Methodist Church of Australasia Young People's Department Graded Decision and Rededication card for Sunday School students.Buff coloured card with brown text.methodist church of australasia, dedication card, ephemera, sunday school

No historical context known. It is thought that a florist brought them for an event at the Robin Boyd Foundation.Three brown striped conical vases

Small brown bottle with white packaging.

Dark brown bottle with glass stopperchloroform, bottle

Brown glass, 250ml bottle with labelfluothane, bottle, ballarat

English catheter size - brown rubber.gastrostomy plug

Gauze in small brown glass bottle.Johnson & Johnson Plain Sterilizednufold gauze strip, 1/2" x 5 yd, johson & johnson

LEATHER PURSE, BLACK WITH BROWN LININGJ DUNN HILL, CLUNESlocal history, personal effects money containers, money holder

USED IN THE CLUNES HOSPITALBROWN GLASS BOTTLE WITH CORK STOPPER"NOT TO BE TAKEN" CAST IN THE GLASS BOTTOM OF BOTTLE M M458 PAPER LABEL : ACETIC ACID ROBERT DOLAN CHEMIST - CLUNESTELEPHONE 69local history, medical and pharmacy, medical, pharmacy

See Marriage Cert in Marriages File 1840-1885 Also Details in Simpson File Belonged to Johanna Simpson married Thomas Draffin on 17th Feb 1880 Presbyterian Church Stawell Silk Taffeta lined wedding dress. Ruffled collar. 18-inch waste. Full length sleeve. Ruched band on upper sleeve. Lower sleeve band attached with matching silk piping which extends into the band as decoration. Garment shaped with two long darts on either side of opening. Opening from neck to below hip uses metal hook and hand sewn eye closing. Lower dress in three sections. Top section is plain matching material attached to the upper garment with piping. Second panel is Ruched material the same material as upper garment. Third lower panel is same material as upper garment consisting of three bands of finely pleated material. Back has pocket on right hip with two pointed flaps and central pleated panel. Back has a Central Bustle extending from back hip to hem. Light Brown with pleated frills at bottom Miss Annie Draffin Mothers Wedding Frock 1880

Brown paperback book with red bindingSheep and Wool Grade 2 Department of Sheep and Wool Royal Melbourne Technical College

Brown paperback book with green bindingSheep and Wool Grade 1 Department of Sheep and Wool Royal Melbourne Technical College

Dane Memorial Seat on Big HillColour photograph of Brown brick seat stawell

Collector says: "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Collector's note: "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. "Fringed travel rug, teal and brownAn Onkaparinga 100% pure wool production. In emblem: Made in Australiawool, blanket, blanket fever, travel rug, onkaparinga

Brown pipe with curved black stem.personal effects, smoking accessories

White and black cow with brown feet.toys, general

Collection of Margaret ScarlettBrown pla tic toy pipetoys, general

Possibly WWI historical significance.Brown handkerchief possibly from WWIWoven engraving with AUSTRALIA COMMONWEALTH FORCES and THE RISING SUN BADGE.ww1

Lance Corporal Chevron, khaki and brown

Brown canvas kit bag with drawstringW.J Curryran, ran uniform, kit, kit bag