Honour Roll Cabinet (I.O.O.F. Loyal Wimmera Lodge no 91)stawell

The panels from the I Am Because We Are series are woven from cut-up donated socks. They were woven on a four-shaft floor loom with a cotton warp. The names of the donors have been typed onto polyester ribbons which have been woven in with the socks. It’s possible that the typewriter ink could fade if exposed for long periods to strong light, but the sock material should be fairly stable as they were almost exclusively commercially-produced socks. The wood of the frames has been painted with an acrylic paint, and covered with MDF boards. The fabric is stretched over the frames and secured with staples.Wangaratta Art Gallery Collection. Donated by Artist.A woven textile work using fabric in shades of black, grey, white, green, and orange.

A finalist in the Shire of Eltham Art Awards in 1985. Born in Harrow, England, Graham Fransella studied at the Bradford School of Art, Yorkshire. He came to Australia in 1975. Graham Fransella lives and works in Melbourne and is represented by galleries across Australia.Fransella is an artist (printmaker) of national significance. “A feature of Fransella’s art is that it has an immediate visual simplicity, sometimes possessing the lucidity of graffiti-like directness, but this is attained through the most complex and intricate means. The surface on which he works is the arena in which he performs with an endless layering of marks, surfaces and signs. It seems that he surrenders to an intuitive process, one in which chance serves as an active collaborator. Ultimately his practice engages with the theory of the artist’s subconscious being allowed unbridled freedom of expression.” Sasha Grishin AM FAHA, in 'Gorgeous simplicity in signature themes: Graham Fransella', Sydney Morning Herald, April 5, 2014This etching depicts a busy and carefree day at the beach in bright colours of red and blue. The figures are drawn with spontaneity and simplicity, which is characteristic of Fransella's style. Figures are positioned in states of relaxation or bounce around beach scenes in joyful exuberance. eltham art award, etching, print, beach, figures

Nillumbik Prize finalist (2018, 2016, 2015, 2014). The artist lives and works in Nillumbik. Abstract sculpture inspired by the artist attending a local ceremony in Nillumbik to harvest tubers of the Murnong (yam daisy), a traditional staple of the Wurundjeri people. Wirth was also inspired by the writing of Bruce Pascoe. Wirth works intuitively with awareness that meaning may be deciphered through the combination of material/mediums/techniques that she uses randomly. Through the process of experimentation and automatism Wirth allows her work to evolve organically. Wirth is represented in public art collections including: Victorian College of the Arts, Victorian Performing Arts Centre and Ararat Regional Gallery. She also completed a residency at Laughing Waters in 2012. Yellow abstract sculpture woven into a vessel with long tentacles using cotton yarn. N/Afinalist, nillumbik prize, abstract, textile, yellow, vessel, yam

REMNANT BLESSINGS-I reflects on the assortment of memories acquired over the years. We rarely remember events in their entirety; we are left with the remnants from the past. These fragmented elements make up the structure of this work. Nillumbik Prize Contemporary Art 2021 local winning artwork

A Prize presented to Harry Chapman 1907stawell religion

A group of Slovenian friends on a sightseeing trip from refugee camp Latina to the eternal city of ROMERefugees to Italy, Slovenian riends exploring RomeBlack and white photo of a group of Slovenian refugees from Latina on a visit to Rome. Miro Krsevan, Alojz Markic, Franc Savle, Rudi Koloini, Karlo Strancar, Florijan Vidmar , Darjo Ziberna and Ivo Miheljslovenians visiting rome, slovenian association melbourne

Gathering of friendsFriendshipsBlack and white photo

Edo PeriodWoodblock printactor

Woodblock PrintInitialled l.l 'C C"shunting yards, trains

C-Type Print

Silkscreen print on paper.Signed, dated 2014 and edition 2/5 on reverse, bottom rightscreenprint, geometry, abstract, shape, line

Signed and dated lower right under printed image: 'Kees Hos '66' Title and edition 1/25, lower left

Not signed, not dated. Title and edition 2/25 under lower left corner of print.

EtchingSigned and dated lower right under printed image 'Kees Hos '61 Title and edition 8/25, lower left

Oil on canvasSigned and dated on reverse top left "Euan L Heng 85"

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramaphone, record, textile mills - staff

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramaphone, record, textile mills - staff

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramaphone, record, textile mills - staff

Gramophone record used in the mending room of the Foster Valley Mill.textile mills staff, valley worsted mill, gramophone, record, textile mills - staff