Showing 8591 items matching "wools"
-
National Wool Museum
Textile - Blanket, Godfrey Hirst, 1950s
Note from collector: Godfrey Hirst Diamond blankets from the mid-1950s are always delight to find. Some of these were found in the Geelong area but one came back with me from an op shop road trip around Tasmania, another from the St Pauls op shop in Romsey. I love this pattern and find the lemon and grey colourway particularly special.Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." King-sized, pink and mint diamond blanket, ribbon edgedName tag 'O'Malley' sewn above label/"An All Wool Blanket" /By Godfrey Hirst of Geelong/100% Virgin Woolwool, blanket, blanket fever, diamond blanket, godfrey hirst, geelong -
National Wool Museum
Archive - Advertisement, Onkaparinga Woollen Mill Company
Note from collector- "For more than 100 years blankets were made all over Australia in over 100 woollen mills. My aim, is to preserve 100 examples of these wonderful pieces of history. Ten years ago I started collecting the iconic Onkaparinga travel rugs, so that on movie nights at home there would be plenty to go around. Everyone had their favourite; even the cat had his own – a small red tartan one. Keeping an eye out for those travel rugs at op-shops and markets, collectable stores and bazaars, led to noticing vintage blankets. I'd never really thought about them before or paid much attention though of course I had grown up with them at my grandmother's. When I discovered my first Laconia cream blanket with blue stripes, my eyes just went gaga. Well that was it, I was hooked and since then over 500 blankets have passed through my hands. These common, everyday items, found in all households for so many decades, were traditional engagement gifts. Pairs were prized wedding presents turning into family heirlooms. They were fashionable dressers of beds, givers of warmth, bestowers of security and reliability. The comfort found in these objects resonates with almost all of us; we grew up with them ourselves or fondly recall them in a grandparent’s home. There is no modern replacement with the integrity of these old blankets, many of them now older than most of us. They are romantic, sensible, special, familiar, nostalgic and nothing else feels so appropriate in so many situations. No offense to the great Aussie doona, but from hippie to hipster, at a music festival, picnic, campsite or couch, a vintage blanket is something coveted by all. This industry that employed tens of thousands and must have been such a huge contributor to the economy is almost completely lost now. Blanket Fever is an ode to everything that came before: the land, the sheep, the shearers, the hands, the mills, the weavers, the designers, the distributors, the department stores. To the grandparents that gave them, the people that received them, the families that kept them; thank you. I’m passionate about my collection of Australian blankets manufactured in mostly Victoria, South Australia and Tasmania from the 1930s to the end of the 1960s. The collection has blankets from each of these four decades representing the styles and fashions of their time and includes dated advertisements which help determine the eras the blankets are from." Gay as a highland gathering (lamb playing bagpipes)Gay as a highland gathering….good for a lifetime of comfort/Onkaparinga/100% Pure Wool Rugs/Buy Well-Buy Wool blanket, blanket fever, wool, onkaparinga, advertisement -
National Wool Museum
Book, Knitting, Patons Knitting Book no. 402
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Patons and Baldwins and contains knitting patterns for children.Patons / KNITTING BOOK / No. 402 / P&B / WOOLS / PATONS / DOUBLE QUICK / KNITTING / ALL PURE WOOL / 1'3d.knitting handicrafts - history, patons and baldwins (australia) ltd, knitting, handicrafts - history -
National Wool Museum
Book, Knitting, The Wool Collection - K-Mart
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. This free pattern was given away by K-Mart, the department store, in 1984 when large knitted jumpers were particularly fashionable.The / Wool Collection / FREE / PATTERN / FROM K-MART / Quality always makes its mark. / PURE NEW WOOLknitting handicrafts - history, k-mart, knitting, handicrafts - history -
National Wool Museum
Booklet, 1947
