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Horsham Regional Art Gallery
Print, Irena SIBLEY, Fuschias, n.d
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured linocut on paper -
Horsham Regional Art Gallery
Print, Irena SIBLEY, Irises, n.d
Donated through the Australian Government's Cultural Gifts Program by Katherine Littlewood, 2019hand coloured linocut on paper -
Churchill Island Heritage Farm
Clothing - Stole, Silk
Silk is a fascinating fabric and its existence dates back to antiquity. Several kinds of wild silk produced by caterpillars other than the mulberry silkworm, have been known and spun in China, South East Asia and Europe since ancient times. The major trade route between Asia and Europe was known as the Silk Road. Commercial silk is produced from the mulberry silkworm which produces two white filaments of thread held together by a glue-like substance called sericin which hardens on the cocoon in the air. These filaments are so fine that it takes anywhere from three to ten strands to make a useable silk thread. The molecular structure of the silk is such that the surface of the woven fabric has a sheen that reflects light to give a characteristic lustrous appearance. Silken fabric feels cool against the skin yet its structure is such that it holds body heat and mosquitoes and biting insects can’t sting through it. This luxurious silk stole would have been warm over an evening gown on a cold evening. At 269cm in length and 67cm wide it would be the ultimate in comfort and appears to be hand painted with chrysanthemum style flowers leading one to assume that the silk fabric is of Chinese origin, although it is unknown when the painting would have been done.Rectangular length of white silk with hand painted pink flowers and leaves.Packaged with note: "Hand painted silk stole from Janet Amess Collection".churchill island, silk, stole, jane, janet, amess -
Clunes Museum
Print - ANTIQUARIAN PRINT, 1890
An illustration from the Picturesque Atlas of Australasia, hand-tinted photo-engraving of W.C. Fitler shows Clunes in late 1880's. It shows little evidence of the town's mining heritageTINTED RELIEF WOOD ENGRAVING PRINT OF THE TOWNSHIP OF CLUNES. HAND COLOURE, MOUNTED AND FRAMED WITH CREAM COLOURED MAT, DARK GREEN FRAM AND GOLD INSIDE TRIM.wood engraving, relief, 1890, w.c.fitler -
Melbourne Legacy
Legal record, 1953 Victoria : No 5717, 1953
A copy of the Act of the Victorian Parliament relating to the property held in trust for Junior Legacy, Melbourne. It mentions that Richard Goldsmith of the United States wanted to mark his appreciation of services rendered in Australia to the armed forces of USA during World War 2 and in memory of the late David H Dureau. The company BG Corporation (of the USA), of which he was president, gave a gift of £27,059 to Junior Legacy Club of Melbourne for the purchase and fitting out of premises for the use of the club in its principal object of the care and welfare of children of deceased servicemen. Also that the building be perpetually known as the "D H Dureau Memorial Building". The first building that was purchased with the donation was 342 Swanston St, however it was found unsuitable and this Act allowed it be sold and a new building be found (293 Swanston St). The Act was cited as "Junior Legacy Melbourne (Dureau Memorial) Act 1953". The hand written note says that the Act "tells a story", is possibly part of the notes made when compiling the history of Legacy. They were in a folder of documents about the history of Legacy. Appears to have been mostly compiled by Legatee Cyril Smith as he has many hand written notes on miscellaneous pieces of paper (some are envelopes addressed to him). The notes were typed up into a summary of the History of Legacy. Also documents relating to the first time Legacy approached the public for donations in September 1956, including newspaper articles that were reprinted, a schedule of information that was approved to be released to the press, and a list of potential donors that was circulated to Legatees in the hope they could contact the ones they knew personally or professionally. The call for public donations was partially due to the purchase of the Dureau building and the need to modify the building for Legacy's needs. The documents from this folder have been added in separate records (see 01262 to 01281). The folder was part of an attempt to capture history of Legacy, generally from the 1950s. See also 01284 - Title deed of Legacy HouseThe documents provide an insight into the working of Legacy, especially in the 1950s. Legatee Cyril Smith and others were detailing their experiences and knowledge for the future.Four page copy of an Act of the Victorian parliament relating to the property held in Trust for Legacy and a hand written note.Hand written on the note: "This Victorian Act (No 5717, 1953) tells a story:"properties, dureau house -
Chiltern Athenaeum Trust
Memorial Card and Photo of grave, "In Loving Memory of Private James Maffesoni "
Religious memorial card.Buff coloured reproduced memorial certificate issued to Private James Maffesoni. Killed in action in France July 27, 1916. Aged 20 years.Photo of James at top of card. On either side gold coloured drawing of Jesus and Mary. Underneath is poem.private james maffesoni, ww1, killed in action, france -
Federation University Historical Collection
Correspondence, Sympathy note From Jessie Wood concerning the Death of Frank Wright, 1970, 18/11/1970
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Letter of condolence from Jessie Wood, addressed to the Executors to the late Frank Wright Esq. hand written in thick black pen on note paper with a printed address at the top. 2). Envelope hand addressed.Hand written letter.frank wright, letter of condolence, jessie wood -
Whitehorse Historical Society Inc.
