Part of the Bennetts Collection. See catalogue No. 9726P for details of service for "Alva Marie Bennetts".Black and white photograph of three couples seated. men are in uniform and the women in ball gowns.Handwritten on the back in black ink: 'Taken at Commonwealth O.R.'s Club Ball, held on Princess Elizabeth wedding day. From left:- Junior Ward, Dulcie Kerr, Frances Richman, Max Mercier, Alva Bennetts, Bill Napier. Eta Jima 19/12/47'.bennetts collection, alva bennetts, photograph, bcof

Black and white photograph of Mavis Brown in her Wedding dress (cross ref ND4861 & NA ) with her sister Bette (married name Jones). Dress was made by their sister Ivy.brown, mavis, bette, ivy, jones, bette`

Beryl Cox b Yung was the daughter of Ernest Herbert Yung, son of George Edward Godlip and Clara Emma Yung (b Smith) of Happy Valley. Ernest was a returned soldier having fought in the Battle of Menin Road, Belgium, in WW1.Three black and white photographs of the Cox family of Nhill .1 Beryl Yung and Bridesmaid .2 Two children - possibly Beryl and her brother. Children of Ernest Herbert Yung .3 Wedding photo of Beryl and Jeff Cox.1 Half of a Post Card. Verso: Beryl + bridesmaid, married Geoff Cox. Elite Photos. no. 24213 .2 Verso: Jas Brown print Nhill .3 Half of a Post Card. Beryl + Jeff Coxyung family, happy valley, beryl cox, 1940's wedding, children 1920's, jeff cox, beryl yung