Donated by Mrs Robyn Adams, daughter of Victor Clyde- a wool grower from North East Victoria. Mr CLyde would use this booklet to record the details of the wool bales which he sold through Goldsbrough Mort. The first yellow sheet in the booklet indicates that it was filled out in 1947.Faded red/orange paper booklet with three metal staples on left side spine. Top of front cover has an image of a rams head above decorative text reading -Goldsbrough, / Mort / & Company Limited-. Address and services provided are also listed on font cover. Back cover shows an image of a warehouse and gives addresses of warehouse storage locations. Inside front and back covers have instructions and tips on using the booklet. There are several yellow pages upon which can be recorded the wool bale details, transferred between pages with missing carbon paper. There is a loose, small white sheet of paper which displays an example of how the yellow sheets should be filled out.wool sales, wool auctions, wool transportation, wool bales, mrs robyn adams, elder smith goldsbrough mort limited, dalgety and company limited elder smith goldsbrough mort limited, goldsbrough, mort and company limited -
Bendigo Military Museum
Uniform - DRESS UNIFORM, ARMY, Sandleigh Clothes, Post WW2
MAJOR THOMAS GLAZEBROOK AM, RFD, ED AM ( member of the order of Australia) RFD ( Reserve Force Decoration) ED ( Efficiency Decorations with Rosette Regt No 3137211 Enlisted as recruit Sapper 22.9.1950, promoted L/Cpl same day, promoted to Sgt 29.9.1951, promoted to Lieutenant 28.6.1956, Captain in May 1966 then qualified as Major and Administering Command of 104 Construction Sqd RAE, promoted to Major Officer Commanding 104 Sqd 8.7.1968, retired from the Services 7.5.1975..1) Jacket- navy, wool, polyester, yellow metal buttons, efficiency decorations with rosette. Metal lapel badges. ROYAL AUSTRALIAN ARTILLERY .2) Trousers- navy, wool, polyester, red felt stripe on each outer leg.ROYAL AUSTRALIAN ARTILLERY BADGE- “UBIQUE” ( everywhere)uniform army, glazebrook -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, black and white, c.1960
Sister Beryl Hawker is a District Nurse working for the Melbourne District Nursing Service (MDNS) and is leaving their Headquarters at 452 St. Kilda Road, Melbourne to give nursing care to a patient in their home situated in a Melbourne suburb. She is wearing the MDNS winter uniform grey wool coat over her grey cotton dress with white collar. A red Maltese cross is attached to the centre of her grey wool beret. Her nursing case contains an apron, hand towel, thermometer, instruments, dressings and lotions.The Trained nurses of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing and to people of many cultures throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care provided was: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. RDNS provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Quadriplegia, Paraplegia, Acquired Brain Injury, following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.Sister Beryl Hawker, who has short dark hair, is smiling as she is leaving Melbourne District Nursing Service (MDNS) Headquarters. She is wearing the MDNS uniform of an ankle length double breasted grey wool coat and wool beret with a central Maltese cross. Part of the MDNS insignia is seen at the top of her left sleeve. In her right hand she is carrying a rectangular nursing case and a light colour soft material bag. She is standing in front of the open metal spike gate between the two square grey concrete pillars of the gateway; the black numbers '452' are written on a white background on the top section of each pillar. A spiked metal fence is attached and running to the right of the right pillar; attached to this and close to the pillar, is a white plaque with black capital letters reading: 'Melbourne District Nursing Service Headquarters'. In the background is a paved path leading to part of a building with part of three arches seen and above this some concrete balustrade. A large pedestal concrete flower urn sits next to the partially seen steps leading up to the building. Some low bushes are seen behind the fence and in front of the building.59134-11melbourne district nursing service, mdns, mdns uniform, mdns headquarters, sister beryl hawker, royal district nursing service, rdns -
Warrnambool and District Historical Society Inc.
