Thomas Drenen was editor of the Rutherglen Sun newspaper for many years.Black & white photograph of Thomas Drenen, believed taken about 1872.On the back: "Thomas Drenen. Taken about the time the New State School was opened. Donated by Dora Drenen, Sandringham, 1964"thomas drenen

Double sided flyer with brown, black and white printed text and graphics. The front features a graphic of a sheep administering it’s own chemicals. front: [printed] WORM and FLUKE / both Controlled with / COOPER’S PTZ/HCE / SAVE MONEY – SAVE TIME – SAVE LABOURproducts, agriculture, animal breeding, animal husbandry, william cooper and nephews (australia) pty limited, vaccination

Hardcover outer, black. Printed text and pictures.Time - life books. Association with John Ferguson, Sydney. Peter Bradman, Alun Evans, Doug Hurst,Bede Jordan.

The first platypus to be bred in captivity was at the Sir Colin MacKenzie Sanctuary (now known as Healesville Sanctuary) in 1943. The birth was mainly thanks to the efforts of David Howells Fleay who was the director of the Sanctuary at that time. It was approx 50 years until another was born in captivity. In 1998 another was bred at Healesville Sanctuary. Since then attempts at breeding platypus have been largely unsuccessful.This DL envelope was used at the time of the 50th anniversary of the first breeding of a platypus in captivity. The envelope is pale yellow with brown wording and a brown and green image of David Fleay's book, "We breed the Platypus". There are 2 Australian 40 cent stamps on the envelope, featuring a swimming platypus and it has been franked with a circular stamp depicting "Corrie" the platypus. On the back of the envelope in brown wording is some general information about the platypus and also details of the first breeding . Franking: HEALESVILLE VIC 3777 25th FEBRUARY 1994 FIRST PLATYPUS BRED IN CAPTIVITY / 50th ANNIVERSARY / "CORRIE"/stationery, envelope, healesville-sanctuary, platypus, first-breeding, anniversary, fleay

A poster printed by the RMIT in 2018, to promote an exhibition of works at the MTSV about the interelationships between labour, working life and artistic practice. BACKGROUND The Work of Art was an exhibition about labour, working life and artistic practice. The exhibition explored three aspects of art's relationship to work: (1) artworks about contemporary labour, (2) the labour of art-making itself and (3) the often precarious aspects of life as a working artist. Throughout the exhibition, different artists "worked" from the space of the gallery, revealing the layers of manual, emotional and intellectual labour involved in the work of art. CONTRIBUTION I was invited to develop the exhibition by the "Murphy Group", a group of researchers at RMIT. As the lead co-curator for the exhibition, I researched the history of artistic responses to working conditions. Through this process I identified a gap - while many artists have explored the conditions of labour and working life in their artworks, fewer have drawn attention to the working conditions of artists themselves. This became a key theme in the exhibition. The exhibition presented the work of nine contemporary Australian artists, including high profile and mid-career artists like Bindi Cole and Bek Conroy, alongside the work of emerging artists. In addition to the display of artworks throughout the space, five artists worked performatively, bringing to life the processes and manual labour involved in artmaking. A public forum extended the complex discussion on the relationship between art, work and labour. SIGNIFICANCE The works were presented in the context of a public space that has a strong relationship to contemporary labour - the Mission to Seafarers in Docklands. The Mission to Seafarers is a working mission that provides support to ship-workers. Presenting the works in this space created a real connection between the artworks and the lived experience of precarious labour. The exhibition reached a large audience including over 1000+ visitors in 10 days. It fostered a high engagement on social media and attracted media coverage including a feature in ArtsHub.A record of the ongoing involvement of the MTSV in art, and working with the art community by providing a suitable venue and display space.A3 size yellow paper promotional poster, double-sided. Three-quarters of the front of the poster is covered with the repeated line "Art, Labour & Working Life" in large font, to form ten rows. These rows are in outline form except for picked out words which are in entirely black characters and these cascade down, a row at a time, a word at a time, to form the same line ("Art, Labour & Working Life"). rmit, 2018, events, labour, working life, artistic practice, hiring event, cultural events, multimedia, nicholas walton-healey

Has a strong association with the wedding of one of the Ballarat tramway Museums active volunteers at the time and yields information about the way the event was arranged.Black and White photograph of part of the wedding of Paul McDonald (BTPS Vice President at the time) and Melissa Phillips on 21/1/1989 using bogie trams 38 and 40 with wedding guests alongside. Photo used on the back cover of the BTPS 1988-89 Annual Report and noted in the General Manager's report as to the date and people. Published in The Courier at the time? See BTPS 1988-89 Annual Report tramways, trams, wendouree parade, weddings, btps, tram 38, tram 40

Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of Bendigo 2011 - 2012. This album provides at in depth understanding of the many responsibilities of Mayors and Mayoresses. Collected by the Sandners' it chronicles activities and politics from October 22 - November 11, 2012 through selected letters, articles, cartoons and event memorabilia.The newspaper articles, mostly collected from the Bendigo Advertiser, provides commentary on the key issues of the times. Eighty page black spiral bound scrapbook collection of memorabilia and newspaper articles commemorating Alec and Helen Sandner's time as Mayor and Mayoress of Bendigo. This album covers the month from 25 October 2012 - November 11, 2012 after Alec had not gained re election as a councillor and contains thank you letters and a month by month summary of his achievements and activities during his time as Mayor. sandner collection, cogb mayor, mayor sandner, mayoress helen sandner

