Showing 1032 items
matching brass band
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Maldon Brass Band Inc.
Document, Setlist for Maldon Station
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Document, Easter Engagements 2010
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Document, Bendigo Intra Group Contest 06/10/2013
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Photograph
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Certificate of Appreciation, Maldon Hospital 2001
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Certificate of Appreciation, Newstead Uniting Church 2007
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Certificate of Appreciation, Maldon Primary School 2007
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Document, 1985 State Party Championships
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Photograph, Playing at the opening shoe co Maldon Circa 1940
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Photograph
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
Maldon Brass Band Inc.
Flyer, Selected list of Popular Albums for Piano
... Maldon Brass Band Inc. Francis Street Maldon goldfields ... -
8th/13th Victorian Mounted Rifles Regimental Collection
Photograph - 3rd Cav Band
The 2nd Cavalry Division, a part-time force, was raised in Victoria in 1920. It consisted of 3rd Cavalry Brigade, 8th, 13th and 20th Light Horse Regiments, and 5th Cavalry Brigade, 4th, 17th and 19th Light Horse Regiments. Black and white photograph of group of 19 bandsmen wearing light horse uniform and holding variety of musical instruments. Photo is mounted on chipboard backing. Engraved brass label in lower right corner.3rd Cavalry Brigade Bandmilitary, band, music, cavalry, light horse, victoria -
Kew Historical Society Inc
Journal, The Kewriosity Sheet Vol.3 No.4 : October 1981
... Symphonic Band; East Kew Primary School; Q.C. Brass; Kew Citizens ...Do you know? [Citizens Advice Bureau] / p1. G.R.O.W. Comes to Kew [Mental health] / p1. Theatre luncheon / p1. Add your cents [Fundraising; Year of the Disabled] / p1. Car rally [St Peter Claver Mission] / p1. Hyde Park Fellowship [Hyde Park Church] / p2. Bush dance [East Kew Uniting Church] / p2. National Epilepsy Week / p2. What's doing in Kew for October / p2&3. The Op[portunity] Shop / p3. Music Makers Concert [Victorian Youth Symphonic Band; East Kew Primary School; Q.C. Brass; Kew Citizens Band; Foster Parents Hall] / p3. Scrabble / p3. Disabled Persons Parking Labels / p3. Guide to the 1875 Map of Kew / Elizabeth Mackie / p4.The Kewriosity Sheet (1979-83) was first published in the City of Kew (Victoria) in June 1979 as a two-sided 'community newssheet'. It aimed to: 'share news about Kew happenings and Kew people, and to exchange ideas about living in Kew'. Later issues gradually evolved into a 4-page, quarto sized publication. The Kewriosity Sheet was superseded by the Kew Council publication 'Kewriosity' (1983-1994).non-fictionDo you know? [Citizens Advice Bureau] / p1. G.R.O.W. Comes to Kew [Mental health] / p1. Theatre luncheon / p1. Add your cents [Fundraising; Year of the Disabled] / p1. Car rally [St Peter Claver Mission] / p1. Hyde Park Fellowship [Hyde Park Church] / p2. Bush dance [East Kew Uniting Church] / p2. National Epilepsy Week / p2. What's doing in Kew for October / p2&3. The Op[portunity] Shop / p3. Music Makers Concert [Victorian Youth Symphonic Band; East Kew Primary School; Q.C. Brass; Kew Citizens Band; Foster Parents Hall] / p3. Scrabble / p3. Disabled Persons Parking Labels / p3. Guide to the 1875 Map of Kew / Elizabeth Mackie / p4. community publications --- kew (vic.), the kewriosity sheet, newsletters - kew (vic.) -
Flagstaff Hill Maritime Museum and Village
Clothing - Mourning Outfit, petticoat, Late 19th to early-20th centuries
This Edwardian-era mourning outfit was worn by a wealthy woman from the rural area of Willaura, southeast of the Grampians. It was inherited by the donor from his mother, who had purchased it from a clearing sale in the 1960s. The jacket has a peplum or flounce below the waistline, a fashion that was seen in the 1860s and is still around in the 1900s. The outfit represents the female mourning fashion and wardrobe from the late 19th to early 20th centuries. Such garments were a necessary inclusion as death often occurred to the young, due to illness, accidents and hard work - it was a regular part of life in rural Victoria. Mourning outfits were part of a person’s wardrobe and often passed from one generation to the next. This particular outfit appears to have been adjusted at some stage to allow for a wider waistline. The original skirt may