The Ballarat School of Mines was established in 1870,. It was the first School of Mines in Australia. The Associateship was held in high regard and recognised throughout the world. Stanley Browning Vial is listed no the Ballarat School of Mines Associateship Roll for 1903. Printed certificate on vellum, with handwritten details. The certificate was made out to Stanley Browning Vial, and signed by President of Council Andrew Anderson and Vice President J.M. Bickett.All names have been crossed out, the seal has been removed and hand written in red is the word 'cancelled'.ballarat school of mines, associateship, vial, anderson, bickett, stanley browning

.1) Bob Hall .2) David Edwards .3) Andrew Jacovides .4) David Dawson .5) John Sharrock, Counsellor, Campus Community Services, c1985.sharrock, ballarat college of advanced education, counsellor

The photograph is part of the collection of photographs donated to the museum by Eric Boardman who owned and produced the Sunbury News.A sepia photograph of the Board of Management of St. Andrew's Church (Kirk). There are 12 men arranged in 3 rows with Rev. Watt-Leggatt standing in the middle of the middle row.KIRK SESSION AND / BOARD OF MANAGEMENT / ERIC BOARDMANchurches, men, watt-leggatt, - (rev.), boardman, eric, st andrew's church, george evans collection

It is possibly a portrait of the Rev. Goyer. The photo was sent while he was a minister at a church in Canterbury Road, Middle Park. Inscription on back: 'With best wishes from you old Minister "The Manse" Canterbury Road, Middle Park.A b/w portrait of a minister - possibly Rev. Goyer who was minister of St. Andrew's Church in Sunbury. The photo is mounted on cream cardboard with a cover sheet over it.Bottom Rh corner: Lafayette / Melbournegoyer, - (rev.), clergymen, churches, st. andrew's presbyterian church, sunbury, canterbury road, middle park, st andrew's uniting church, george evans collection

The artist is currently a member of the Tramways / East Melbourne RSL, and has donated these prints himself. Framed print of the image created by 'Andrew Archibald'. Print is signed by the artist and editioned as 11/ 100. Image shows a young child receiving medical attention in AfghanistanPlate states 'Donated by Craig Horne' andrew archibald, afghanistan, medcap, children, medical treatment, doctors, artworks, war

Grantville Show 1907a: Andrew Belfrage, Secretary of the Grantville Agricultural Show (in white hat)and Theodore Lyall, Secretary of the Lang Lang show at the Grantville Show, 1907. grantville; agriculture;

Grantville Show 1908a: Andrew Belfrage, Secretary of the Grantville Agricultural Show (4th from the left, holding hat), and a group of officials. Grantville Show, January 1908.

University related material of Merle Bush; a. Handbook for Janet Clarke Hall (Trinity College) University of Melbourne, Year 1924. (7 pages); b. Booklet ''Wilson HLL - Centre and Symbol of the University'' by R M Crawford (MUP, 1952) - published post fire of Jan 1952)education, tertiary, university

Melbourne Art Trams On the rear is a photo of the SW5 731 Lindsay Dumbrell Transporting Art Tram. Brook Andrew Jon Campbell Bindi Cole Rose Nolan David Wadelton Joining forces Luke Cornish Frey Pitt.1 - pamphlet, folded sheet to give a DL size, blue background titled "Melbourne Art Trams" - Oct. 2013 to April 2014, vote for your favourite tram in the People's choice awards! - part of the Melbourne festival. Notes the Transporting Art trams. Inside the pamphlet are images of the artwork on 8 different trams including the artist names and title of the work if any. Has Yarra Trams, PTV, Arts Victoria and Victorian Govt. logos. .2 - pamphlet, DL size on white paper, featuring W2 602, advertising the Old Treasury Building exhibition titled "Trams Moving Pictures" - 17/12/2012 to mid August 2013. Details the exhibition, has contact details logos.trams, tramways, yarra trams, transporting art, decorated trams, exhibitions

Silver printed cream coloured card INVITATION FOR WEDDING OF MARLENE SCHILLING AND NEVINSON ANDREW DWYER 20.6.1956. Mr & Mrs SCHILLING request the pleasure of the company of Mr & Mrs G Deanau at the marriage of their daughter Marlene with NEVINSON ANDREW DWYER at Melbourne Grammar school chapel Domain Rd South Yarra on Wed 20.6.1956 and afterwards at Ciro's Collins Pl , Melbourne , 5 Newbay Crescent Brighton.ephemera, mementoes, celebrations, marlene schilling and nevinson andrew dwyer /mr & mrs g deanau

Sepia group photo consisting of Sunday School teachers and students unidentified.Typewritten on white paper and pasted in centre. ST ANDREW'S SUNDAY SCHOOL / TEACHERS, PAST + PRESENT / SCHOLARSchurches, st andrew's presbyterian church, st andrew's uniting church, boardman, eric, george evans collection

Card cover with black and white photos. 287 printed pages and some colour.Contributions from Andrew Bolt, Geoffrey Blainey and Joan Kirner. Funded by Australian Remebers 1945-1995.