Functional object - Playing Cards, Warrnambool Woollen Mill, 1940s
These playing cards were produced for the Warrnambool Woollen Mill in the 1940s for promotional purposes and were probably given to members of a bridal party when one member had bought a Warrnambool blanket (specifically the Warma-Wool Blanket) as a trousseau item or as a gift for the bridal couple. The cards were in the possession of Mr C.F. Kelly of Dwarroon, Cudgee (near Warrnambool) in 1985 and he has taken them to show the manager of the Warrnambool Mill as they were already items of historical interest, being about 40 years old at that time. The letter from the Warrnambool Mill administration office attests to this. The envelope shows that the cards were returned to Mr Kelly by post. The Warrnambool Woollen Mill was established in South Warrnambool in 1910 and closed in the year 2000. It was one of the most important and well-known industries in Warrnambool in the 20th century. These items are of interest as mementoes of the Warrnambool Woollen Mill, a key 20th century industry in Warrnambool that was known Australia-wideThis is a pack of playing cards having the usual playing cards printed numbers and emblems on one side and a colour illustration of a bride and two bridesmaids admiring a blanket on the other side. This side also has printed material. The cards are partly enclosed in a piece of cellophane and the pack is in a rectangular envelope with a stamp and a typed address on the outside. The envelope is open and partly torn at one end. The letter in the envelope has a letterhead and typed material.Envelope: Mr C.F. Kelly R.S.D. 4330 D.Warroen (sic) Cudgee Vic. 3265 Cards: Warrnambool Warma-Wool Blankets warrnambool blankets, warrnambool woollen mill, dwarroon estate cudgee -
National Wool Museum
Tarndwarncoort Sheep Coats, 1975-2013
Used at Tarndwarncoort by Wendy Dennis and family. Small blue Lambs coat made in Australia, Yellow and white coats made in Australia by ?Goblin? Company in Australia about 35 years ago with rheem material polypropylene. Both Green coats are large sizes (Korean Made) Current Coats used now by Tarndwarncoort are made in China from Nylon material. These coats were decorated by year 12 students at Colac High School for Fashions on the field (no sign of this is visible on the coats. The coats come along with several articles written by Wendy Dennis about her methods of producing coloured wool and growing sheep. A series of photographs are also provided which add to the provenance and significance of the items. Used by the Dennis Family at Tarndwarncoort. Prominent woll growing pastoralist and settler family at the historic Tarndwarncoort homestead. These types of coats are used to protect fine grade and high quality wool while still on the sheep's back. These coats were made in Australia, and while these types of coats are still used, they are now made in China and Korea. 5 small sized lamb coats. shaped to fit a sheep with leg straps or holes in the rear, and joins, shashes and ties at the front. Light Green Dark Green White Yellow Grey letter from Wndy dennis of Tarndwarncoort Article titled 'Breeding Coloured Sheep and using Coloured wool' by Mrs. W. S. Dennis. Article Titled 'Coloured Sheep and Wool: Exploring Their Beauty and Function' by Mrs. W. S. Dennis. Article Describing the Tarndwarncoort property and its history. A4 Black and white photograph of Tarndwarncoort sheep wearing coats such as the ones in this collection -
Orbost & District Historical Society
knitted collar, Burton, Marjorie, 1940's
This was knitted by Marjorie Burton during WW11 in England. She used to knit while in an air raid shelter escaping the bombing with her young daughter. Marjorie Burton ( nee Whiteman), born 12 June, in Birmingham, England came to Orbost in 1995. In England she did office work – typing, shorthand and secretarial work - in accountants’ offices and also trained as a comptometrist with Burroughs in London. She came from a middle-class, working, church-going family. Her mother was a milliner who mademany of Marjorie’s clothes, hats and outfits. Marjorie married in 1938 to a salesman who later became a mechanic in the R.A.F. during WW11. Her father served in Civil Defence during the war. Marjorie was in Birmingham during the war and remembered sheltering with her young daughter, Anne (Quaadgras) in the air raid shelter during bombing. This item is an example of a handcrafted item and reflects the handcraft skills of women necessary during WW11 when clothing became scarce. Clothes rationing began on June 1, 1941, two years after food rationing started. Clothes rationing ended on 15 March 1949.A narrow, detachable hand-knitted lady's collar. It is hand-knitted in white brushed wool.women's -clothing accessory burton-marjorie -
Orbost & District Historical Society
picture, Lavell, Mrs Fred, early 20th century