have been replaced by the one that is now part of this outfit; the skirt is all machine-sewn, unlike the jacket and petticoat. The fabric of the skirt may be silk or it could be a synthetic fibre such as artificial silk or rayon; both were available in the 1800s,but nylon wasn’t invented until the 1930s. This skirt has sunray pleating, which was advertised on skirts for sale in the 1890s, and 1909, and was part of a fashionable bridal gown train in the 1930s. The mourning of death was part of both family and community life, particularly in rural and remote areas. People were bonded through work, religion, disasters, tragedy and social activities, supporting one another. They came together from near and far on such an occasion, giving each other the care that was needed and showing respect for the member who had passed away.This three-piece silk Edwardian mourning outfit is significant historically for its connection with rural Victoria and the social and religious customs surrounding the death of a family or community member. The high-quality outfit is also significant for representing the financial management of the times, being tailored by a dressmaker for a person of means and then adjusted to fit at least one different-sized person. The full-length black silk tailor-made petticoat is one of three pieces of a ladies’ Edwardian mourning outfit. The petticoat is made from black silk lined with lightweight cotton. The petticoat and lining are constructed from eight panels each, brought together at the waist and gently gathered into the band. The back seam opening is fastened with brass hooks and fabric eyes. The lining has been reinforced with a heavier-weight hem. The hemline is finished with black velvet ribbon than encloses both the petticoat and lining. flagstaff hill maritime museum and village, warrnambool, shipwreck coast, edwardian era, tailor-made, dressmaker, mourning outfit, handmade garment, mourning dress, death mourning, sunray pleats, western district victoria, petticoat, undergarment, slip -
Flagstaff Hill Maritime Museum and Village
Accessory - Diamond ring, about 1855
In 1975, 120 years after the sailing ship Schomberg was wrecked, Flagstaff Hill divers (Peter Ronald, Colin Goodall and Gary Hayden) found an ornate communion set amongst the wreckage. The set comprised a jug, ciborium, lid, chalice and plate. The items, apart from the lid, were then displayed at Flagstaff Hill Maritime Village. The lid had etchings that did not match the chalice and sat in storage for several years. Then in 1978, while the marine concretion inside the lid was being examined, a surface layer came loose and revealed a glint of gold that was assumed to be a piece of brass. The layers of concretion were carefully removed and a ring-like band emerged. Further treatment exposed a 'large faceted stone in an intricate gold setting. Weeks later a detailed examination estimated the value of the ring, known as the Schomberg Diamond, to be $7000. When the Schomberg was launched in 1855, she was considered the "Noblest” ship that ever floated on the water. Schomberg's owners, the Black Ball Line had commissioned the ship for their fleet of passenger liners. She was built by Alexander Hall of Aberdeen at a cost of £43,103 and constructed with 3 skins. One planked fore and aft and two diagonally planked, fastened together with screw-threaded trunnels (wooden rails). Her First Class accommodation was simply luxurious with velvet pile carpets, large mirrors, rosewood, birds-eye maple and mahogany timbers throughout, soft furnishings of satin damask, an oak-lined library with a piano. Overall she had accommodation for 1000 passengers. At the launch, the Schomberg's 34-year-old master, Captain 'Bully' Forbes, had promised to reach Melbourne in sixty days stating, "with or without the help of God." Captain James Nicol Forbes was born in Aberdeen in 1821 and rose to fame with his record-breaking voyages on the famous Black Ball Line ships; Marco Polo and Lightning. In 1852 in the Marco Polo, he made the record passage from London to Melbourne in 68 days. Unfortunately there were 53 deaths on the voyage, but the great news was off the record passage by Captain Forbes. In 1854 he took the clipper “Lighting” to Melbourne in 76 days and back in 63 days, this record was never beaten by a sailing ship. He often drove his crew and ship to breaking point to beat his previous records. He cared little for the comfort of the passengers. On this, the Schomberg's maiden voyage, he was determined to break existing records. Schomberg departed Liverpool on her maiden voyage on 6th October 1855 flying a sign that read "Sixty Days to