It took 15 years to invent the can. It took 100 more to invent a standard way to open it. In the 19th century, decades after the invention of canning, there were virtually no can openers. Canned food, such as sardines, came with its own "key" to peel back the tin lid. Birth of the can One of the oddest things about the can opener is that the can predates it by almost 150 years. Though common today, cans were once military-grade technology. In 1795, Napoleon, to whom the phrase "an army marches on its stomach" is attributed, offered 12,000 francs to anyone who could find a way to preserve food. Without any knowledge of bacteria or their role in food spoilage, scientists didn't even know where to begin. It took 15 years before a chef named Nicholas Appert claimed the prize after successfully jarring food. Soon after that, his countryman Philippe de Girard came up with a variant on Appert's method—metal tins—and sold the idea to the British. Spoiled food, and the sickness it caused, was a widespread problem. The public would have benefited from canned food, but for decades cans were almost exclusively for the army and the navy. The canning process, with its hours of boiling and steaming, its scrupulous cleanliness, its heated metal, and its need for a great deal of disposable material, made canned food far too expensive for anyone but the military. No can openers were needed or even possible. The metal of early cans was too thick to make openers practical. Soldiers and sailors had plenty of sharp objects on hand and made ample use of them when they wanted to eat. During the 19th century, the process of canning was refined and mechanised, and the metal wall of the average can slimmed down enough that a civilian could get it open—if that civilian had the right tool. No one had that tool yet, so early cans had to open themselves. In other words, they came with built-in openers. The result was a confusing but pleasing free-for-all, in terms of product engineering. Each type of food came with its own kind of can, and each kind of can came with its own kind of opener. Tinned fish and meat were often sold in rectangular cans. These cans were fitted with a "key" that would roll down the top of the can. Coffee, beans, and other types of meat were packaged in cylinders with metal strips that could be peeled back with their own kinds of built-in keys. Cans of milk, which didn't need to be completely opened, came with puncture devices. As tinned food became more common, its containers became more regular. A nice cylindrical can became the norm, and, as these cans filled kitchens, more engineers put their minds to finding a convenient way to open all of them. The first standalone can opener worked on a simple principle: point, stab, and pull. From the mid-19th century to the end of World War I, the typical can opener looked roughly like a wrench, if the lower 'jaw' of the wrench were replaced with a blade. People used the blade to puncture the top of the can near its edge, push the upper jaw against the side of the can, and drag the blade through the metal along the rim. Because meat was the first and most popular canned substance, these can openers were often shaped to look like cows and given the nickname 'bully beef can openers'. The bully beef can opener, popular in the mid-19th century, resulted in many lost fingers. Bully beef can openers were so common, effective, and sturdy that they are still frequently available on collectors' sites. Some are advertised as “still working,” and every last one of them is, without a doubt, soaked in the blood of our ancestors. Dragging a sharp blade along the edge of a can is certain to cause injury sooner or later. So once people got a reliable can shape and a reliable way to get the can open, the search was on for a reliable way to get a can open without the possibility of losing a finger. The answer came in 1925, from the Star Can Opener Company of San Francisco. This is probably the first can opener that resembles the one people have in their kitchens today. Instead of using a blade to pry open a metal can, buyers could clamp the edge of the can between two wheels and twist the handle of one of the wheels to move the blade around the lip. The Star can openers weren't perfect. Compared to the bully beef model, they were flimsy and breakable, but they probably prevented a few injuries. Six short years after the Star model came to market, the first electric can opener was invented. It was patented in 1931 by the Bunker Clancey Company of Kansas City, who had already been sued by the Star Can Opener Company for trying sell a double-wheeled can opener like the Star model (the case was dismissed). The electric can opener must have seemed like the wave of the future and a sure-fire seller, but it proved to be too far ahead of its time. In 1931 not that many households had electricity, and those that did weren't interested in buying can openers. The Bunker Clancey Company was subsequently bought by the Rival Company, which still makes small appliances like can openers today. It took another 25 years for electrically powered can openers to become practical. In the 1950s, Walter Hess Bodle and his daughter, Elizabeth Bodle, developed an electric can opener in the family garage. Walter came up with the opener's blades and motor, and Elizabeth sculpted the outside. Their can opener was a free-standing unit that could sit on the kitchen counter. The Udico brand of the Union Die Casting Company put it on the market in time for Christmas in 1956 and had great success with it. Over the next few years it came out in different styles and colours, and, like the bully beef can opener, has become a collector's item. Also like the bully beef model, Udico can openers often still work. They don't make 'em like they used to. Although there have been some design changes and refinements over the last sixty years, there have yet to be any more leaps forward in can opener technology. If you're resentfully opening a can, you are almost certainly doing it using the Star design, manually forcing the can between two wheels, or the Bodle design, clamping the can into a free-standing electrical opener. Whether or not you enjoy your holiday meals, at least you can be happy that you are not getting poisoned by your own food or cutting open your hand with the blade you use to get at it. That's something, right?The can opener is still a very important and essential item in most kitchens.Can opener, right handed, metal, upper blade section serrated, inscription 'Peerless Pat.Feb 11-90'.Peerless Pat.Feb 11-90flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, cannning, can opener, kitchen equipment

