber item.Wood Moulding Plane Rabbet typeMarked J Heath on end, (no makers mark)flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plane moulding, moulding plane, plane, j heath, ames -
Tennis Australia
Racquet Press, Circa 1900
Racquet press. Materials: Wood, Metaltennis -
Tennis Australia
Lacrosse stick, Circa 1890
Lacrosse stick Materials: Wood, Leathertennis -
Kew Historical Society Inc
Functional object - Domestic Equipment, Hair Crimper
Wood handled iron hair crimpersdomestic objects, hair crimpers -
Yarrawonga and Mulwala Pioneer Museum
Granny Tooth Router
Home made wood working tools -
Tatura Irrigation & Wartime Camps Museum
Domestic object - Egg Cup, 1940's
Made as a Christmas present for a child in camp 3 by a German POW. Gretl Frank was bought to Australia in September 1941 with her German parents who were residents in Palestine (a British Protectorate at the end of WW1). Temple society members. She was born in Palestine October 1939. Married Hornung, 2 children - Ingrid and Jennifer. She is now resident is Los Angeles USA.Polished wood turned egg cup.GS german pow, christmas present, egg cup, internment camp wood work, gretl frank -
Geelong Gallery
Silver - Mounted emu egg, BROWNLOW, Charles, 1890s
Silver, emu egg and ebonised wood -
Gippsland Art Gallery
Sculpture, Dumper, Brian, Mirror, 1988
Purchased, 1988Wood, Silvertop Burl, Glass, Mirroredgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Bust, 2013
Purchased, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Formation: Superior View, 2014
Donated by the artist, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Photograph, Settemsdal, Solveig, Roam, 2014
Donated by the artist, 2018Digital print on acrylic with wood bracketgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Lake King, Gipps Land, from Eagle Point, c.1870s
Purchased with the assistance of the Gippsland Art Gallery Society, 2011Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Fishermen's Camp, Lake Victoria, Gipps Land, c.1878
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, On the Road to Dark River, Hauling Machinery up the Gibbo Range, c.1883
Donated by the Friends of the Sale Regional Arts Centre, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Roadmaking in the Tambo Valley, c.1881
Donated by M. Parasiuk and K. Alcock, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, The Aboriginal Mission Station, Ramahyuk, Gipps Land, c.1874
Donated by B. & J. Gurling, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, View of Western Spit, Lakes Entrance, c.1878
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, The Berry Falls, Gipps Land, c.1878
Donated by Simon Gregg, 2013Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, A Trip Through Gipps Land Lakes, c.1880
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Sale, Gipps Land, c.1881
Donated by John Leslie OBE, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Surveying on the Moe Gipps Land, c.1876
Purchased, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Buchan Lead and Silver Mine, c.1874
Donated by Phillipson Fletcher Pty Ltd, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, The Gipps Land Lakes: General View from Jemmy's Point, 1878
Purchased with the assistance of the Caltex Victorian Government Art Fund, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Views In North Gipps Land, c.1877
Donated by Peter Synan OAM, 1984Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Sculpture, Verstraeton, Marylyn, Dragonfly on Driftwood, 1982
Purchased, 1982Metal, Sterling Silver, Wood, Driftwoodgippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Wilkinson, Charles, The Descent to the Dargo, c.1880
Donated by Simon Gregg, 2013Hand-coloured wood engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Turner, Charles Henry, Junction of the Thomson and Glengarry Rivers, Sale, c.1880
Donated by C & B SmithHand-coloured wood engraving on cardgippsland, artwork, permanent collection -
Uniting Church Archives - Synod of Victoria
Plaque
Brass plaque on varnished wood mount."This room was furnished by The Young Men Prince Of Wales Park"methodist babies' home