Melbourne". She departed with 430 passengers and 3000 tons cargo including iron rails and equipment intended to build the Melbourne to Geelong Railway and a bridge over the Yarra from Melbourne to Hawthorn. She also carried a cow for fresh milk, pens for fowls and pigs, 90,000 gallons of water for washing and drinking. She also carried 17,000 letters and 31,800 newspapers. The ship and cargo were insured for $300,000 a fortune for the time. The winds were poor as she sailed across the equator, slowing Schomberg's journey considerably. Land was first sighted on Christmas Day, at Cape Bridgewater near Portland, Captain Forbes followed the coastline towards Melbourne. Forbes was said to be playing cards when called by the third mate Henry Keen, who reported land about 3 miles off. Due in large part to the captain's regarding a card game as more important than his ship, it eventually ran aground on a sand spit near Curdie's Inlet (about 56 km west of Cape Otway) on 26th December 1855, 78 days after leaving Liverpool. The sand spit and the currents were not marked on Forbes's map. Overnight, the crew launched a lifeboat to find a safe place to land the ship’s passengers. The scouting party returned to Schomberg and advised Forbes that it was best to wait until morning because the rough seas could easily overturn the small lifeboats. The ship’s Chief Officer spotted the SS Queen at dawn and signaled the steamer. The master of the Queen approached the stranded vessel and all of Schomberg’s passengers and crew disembarked safely. The Black Ball Line's Melbourne agent sent a steamer to retrieve the passengers' baggage from the Schomberg. Other steamers helped unload her cargo until the weather changed and prevented the salvage teams from accessing the ship. Later one plunderer found a case of Wellington boots, but alas, all were for the left foot. Local merchants Manifold & Bostock bought the wreck and cargo but did not attempt to salvage the cargo still on board the ship. They eventually sold it on to a Melbourne businessman and two seafarers. In 1864 after two of the men drowned when they tried to reach Schomberg, salvage efforts were abandoned. In 1870, nearly 15 years after the wreck parts of the Schomberg had washed ashore on the south island of New Zealand. The wreck now lies in 825 meters of water and although the woodwork is mostly disintegrated the shape of the ship can still be determined due to the remaining railway irons, girders and the ship’s frame. A variety of goods and materials can be seen scattered about nearby. The actual lid in which the ring was found has not yet been completely identified and could belong to a coffee pot, sugar bowl or maybe a jug or something similar. Although all survived the wreck no-one came forward to claim the valuable diamond. The Schomberg Diamond is currently on display in the Great Circle Gallery. Flagstaff Hill Maritime Village along with the rest of the communion set. Other artefacts salvaged from the wreck include ship fittings and equipment, personal effects, a lithograph, tickets and photographs from the Schomberg. One of the Schomberg bells is in the Warrnambool Library.The Schomberg Diamond is particularly significant in that it played a crucial part in having the legislation changed to protect shipwrecks, with far tighter control over the salvaging of items from wreck sites. This ring is registered as Artefact S/105 in the Schomberg collection, the Schomberg collection as a whole is of historical and archaeological significance at a State level. Flagstaff Hill’s collection of artefacts from the Schomberg is also significant for its association with the Victorian Heritage Registered shipwreck (VHR S 612). The collection is of prime significant because of the relationship between the objects salvaged, as together they help us to interpret the story of the Schomberg. The collection as a whole is historically significant for representing aspects of Victoria's maritime history and its potential to interpret social and historical themes. A mid-Victorian gentleman's solitaire diamond dress ring with a Brazilian cut diamond (cushion cut), one and one-third carat set within an 18 carat yellow gold ring consisting of four claws within an open scroll setting and a divided scroll shank. Colour is classified as 'J', clarity SII. The setting is handmade. warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, schomberg, shipwrecked-artefact, clipper ship, black ball line, 1855 shipwreck, aberdeen clipper ship, captain forbes, peterborough shipwreck, ss queen, ciborium, ring, schomberg-diamond, schomberg-ring, gentleman's ring, dress ring -
Orbost & District Historical Society