Digital scan

Detailed information on people buried in cemetery from 1901-1920HistoricalLarge soft covered book with text numerous black & white and coloured illustrations ISBN 978-0-6487351-0-6phillip island cemetery, rev. alexander robb, richardson, walton, grayden, forrest, leeson, lock, mcfee, george smith, west, cleeland, eliza cochlan, findlay, jenner, mckindlay, jeury, walpole, george cox, pamela rothfield

Black and white "Murray Views" postcard featuring Ringwood Park Lake, circa 1948.Post Card - Real Photograph produced in Australia by Murray Views, Gympie, Q. "1948" typewritten on back.

Originally stored at Ringwood Council offices, then taken to PROV.Only source of ratepayers in the Borough of RingwoodDigital imagesBarkly Street, Ringwood. For SJ Press (Elphin Est.), Emily Buzolich (Pratt's Est.), Alexander & Margaret McCleave, Gilbert & Myfanwy Aird & Jack McDonald.

Printed paper booklet and three (3) paper poppy leavesFront cover has printed Title information and brief description of the event. Sixteen pages contain a Royal photograph and detailed description of organisation and programme of activities and instructions. Six original signatures of decorated servicemen appear on the front cover with five identified as follows: James Rogers VC (Boer War) James Newland VC (World War One) Robert Grieve VC (World War One) Roden Cutler VC (World War Two) Frederick Savage DSM (World War Two)

The Warrnambool Examiner was founded by John Wilkinson and Richard Osburne in 1851. After a gap of a couple of years Richard Osburne resumed publication in October 1853 and continued until 1867. William Fairfax and Henry Laurie then leased the paper (1867 to 1872) before Richard Osburne again became the proprietor from October 1872 to April 1878 and from December 1879 to December 1880 when publication ceased. Richard Osburne was a pioneer settler in Warrnambool, arriving in 1847. He was prominent in community activities in the town and was a most important early historian, publishing his seminal work, ‘The History Of Warrnambool’ in 1887, using the Warrnambool Examiner newspapers to assist with this history. Fairfax and Laurie were the proprietors when the papers herein described were printed. William Fairfax was a member of the Fairfax family that was , and still are, associated with the publication of many Australian newspapers and Henry Laurie later became well-known as a Melbourne University Philosophy Professor.These original newspapers are most important because they contain much information on Warrnambool’s early history and are a primary source for historians. These papers are also of importance because some parts of these papers were not filmed and are not currently available in microfilm. These papers were in a Warrnanmbool City Council storage area and it is surmised that they have come from the old Warrnambool Museum which no longer exists. These are original copies of the Warrnambool Examiner newspapers from 12th November 1867 to 28th January 1868. They are broadsheets printed twice a week with two pages containing four pages of printing for each edition. They are unbound and contained in two pieces of plain cardboard. They are unmarked and in good condition.warrnambool examiner, richard osburne, henry laurie, william fairfax

