The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. The textiles in the Haeusler collection belonged to Ilma Margaret Ernestine Haeusler (née Tasker), born in 1900 in Tallangatta. These textiles were handmade by Ilma between 1919 and 1928 for use in the family home during her marriage to Louis Alfred Haeusler (b.1878). Ilma died in childbirth in 1928, leaving one surviving son, John Alfred Lyell (b.1922). This textile is one of the many domestic objects in the Haeusler Collection that represent family and home life in early twentieth century Wodonga. In the nineteenth and early twentieth century prior to the mass production of clothing and textiles, needlework, alongside motherhood, was the defining work of women. Hand sewing and embroidery was central in the everyday lives and domestic roles of women. The item is handmade and unique, with well documented provenance. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history, social history, and women’s history.Hand embroidered doily with floral design and word "CAKE" stitched around outer rim of fabric "CAKE"textiles, sewing, handiwork, women's history, domestic, craft

Material sample of the PTV logo with name stitched onto a black cloth by Lod Promotions of Braesidetrams, tramways, ptv, logos, uniforms, marketing

Belt belonged to Thomas Henry ISER V24933 and VX102660 2nd AIF. Refer Cat No 383.2 for his service history. Sam Browne leather belt, tan colour, with decorative stitching with strap. Brass buckle & rivets.belts, sam browne military

Army issue wool blanket issued to the soldiers during the Vietnam conflict. Brown army issue wool blanket with green stripes and grey blanket stitching around the border.blanket, edgley, vietnam

Home made tan leather pen case for three pens. Has large yellowing stitching.Nil.leather pouch, pouch, leather, pen

A rare example of an Australian colonial bookmark and also an early Braille bookmark as the name of the recipient is added in Braille.card stitched to burgundy silk ribbon printed around perimeter with T Gifford in Braille on card.school for the blind, adelaide, international exhibition, gifford, 1887, braille

6 metre Long by 6mm diameter personal guideline used for attaching a firefighter to another firefighter or a main guideline while conducting search & rescue of burning buildings. Makes up part of the firemans belt that was owned by Senior Firefighter (S/F) W.G. Jamieson who was stationed at Ballarat Fire Station as part of the permanent staff.6 metre Long by 6mm diameter personal guideline made from woven nylon rope with stainless steel single action gated hooks attached on both endsw g jamieson, ballarat fire station, personal guideline

This bolero is part of a Greek national costume from the Peloponnese. Long-time Brighton resident Olga Black wore it to the 1956 Melbourne Olympic Games to represent her Greek heritage. She remembers the stands at the MCG being full of migrants wearing their traditional national costumes. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Red velvet bolero decrated with gold stitching and braid. Lined with red satin. Stand collar which fastens with two metal hooks and eyes. bolero, jacket, greece, ithaca, migration, olympic games, 1956 olympic games, olga black

The State Electricity Commission of Victoria's mail was collected and carried in a satchel especially made for the purpose.Historical: The State Electricity Commission of Victoria's mail was collected in a satchel. This would separate it from other mail and protect it. A satchel would enable the mail to be collected by different people using modes of transport.This brown leather rectangular satchel is well worn with stitching around the perimeters of the front and back where it is attached to the side pieces. The back piece extends a little at the top where it is stitched to a reinforced piece that has a curved handle covered by steel and fastened with a stainless steel plate with rings. The leather then continues as a flap also stitched to the piece with the handle. The satchel is fastened with 3 large press studs.The sides of the satchel extend and fold into the inside and can be fastened to each other with a large press stud. This may be to protect the contents. At the front centre a transparent pocket is stitched on presumably for identification. Engraved centre back: "S.E.C. / Mail"satchel. mail. s.e.c.. letters. state electricity commission of victoria.