black and white photograph, 1907
The Orbost Workers' Band and the Orbost Town Band amalgamated in 1913 to form the Orbost Municipal Band under the conductorship of Mr Charles Spink. This photo, taken in 1907, is probably of the orbost Town Band. In the photo are : Percy Watt, Geoff Beattie, Bill Gluth, Charles Spink, Bert McCay, R. Cotterill, Fred Smooker, George Draffin and Jin Lynn. The various Orbost bands have played a major role in the Orbost community activities as well as providing entertainment and musical experiences for the many members. A black and white photograph of two rows of men,front row kneeling and back row standing. The men are dressed in suits with waistcoats and are wearing hats.Each is holding a brass instrument. -
Orbost & District Historical Society
candlestick, late 19th century
Brass is an alloy made of two-thirds copper and one-third zinc, although the ratio varies.Before the advent of electricity candlesticks were a necessity in every household.A tall and thin brass candlestick on a hexagonal base.The candlestick has a decorative shape with several raised bands and engraved lines encircling the body horizontally. It has two concentric circles decorating the foot. candlestick brass victorian lighting domestic-lighting candle -
Orbost & District Historical Society
black and white photograph, 1910
... This is a pictorial record of the Orbost Brass Band. The various Orbost bands ...The Orbost Workers' Band was started in 1889 by Donald and Archie Munro. The band folded after the town was devastated by floods in 1893. Charles Spink reformed the group in 1905. It split in 1908 and the breakaway band was named the Orbost Workers Band. The two bands, The Orbost Workers and Orbost Town Band would often compete against each other. Eventually, in 1913, the two bands amalgamated to form the Orbost Municipal band. The old Orbost Municipal Band recorded its last meeting in 1941 -a lack of effort and membership. The new Orbost Municipal Band was restarted by Clem Heather (a previous member) on Wednesday 20th September, 1961 and continued into the late 1980s when lack of interest caused it to become defunct. Members of the 1910 Orbost Workers' Band in the photograph are from back and left to right : Bill Whillance; Vic Lawless, Tom Reeves, August Redenbach, Alex Stirling, Bert McCoy, Bill Stirling, Ray Napier, Ted Swan, Albert Hight; George Jackson, Jack Richardson, Bill Clark, Wally Swan, Arthur Redenbach, Brick Richardson, Jack Healey, Dave Williams; Ossie Wehner, Charles Black, Val Perry, Charlie O'Brien, Arch Lavell; Tom Swan and Harold NapierThis is a pictorial record of the Orbost Brass Band. The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members.A black / white photograph of band members with their instruments. In the fron row are two,small boys sitting on either side of a drum. Behind them is a row of young boys, the one on far left holding a small dog. Another row is kneeling behind them and a row is standing at the back with one man centre back by himself. They are all dressed in suits or uniforms. The photograph has been glued onto cardboard.on back - "Flavel, 1910"orbost-municipal-band spink-charles heather-clem -
Orbost & District Historical Society
musical instrument
Used by members of the Orbost Municipal Band from 1964.The various Orbost bands over the years played a major role in community activities providing entertainment and musical experiences for the many members. A brass musical instrument - a tenor horn - in a blue felt-lined case. The leatherette is peeling off the cardboard case and it has been taped with black plastic tape. There is a music holder clip and a brass spare piece.Presented by Ladies Auxilliary June 1964 On centre valve 51454 Below bell ORPHEUSmusical-instrument orbost-municipal-band -
Orbost & District Historical Society
cap, 1937
This cap was part of the uniform of the Orbost Municipal Band. 1937-1975 (circa). It was worn by members of the Wehner family who played in the band. They were Tom, Eric and Max Wehner.The Orbost Municipal Orbost Band played a major role in the Orbost community activities. Charles Spink made sure each soldier returning home from the 1914 to 1918 war was welcomed home in front of the Shire Hall to the music of the Orbost Municipal Band. The band played in the main street on most Friday nights and in 1929 the band played at the official opening of the Buchan Caves, by Sir Albert Lind.A black serge cap with a black shade peak on front. It has a brass lyre insignia badge on the front. The hat band is trimmed in gold braid.cap hat orbost-municipal-band wehner uniform -
Warrnambool and District Historical Society Inc.
