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Monbulk RSL Sub Branch
Book, Stirling Seagrave, Soldiers of fortune, 1981
The story of pilots who have earned their living flying in other people's wars.Index, bibliography, ill, maps, p.176.non-fictionThe story of pilots who have earned their living flying in other people's wars.mercenary troops - history, soldiers of fortune - history -
Monbulk RSL Sub Branch
Book, Scribe, The mess They made: The Middle East after Iraq, 2013
As Iraq descends ever closer to civil war, no one doubts that George W. Bush's Iraq strategy has been an abysmal failure -- just as Gwynne Dyer argued it would be in both Ignorant Armies and Future: Tense. The question now is what will happen not just in Iraq but in the whole Middle East region once American troops are withdrawn. In The Mess They Made, Dyer predicts that the Middle East will go through the biggest shake up since the region was conquered and folded into the Ottoman Empire five centuries ago. In his trademark vivid prose, and in arguments as clear as his research is thorough, Dyer brings his considerable knowledge and understanding of the region to bear on the issue of how widespread the meltdown in the Middle East will likely be. In five chapters, Dyer points the way from present policies and events to likely future developments in Iraq, Iran, Afghanistan, and in the various other countries of the region, not least of which is nuclear-armed Israel. Argues that the Middle East is about to change fundamentally and everything is now up for grabs: regimes, ethinic pecking orders within states, even national borders themselves are liable to change without notice. Five years from now there could be an Islamic Republic of Arabia, an independent Kurdistan, a Muslim cold war, and more.p.295.non-fictionAs Iraq descends ever closer to civil war, no one doubts that George W. Bush's Iraq strategy has been an abysmal failure -- just as Gwynne Dyer argued it would be in both Ignorant Armies and Future: Tense. The question now is what will happen not just in Iraq but in the whole Middle East region once American troops are withdrawn. In The Mess They Made, Dyer predicts that the Middle East will go through the biggest shake up since the region was conquered and folded into the Ottoman Empire five centuries ago. In his trademark vivid prose, and in arguments as clear as his research is thorough, Dyer brings his considerable knowledge and understanding of the region to bear on the issue of how widespread the meltdown in the Middle East will likely be. In five chapters, Dyer points the way from present policies and events to likely future developments in Iraq, Iran, Afghanistan, and in the various other countries of the region, not least of which is nuclear-armed Israel. Argues that the Middle East is about to change fundamentally and everything is now up for grabs: regimes, ethinic pecking orders within states, even national borders themselves are liable to change without notice. Five years from now there could be an Islamic Republic of Arabia, an independent Kurdistan, a Muslim cold war, and more. iraq war 2003-2011 - history, middle east - international relations -
Monbulk RSL Sub Branch
Book, John Laffin, Western front 1916-191: The price of honour, 1987
Australian troops fighting in France between 1916 and 1917Index, bib, ill, maps, p.163.non-fictionAustralian troops fighting in France between 1916 and 1917world war 1914-1918 - australian involvement, world war 1914-1918 - campaigns - france -
Monbulk RSL Sub Branch
Book, John Laffin, Western front 1917-1918: The cost of victory, 1988
Australian troops fighting in France between 1917 and 1918Index, bib, ill, maps, p.163.non-fictionAustralian troops fighting in France between 1917 and 1918world war 1914-1918 - australian involvement, world war 1914-1918 - campaigns - france -
Monbulk RSL Sub Branch
Book, John Laffin, Greece, Crete, Syria, 1989
Australian troops fighting in Greece, Crete and Syria during World War IIIndex, bib, ill, maps, p.163.non-fictionAustralian troops fighting in Greece, Crete and Syria during World War IIworld war 1939-1945 - australian involvement, , world war 1939-1945 - campaigns - greece, world war 1939-1945 - campaigns - crete and syria -
Monbulk RSL Sub Branch
Book, Time Life Books, War against Japan 1941-1942, 1988
Australian troops fighting against Japan in 1941 and 1942Index, bib, ill, maps, p.163.non-fictionAustralian troops fighting against Japan in 1941 and 1942world war 1939-1945 - australian involvement, world war 1939-1945 - campaigns - pacific area -
Monbulk RSL Sub Branch
Book, Time Life Books, War against Japan 1942-1945, 1989
Australian troops fighting against Japan in 1941 and 1942Index, bib, ill, maps, p.163.non-fictionAustralian troops fighting against Japan in 1941 and 1942world war 1939-1945 - australian involvement, world war 1939-1945 - campaigns - pacific area -