This photograph records the interior of St Nicholas Seamen's Church at 139 Nicholson Street, Williamstown, Victoria, which was purchased and furnished around 1943. The furniture and furnishings are now part of the St. Nicholas Seamen's Church collection. HISTORY of the Missions to Seamen: - The Missions to Seamen is an Anglican (Church of England) charity that has been serving the seafarers of the world since 1856. It was inspired by the work of Rev. John Ashley, who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired, others continued the work, founding the Missions to Seamen. It adopted a Flying Angel as its symbol, inspired by a verse from the Bible in Revelation 14. Today, over 200 ports in the world have Missions to Seamen centres and chaplains. A Missions to Seamen’s club offers a warm welcome to sailors of all colours, creeds and races and provides a wide range of facilities. The Missions to Seamen organisation changed its name to the Mission to Seafarers in the year 2000 and continues, including Missions to Seamen clubs in Victoria’s cities of Melbourne, Portland, Geelong and Hastings. Flagstaff Hill’s St Nicholas’ Seamen’s Church is named after its namesake from Williamstown, Victoria, which began in 1857. Bishop Perry opened the first Sailors’ Church there, known as ‘Bethel’, on an old hulk floating in Hobson’s Bay, Port of Melbourne. In 1860, a Sailors’ Rest began operating from various rented premises at Williamstown. In 1878, the Sailors’ Church moved into an old Wesleyan chapel in Ann Street. By the end of that year, they were able to purchase the building, which they had already refurbished. In 1883, they affiliated with the Victorian Seamen’s Mission. A few years later, in 1906, the building had to be demolished as it was no longer safe. While they were raising funds for a new building, the Sailors’ Rest temporarily moved to a building in front of Customs House in Nelson Place. Around this time, in 1906, the Ladies Harbour Lights Guild was formed in Australia to support and raise funds for the Mission to Seamen organisation in Melbourne. Two of the most significant ladies of the Guild were founding members Ethel Godfrey and Alice Sibthorpe. During the Mission's time at Siddeley Street, Melbourne, the activities of the Guild raised funds for the Mission to Seamen's Chapel at their new, and still current, premises in Flinders Street, Melbourne, opened in 1917. The Guild continued its important work until the 1960s. In 1908, the Williamstown Mission had enough money to purchase the former Mascotte skating rink on Thompson Street, Williamstown. In August of that year, they were inaugurated into the Victorian Missions to Seamen. They continued at that venue for a few decades. In 1943, the former ES&A Bank building at 139 Nelson Place, Williamstown, was purchased to become the new Mission to Seaman’s Club. On May 6th, 1944, it was officially opened, described as a ‘distinctive little building’. Funds had previously been raised for the building and furnishing of the chapel at the rear. The chapel was named St Nicholas’ Seamen’s Church, after St Nicholas, fourth-century bishop and patron saint of sailors. Services were held on Wednesdays and Sundays. The church was supported by the Williamstown Lightkeepers’ Auxiliary, newly founded by Mrs Ethel Margaret Musther in 1943, as well as the Harbour Lights Guild and the League of Soldiers’ and Sailors’ Friends. The Williamstown Mission to Seamen’s Church operated until 1966, when the Port of Williamstown was no longer used by large international ships. The Commonwealth Government then leased the premises. In the formative years of Flagstaff Hill Maritime Village, the Advisory Board decided to include a Missions to Seamen Chapel and Recreation Room in its village. The Missions organisation was a significant feature of ports during the late 1800s and early 1900s, the period that the Village represents. They often erected Missions to house social and worshipful activities for seamen. Flagstaff Hill’s curator, Mr Ken Marshman, approached the Melbourne Board of Management of Missions to Seamen regarding the Williamstown branch. Consequently, the Board gave its permission for the entire furnishings of the Williamstown chapel to be transferred to Flagstaff Hill Maritime Village. A provision of the transfer was that the Victoria Missions to Seamen be recognised, that the items would remain as a collection, and that the chapel would be called St Nicholas Seamen’s Church and conduct Divine services. The donation was approved on 21st May 1979. Flagstaff Hill's St. Nicholas Seamen's Church: - The conception of Flagstaff Hill’s Missions to Seamen’s Church was partly motivated by the offer of Stained Glass Memorial Windows, originally from the local Warrnambool and District Base Hospital, which was undergoing multi-storey development in the late 1960s and early 1970s. The hospital’s Manager/Secretary was keen to see the historical window installed in an appropriate location. The church, or chapel, was designed by a local architectural draftsman in conjunction with the Flagstaff Hill Planning Board and was built by Mr Leon Habel. The designers had the hope that the church would be used for formal worship such as weddings, funerals and multi-denominational special services such as War commemorations. The design is based on the ‘Missions to Seamen’ buildings in both Portland and the Port of Melbourne. Placement of the furnishings was done as accurately as possible according to photographs of the Williamstown St Nicholas Seamen’s Church and with assistance from local clergy. The Recreation Room was furnished and arranged on advice from experienced members of the Missions to Seamen organisation. A framed document in the building recognises the donor of the furnishings, Victoria Missions to Seamen, as well as the names of some of the original donors and their donated item/s. The design of the building incorporates local features such as Warrnambool sandstone, which was no longer commercially available but was procured from demolished buildings and uniformly cut, to be used as a veneer over the stronger Mt. Gambier stone. Also, traditional green American roofing slate was used, sourced from the 1908 local shipwreck “Falls of Halladale” by Flagstaff Hill volunteer divers. The bell tower includes a bell believed to be from a local shipwreck. The additional furnishings were acquired locally, and several items were donated by Warrnambool residents. Light fittings in both rooms were assembled to simulate 19th-century gas light fittings. The stained-glass window at the back of the church is a memorial to Dr Connell, a well-respected member of the Warrnambool community. It was originally installed in 1928 in what was then the main building of Warrnambool Hospital. The St Nicholas’ Seamen’s Church at Flagstaff Hill was officially opened by His Worship the Mayor, Cr. John Lindsay, on Sunday 11th October 1981. The event included a service of thanksgiving conducted by the Warrnambool Ministers Fraternal. Since then, the Chapel has been the historic venue for many weddings.This item is significant through its association with the St Nicholas' Mission to Seamen Church in Williamstown, Melbourne, established in 1857.Photograph of St Nicholas Seamen's Church, Williamstown. Sepia photograph. The photograph shows the inside of the Chapel of Mission to Seamen, including organ, pews and other furniture and furnishings. There is a circular stained glass window high on the back wall depicting a sailor at the helm of a ship and a man standing behind him and pointing the way - "Christ Showing The Helmsman The Way". A Sanctuary Light is suspended from the ceiling. The Sanctuary chars are visible. This shows the St Nicholas Seamen's Church in Williamstown, the furnishings and furniture of which is now part of the St Nicholas Seamen's Church Collection’.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, st nicholas mission to seamen's church williamstown, mission to seamen williamstown, mission to seamen victoria, st nicholas mission to seamen, chapel window, christ showing the helmsman the way, stained glass window, st nicholas seamen's church, religion, religious service, sailor's rest, ladies harbour light guild