Button Protector, Button Cleaning, Early 20th century
This is a protector used to cover the shirts or jackets of military or other uniforms that had brass buttons. The horseshoe shape enabled the button to be isolated from the rest of the top and made it easier to clean and polish without getting the jacket soiled. It would have been a common item in military or militia or band member families in the 19th and early 20th centuries. They may even be still used today for regimental uniforms. This item has no known local provenance but is of interest as an example of a cleaning object in days gone by. This is a brass button protector in the shape of a horseshoe with straight sides and rounded tips. It is slightly misshapen. It has an advertisement for Brasso metal polish etched into the brass. ‘Use Brasso Metal Polish’button cleaner/protector, brass, warrnambool, military -
Bendigo Military Museum
Headwear - SLOUCH HAT, Fayrefield, 1965
Part of the Leo Reoch Cohn Collection. See Catalogue No. 5527.2 for his service record.Australian Army khaki felt slouch hat with a light khaki cotton seven-pleat fabric puggaree. Four holes in the side of the crown for ventilation. Brass clip and hook on the left-hand side of the hat for pinning up the left brim. Brown leather sweat band and chin strap.Stamped on sweat band in white: 'MADE BY "FEYREFIELD" MELBOURNE, 7, 1965'.army headwear, slouch hat, leo reoch cohn -
Bendigo Military Museum
Uniform - PUGAREE, SLOUCH HAT, c. 1942
Item issued to John Raymond Bruns VX88627, refer Cat No 5592 for his service history.Pugaree cloth greenish colour for a slouch hat, has 38th BN WW2 colour patch sewn on the band, the band iteself is joined by a brass clip on the inside.uniform, puaree, 2nd 38th -
Bendigo Military Museum
Headwear - HAT, SLOUCH, LIGHT HORSE, 1968
Slouch Hat - Khaki, felt, puggaree Light Khaki with a maroon stripe, emu feathers, 17 Light Horse ensign, metal brass coloured with round maroon braid underneath. Leather Inner band and chin strap.17 LH. Prince of Wales Light Horse.passchendaele barracks trust, hat, uniform -
Bendigo Military Museum
Headwear - HAT, SLOUCH, MOUNTCASTLE, 1991
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Brown felt Australian Army slouch hat with left hand brim pinned up and secured with a brass clip. A gold coloured plastic Rising Sun badge is attached. The seven fold khaki puggaree has an Army Christian Chaplain's badge attached on the front. The hat has a brown leather chin strap and brown leather sweat band.Stamped on the sweat band in gold lettering: '(upwards arrow), MOUNTCASTLE, 1991, MADE IN AUSTRALIA, 57'. On the Rising Sun badge: 'THE AUSTRALIAN ARMY'.headwear, slouch hat, army chaplain, major thomas b. williams. -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Bardsley Hats, 1991
Part of the Reverend Chaplain Major Thomas Bruce Williams, No 556101, Collection.Australian Army felt slouch hat with seven fold khaki puggaree. A brass clip is on the left side to allow for the brim to be pinned up. No chin strap. Brown leather sweat band on the inside.Stamped on the leather sweat band in gold lettering: 'Bardsley hats, 1991 (upwards arrow), FURFELT, 57'slouch hat, headwear, major thomas b. williams -
Bendigo Military Museum
Headwear - HAT, SLOUCH, Approx 1953
... attached Chin Strap & Hat Band Blackened Brass Badge has ...Slouch Hat made 1953 with King’s Crown blackened “Rising Sun” Badge (King George 6th) Square Bash Style. Worn during Korean War EraAustralian slouch hat with right hand side brim turned up and clipped to the body of the hat. Has Blackened Brass Rising Sun badge attached with inscription. Has attached Chin Strap & Hat BandBlackened Brass Badge has an inscription “Commonwealth Military Forces”hat, slouch, passchendaele barracks trust -
Kyneton RSL Sub Branch
Uniform, Cap
Clothing issue for Royal Australian Army Ordnance Corps.Khaki cap with leather strap above peak held in place with two brass buttons decorated with map of Australia and crown. Badge centre front, shield topped with crown. Leather band insert.Top of inside of cap is clear plastic lined.On badge. Australian Army Ordnance with Royal & Corps above. On the wreath surrounding shield, latin motto inscribed. Inside red label TATHAN. Brand label EMERCO in crown of hat.army cap -
Kyneton RSL Sub Branch
Uniform, Airforce cap
Air-Force clothing issue.Blue cloth cap, black band, badge centre front. Black fabric strap above the peak, fastened with two brass buttons decorated with crown and Air Force wings. Leather insert, top of inside cap lined with clear plastic.Badge: RAAF surrounded by wreath and crown.Inside crown of hat: logo of Australian Government Clothing Factory. Size (broad arrow) 57. -
Waverley RSL Sub Branch
Badge Board Naval
Badges and insignia worn by C.P.O. Harper on HMAS Vendetta 1940 - 1946 Photo C.P.O. Harper d/178Badge board displaying Rank insignia C.P.O. Whistle and lanyard Rank insignia Hat band with crown and anchor Insignia Crown and crossed anchors Cap ribbon H.M.A.S. Canberra Cloth Badge crow and crossed torpedoes and 9 brass buttons