Monbulk RSL Sub Branch
Book, Osprey Publishing, Balkan air wars 1991-2000, 2000
Exposing the true scale and significance of the deployment of air power in the Balkans, this book details the activities of NATO and UN aircraft as well as local pilots in the former Yugoslavia. From bombing by B-2 stealth bombers to air-to-air combat; from moving ground troops by helicopter to 'food-bombing' for refugees, air power has played a vital role in ''Europe's Vietnam'', and there is little sign that the fires of conflict are being extinguished. Debate amongst air power practitioners has yielded little agreement as to the degree of damage inflicted on the Yugoslav 3rd Army in Kosovo.Ill, maps, p.63.non-fictionExposing the true scale and significance of the deployment of air power in the Balkans, this book details the activities of NATO and UN aircraft as well as local pilots in the former Yugoslavia. From bombing by B-2 stealth bombers to air-to-air combat; from moving ground troops by helicopter to 'food-bombing' for refugees, air power has played a vital role in ''Europe's Vietnam'', and there is little sign that the fires of conflict are being extinguished. Debate amongst air power practitioners has yielded little agreement as to the degree of damage inflicted on the Yugoslav 3rd Army in Kosovo. balkan conflict - aerial operations, european history - 20th century -
Monbulk RSL Sub Branch
Book, MacDonald and Company, Battle of the Reichswald, 1970
An account of the difficulties facing British troops in GermanyIll, p.159.non-fictionAn account of the difficulties facing British troops in Germanyworld war 1939-1945 - campaigns - germany, world war 1939-1945 - campaigns - western europe -
Monbulk RSL Sub Branch
Book, MacDonald and Company, Bastogne: The roadblock, 1970
An account of the difficulties facing British troops in GermanyIll, p.159.non-fictionAn account of the difficulties facing British troops in Germanyworld war 1939-1945 - campaigns - germany, world war 1939-1945 - campaigns - western europe -
Monbulk RSL Sub Branch
Book, Pan Books, By air to battle, 1969
The development and use of parachute warfareIll, maps, p.159.non-fictionThe development and use of parachute warfaregreat britain - parachute regiment, parachute troops - history -
Monbulk RSL Sub Branch
Book, Andre Deutsch, Great military blunders, 2012
From ancient times to the Bay of Pigs and the Falklands War, military history has been marked as much by misjudgements and incompetence as by gallantry and glory. Such blunders have sometimes ended in tragedy, sometimes in farce - such as the English troops, supposedly marching on Cadiz in 1625, who instead got drunk in a salt marsh. And sometimes they have ended in triumph, despite all the odds. In this fascinating and entertaining collection, author Geoffrey Regan not only recounts some of the staggering stories, but also highlights the kinds of difficulties that can lead to military disaster. His anecdotes encompass every aspect of warfare from the insanity of commanders to the provision of inadequate supplies. This entertaining and instructive book will appeal to the military buff and general reader alike.Ill, p.272.non-fictionFrom ancient times to the Bay of Pigs and the Falklands War, military history has been marked as much by misjudgements and incompetence as by gallantry and glory. Such blunders have sometimes ended in tragedy, sometimes in farce - such as the English troops, supposedly marching on Cadiz in 1625, who instead got drunk in a salt marsh. And sometimes they have ended in triumph, despite all the odds. In this fascinating and entertaining collection, author Geoffrey Regan not only recounts some of the staggering stories, but also highlights the kinds of difficulties that can lead to military disaster. His anecdotes encompass every aspect of warfare from the insanity of commanders to the provision of inadequate supplies. This entertaining and instructive book will appeal to the military buff and general reader alike. military art and science - history, military history -
Monbulk RSL Sub Branch
Book, Fremantle Arts Centre Press, The Cocos Islands mutiny, 2001