This book of Illustrated Directions was produced for use with the Davis New High Arm Vertical Feed (VF) Sewing Machine. The first model of the High Arm was produced in 1881, and the ‘New’ model, Model 2 VF, was introduced from 1883 and continued at least until 1885, when the Model 3 VF was manufactured. Job Davis, an inventor, showed his Davis Sewing Machine to two brothers in Watertown. The brothers, John and Joseph Shaldon, who founded the Davis Sewing Machine Company in February 1868 in Watertown, New York. The firm moved to Ohio in the 1890. Its early sewing machines were known as the Vertical Feed machines. These machines differed from others, in that there were two presser feet that moved and held the cloth as the needle went in and out of it. This type of action was also called ‘walking foot’ by makers of similar machines. Other machines used a feed dog below the machine’s bed to move the fabric. The Davis Company was awarded a Patents for its improvement to sewing machines. London offices were set up at 54, Queen Victoria Street, London in 1982. It was known as the Vertical Feed Sewing Machine Company. An article published in March 1885 states that the London Manager of the Vertical Feed Sewing Machine Company has 300,000 machines world-wide, including 4,000 in England alone. It claimed that the Auxiliary Forces Uniform and Equipment Company in Limerick, Ireland, was running its machines with steam power and could produce first-class work at the rate of 1,500 stitches per minute. The hand stitched binding of the manual is an example of early book binding processes. The is significant for its relationship to the Davis New High Arm Vertical Feed sewing machine, which was invented in 1866 and became popular in the domestic market. It was also used in industrial conditions as a labour-saving machine, one of the many machines that were part of the Industrial Revolution when steam power replaced manual power in many factories. Paper book with stitched binding. Printed text and illustrations contained within the 42-page booklet. The manual includes drawn diagrams and instructions for use of the Davis New High Arm Vertical Feed Sewing Machine, a foot treadle machine made in the 1880s. Front cover: "ILLUSTRATED DIRECTIIONS for the NEW HIGH ARM DAVIS Vertical Feed Sewing Machine and its Accessories and Attachments"flagstaff hill maritime museum and village, great ocean road, shipwreck coast, sewing machine manual, davis sewing machine, new high arm sewing machine, model 2 vf, vertical feed, sewing machine instructions, sewing machine directions, job davis, john sheldon, joseph sheldon, high arm sewing machine, watertown, new york, vertical feed sewing machine company, treadle, steam sewing machine, auxiliary forces uniform and equipment company, limerick, ireland

This apron is one of several linen and clothing items that were made and belonged to Mrs. Eliza Towns and donated to Flagstaff Hill Maritime Museum and Village. Eliza was born Eliza Gould in 1857 in South Melbourne (Emerald Hill) and in 1879 married Charles Towns. In the early 1880's they moved to Nhill in western Victoria and remained there for the rest of their married life. Charles was a jeweller and later became an accountant and for many years was involved with the Shire Council, the local show committee (A & P Society), the Hospital Committee and the Board of the local newspaper (the Nhill Free Press). They had three children and lived a life that would be regarded as comfortably "middle class". Eliza probably had a treadle sewing machine and would have made many of her own clothes - adding her own handmade embroidered or crocheted decorative trim. In March 1915 Eliza travelled to San Francisco to visit her son, James. She went by train to Melbourne ("a pleasant journey on the up express') and the next day caught the express train to Sydney. She noted in her letters home that a " number of young men were going to Sydney to enlist but they had to stop in the corridors most of the way as there was no room for them to sit down". She spent the night on the train and arrived in Sydney the next morning and on the following day she boarded the R.M.S. "Moana" (a steamer which took about twenty-four days to reach San Francisco). She returned from Vancouver about five months later on board the "Manuka". It is very likely Eliza took this "Travelling Apron" with her on her travels. Eliza was travelling by herself and had no one to help her with her dress or her hair. "Travelling Aprons" (also known as Toilet Aprons or Tourist Aprons) were designed with different sized pockets for holding a lady's toiletries - hairbrush, hair pins, comb and sometimes even soap and a powder puff. This allowed the owner, when travelling and getting dressed in small places such as an overnight train compartment or a ship's cabin, to have all her requirements at hand without needing to search for them or have them roll onto the floor. Some of the pockets are finished with buttoned flaps to keep the items in place and when not in use, the apron could be hung up or rolled up and put away. Articles about the "Traveller's Apron" appeared in numerous Women's columns in Australian newspapers in the early 20th century - often with instructions and sometimes a pattern. In the "Age" on Sat 5th October 1907 in a column titled "Feminine Facts and Fancies" the author wrote "No man can appreciate the difficulties of dressing in a "wobbly" train or trying to do one's hair while a ship is weathering a storm". A year earlier (Saturday 24th March 1906) in the same column, the author wrote "... you have to spend nights in a train... forever struggling to dress yourself in a wretched little lavatory. You know how your hairpins and combs jump all over the place ... a train is always at its liveliest when you're trying to do your hair. My travelling apron saved me many a rage."This item is an example of the needlework skills of women in the early 20th century - combining machine stitching with hand embroidery to personalise and embellish a practical domestic object. It is also an excellent (and rare) example of an early 20th century innovation that helped solve the difficulties of privacy and convenience that many women experienced at a time when travel was becoming more accessible to them. A half apron, made of ivory linen with two waist ties and seven pockets. Along the top are two smaller pockets with triangular, buttoned flaps labelled "Hairpins" and "Nailbrush" and one larger unlabelled pocket. Underneath are two larger pockets labelled "Brush & Comb" and "Work" and two unlabelled narrow pockets. The seams are machine stitched and the pockets are outlined with hand embroidered feather stitch. The labels on the pockets are embroidered in stem stitch."Hairpins" / "Nailbrush" / "Brush and Comb" / "Work"flagstaff hill maritime museum and village, nhill, eliza towns, apron, travelling apron, tourist apron, textiles, toilet apron, sewing, embroidery, travel, warrnambool, great ocean road, trains, ships, moana, manuka, feather stitch, stem stitch, fashion, handmade, clothing, charles towns, needlework