Grassmere is a small hamlet about 12 kilometres from Warrnambool. It is a farming area. The Grassmere Gold Mining Company, presumably established by local people in Grassmere, was created in 1898 for the purpose of acquiring from Messrs James and Mewha a lease of a Cassilis gold mine (23 acres). £5000 was to be raised in shares of five shillings and one shilling each. The Manager of the Company was Horatio Dickson of Melbourne and the brokers were McMeekin and Co. of Melbourne and Warrnambool and Dickson and Osborne of Melbourne. This reef mine was one of several in Cassilis, Gippsland, 12 kilometres north west of Swifts Creek. The gold-bearing quartz reefs were discovered in 1885 and worked to 1914. It is not known whether the Grassmere Cassilis mine was a financial success but the mining operations were impeded by the hardness of the stone in the area. William Robinson was a farmer in the Grasmere district. This receipt is of considerable interest as one of only three items the Warrnambool and District Historical Society has that is connected to the Grassmere Gold Mining Company. The gold mine establishment was one of the minor events in the district in the 1890s. This is a buff-coloured 1899 receipt for William Robinson who has paid six shillings and threepence for part payment of his shares in the Grassmere Gold Mining Company. The receipt has black printing and black-ink handwriting. There is one stamp of the Manager ‘H.S. Dickson’ and another of ‘Grassmere Gold Mining Company No Liability’. The receipt has several holes caused by silver fish damage. ‘March 11th 1899, Received from Mr Wm. Robinson the sum of six shillings and threepence being the amount of 3rd call of 1½ per share due on 50 shares nos. 12651/12700 in the above Company, H.S.Dickson, Manager’ grassmere, grassmere gold mining company, william robinson

This book belonged to Charles Rogers. Captain Charles Rogers was an Australian Army officer in the 4th Lighthorse Regiment. He was part of the mounted Guard of Honour during the visit of the Duke of Gloucester in 1934. The visit was part of Victoria’s centenary celebrations and the duke officially opened the Melbourne Shrine of Remembrance. Charles Rogers was well-known as a Warrnambool resident in the 1930s, 40s and 50s and was often seen on horseback leading parade and celebrations in the city. He as a long-serving Warrnambool Agricultural Show official as a judge of equine events. He died in 1961. This book is of interest, firstly as an example of a military handbook for cavalry officers and secondly because it belonged to Captain Charles Rogers, an army officer (Lighthorse regiment) who was a well-known resident of Warrnambool in the early to mid 20th century. This is a hard cover book of 198 pages. It has a yellow cover with black printing on the spine. Most of the pages are white, with several pink pages at the beginning and the end. The book has 13 chapters and an index. The cover is slightly worn.‘C.A.Rogers’captain charles rogers, warrnambool, military handbooks

Article with images about Alistair Knox and building in mudbrickalistair knox, alistair knox design, eltham, margot knox, mudbrick construction, mudbrick houses, mudbricks

About former Shire / City council memorabilia. On the reverse side an article "Timing was the problem: chief" regarding Nillumbik CEO Barry Rochford dismissing claims that coulcil failed to follow correct statutory procedure when announcing the release of development plans for thje former Eltham Shire Office site in which developer Dallas Howgate intended to build a service station, convenience store, fast food outlet and community facilities including an information desk and meeting area.895 main road, barry rochford, bev marshall, dallas howgate, eltham shire office, nillumbik shire council, banyule city council, city of heidelberg, david hay, heidelberg historical society, honour board, joint memorabilia taskforce, mayoral chain, peter williams, roma o'callaghan, shire of diamond valley, shire of eltham

Series consists of 1285 black & white and colour negatives and 44 colour slides depicting activities at annual Eltham Festivals. The series consists of the following: Eltham Festival 1988: 37 B&W negatives Eltham Festival 1989: 25 B&W negatives, 243 colour Eltham Festival 1990: 202 colour negatives Eltham Festival 1991: 115 colour negatives Eltham Festival 1992: 20 B&W negatives Eltham Festival 1993: 44 Colour slides, 36 B&W negatives, 52 colour negatives Eltham Festival, undated, 555 colour negativesshire of eltham archives, series listing

Marriage solemnized at the Parish Church in the Parish of Handsworth, in the Couthy of Stafford Witnessed by Frederick George Flinn, Ethel Creswell, M.W. Flinn, Walter Flinn, Alice E. Flinn, Charles E. Withers1887, alice e. flinn, charles e. withers, edwin withers, ethel creswell, fanny flinn, fanny withers (nee flinn), frederick george flinn, m.w. flinn, marriage certificate, walter flinn, walter herbert withers, john withers collection

Digital file only - Digitised by EDHS from a scrapbook on loan from Beryl Bradbury (nee Stokes), daughter of Frank Stokes.beryl bradbury (nee stokes) collection, eltham history

