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Framed Photograph"F" Section 3rd. Australian Division Signals, later to become the "4th" AUSTRALIAN FIELD REGIMENT SIGNAL SECTION. Torokina. Bougainville, South Pacific. 1945 (With Names)

Framed CertificateShire of Lillydale. To Driver A Gilbert. Sept.18th. 1919. Dear Sir, We desire to accord you a Hearty Welcome on your return from the front. You nobly responded to the call of Empire and gallantly performed your duty in the vindication of right. We fully appreciate your bravery, and the inestimable value of the part you have taken in the Great War for freedom and justice i which Great Britain and her Allies have lately been engaged. We trust that you will soon recover from the effects of the terrible experiences you have undergone. On behalf of thr Citizens of the Shire, We are, Yours Sincerely, William Mackinlay President. J C Winterbottom Shire Secretary.

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Framed AwardNational Trust, City of Greater Geelong, Geelong and Regional Branch National Trust of Australia (Victoria) and City of Greater Geelong, Heritage Award, This award is presented in recognition of the contribution this place has made to conservation of heritage in the Geelong region, Former Drysdale Free Library and Hall 18-20 High Street Drysdale, External and internal repairs and construction of a disabled entry ramp, May 2016m Funding body Working Heritage, Committee of Management Chair Helen Weston, Planning Construction Consultant Tim Hubbard, Executive Officer Ross Turnbull, Wendy Jacobs Architect, Chris Mantello Mantec Projects builder

2002 Excellence in Construction AwardsFramed Award 2002 Excellence in Construction Awards, JA Dodd LTD, Excellence in Construction, (Existing Buildings) Under $2 million, Project: The Royal Mint Building, Architect: Robert Peck von Hartel Trethowan, Location: 280 William Street Melbourne, J A Dodd Ltd's refurbishment of the historic former Royal Mint Building delivered to the client's specification in retaining the features of this historic building, while at the same time providing modern office accommodation with state of the art facilities. New works have been defined by a modern style encompassing glass, stainless steel and flush surfaces, offering a stark departure from the ornate finishes of the original building. Traditional timber mouldings, tiles stonework and intricate paint methods have been used only where repairs to the existing building were required. The judges praised the superb job and made special mention of the exposed roof trusses. 38 master builder awards

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Cpl. Jack was a farmer from Seville, Victoria. He Served 1915-1917. K.I.A. October 9th. 1917. No known grave. Remembered on the memorial at Menin Gate, Belgium.Framed Certificate In Memoriam / Anzac's, you've graved your name upon Immortal Scroll. Naught can compare with what the World acclaims. Zenith of fighting patriot soul. A host of heroes, you have but echoed back with Clarion tongue. Coo-ee! Comrades "Kia Ora" your distant couch eill ever be Sacred to all Eternity sub heading / 655/ Private L. Jack/21st. Battalion/ 6th. Brigade/ "C" Company.

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Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork

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Framed Scroll and Pt Lesley Murlis Allen 50th Bn KIA Letter from George V