Bendigo Advertiser "The way we were" from 1999. Serenity: the boatsheds oon lake Weeroona early this century.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Bendigo icon: the Cohn Brothers brewery in Breen Street.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Historic: the Beehive Mining Exchange, Pall Mall, Sandhurst.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. Shop with the lot: Keam's establishment in Williamson Street, Bendigo.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "The way we were" from 1999. City centre: the Town Hall, Market Square, Sandhurst.newspaper, bendigo advertiser, the way we were

Bendigo Advertiser "the way we were" from 1999. Our history: Pall Mall, Sandhurst. Date unknown.newspaper, bendigo advertiser, the way we were

Black and white photograph of Wesley Harry looking across the old Municipal Baths which were opened in 1914.place, bendigo, municipal baths, wes. harry, municipal baths

Black and white image of a number of mobile kitchens with chimneys. They were used by the Turks during World War One.Verso: A Turkish photo of their kitchen somewhere behind the lines. Palestine 1918.world war one, turks, turkish, kitchen, palestine, egypt, mmm

Photographs relate to the Poultry Farms that existed in Nunawading and Forest Hill in the1950s and 1960s. Photos taken in 1961-62. Poultry farmers included Messrs Boyce, Gallos, Foote,Grimsley, Greenwood and Dudley|Slides scanned as a 'tiff' at 300dpi to CD Rom and cleaned and adjusted by Ted Arrowsmith.Mr. Greenwood's home in Canterbury Road near Brentford Square. They were poultry farmers from 1920 to 1960s.eckermann's, eckermann frank, poultry farms, nunawading, greenwood, forest hill, canterbury road, mount pleasant road nunawading, boyles, white, bruer's

11 black and white photographs on a page from an album. Photographs were taken during the "Back to Rutherglen" of 1948.back to rutherglen, parade

Photographs of the channelled and unchanneled Yarrowee River near Hill Street and Redan. Ut shows were the channel ends.yarrowee river, yarrowee creek, yarrowee channnel, bluestone channel, bluestone

The Old Colonists' Association Hall opened in 1887.Photograph of the Ballarat Old Colonists' Hall taken on Christmas Day when there were no cars parked out the front. old colonists' association ballarat, old colonists' club ballarat, ballarat old colonists' hall, lydiard street, shopfront, r.f. scott and son

"The banner has been with the Club since it was created in 1957. Recent research has confirmed that it was made by Joan Eddy, the wife of club member Kevin Eddy and a professional seamstress. Grace Blake’s interview notes record her conversation with Mr Eddy on 24 October 2014: Kevin confirmed that the banner was made by his wife, Joan Eddy, in time for the opening of the new shed after the Olympics (1957). Kevin was the Social Secretary at the time, and co-opted his wife, who had worked as a machinist for Harford Clothing in Carlton before they married. Her mother had also worked there as a sewing hand (hand sewing the linings for jackets). The company was later taken over by Sires. ... It was made at home (Joan had ‘retired’ from work by then)." Excerpt from the 2014 Significance Assessment, p32.Banner Celebrating Albert Park Rowing Club Olympic Representatives, 1956 Statement of significance by Margaret Birtley, October 2014 Harry Gordon, the distinguished Australian sports historian, wrote of the 1956 Melbourne Olympic Games: "When the Olympic Games moved into Melbourne ... it was as if the city had been brushed by a certain magic. Nothing before or since ... has ever evoked such sheer emotional involvement from the whole community." Gordon refers to the large crowds that massed in Melbourne with anticipation and exhilaration on the day before the official opening, ‘with little apparent motive other than just to be there, and be happy’. The hand-crafted banner celebrating Albert Park Rowing Club’s representatives at those Olympic Games seems to exude that same sense of joy and exhilaration. Made by the wife of the club’s social secretary, it testifies to the admiration felt by individuals and organisations for the success of their own on a world stage. The banner has historic significance for its accurate documentation of the great achievement of a single rowing club in contributing six outstanding athletes to the relatively small Australian rowing team. Additional historic significance derives from the fact that this is an unofficial expression of tribute and pride. The banner’s incorporation of the Olympic rings would now be likely to require licensing by the Australian Olympic Committee, a process that can dampen social engagement. While definitely a hand-made item, there is some aesthetic significance in the design and execution of the banner. Good judgement has been demonstrated in the selection of fabrics and the choice of colours. The workmanship is quite skilful. The vertical symmetry and the horizontal balance of the design are pleasing to the eye. The use of red for the heading lines and black for the Olympians names is well-chosen and aesthetically pleasing. The collection holds black and white photographs of the same oarsmen at the Olympic regatta. This banner complements their role in the collection by providing colour and a sense of connection with an affectionate and supportive community. Its social significance transcends the local context for which it was created and used, to become part of the large body of art, craft and memorabilia that are associated with the Olympic movement worldwide. A handmade embroidered banner to commemorate the Albert Park members who were part of the 1956 Olympic Rowing team.A.P.R.C. / REPRESENTATIVES OLYMPIC GAMES MELBOURNE 1956 / R. DUNCAN / R. DICKSON / K. McMAHON / R. LIBBIS / I. ALLEN / J COCKBILL coxrowing, apsm rowing club, olympic games, albert park rowing club, albert park lake, duncan, robert, dickson, bruce, allen, ian, libbis, reg, mcmahon, kevin, cockbill, john