Container - Sachet, not known
Belonged to Skey Margaret, donorSquare ecru coloured pot pourri sachet. Centre is a square pocket containing pot - pourri and has floral spray of green leaves and red and cream flowers hand painted on it. Wild Strawberry is also printed on it. Edging is of ecru Nottingham LaceHand painted pot - pourri drawer sachet, Made in Englandhandcrafts, hand painted, lacemaking -
Glenelg Shire Council Cultural Collection
Tool - Blacksmith Tongs, n.d
Port of Portland CollectionBlacksmith's tongs - hand forged, steelBack: Blacksmith's tongs - hand forged, steelport of portland -
Phillip Island and District Historical Society Inc.
Photograph - Post Cards, Vallentines, Phillip Island
Three coloured Postcards from Mary Karney's collection.Three coloured Postcards, Cowes Pier, Rocky Headlands near Cowes and On the Beach at Cowes.450-37: Waiting for the Steamer on the Pier at Cowes, Phillip Island. 450-38: Rocky Headlands near Cowes, Phillip Island. 450:39: On The Beach at Cowes, Phillip Island. cowes pier phillip island, cowes beach, phillip island foreshore, mary karney -
Clunes Museum
Photograph, PRINTED IN GERMANY
COLOURED POSTCARD OF VIEW OF CLUNES - TAKEN FROM THE ROCKS COLOURED COPY OF PHOTOGRAPH OF CLUNES TOWNSHIP, SHOWING BANKS AND PUBLIC BUILDINGS IN FRASER STREET.CLUNES FROM THE ROCKSlocal history, document, postcard, clunes township -
Vision Australia
Machine - Object, APH Pocket Braille
American Printing House pocket brailler consisting of a rectangle shaped structure made out of a brown coloured plastic with 7 keys and 3 buttons and a mustard coloured vinyl cover with attached handle and a power cord. Braille letters are achieved by punching the various keys. Serial number: Louisville 1354.Brown coloured plastic rectangular Brailler with covering vinyl bag with handle.braille equipment, assistive devices -
Bendigo Military Museum
Clothing - HANDKERCHIEF, Pre 1915
Original owner - DOUGLAS John Charles Edward (Major), 10th Battalion, Yorkshire Regiment. Died 18th December 1915, Flanders.Rectangular shaped handkerchief, khaki colour, made of silk with hand embroidered name.Hand embroidered in white thread, top left hand corner "J. C. Douglas".clothing, handkerchief, ww1 -
Ringwood and District Historical Society
Certificate, Ringwood Bowls Club- Certificate presented to Joe Archbold, c1956
Beige coloured document hand written.Ringwood Bowling Club Presentd to Joe. Archbold In grateful recognition of valuable service and willing co-operation in the interests of the Club. John Roberts- President Arthur Catron- Secretary -
Port Fairy Historical Society Museum and Archives
Postcard, Moyne river Port Fairy-holiday time
S.s.Casino crowded with tourists returning after sailing around the bay during Terang Day. The couta boats in full sail possibly did the same thing Hand-coloured photograph of ship and wharfship, boat, sea, river, s.s.casino, couta boats, moyne -
Port Fairy Historical Society Museum and Archives
Postcard, A.C. Aberline, The Crags
This photograph is of “The Crags” an area on the coast half way between Port Fairy and Yambuk. The name is an abbreviation of McKechnies Craigs/Crags owners of property in the vicinity. it is close to ancient aboriginal campsites but these are not accessible to the public. Because of the nature of the geology in this area this photograph shows a seascape that it is not possible to see now.Hand coloured photograph used as postcardThe Crags Port Fairyseascape, sea, beach, the crags, mckechnie’s crags or craigs -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Avoca River, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Corrobboree on the Banks of the Murray, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Diggers on the Road to a Rush, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Mount Macedon, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Night Scene in the Diggings, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), On the Goulbourn, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), On the Plenty, near Melbourne, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Port Phillip Heads, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), The Dandenong Ranges, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), The Upper Goulbourn, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Valley of the Goulbourn, Victoria, c.1873
Gift of Ted and Gina Gregg, 2012Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Prout, John Skinner (after), Avoca River, Victoria, c.1873
Purchased, 2010Hand-coloured steel engraving on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Schell, Frederic B, Log Tramway, Gippsland, c.1886
Donated by Simon Gregg, 2013Hand-coloured woodcut print on papergippsland, artwork, permanent collection -
Gippsland Art Gallery
Print, Unknown Artist, Lake King, Gipps Land, from Eagle Point, c.1870s
Purchased with the assistance of the Gippsland Art Gallery Society, 2011Hand-coloured wood engraving on papergippsland, artwork, permanent collection