A significant World War Two mutiny took place on the night of 8 May 1942 in a lonely atoll in the Indian Ocean in a setting of intrigue, rebellion and the blood and tears of war. Japanese naval forces were at the peak of their southward thrust." "While the battle of the Coral Sea raged, gunners of the Ceylon Garrison Artillery on the Cocos (Keeling) Islands off Australia's north-west coast attempted to arrest their British commanding officer and compel him to surrender to the Japanese. One soldier was killed and another wounded, but the mutiny failed and seven men were condemned to death. Ultimately three soldiers were hung, becoming the only Commonwealth troops to be executed for mutiny in World War TwoBib, ill, maps, p.248.non-fictionA significant World War Two mutiny took place on the night of 8 May 1942 in a lonely atoll in the Indian Ocean in a setting of intrigue, rebellion and the blood and tears of war. Japanese naval forces were at the peak of their southward thrust." "While the battle of the Coral Sea raged, gunners of the Ceylon Garrison Artillery on the Cocos (Keeling) Islands off Australia's north-west coast attempted to arrest their British commanding officer and compel him to surrender to the Japanese. One soldier was killed and another wounded, but the mutiny failed and seven men were condemned to death. Ultimately three soldiers were hung, becoming the only Commonwealth troops to be executed for mutiny in World War Twomutiny, world war 1939-1945 - sri lanka -
Waverley RSL Sub Branch
Murray's Tobacco Tin, Murray and Sons
Owned by W. H. Brown S/Sgt 4th Anti tank Regiment Malaya Reputed to have said " If you see me smoking those cigarettes (tobacco) I've just won Tatts" Murray's tobacco tin c1940 still sealed and containing tobaccoFront Murray's Erinmore Cigarette Tobacco Two Ounces Rear Murray and Sons Ltd. Tobacco Snuff and Cigarettes Belfast Ireland Established 1810 tobacco, murray's tobacco, comforts for troops -
Waverley RSL Sub Branch
Service Medals and War Photographers Shoulder Badges
Worn during WWII by John BagnallWar Photographers were classed as "Non-combatants " and were thus no entitled to campaign medals despite their often being embedded in front line forces. Shoulder badges were issued to them to distinguish them from operational troops. WWII Defense Medal, 39-45 War Medal and 2 bronze Official War Photographers Shoulder Badgeswar photographer, john bagnall, -
Waverley RSL Sub Branch
medal USO Korea
Issued on the 50th anniversary of the Korean warThe USO provided entertainment for troops on active service in Korea. These were primarily for American troops, but others could attend. The USO sites in Korea were at Camp Kim, Osan AB,camp Casey, Camp Humphreys, camp Walket and Incheon airport. USO Centers provided a warm and comforting place where troops telephone, catch a movie, read a book, have a snack or just put their feet up and relax.Bronze medal with enamel insert50th Anniversary of Korean War U.S.O. medal uso, uso korea, uso medallion, medallion -
Port Melbourne Historical & Preservation Society
Photograph - Crowds welcoming returning wounded troops, Port Melbourne, Roy Liebig, 1945
The donor's (Karen Bowden) grandfather - Roy Liebig (1897-1968) - took these photos in the 1940s. Karen, as administrtor of his estate, has extracted various photos and sent them to appropriate historical societies.A series of photographs taken by Roy Liebig in the 1940s Hard copy and digital. Crowds at Port Melbourne, ambulances carrying wounded. Centenary bridge pylon in backgroundmaritime, piers and wharves, war - world war ii, piers and wharves - station pier, roy liebig, karen bowden, yarra river, centenary bridge -
Monbulk RSL Sub Branch
Book, Blandford Press, Vietnam river warfare, 1945-1975, 1986
The story of how western forces used the "brown waterways" to move troops and equipmentIndex, ill, maps, p.160.non-fictionThe story of how western forces used the "brown waterways" to move troops and equipmentvietnam war 1961-1975 - history, vietnam war 1961-1975 - naval operations -
Melbourne Legacy
Postcard, Australians Advancing from Villers-Brettonneux. August 8th 1918, 1918
A greeting card published by the Australian Comforts Fund for Christmas and New Year 1918-19. It shows important battles involving Australians in 1918. A painting of Villers Brettonneux battle on 8 August 1918 by Captain Will Longstaff who was an A.I.F. War Artist with an explanation of the offensive. Also a painting of the capture of Hamel Village on 4th July 1918 where Australians were assisted by a detachment of Americans. The war artist was A. Pearse. Was with other World War 1 memorabilia that has come from J.B. McLean. Some of the text: 'On the night of 24th August 1918, the Australians made a daring and clever counter attack in the darkness, recaptured Villers-Brettonneux, stopped the German advance and saved Amiens. This, and the Battle of Hamel, were only a prelude to the smashing advance which commenced on 8th August. Extract from Australian Corps Order, issued on 7th August:- "For the first time in the history of this Corps all five Australian Divisions will tomorrow engage in the largest and most important battle operation ever undertaken by the Corps." 85,000 Australians were engaged (with Canadians on their right and British Divisions on their left), supported by powerful artillery, tanks and aeroplanes. In this battle 7,000 prisoners, 150 guns with an immense number of machine guns and war material were captured. On August 31st and September 1st and 2nd Mont St. Quentin and Peronne fell to the Australians in three days, defeating the flower of the Prussian Guard.'A example of publications made for the troops in World War 1.A greeting card published for the Australian Comforts Fund in 1918.Greetings from Billworld war one, souvenir -