An artwork hanging in the main function room at Legacy House depicting Australians who have been awarded the Victoria Cross from the Boer War up to the Vietnam War.The prominent position shows the reverence Legatees feel for military history.Artwork on paper in wooden frame depicting images of those who were awarded the VC up to the Vietnam War.Subtitle is 'Limited Edition Series' and the print is numbered '763/950'.victoria cross, soldiers

Honiara West Special signed by 7 members of 5/6 RVR who were deployed on Operation AnodeThe Map is framed in the glass frame withe the Operation Anode patch, Australian Flag and 5/6 unit symbol displayed below the Map. It has been signed by 7 members of 5/6, each member's PMKey is also displayed on the Map

Glass container used to hold Kendall's Linament oilImported and sold by Holden and FrostSeven sided glass bottle in amber glass, paper label stating that the contents were Kendall's Spavin Treatment.container, kendall's, equine, treatment

During the depression of the early 1930s, men on the dole carried out work for the Wodonga Shire Council. One of the projects during the term of councillor Mick Martin, as shire president, was to seal the footpaths in central Wodonga. Local business people supplied the cement. The police department refused to fund the cement for its section of High Street, north of the railway line, which included the police station and the courthouse. The then licensee of the Terminus Hotel offered to provide the cement for sealing the footpath in front of the police station and courthouse. This offer was made on the condition that tiles bearing the words Terminus Hotel be inserted into the footpath pointing toward the hotel.The police objected but the hotel licensee, Tex Bailey, won the day. As a result, his hotel’s tiled name was inserted into the footpath in front of the police station. Cr Mick Martin’s son, Des, wrote to the council in 1967 asking that the sign be preserved and it was moved to the Terminus Hotel and placed in the footpath there.The Terminus Hotel was one of the earliest hotels in Wodonga with clear links to the establishment of the railway line. It was an important business and meeting place for social gatherings.The name, Terminus Hotel worked into the brickwork of the footpath when they were surfaced by sustenance workers during the 1930s Depression. "TERMINUS HOTEL"hotels wodonga, businesses wodonga, terminus hotel wodonga

Although opened by the Church of England in 1857, Huntly was not recognised as beginning until 1860 when it began to receive government funding. In 1862 it became known as a Common School. In the 1870's it was partly destroyed in a wind storm and a brick building was built to replace it. It became a State School between 1873 and 1878 and was renamed Huntly Primary School in 1970.Bendigo Advertiser ''The way we were'' from 2003. Best behaviour: Huntly school, 1967. The clip is in a folder.newspaper, bendigo advertiser, the way we were

BHS CollectionBendigo Advertiser ''The way we were'' from 2003. New: this is the Eddington bridge, photographed in 1929. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Photograph sent to Nan Fraser of Lakes Entrance VictoriaSepia toned photograph of Beth Rule and Leigh Cox taken as they were leaving the wedding ceremony Melbourne VictoriaVery Many Thanks. We send our warm appreciation of your Good Whishes and Thoughtful Giftcelebrations, fashion

This memorial designed by Peter Blizzard is dedicated to more than 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. This memorial honours and names them, the names are etched into the black granite wall adjacent to the pathway. Water springs from beneath the 'Lest We Forget' stone then flows down the wall into the narrow watercourse in front of the first group of names and into the reflective pool, then continues past the second group of names. Finally it disappears under the pathway, returning to its source under the 'Lest We Forget' stone to start the journey again. Water symbolizes the essential nature of man, sacrifice, suffering, spirituality, healing, cleansing, birth and re-birth. The memorial is created from natural materials and is designed to be in harmony with the Ballarat Botanical Gardens, and to create a sense of timeless, dignity and respect. The long pathway of the monument is designed to create a visual perspective of the large distances that Australians travelled to the various conflicts. The paving is shaped like railway sleepers in recognition of the role that railways and railway journeys were relevant to many prisoners of war. The Memorial was declared the first military memorial of national significance located outside Canberra in 2008. Dedication services are held at the memorial on the Sunday closest to 6th of February, ANZAC day and on Remembrance Day. The memorial is of historical and aesthetic importance to the people of BallaratMonument made from carved bluestone, water feature and flagsInscribed with the names of 36,000 Australian men and women were held captive as prisoners by the enemy during the Boer War, World War 1, World War 2 and the Korean War. The listing is by surname and initials and shown by war.prisoners of war, boer war, world war 1, world war 2, korean war, lest we forget, peter blizzard

Each postcard folder in this set has no address, message or postage stamp. Postcard folders such as these were popular as holiday souvenirs in the early to mid-20th century and were kept in good condition by collectors. The size is convenient for posting to friends and relatives and packing as holiday luggage. Postcards in the early-to-mid-19th century were an inexpensive way to remember and share holiday scenes, as few people could afford a camera and the price of developing the photographs. The images on these postcards were produced from black and white lithographs of photographs taken at Warrnambool and the surrounding district during the early to mid-20th century. Publishing firms such as Melbourne-based Valentine and Rose purchased photographs from local photographers and reproduced them for sale. This set of postcard folders shows that more than one publishing company had access to the same or almost the same images. The photographs include street scapes, the Warrnambool Breakwater and Pier, Botanical Gardens, beach scenes, cliff formations, the Hopkins River, municipal buildings, the Post Office and the Soldiers’ Memorial. The postcard folders in this set of three are significant as a record of local history from the late 19th century to the mid-20th century. The locations of the images match photographs and postcards in our collection that were taken at different times and provide a historical record of the Warrnambool and southwest Victorian locations, growth and changes.. The images record changes in the coastline, land, bay, buildings and other structures, roads, transportation and even the fashions of the times. Set of three postcard folders containing black and white images of photographed scenes showcasing Warrnambool and district between 1880 and 1942. The images were produced from lithographs of the original photographs and are printed on both sides of long strips of white photographic paper that are Z-folded into covers of textured card. Some of the images are repeated in all three folders. Folder 8665.1 - the cream-coloured folder was produced by The Valentine Publishing Co. Pty. Ltd. Melbourne and contains 15 photographs, some of which are also in the blue and the green folders. Folders 8665.2, the green folder, and 8665.3, the blue folder, were published by Rose Stereograph Co, Armadale, Vic. Each contains the same twelve images, but they are presented in a different order. flagstaff hill maritime museum and village, great ocean road, shipwreck coast, warrnambool, flagstaff hill, flagstaff hill maritime museum, flagstaff hill maritime village, warramble, postcard, postcard folder, warrnambool scenes, picturesque views of warrnambool, picturesque views of warramble, lady bay, port of warrnambool, breakwater, warrnambool breakwater, viaduct, merri river footbridge, merri river suspension bridge, suspension footbridge, merri river mouth, hopkins river mouth, proudfoot's, fanny nelson, nelson's boatsheds, nelson's boathouse, boathouse, hopkins river boathouses, flett's boathouse, flett, george rose, image of a rose, rose series, rose stereograph co, rose stereographic company, lighograph, armadale victoria, lady bay beach, beach scene, lower light, concrete footbridge, 1922 footbridge, viaduct road, rose postcard, new concrete bridge, 1945, 1890, 1922, small footbridge, 1872 footbridge, 1872, merri river estuary, stingray bay, postcards, shipwrecked coast, maritime museum, souvenir, warrnambool local scenes, hopkins river, botanic gardens, soldiers’ memorial, pier, post office, municipal buildings, merri river, proudfoot’s, the cliffs at shelly beach, the road to sandy beach, tourism, photographs, visitors, travel, scenes, local history, mid-20th century, 1940s, 1950s, rose stereograph co armadale. vic, valentine publishing co. pty. ltd melbourne, valentine publishing co. pty. ltd sydney

Ski-Horizon is the official journal of the Federation of Victorian Ski Clubs which began publication in 1949. The were 26 original member clubs which included Albury Ski Club, Bogong Ski Club, Myrtleford Ski Club, Tallangatta and District Ski Club and Wangaratta Ski Club. Two pioneers of Falls Creek, Tom Mitchell, M.L.A., and Martin Romuld were Vice-Presidents of the Federation.This Journal is significant because it documents the early development of skiing in Victoria.The journal features stories and events chronicling developments in Victoria and internationally. There were no items specifically related to Falls Creek in this issue. However the back inside cover featured an advertisement for Toonallook Romneys and Shetland and Welsh ponies from the Toonallook, Albury which was the property of Fred Griffith. It was frequently the venue for the annual fundraising ball for the Albury Ski Club. tom mitchell m.l.a., toonallook, fred griffith

This book of Warrnambool's meteorological observations is dated November 1948. The book was published by the Commonwealth Meteorological Bureau, Victora Division. It was printed by L. F. Johnston, Commonwealth Government Printer, Canberra. It was originally printed for Division 3, Queensland but has been overwritten with 'Vic' [Victoria] and used for Warrnambool. Readings were recorded daily for barometric pressure, temperature, rain and wind velocity. At the end of each month, they were posted to the central Branch in Melbourne.These Meteorological Observations are an important accurate record of the local weather since the decades. They are part of Flagstaff Hill's Meteorological Observations collection of over seventy record books dating from the late 19th century. The collected information gives a picture of the weather patterns for the months and seasons, which then allows for warnings of events out of the normal or extreme, such as forecasting floods or droughts.Meteorological Observations record book. Recordings were taken at Warrnambool in November 1948. Small red cardboard printed cover with printed pages prepared for adding records. Published by the Commonwealth of Australia. The book was printed for Queensland; the cover has been altered by hand to read Vic [Victoria], but the fly page has not been altered.Printed cover text includes "Central Meteorological Bureau" "METEOROLOGICAL OBSERVATIONS DIVISION No. 3 QUEENSLAND" Handwritten on cover "VIC" "Nov 1948."flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, meteorological observations, commonwealth meteorological bureau, weather readings, weather records, weather history, weather measurement, weather record, division no 3 queensland, victoria, november 1848

Information - J.Bamford: 'In the late 1930's and 40's there were two parts of the Mitcham State School. The Bubs and grades 1 to 3 were in a building on Mitcham Road that was near the laneway behind the shops,and grades 4 to 8 were further down Mitcham Road. There were several houses on Mitcham Road to the left of this photograph, with parkland behind.. The left rear of the school also joined the park. The right side of the school joined Sampson's orchard, which went down as far as Springfield Road. This road was then called the Stock Route because that was what it was back then.' By the number of children present, it appears that both sections of the school got together for this 1924 photograph.field, jean., mitcham state school, no. 2904, mitcham road, mitcham, victoria street mitcham