Black and white photographic printOriginally located in a Filmpro King Size Prints processing envelope $3.01 Shire of Eltham 9/9/66 and noted as Calrossie Ave area and crossed out Eltham-Yarra Glen Road, Bridge Street to Elsa Court existing conditions mid 1967bible street, road construction, streets

Proposal for the two Societies to join together for the first time to present a float based on a spring landscape painting excursion by the famous artist, Walter Withers with one of his artist friends painting a model in a spring outfit.A4 photocopy on coloured paper1990, diamond valley arts society, eltham festival, parade, parade floats, shire of eltham historical society, walter withers

Advice that the 1992 Eltham Festival Committee has chartered a steam train for the festival and proposal for the coordination of activities to historical places, 90 years after the first steam train to Eltham.1992, eltham festival, gina wilson, steam train

Proposal for the two Societies to join together for the first time to present a float based on a spring landscape painting excursion by the famous artist, Walter Withers with one of his artist friends painting a model in a spring outfit.A4 coloured photocopy1990, diamond valley arts society, eltham festival, parade, parade floats, shire of eltham historical society, walter withers

12 page newspaper cover wrap of news, events and information concerning the 1993 Eltham Festival including advertisementsNewsprint1993, 1993 eltham fun run, alistair knox park, australian automotive paint supplies pty ltd, body glove, cathy poussard, circus of chaos, classic fireplaces & bbqs, code one, comfyhome, dauphine, diamond valley and eltham community orchestra, diamond valley community hospital, diamond valley news, diamond valley nursery, doncal heating & cooling, eltham and district woodworkers association, eltham arts council, eltham bookshop, eltham circus of chaos, eltham community centre, eltham festival, eltham health foods, eltham high school, eltham hotel, eltham motor inn, eltham town park, eltham wildcats basketball club, eltham wiregrass gallery, forward auto salvage, gibson's menswear, hanglider lounge, inside out, integrity paint company, kristina jenkins, lancome beauty therapy, leo scott, lizzy tumbri, lower plenty hotel, mgs eltham, montsalvat garden nursery, mr milky's, murrundindi, naomi crowe, north riding living and learning centre, pam sladden, papua new guinean cultural promotion dance group, peter glass, senior citizen's hall, shire of eltham, shire president, shoestring youth theatre, sonya's health foods, steam train, the dancing bares, the eltham bookshop, the landscape factory, the ridge healthclub, the year of indigineous people, tony hicks trio, tony hicks, valley engineering, valley vision, victoria police rock band, vox bandicoot conservation theatre company, yarra yarra aboriginal dancers

Looking east through the playground to Porter Street35 mm colour positive transparency Mount - Agfacolor Service (Blue)briar hill, playground, briar valley reserve playground, 11 porter street

Relocation of the Eltham Cenotaph following the collapse of the Eltham RSL Sub-Branch9 A4 pages printedeltham cenotaph, eltham war memorial, montmorency-eltham rsl sub-branch, nillumbik shire council

Deirdre Squire with parents, Cr. Fred Squire and Hazel Squire in Pryor Street.Black and white printcr. fred squire, deirdre squire, eltham, eltham produce store, empire day, hazel squire, main road

Digital file only - scanned by EDHS from item on loan aif, charlie harris, france, first world war, letters, lew howard collection, ww1

Notes from Joh Ebeli to the Society Committee meeting regarding plans for the use of horse drawn vehicles in the Society's entry for the 1980 parade, including whether Jock Read who opened the 1979 Parade could be asked to participate. Other notes included references to his salvaging (along with a couple of others) of the facade of the Old Bakery and plans to see if it could be incorporated into a new large room to be built at the Eltham Living and Learning Centre and following up Council. Also included a couple of photos, one for Ron Smith and one for Russell Yeoman from the story in the local paper, which had neglected to mention the Society (picture of wheelbarrow - catalogued separate from letter - EDHS_02303)Single page, typed on Ebeli and Associates letterhead1979, 1980, eltham festival, eltham living and learning centre, gwen baker, jock read, joh ebeli, kangaroo ground pony club, old eltham bakery, pavillion, ron smith, russell yeoman