Shirt - green colour cotton fabric with long sleeves, shoulder epaulettes, two front pockets with button down flaps, plastic buttons. Cotton Manufacturers label - green colour with off white cotton label stitched over first label, below collar, both with black print information. Army workdress shirt commonly called "Greens".Green cotton label information - black ink print. "VICTORIA/1980/^ /SIZE 37/81/ 8405, 66, 093,2429/SERVICE NO./ NAME" Off white cotton label information - black ink print with handwritten details: "THIS TAG IS FOR IDENTIFICATION ONLY/ PLEASE REMOVE BEFORE WEARING/ Product No. 80021/5/Order No. 29100320/Size 37-81/Garment No. 20680D/Remarks".uniform, army, workwear

Clothing. Light grey kid leather gloves, with a sueded 'chamois like' finish feel. A 12 cm long plackett at the wrist, fastens with three .7 mm, rounded pearl buttons. Six rows of fine machine stitching fan out across the back of the hand, giving the effect of three pin tucks. Top edge of the gloves is gently curved.costume accessories, female, light grey kid leather gloves

BHS CollectionKnee length fur fabric coat, lined with soft black satin-like fabric. Long sleeves, revere collar and five black button fastening at front, five machine stitched button holes. Shoulder pads give a broad shouldered profile. One button at top is high under the collar, allowing the coat to button up to the throat.costume, female, black fur fabric coat

This pretty yellow, Nylon dress with jap silk petticoat was made by Mrs Sharp c1962 for her daughter. Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. Nylon became a very popular easy care material c 1960 so that women in City of Moorabbin, who were accomplished dressmakers, made very pretty clothes for their families. Child's yellow nylon dress with jap silk petticoat Machine embossed white flowers decorate the dress that has long waist ties, a boat collar and puff short sleeves. A metal zipper is inserted. clothing, baby, nylon, machine pressed designs, layette, knitting,craftwork, wool, early settlers, city of moorabbin, bentleigh, ormond, moorabbin, post war settlers, world war 11 1939-40 sharp valma,

Deep round neck, front and back. Sleeveless. Armholes edged wit a two cm band of lace, featuring a diamond shaped geometric design. Lace is spoke stitched to the garment, and has a scalloped edge finish. Two bands of the lace edge - one 2.5cm wide, and one three cm wide. Where they are stitched together, a drawstring of stranded cotton enables the neckline to be gathered in. The lace is spoke-stitched to the fabric, and inserts in circular loops (2) and oval inserts (3) decorate the back across the bustling. One circular shape and two oval shapes decorate the back across the shoulders. Fine, machine stitched, french seams at side seams. Right side seam has a nine cm opening in the seam to the hemline, with a metal hook and hand stitched loop to fasten.costume, female, cotton and lace round neck camisole