The Garfield Picture Theatre was built in 1924 for Martin Donohue, and according to Mr H. Arnold, who wrote a history of the theatre, it was leased to J. Taylor. It was said to have seated 800 people, and dances were held on Friday evenings with pictures shown on Saturday nights. The theatre was one of the many movie-viewing venues constructed during the Australia-wide boom in cinema building in the 1920s. The Garfield Picture Theatre was Cardinia Shire’s first cinema in the region, followed by Kooweerup’s Wattle Theatre and Pakenham’s King’s Picture Theatre which opened in mid to late 1927. The theatre is significant to the area as it’s one of the few picture theatre buildings remaining in the shire. The Garfield Picture Theatre was not only the main entertainment hub for the area, but it was the town’s first source of electricity. The theatre closed in 1962 and reopened in the 1980s as the Garfield Trading Centre, owned by Sam Jensen, who used to sell used furniture, bric-a-brac and antiques. The theatre stayed that way until 2001, when renovations began by owners Fred and Susan Perez. The theatre was in need of some serious repair and improvement. Fred and Susan spent 17 years relaying and polishing the original floorboards, installing roof insulation, as well as building a commercial kitchen, inside toilets with a disable toilet, upstairs living quarters, full verandah, and drainage and decking around the whole outer edge of the theatre. ​The theatre is a well-preserved and gabled red brick building, with internal renovations creating a grander experience than the original. The front facade still has its original raised cement letters `Garfield Picture Theatre' and sits above a deep cantilever street verandah which extends the front of the building. The Garfield Picture Theatre made a triumphant return as an entertainment venue on Sunday 03 July 2016, and now hosts various music events and is a great venue for weddings, corporate events and dances. The theatre seats 250 and has a lovely outside area with beautiful gardens including piano. Colour photographs of the Garfield Picture Theatre.garfield, garfield theatre

BHS CollectionBlack and white photo, No 2 tram passing Ironbark Mine on Mt. Korong Road, (now Eaglehawk Road ) Long Gully. Tram has two signs on side - ''You'll cook better electrically' and 'Wedding Album Photography, Leo A. Hughes, Eaglehawk'.Written on back in blue pen - 4'' wide, 85#.'4" wide, 85#'basil miller, long gully, ironbark gold mine, bendigo tramways

New Years Eve was celebrated enthusiastically by guest at all accommodation houses in Lakes Entrance prior to WW2. The back row is Molly Beveridge, above the 'groom', Bob Baade behind the 'reverend' (in hat), 2nd back row - 3rd from the left - Mr Beveridge (father of Molly and Nellie)Black and white photograph of guests at Kiora House, taking part in a mock wedding on New Years Eve 1937. Lakes Entrance Victoriaguesthouses, tourism, recreation, people

From Left to Right: Margaret Watson, Hugh Brown, Frank Anderson, Jean Brown, Mary Anderson, Bill Armstrong Zillah Jean Brown, known as Jean, was the granddaughter of a pioneer of the district, Mr Hugh Brown. Jean married Francis Anderson in October 1930. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of the wedding party of Miss Jean Brown and Mr Francis Anderson.hugh brown, mordialloc, jean brown, zillah brown, francis anderson, wedding, margaret watson, mary anderson, bill armstrong

Colour photograph of family group taken at wedding of James Edward Charles Forsyth Hancock to Jane Elspeth McWhennell, named are Trevor Hancock father, Brian Hancock uncle, Shirley Hancock grandmother, at St Clements Anglican Church Mosman NSW. hancock family, wedding, events

