Postcard, WW1, B&W image of a landscape between Corbie and Daours. Hillside with a dam in foreground with what is probably a pump shed. Copy G17postcard, ww1, corbie, daours, france, dam

Colour Photo of Fortuna Bendigo in 1970, landscape type shot with Fortuna in the middle of photo, markings on rear of photo read 'Fortuna Bendigo 1970'buildings, house, fortuna, fortuna, bendigo, 1970

Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree

Born: Londesborough, Yorkshire, England 1862; Arrived: Sydney, New South Wales Australia 1885; Lived and worked: England 1893-1896; Died: Montrose, Victoria, Australia 1935VictorianLedger Gift, 1985Rural landscape with large weeping tree, fence, rolling hills, line of trees and sky. Grey rubbed from gold gesso timber frameRecto: Signed "BLAMIRE YOUNG-" in white watercolour in l.l.c of composition; Not dated; Not titledwatercolour, landscape, trees, fence

Invitation from the Commonwealth Government to ceremonies connected with the opening of Parliament House in Canberra on 9 May 1927. Visiting Australia for this purpose were the Duke and Duchess of York (later King George VI and Elizabeth the Queen Mother).Card, folded in half, printed in blue and gold. Affixed inside is a reproduction of a landscape painting Canberra 1927 by Harold B Herbert (1892-1945).The invitation was issued to 'W Nicoll Esq'royal visits, duke and duchess of york, opening of parliament house canberra

The painting was purchased from the Eltham Outdoor Art Show. Smith endeavours to capture mood, atmosphere and light in this work by heightening and intensifying the imagery where possible. Smith is concerned with expressing a 'sense of place' inherent in the subject matter. Painting of a landscape at dusk with dirt walking track and trees somewhere in Eltham. Oil on composition board. Moulded frame. Painted in the 'Western Realist Tradition'. Signed 'HARRIS SMITH/84' Hand painted in capitals in red paint; bottom right. eltham, painting, landscape, smith, evening

Three colour photos of Pioneer Walk located between Main & Church Streets Stawell, photos taken in November 1992. One photo is of Big Hill and the other two of people and scenes and mining in Stawell.Three colour photos of collages decorating a walkway. The scenes are of people, building and landscapes. Copies also found in Album 4, p.49-50.151 Stawell History Mural, eft panel. Nov. 1992 151 Stawell Mural in Pioneer Walk Nov/92 151.1 Stawell Mural, center section Big Hill view. Nov.1992stawell

Huttley - MartinB/W: Landscape: Steel roof, 2 chimneys, weatherboard. Fence wood uprights, wire - wooden pailing gate. Garden front to back"Burnside" Stawell West Family Homehuttley, martin

Image of The Federal Woollen Mills mills display from the 'Made in Australia' Exhibition held at the Geelong in July 1928. The exhibition was organised by the manufacturers sectional committee of the Geelong Chamber of Commerce and Manufactures. Over 50,000 people attended the exhibition, making the exhibitors and organisers delighted at the result.Black and white photograph of a Federal Woollen Mills display in a landscape format. The exhibit featured draping fabrics and a suited man in the left hand edge.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, 'made in australia' exhibition, geelong

Yields information about the BTPS depot c1975 and its surrounds.Digital image of No. 27, 38 and 14 on the BTPS Depot fan c1975. Shows the track layout prior to landscaping and the long grass on the south side.trams, tramways, btps, depot, tram 27, tram 38, tram 14

Photograph of unidentified landscape, possibly Greensborough. From the Yandell collection.Digital copy of colour photograph.greensborough

Panorama view of the Eureka Memorial. The garden has yet to be landscaped.eureka memorial, gardens, public

A copy of an early black and white photograph of Murchison Street in Marysville in Victoria taken by Nicholas John Caire.A copy of an early black and white photograph of Murchison Street in Marysville in Victoria taken by Nicholas John Caire. Murchison Street was named for Roderick Impey Murchison who was one of the most distinguished geologists of the 19th century. His liberality and social position plus the pride he took in his science were of immense value in furthering the cause of learning in Britain. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. LES HARSANT/ HEALESVILLE Entrance to Marysville/ from Nicholas Caire photo - c.1880-84 See Pitkethly, N.J. Caire, Landscape Photographer Pithkethly, Rosanna, Vic. 1988; plate 17murchison street, marysville, victoria, nicholas john caire, roderick impey murchison, geology, geologist

Coloured LinocutSigned and dated 'A. ORTON 1999' in lower right corner under printed image. Titled 'Fossil Landscape' centred under print. Edition in lower left corner under printed image - illegible.

Part of a collection from Jessie Smith of Phillip Island events and landscapes.Submarine J.3 at sea - close up in Westernport.local history, photographs, military history, navy, naval submarine, cowes jetty, phillip island, black & white photograph, wwii, jessie smith collection, stan mcfee

Aerial survey map showing roads, vegetation and other landscape features.Significant because it shows the detail of the region in 1957Original 1957 State Aerial Survey Map of Port Campbell region, including Peterboroughpeterborough, aerial survey map, maps, port campell

Fromelles - The Final Chapters - How the buried diggers were identified and their lives reclaimed.Soft cardboard cover. Gold / white / black print on front, spine & back. Illustrated front to back, photos of field of poppies in landscape with 4 soldier's portraits in soft sepia tones in the sky of the landscape. 262 pages, cut, plain, off white. Between pages 134 - 135 are an illustrated collection of photos in black / white / colour / sepia on glossy white paper.book, fromelles

UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions)

This is the twenty-fourth issue of the annual magazine of Orbost High School. The name Croajingolong derives from the Australian Aboriginal Krauatungalung words galung, meaning "belonging to" and kraua, meaning "east". 2219.1 belonged to Mary Gilbert, a former teacher at the school. 2219.2 belonged to Peter Traill.This magazine is a useful reference tool.Three copies of Croajingolong 1971. The magazine is in landscape format and has a white cover with a free form shape filled with mosaic type patterns in black and white. 2219.2 has Peter Trailll written in blue pen on the front cover.croajingolong orbost-high-school

This image appears to have been taken from the second storey of the Mission to Seamen, on Beach Rd Esplanade, Port Melbourne circa 1912 - 1920. One of several images on loose album pages.An early image taken from the building established in Port Melbourne initially in the mid 19th C and operating up to the 1930s until replaced by a modern deco building in 1936. Shows examples of vintage cars.Small Landscape B and W image of ships moored alongside a pier in distance and small early car in foreground on unsealed road travelling left to right. Handwritten descriptive inscription is written underneath on an album page.port melbourne, mission to seamen building, port melbourne pier, fan album

Landscape black and white photograph with a thin white border depicting the front of the Mission on Flinders Street and showing how busy it can get with horse cartsHandwritten in white ink on the left: The luncheon hourweller album, weathervane, norla dome, horse carriage, flinders street, luncheon