Sash was worn at all meetings except where the program made it in impractical.MGC004.1 Chief Ray gold Sash with gold fringed ends and blue appliqued ivy with gold stitched "C.R." 1st Degree circle, 2nd Degree star, 3rd Degree cross and crown gold metal symbols. This sash does not confirm to the standard outlined in the Methodist Girls' Comradeship Constitution. MGC004.2 Chief Ray gold Sash with gold fringed ends and "C.R." in satin stitch inside royal blue stem-stitched circle. This sash does not confirm to the standard outlined in the Methodist Girls' Comradeship Constitution MGC004.3 Chief Ray gold Sash with gold fringed ends and "C.R." in satin stitch inside royal blue stem-stitched circle. Satin. This sash does not confirm to the standard outlined in the Methodist Girls' Comradeship Constitutionmethodist girls' comradship rays section

Note by T.H. Kneen, "View from the Principal's Residence to the SE corner of the Gardens. Prominent tree is Cupressus macrocarpa (Monterey Cypress) one of the earliest trees planted, no longer existant. Removed 1984.Black and white photograph. Garden view from Principal's Residence to the SE corner of the Gardens (T. H. Kneen). Prominent tree is Cupressus macrocarpa (Monterey Cypress) one of the earliest trees planted, no longer existant. Labels on plants in the foreground.principal's residence, gardens, cupressus macrocarpa, monterey cypress, garden view

These were daily work dress uniform known commonly as “Greens”.1) Green long leg pants. .2) Green long sleeved shirt..2) “558 17 x 33” (stamped inside collar) .1) “CGGF Victoria Size 15 1965” (stamped inside waist band)uniforms - army, greens

Used in the timber and sleeper-cutting industry. Used to square sleepers. This axe was possibly used by the donor John McMahon.Used in the timber and sleeper-cutting industry in the Orbost region.Timber sleepers were superceded by concrete sleepers in c. 1970s. broad-axe sleeper-cutting timber-industry An iron axe head with a very long cutting blade and a long wooden handle. broad-axe sleeper-cutting timber-industry

Round cylindrical kettle. Long spout. Long curved handle welded (?) to top.willow

Trousseau of Mrs. A. Mitchell (1877)White long ladies nightgown, with broderie anglaise front at yoke, and on long sleeves.nightdresses, nightwear

Cast iron was a suitable material for pots and pans because it heats up fairly quickly and retains the heat for some time. Soot from the fire would cover the cast iron and give the pot its black appearance. This was considered good because dark colours absorb heat more readily. The were used for cooking in a variety of situations, such as on an open fire and wood-burning stove. The long handle was essential for cooking on open fires to keep the flame of the fire at a distance, and to avoid burning one’s hand. This pan is an example of a common domestic item used in the late 19th century. A shallow cast iron frying pan with a long tubular handle attached with three rivets to the pan. There is a hole at the end of the handle for hanging. kitchen equipment, kitchenware, frying pans, cooking equipment

Part of the Kevin John Herdman No. 397661 Collection. See Cat no. 5942P, for details of his service.1. & 2. Pair of brown soft leather gloves with press stud attachment. Three rows of stitching on back. Double stitched hem around glove opening. Right hand size label sewn inside on opening hem. Manufacturers name on press stud.1. & 2. stamped in black on inside of gloves '341 (upwards arrow), D (upwards arrow) D.'uniform, accessory, gloves

Gloves, ladies, white, kid leather. "Maclellan and Co" Made in France. Has fine stitching around seams, 4 mother of pearl buttons along wrist split and decorative stitching of 3 parallel lines on top of glove. Size 6 1/2flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Worn by Miss Eva Sebire - 1950s.One pair of ladies' gauntlet-style apricot Kayser silk gloves with three covered buttons on feature cuff. There are three rows of diagonal stitching on the cuff, outlining three points, and one row around the cuff. There are also three rows of stitching on the back of the hand.clothing accessories, gauntlet gloves, gloves

Pair of child's leather boots. Fawn leather on upper, brushed cotton lined, wool rubber sole and heel. Decorative tan leather and stitching around upper. Silver coloured zip on arch with decorative stitching to toe. Stiff toe puffs and heel supportsOn sole ink stamped 'LEATHER UPPER COTTON LINED FIBER INNER SOLE WOOL RUBBER SOLE' Under decorative tan leather on upper Ink stamped '2 585 SIZE 9' On inner sole Ink stamped 'WRAY'S NATURAL FORM FOOTWEAR MADE IN ENGLAND"