Events and information concerning the 1983 Eltham Festival including advertisements On page 37 the article "Force behind the revival" is about how Alistair Knox was the instigator of the revival of the Eltham Festival in 1975 and discusses the history of four earlier festivals held in the early 1960s. Advertisers and people noted include: AAAA Display Signs, Alan Leake, Alan Marshall, Alistair Knox, Allan Leake, Ansell and Muir, Australian Film, Barry Maddock, Beverley Sheehan, Bimbi World, Brian Jeeves, Brian Wright, Briar Hill Glass centre, Briar Hill Swimming Pools Pty Ltd, Briar Hill Timber, Bryan Payne, Bush band, Cal Martin, Central Park, Country Art Store, Cr. Horsley, David Baker, David Sadedin, Dawn Mack, Diamond Valley Big Band, Diamond Valley Drapes, Diamond Valley Dutch Social Club, Diamond Valley Society, Dr Peter Reichenbach, Dr Rob Moffitt, Eastern District Bottle Company, Eccacentre, Eltham Central Cellars, Eltham Community Centre, Eltham Concert Band, Eltham Festival, Eltham High School, Eltham Jazz festival, Eltham Little Theatre, Eltham Living and Learning Centre, Eltham Newsagency & Toyworld, Eltham Orchestra, Eltham Pharmacy, Eltham Phoenix Club, Eltham Shire Council, Eltham Sports & Tennis, Eltham Wiregrass Gallery, Eltham Yamaha, Five and a Zack, Franciscus Henri, Frank Gow, Gavin Gray, George Barker, Graham Coyle, Graham Taylor, Greensborogh Hire service, I Can Jump Puddles (film), Ian Orr, Ian Walkear, International Communications Year, Janice Dadd, Jerry Clements, John Adams, John Higgins, John Murray, Kenton Shoes Eltham, Kings, Lazy Ade Monsbourgh, Leisure Footwear Pty Ltd, Lower Plenty Sports Centre, Mal Harrop, Matcham Skipper, Maurie Dann, Michael Poore, Montsalvat, MontsalvatValma Brundell, Myra Skipper, Panton Hill Hotel, Pats, Penna Guardian Chemist, Pine Canection, Purdy's Furniture, Ralph's Eltham Meat Supply, Ranger, Roller City, Ron Blyth, Ron Mack, Rotary Club of Eltham, Second Life decor Pty Ltd, Shire of Eltham Historical Society, Shire President, Skippers Marine Greensborough, Society for Growing Australian Plants, Squeaker's Mate (film), Storyville Allstars, Strings 'n Things, Style Interiors, T.J.'s Hair & Beauty Centre, The Eltham Chicken Shop, The Printing Works, The Prize (film), Thompson's Pharmacy, tim burstall, Todaro Coiffure, Tony Figgins, Tony Floyd, Travel Affair, Two Roads Boutique, Valley Door Centre, Warrandyte Hire, Warren Fordham, Wonderland Plant Nursery, Woolworths ArcadeNewsprint - 12 page newspaper insert1983, eltham festival, alistair knox

A4 tri-fold program listing 15 artist's studios, map and addresses, opened to the public for the 1989 Eltham Festival. Participating artists: Peter Accadia, David Armfield, Lindsay Belbin, Peter Laycock, Christine Wright, Janet Boody, Peter Glass, Ming Mackay, Petra Reece, Jenni Mitchell, David Moore, Norma Niel, Chris Perks, Felix Bosari, Pat Reynolds, Lesley Sinclair, Matcham Skipper, Rein Slagmolen, Syd Tunn, Wendy HendersonA4 tri-fold program1989, artist studio, chris perks, christine wright, david armfield, david moore, eltham festival, felix bosari, janet boody, jenni mitchell, lesley sinclair, lindsay belbin, matcham skipper, ming mackay, norma niel, open studio, pat reynolds, peter accadia, peter glass, peter laycock, petra reece, rein slagmolen, syd tunn, wendy henderson

Contained in Volume 1 of a set of two spiral magnetic photo albums, each containing 10 leaves, 20 pages; Vol. 1 labelled "Houses - Eltham South" and Vol. 2 labelled "Eltham Houses". Newspaper clippings advertising house auctionseltham, eltham south, real estate advertisement, houses, alistair knox, hillcrest, hillcrest avenue, rockcliffe street

36 page booklet2001, eltham festival, program

Information A4 tri-fold brochure for potential participants in the Eltham Community Festival for 1993 presented by the Combined Service Clubs Festival Committee and the Shire of ElthamYellow A4 copy paper printed both sides, tri-foldcombined service clubs festival committee, eltham festival, shire of eltham