Newspaper titled: "Art takes a ride" By Geoffrey Wright The Sun, Friday June 30 1978 Mirka Mora – double page centre-spread Photos by Geoff Bull 6 trams to be painted by artists Mirka Mora, Andrew Southall, Mike Brown, Clifton Pugh, Les Kossatz and Sandra Leveson. Preston tramways paint depot. Newspaper, folded, worn edgestrams, tramways, transporting art, decorated trams, tram 234

William Corbould was the son of a Ballarat tailor. He attended Ballarat College, and obtained certificates in assaying and metallurgy at the Ballarat School of Mines (SMB) in 1883, studying under the revered Professor Mica Smith. Corbould was not a born student and remembered his first experience at SMB: 'From the Registrar's Office I was led to be introduced to the Professor of Chemistry, one Mica Smith. The initial encounter gave me little encouragement - his large laboratory was filled with hundreds of bottles bearing strange labels with queer symbols on them. My heart sank. At the first opportunity I grabbed my hat and made for the door, but the good professor called me back. I pointed out that I was never any good at school ... so it was no use pretending to be clever enough to understand all those weird symbols! The Professor told me not to worry about that and took me to one of the benches where he found a blowpipe and a charcoal block. Mixing together two powders from bottles on the shelf he transferred a sample to the charcoal and directed the bunsen flame onto it. Soon it began to melt and a white bead appeared in front of my eyes. He then took a test tube and added a little colourless liquid from each of two bottles. A beautiful dark blue colour appeared. My interest was won.' During Corbould's mining career he travelled to Europe twice, and visited most of Australia's main mining fields. Corbould started his career as an assayer at Pinnacle Silver Mine, Silverton, and was then a self-employed assayer at Broken Hill. Corbould became an assayer for the infant BHP mine, and later worked in Kalgoorlie and Coolgardie, including managing Hannan's Reward, the oldest gold mine on the Kalgoorlie gold field. He spent 13 years at the Mount Elliott copper fields as general manager. In 1923, at the age of 57, Corbould went to Mount Isa and reported on options, experimented with new metallurgical processes and floated a company. John Carden of CRA said: 'Corbould was the man who brought Urquhart to Mount Isa. He was the man who made it all possible. He is tremendously important in the Mount Isa story, because he was the first technical man, the first professional man on the scene. He was responsible as I said, for bringing finance to the place, but I think even more importantly he was the first man to recognise the need to put all the little claims in the Mount Isa discovery together. I think perhaps his major contribution to Mount Isa was this amalgamation on the various claims. He recognised that the ore bodies at Mount Isa were not as rich as Broken Hill and they would never have survived had it been fragmented, so he was terribly important.' After completing major financial negotiations for Mt Isa Mine from London in 1927 Corbould remained in Europe where he remained until his death. Corbould was awarded the Legion of Honour of the American Institute of Mining and Metallurigical Engineers for fifty years service. Corbould died at Monaco in 1949 at the age of 82. (http://guerin.ballarat.edu.au/curator/honour-roll/honourroll_Corbould,William.shtml)A white paper certificate with black printed and handwritten text, and a blue Ballarat School of Mines seal. The certificate is signed by Andrew Berry (Registrar) and James Oddie (Vice-President).Signed on the left 'W.H. Corbould'mining, ballarat school of mines, mining alumni, metallurgy, james oddie, andrew berry, william corbould, corbould, berry, oddie

Buff coloured docket from Andrew's Auction Rooms two lots of 3 pr pullets 5/- for a total of £1/10/-. Docket dated 26-6-1931.document, w. babidge collection - andrew's auction rooms docket, james andrew & co., lamson paragon limited

Black and white photograph of a large gathering of people sitting at tables. Andrew Tasman on the left second row. W. Vincent Kelly, Mitchell Street, Bendigo at bottom left.person, group, tasman andrew

Family history re Stewart Family - mention of Margaret Marshall Stewart, Andrew Stewart, Enquiry re 'rare book' held by enquirer, Elizabeth Brown October 2011.person, individual, stewart family

Four oval enamel Presbyterian Deaconess' training badge. The dark blue edging has text and in the centre is the Burning Bush detailed in red over a St Andrew's cross."ROLLAND HOUSE"presbyterian deaconess, rolland house

BLACK & WHITE PHOTOGRAPH OF WESLEY CHURCH BEFORE SPIRE WAS ERECTED, AND SHOWING SUNDAY SCHOOL , PARSONAGE, PRESBYTERIAN (ST. ANDREW'S) NOW UNITING CHURCH, MANSE AND MARKET GARDEN.photography, churches, wesley

Probably Student Representative Council 1972-1973. Identified as, Rear: ?, William Maunser (1973), ?,?,? Front: ?, Alan Bedggood (1973), Neil Cameron (1972), Andrew Taylor (1973)."Photograph by Information Branch, Victorian Department of Agriculture."student representative council, william maunser, alan bedggood, neil cameron, andrew taylor, students

Two other copies black and white 15.5 x 23 cmBlack and white postcard, taken from across the lake, of the Club Hotel and Stables, Dave Coate's residence, Mitchelson's double story house, Coate Bros Garage (later Crawford's), Robin Hood Inn and Broome's Federal Guest House, launch and houseboat moored in the lake. Lakes Entrance VictoriaLakes Entrance from the South Sidewaterfront, boats and boating, township, retail trade

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program