Melbourne Legacy
Postcard - Document, card, Warmest Greetings and Sincerest Wishes Xmas 1917, New Year 1918, 1917
A greeting card published by the Australian Comforts Fund for Christmas and New Year 1917-18. It has humorous cartoons of the war effort. Was with other World War 1 memorabilia that has come from Private J.B. McLean (Service No. 13824).A example of publications made for the troops in World War 1.A greeting card published for the Australian Comforts Fund in 1917.Greetings from Jessieworld war one, souvenir -
Melbourne Legacy
Booklet, Diggerettes. Digger Jokes and Stories, c1918
An issue 'Diggerettes, Diggers Jokes and Stories', it was compiled and illustrated by Cecil L. Hartt, late of the A.I.F. Comprised of stories, poems, drawings. Often of humorous nature. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet of jokes and stories for Diggers in World War 1.world war one, short stories, poem -
Melbourne Legacy
Booklet, In a Nutshell : The Book of Charm, c1918
A booklet written by Herbert Scanlon (late of the A.I.F.). It's a book of short stories and verse. The author Herbert Scanlon appears to have enlisted at 17 and returned from WW1 in 1916 due to his health. "After the war Scanlon embarked on a career as a writer, eventually publishing some 17 short collections of short stories, poems and the occasional humorous episode. While many of the stories are standard trench experience accounts, a number are written with sensitivity and passion. The booklets were sold for one shilling by door-to-door salesmen," mostly ex-servicemen (Copied from National Australian Archives record for him). Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. His full war record is available from AWM. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920.A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet x 32 pages of poems and short stories for soldiers in World War 1.world war one, poem, short stories -
Melbourne Legacy
Booklet, Original Parodies by Jack Risden. Green Diamonds Concert Party A.I.F, c1918
A booklet by Jack Risden of song parodies. He has rewritten the songs; "They didn't believe me", "They call it Dixie Land" and "Samoa" for a concert during the first World War. Was with other World War 1 memorabilia that has come from Private John Basil McLean, 2nd Reinforcements, 37th Battalion, A.I.F. J.B. McLean (Service No. 13824) was from near Maffra, Victoria and enlisted on 22 January 1916. He embarked on 16 December 1916 for Europe. He spent time with the Australian Field Artillery (Pack Section). At the end of the war he worked for a year at the A.I.F. Headquarters in London before returning to Australia on the 'Ceramic', arriving in Portsea in 1920. His full war record is available from the National Archives of Australia (B2455, MCLEAN JBM).A record of publications made for the troops in World War 1 or made of material that came from soldiers.Booklet x 4 pages of songs for soldiers in World War 1.world war one, songs -
The Mrs Aeneas Gunn Memorial Library
Book, F.M. Cutlack, War letters of General Monash, 1934
Monash in his own words . . .Long before this letter can possibly reach you, great events which will stir the whole world and go down in history will have happened, to the eternal glory of Australia and all who have participated. - John Monash, 24 April 1915These extraordinary, intimate letters from General Sir John Monash to his wife and daughter, record his experiences throughout World War I, from landing at Gallipoli to leading decisive battles on the Western Front. Monash describes with great candour the challenges of ordering the lives of tens of thousands of troops.Ill, maps, p.299.non-fictionMonash in his own words . . .Long before this letter can possibly reach you, great events which will stir the whole world and go down in history will have happened, to the eternal glory of Australia and all who have participated. - John Monash, 24 April 1915These extraordinary, intimate letters from General Sir John Monash to his wife and daughter, record his experiences throughout World War I, from landing at Gallipoli to leading decisive battles on the Western Front. Monash describes with great candour the challenges of ordering the lives of tens of thousands of troops.world war 1914-1918 - personal recollections, australian army - correspondence -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.1. The Foundations, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, John Ruskin, The Stones of Venice: v.2. The Sea Stories, ????