Bride in shin length dress , head dress and veil typical of 1920'sBlack and white photograph of Les Fish and his bride Ethal on their wedding daycelebration, wedding, ww 1, army

Black and white photograph of Miss Leonie Sparks after being crowned Miss Victoria in the Myer Music Hall Melbourne Victoria. Also a newspaper clipping of her wedding . Plus 4 newspaper clippings of the event.events, contestants, charities, fundraising

Victorian photo album bound in leather stamped in naturalistic motifs of flowers and insects with heavy board pages and inserted frames for photos. Covers held with metal clasp.non-fictionwedding gift, taffe, photgraph album

Wedding portrait of Ethelbert Cyril Kirkland and Mary Ann Reynolds, 7th March 1929. Mary is seated on a couch. She is wearing a pale, ong-sleeved dress and holding a bouquet of roses in her lap. Her dark hair is cut short with a deep fringe. Cyril is sitting on the arm of the couch. He is wearing a light-coloured three-piece suit with a wide, pale tie. He has a pocket handkerchief, and a badge pinned to his left lapel. His hands are clasped in his lap. They both look serious.

Dr Vera Scantlebury, born in Linton in 1889, served as a doctor and surgeon in England during World War I and was later recruited by the Victorian Health Department to establish a network of Infant Welfare Centres across the state. She married Dr Edward Byam Brown at St Bede's Church in Elwood in September 1926. Dr Brown was Associate Professor in Electrical Engineering at the University of Melbourne between 1930 and 1946.Black and white photograph showing bride and groom in garden. Bride is carrying a bouquet, wearing a mid-length dress with dropped waist, and a cloche hat trimmed with ribbon and flowers. Groom is wearing a formal three-piece suit and carrying a top hat."(Dr) Professor E B Brown / marries Dr Vera Scantlebury, 1926 / She said the hat gave her a headache!" "Mum / (Cath James) / written August 1997".vera scantlebury, edward byam brown, vera scantlebury brown

with Inas parents Emily and David Carstairs at St Andrews Presbyterian Church South Yarra South Yarra VictoriaBlack and white photograph taken at the marriage of Hector Burchell to Ina Eaton nee Carstairs wedding, social history, religion

Ina Katherine Burchell nee Carstairs on her wedding day with Matron of Honour Jean Green Mrs Ray Green taken outside the Presbyterian Church South Yarra VictoriaBlack and white photograph of Ina Katherine Burchell Jean Green Mrs Ray Green wedding, carstairs family, religion

taken after their wedding at Wesleyan Church Bairnsdale Victoria. Walter wearing three piece suit white shirt turned down collar with narrow tie, hair short at sides brushed back and thick on top. Frances in dark dress tight fitting hip length buttoned bodice narrow flounced skirt sleeves tucked with contrast of wrist, hair parted in centre and pulled back severelyBlack and white photograph of Walter Grant and wife Frances Mary Bowrangenealogy, fashion

Zillah Jean Brown, known as Jean, was the daughter of Frederick Brown and the granddaughter of a pioneer of the district, Mr Hugh Brown. Jean married Francis Anderson in October 1930. Hugh Brown (1830-1930), born in Ireland, arrived in Adelaide in 1855 and in the Mordialloc district in 1856. Mr Brown brought land in 1866 and built his farmhouse “Pine Vale” in 1870 near the site of the present Mordialloc Secondary College (then part of the property) and extended his property when the swampland was made open for selection in 1871. The property was a market garden and orchard. Hugh Brown married Zillah Baxter (1866) and they had six sons, five living to adulthood. The Brown family increased their land holding until they held a major part of the farmland between Mordialloc Creek to almost the Aspendale Railway Station. The property was a market garden and orchard. Mr Brown took an active interest in the public life of the community, a Justice of the Peace; Councillor of Dandenong Shire for over 30 years, was twice Shire President; and a founding member of the Mordialloc Mechanics Institute. Black and white studio photo of the wedding of Miss Jean Brown and Mr Francis Anderson on the verandah of the house.The Yeoman Studioshugh brown, mordialloc, jean brown, zillah brown, francis anderson, wedding