Timber chair used by successive principals of the Ballarat School of Mines, from establishment until E.J. (Back) Barker. At the time of Jack Barker's retirement he was presented with the chair. On metal stand - Pat June 1790ballarat school of mines, principal's chair, e.j. barker

Relates to Geoff Murray No 3411521. Photo taken in one of the Michelon Rubber Plantations at an ARVN Outpost during his 2nd tour of Vietnam with Survey Corp 15.10.69 to 15.10.70. His first tour was with 3 Cav Regt 27.11.67 to 22.10.68. The date on the photo should be 69-70. Refer 638P.Colour photo showing G Murray handing out treats to South Vietnamese children at an ARVN Outpost. A print at the bottom details time and place. Frame is green wood.military history, vietnam

Collection of newspaper clippers in scrap book dated 1960 - 1973Article re the tanker, "Esyra" arriving at Crib Point refinery with Persian Gulf oil. The largest tanker to arrive at that time. Aerial photo of the tanker at Crib Point Jetty.local history, newspapers, westernport oil installation, arrival of tanker "esyra", crib point, jean jamieson

Small booklet, Eaglehawk Golf club social club proudly presents ''A time to remember'' 1929-1989. Theatre restaurant menu on inside page and eight pages of songs.eaglehawk, history, eaglehawk golf club

Negative print. Specimen Hill Mine. Poppet legs, chimney, mullock heaps,large tank. The mine at the time was at 2035 feet deep, and Dividends paid were $520,000.cottage, miners, specimen hill mine., specimen hill mine.

B&W photo of Win WOODRUFF nee PREST outside W.C. Cone & Co. in Railway Crescent c 1989, at time of demolition. This was the site of a former Prest homebuilt environment, business and traders, w c cove & co, winfred mary prest woodruff, woodruff family, prest family

Part of Ron Laing's collection of photographs recording Port Melbourne over a thirteen year period. Donated to the PMH&PS by the photographer.Sign on the exterior of the Port Melbourne Baptist Church, Ross Street (The Chapman Memorial Hall) listing service, Sunday school time and Minister, A Davies' address and phone number.religion - baptist church, ron laing, chapman memorial hall, a davies

Bendigo Advertiser "The way we were" from Thursday, November 6, 2003. Rugged: hardworking miners take time out at Stewarts United Mine, Fosterville in 1903.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from Monday, August 30, 2004. Picnic time: the North Bendigo Progress Youth Group on a Sunday picnic in August, 1947newspaper, bendigo advertiser, the way we were

Ukrainian children in traditional costume at the old hall in Langley Street, Ardeer, preparing to go carolling at Christmas time, They would visit the homes of all local Ukrainian families.

Metal Hat Badge worn by an Australian soldier in Timor 2001 while serving attached to the UN Forces. Has a brooch type safety fitting for attaching to the hat / beret.

White writing paper with Bendigo Old Time Dance Club printed 7cm from the top of the page. Beside the name is a lady and a man dancing and underneath is President and Secretary.person, individual, peter ellis oam, peter ellis collection, stationary, bendigo old time dance club

A page from a magazine featuring reproductions of four pastel drawings by Helen Wills Moody of herself and three other tennis palyers of her time. Materials: Paper, Inktennis

A puggaree, usually of pleated cloth, has been worn on the Australian slouch hat since it was adopted in 1903. During WWI (1914-1918) it was frequently a plain woollen band made from puttee material. Different coloured bands denoting Corps were incorporated into the puggaree worn by militia units shortly before WWI and again in the period between the wars. The word puggaree comes from Hindi meaning turban and is thought to have referred to a piece of cloth worn on the British officer’s sun helmet to protect his neck from the sun.Good example of distinctive headwear worn by light horse soldiers.Seven fold puggaree with white band denoting Light Horse of the pre WWI (1914-1918) period and possible for a time following the war until superseded by the red band.puggaree, headwear, light horse, uniform

Colour transparency (slide) created in June 1976 during a tour by the Junior National Trust, which was led by members of Kew Historical Society. The collection of 21 slides reveals that the tour covered all parts of Kew, but focused understandably on heritage buildings and sites.Image of an historic place in Kew that can be dated to an exact time and place. The images, albeit amateurish in composition, frequently reveal aspects of important buildings and sites that have changed over time.35mm colour transparency of Swinton in Swinton Avenue, Kew in 1976. Pictured is the Italianate doorway fronting Swinton Avenue. The house was, at this time, owned by the architects Dione and Peter McIntyre.historic houses -- kew (vic.), swinton -- swinton avenue -- kew (vic.)

BHS CollectionBendigo Advertiser ''The way we were'' from Monday, July 14, 2003. Horsepower: a row of Sanneman's cabs at the railway station some time in the 1920s. The clip is in a folder.newspaper, bendigo advertiser, the way we were