Part of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically.Ill, p.406.non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture -
The Mrs Aeneas Gunn Memorial Library
Book, Cassell, From the Australian front, 1917
In illustrated view of the Australian troops in France during World war OneIll, p.127.non-fictionIn illustrated view of the Australian troops in France during World war Oneworld war 1914-1918 - campaigns - flanders, world war 1914-1918 - pictorial works -
Beechworth RSL Sub-Branch
Clothing - Brassard Khaki Peacekeeper United Nations Namiba, 1989
Brassards were worn on the right arm by an Australian soldier on active duty with the United Nations. This brassard was worn by Sapper Tommy Wickham on peacekeeping duty in Namibia. The Australian Army contributed soldiers to the United Nations Transition Assistance Group (UNTAG) peacekeeping mission to Namibia between 1989 and 1990. Sapper Wickham gave the Brassard to Ken Howe in 1992-93, and Ken donated it to the Beechworth RSL around the year 2000. The Australian contribution to the UNTAG mission was the largest deployment of Australian troops since the Vietnam war. Sapper Wickham was one of 300 soldiers sent to Namibia. Polyester/Cotton brassard in a light green. Sewn on the main body of the brassard are two round patches, the first patch represents Australia and features a kangaroo in gold and the words 'Australia' in white, the second represents the United Nations featuring the United Nations symbol. The brassard is secured to the sleeve by a slit in the top through which the shoulder strap is threaded and elastic strip around the arm. Australian patch: AUSTRALIA/ UN patch: UNITED NATIONS / united nations, namibia, tommy wickham, australia, army, un patch, brassard, peacekeeping -
Wodonga & District Historical Society Inc
Book - "Next to Impossible" The Remarkable LIfe of Albert Chalmers Borella VC, Bradley A. Chalmers, 2015
Quotation from back cover- "Bushman, farmhand, artist, metropolitan fireman, decorated soldier, soldier settler, POW commandant. At ease in the company of the King or the common man, Albert Chalmers Borella VC did it all. This is his remarkable life story. " In 1918 Albert Borella (1881-1968) led a platoon in an attack to straighten the front line beyond Villers-Bretonneux, from which a major British offensive was to be launched a few weeks later. While ahead of his troops, he single-handedly captured a machine-gun. Then, after clearing a trench and dug-outs, he inspired his men to hold out during heavy enemy counter-attacks. Borella had earlier received the Military Medal and been Mentioned in Despatches. Although he had enlisted in Townsville (from Darwin), after the war he lived in Victoria as a farmer. Borella also served in the Second World War, and afterwards settled in Albury, New South Wales where he passed away on 07 February 1968. This extensive biography documents his background and life achievements.non-fictionQuotation from back cover- "Bushman, farmhand, artist, metropolitan fireman, decorated soldier, soldier settler, POW commandant. At ease in the company of the King or the common man, Albert Chalmers Borella VC did it all. This is his remarkable life story. " In 1918 Albert Borella (1881-1968) led a platoon in an attack to straighten the front line beyond Villers-Bretonneux, from which a major British offensive was to be launched a few weeks later. While ahead of his troops, he single-handedly captured a machine-gun. Then, after clearing a trench and dug-outs, he inspired his men to hold out during heavy enemy counter-attacks. Borella had earlier received the Military Medal and been Mentioned in Despatches. Although he had enlisted in Townsville (from Darwin), after the war he lived in Victoria as a farmer. Borella also served in the Second World War, and afterwards settled in Albury, New South Wales where he passed away on 07 February 1968. This extensive biography documents his background and life achievements.victoria cross, military history, biography albert borella, borella albert chalmers v.c> -
Whitehorse Historical Society Inc.
Memorabilia - Box - Cigarette silks, 1911 - 1917
These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections