Winner of "Expressions 2006: The Wool Quilt Prize". Artist statement: 'Dressed in Memories IV is my continued exploration into contemporary quilting by looking back to the history of women, the quilts they made and the memories their work holds. Layered on the wagga of recycled materials is embroidered a dress that my mother made when she was in her teens. This contemporary quilt celebrates women's domestic work through the generations in Australia.'W7183 'Dressed in Memories IV' Detail of 'Dressed in Memories IV' (full photo in W7183textilefibreforumarticle2007.pdf) CV of Michele Eastwood Article 'Stitched and Bound' by Alvena Hall in "Textile Fibre Forum, vol. 21, issue 1, No. 65 2002. Article 'What is a Contemporary Art Quilt?' from "Popular Patchwork, April 2002, England. Article 'Quilt winner dressed for success' from "The Weekly Times", January 3, 2007 Article 'Expressions 2006: The Wool Quilt Prize' from "Textile Fibre Forum" no 85, 2007 Catalogue worksheet page 1 Catalogueworksheet page 2Dressed in Memories IVquilting textile art wagga, eastwood, ms michele, quilting, textile art, wagga

John Nesbeit Preston was born on 5 October 1897 in Gisbourne, New Zealand. He served in the RAN from 1919 to 1942. He served on the Stuart (Vendetta) from 1941 - 1943.This diary is a significant primary source detailing the daily life of J.N. Preston's service for the RAN on the HMAS Vendetta and other vessels during World War II. It represents a detailed account of his travels and experience of war.A small diary with a navy cover. Hand written entries begin 9th January 1941. Describes J. N. Preston's daily life, routine and experiences during his service from 1941 during World War II. "Diary" stamped on front cover. Made in Australia. "L.A. Reynolds/ For Music/ Records/ Instruments/ Allan's Pianos/ Murray St, Colac. CAR 14150j. n. preston, hmas vendetta, world war ii, geelong naval and maritime museum

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Unknown lady taken in front of Kofoed's residence residence at Armstrong's (Fountain Brewery) Similar to Photo 6637.

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo - place unknown. Three children, Two ladies and one man. names unknown

Digital Photo taken from glass slide by Geoff McMillan, Cooper Street Stawell and reproduced as a photo - printed at Stawell Historical Society 2019Black & White Photo Group of men and boys standing on and beside a horse and cart at Henry Best'sConcongella Vineyard cellar - Smokowinemaking, vineyards

Collector says - "I can still recall one of my earliest childhood memories, of my nana's bright aqua shoes against the checks of our family travel rug on summer picnics. Maybe that's when this collection planted its seed in me - 40 years later I start my first blanket collection after stumbling across old Onkaparinga travel rugs. I would go to a vintage market in Collingwood every month and almost always found a good one, amassing enough for the entire household. Everyone had their favourite, even the cat had his own – a small red tartan one just for him." Note from collector-"For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from. " Tan and brown plaid fringed travel rug. Albany Woollen Mill/Travel Rug/All Pure Wool/Emblem: A, Albany blanket, blanket fever, wool, rug, albany, albany woollen mills

Book of recipes and household Hints. Front cover imprinted with CWA logo. Title: The C.W.A Cooking Book and Household Hints: sixth Edition. CWA - For Home and Country. NB: Various loose-leave sheets of hand written recipes and newspaper cuttings of recipes.books, cookery

Toy used by Giselda Bannister as a child in early 1970s.Wooden Noah's Ark, blue base with red roof. Noah & wife, two of elephants, camels, oxen, pigs, rabbits, donkeys, cows, horses, giraffes, cats, squirrels, dogs, chickens, sheep.noah's ark, toys, giselda bannister

A black and white image of the Old Customs House at Corowa.corowa, customs house, river, bridge

Brown binder with picture of a patrol boat on the cover. Bound with brass screws.non-fictionThis journal required to be kept by Seaman Ratings as a ready reckoner.seamanship, navy, ran, royal australian navy

Colour photograph of a statue of Patrick Hannan.patrick hannan, statue, gold discovery, kalgoorlie, foutnain

A black and white image of eight men and a woman.flight, aeroplane, buchanan, jones, brinsmead

Local artistEtched clear glass

City of Keilor - Mayor, councillors and officers, 1963Black and White PhotographNames of council members under photo

Local historical significanceLocal historical significance3 Panel Framed photo of first ever Brimbank Festival

Local historical and research significance.Local historical and research significance.Framed colour photographs of Councillors' Portraits (Niddrie Ward)

Artwork based on a Vietnamese custom called "Dancing Unicorn Festival" Occuring at the "TET" during New Years and Autumn's full moon. Typical scene would include boys dancing with a "unicorn" and others dancing around. Sometimes this festival can be seen in Victoria. Artist associated with The Living Museum of the West.Le Van Tai. Dancing Unicorn. Gouache on paper, 76 x 52cm. Blue painting in a cubist / futurist style.

Local WildflowersLocal Wildflowers - Part of a series of 14 commissioned for Keilor City CouncilAR0006Details of the plant on the back of the painting

Local Indigenous PlantAR0117 Description of the plant at the back of the painting.

Local WildflowersLocal Wildflowers Part of a series of 14 commissioned for Keilor City CouncilAR0007Details of the plant on the back of the painting

Local SceneHuntsman Chemical Plant in distance. Quarry now a tip to the right. Taken in South Sunshine near Kororoit Creek - AR0036

Local SceneWest of Fairbain Road facing east towards city with grasslands and box thorns. - AR0039

Local SceneBuckingham Crescent, South Sunshine AR0115

Local SceneDeer Park looking North up the river - Kororoit Creek - AR0021