Photograph of bride, groom and bride's mother taken at the wedding of Dr Vera Scantlebury, who married Dr Edward Byam Brown in 1926. Vera was born in Linton in 1889. Her father was a Linton medical practitioner, and until her marriage her mother had been the Linton postmistress. L-R: Vera Scantlebury, Vera's mother Catherine Scantlebury, Edward Brown.Small black and white photograph showing three people in outdoor setting, dressed for a wedding.Handwritten on reverse: "September 1926 St Bede's Church Elwood / in middle is Catherine Millington / Baynes, Linton's P.O. in 1889". Small circular stamp: "Printed by Harrington's".vera scantlebury, vera scantlebury-brown, catherine millington scantlebury nee baynes

Black and white photographImage is a studio photograph of the wedding party including 2 bridesmaids and a flower girl.

Black and white photographImage shows the bride and bridegroom leaving the church entrance.

The Wedding of Mr and Mrs Napier who were married in 1907 in the Western District, Victoria.A black and white photo of the wedding of Mr and Mrs Napier, and a sepia group photo of the wedding.napier, wedding, fashion

Wedding of Kenneth Douglas Ingram to Margaret Rose Teagle, 22 June 1935margaret rose ingram (nee teagle), wedding, margaret rose fielding (nee teagle), kenneth douglas ingram, margaret rose teagle, pam thoonen (nee ingram) collection

A wedding dress, forming part of a collection of costumes, photographs and documents relating to the Weir family who lived in a mansion, originally named Illapa, at 84 Princess Street, Kew, from c.1917 to 1950. This historically significant collection includes items relating to both George Weir (1866-1937), his wife Edith Mary Weir (1867-1948) and their children. George Weir attained national prominence in the mining industry, becoming General Manager of the North Broken Hill Silver Mining Company in 1903 (later renamed North Broken Hill Mining Company 1905-12, and North Broken Hill Ltd 1912-1988), and subsequently President of the Mine Owners Association. He was to remain General Manager of North Broken Hill Ltd until his retirement in 1926.This garment is part of a collection of women’s clothing, owned and worn by Edith Mary Weir (nee Betteridge) - born in Clare, South Australia 1867, died Kew 1948 - and also by her daughter. The garments date from the 1880s to the 1930s. The collection includes day dresses, evening dresses, evening coats, capes, and undergarments. As the wife and daughter of a mine manager, the collection includes representative examples of clothing worn by upper middle class Australian women in domestic circumstances, and at social and civic events. A number of the costumes from the 1920s to the 1930s are of a particularly fine quality, being both rare, representative and intact examples of Australian fashion of the period. The garments in the Weir Collection were donated to the Kew Historical Society by a granddaughter of Edith Weir in 2017.Cream silk wedding dress consisting of a long sleeved pleated bodice and a very full skirt. The skirt has a deep exterior pocket. The interior of the bodice exhibits extensive use of baleen to provide structure. The outfit includes a marching pair of cream silk shoes.edith mary weir (nee betteridge), illapa -- 84 princess street -- kew (vic.), women's clothing, weir collection, dresses, fashion -- 1890s

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This wedding dress was worn by the grandmother of Val Warren.Raw silk wedding dress. The full length dress has lace on the bodice and long sleeves. Other decorative elements include finely pleated silk panels on the bodice, an insert on the skirt and on the cuffs of the sleeves The dress features extensive use of both utilitarian and decorative buttons that are covered in the same silk fabric as the dress. The final photograph shows two early repairs to the dress. Lydia Edwards in 'How to Read A Dress (Bloomsbury Academic, 2017), when describing a 1912 dress in the McCord Museum notes that: 'In 1911-12 the use of buttons for both fastening and decoration was extremely popular, the American women's magazine The Delineator declaring at the end of 1911 that "one cannot use buttons to liberally in the present mode".' (p.132)costumes, wedding dresses, women's fashion - 1910s, fashion design, fashion -- 1910s

Black and white photographs taken at wedding of Joyce and Graham Lukes Lakes Entrance Victoriawedding, people