This item is an example of a handcrafted item and reflects the needlework skills of women in the earl 20th century. Crochet work was an affordable way to personalise and add aesthetic value to homes, and examples of embroidered and crocheted pieces could be found in most Australian homes, A crocheted picture of bushland in East Gippsland. It is in white wool and framed in an ornate gold frame.handcraft crochet picture -
Bendigo Military Museum
Headwear - HAT, FORAGE, RAAF, c1939-1945
Noel Strawson Barningham, 18146 Flight sergeant, Enlisted 21 August 1940 at Bendigo. Discharged 20 Sept 1945. RAAF Headquarters.Hat - wool, Navy, 2 metal buttons, Hat folds down (Forage Hat)nonehat, raaf, ww2 -
Glenelg Shire Council Cultural Collection
Photograph, Portland Wool Brokers Limited, Front Entrance, n.d
Port of Portland AuthorityFront: (no inscriptions) Back: 177 (centre, pencil)port of portland -
Glenelg Shire Council Cultural Collection
Photograph, Wool bales, n.d
Port of Portland Authority Archivesport of portland archives, wool bales, maritime industry -
Glenelg Shire Council Cultural Collection
Clothing - Tie, 'Tee Dee', n.d
Tie. Bicentennial, dark blue, wool/polyester. Small green and yellow bicentennial logos. -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
World War 2 Australian Army long woollen gaiters, 1943
A Gaiter or Puttee covers the lower leg and boot lacing and are a type of protective clothing for the ankles and legs below the knee.. These long woollen wrap around Gaiters were issued 1943 to a serving Australian Soldier in World War 2 1939-45 This pair of Australian Army Gaiters were issued in 1943 to one of the many young men from City of Moorabbin who volunteered to serve during WW2 1939-45 WW2 extra long wool wraps /gaiters / puttees Australian Army issue 1943 MADE IN AUSTRALIA / N466 D D / REGIMENTAL NO. ......./ NAME ... C.M / 1943australian army, world war 2 1939-45; gaiters, puttees, woollen goods, protective gear, uniforms, australian infantry forces, moorabbin, bentleigh , cheltenham -
The Ed Muirhead Physics Museum
Lens with box and lid
Round glass lens stored in rectangular cardboard box with lid and supported by cotton wool.On inside of box in pencil: “20/1/40 (?dictatomigialls of l/4). On top of box: “wray flat”. -
The Ed Muirhead Physics Museum
Lens with box and lid
Round glass lens stored in rectangular cardboard box with lid and supported by cotton wool.On inside of box in pencil: “20/1/40 (?dictatomigialls of l/4). On top of box: “wray flat”. -
Benalla Art Gallery
Painting, J. H. SCHELTEMA, Full swing on the board, 1904
Born: The Hague, Netherlands 1861; Arrived: Melbourne, Victoria, Australia 1888; Died: Brisbane, Queensland, Australia 1941RealismGift of Mr Gordon S. Ross, 1978Interior of shearing shed with figures, shears, animals and wool. Copper coloured gesso frame.Recto: Signed "J. H. Scheltema" in brown oil in l.l.c of composition; Not dated; Not titledpainting, interior, shed, shearing, sheep, figures, animals, wool, farm -
Uniting Church Archives - Synod of Victoria
Uniform - Methodist Girls' Comradeship, Pocket
Black wool blazer pocket with a gold and white embroidered Methodist Girls' Comradeship emblem."MGC"methodist girls' comradeship, uniform -
Uniting Church Archives - Synod of Victoria
Offering bag
Used at Hartwell Presbyterian Church/Hartwell Uniting Church of AustraliaBurnt orange coloured wool bag with cotton lining and a wooden handle. The bag is handmade. hartwell presbyterian church, hartwell uniting church of australia -
Stawell Historical Society Inc
Clothing - Costume and Accessories, c1890
Pure Wool Black Skirt with taffeta and Lace. Frills around hem. Dane Family.stawell clothing material -
Yarrawonga and Mulwala Pioneer Museum
Basket of wool
Small cane basket with two handles containing various samples of coloured unspun woolNone -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Trousers - Battledress
Army Khaki wool serge trousers (made by Clothing factory South Melbourne (MTX)uniform, 1950+, army -
National Wool Museum
Photograph - Wool Follicles, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging depicting diagrams of wool follicles.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Graph and Wool Sample, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a graph and wool sample.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Graph and Wool Sample, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a graph and wool sample.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Graph and Wool Sample, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a graph and wool sample.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
National Wool Museum
Photograph - Graph and Wool Sample, J W Allen, 1900 - 1940
This item is part of a collection of six black and white glass lantern slides previously housed together in a glass plate box. The slides are part of a greater collection of around forty three black and white glass lantern slides, along with other photographs and photo albums related to this collection. This item is associated with the New South Wales Graziers Association world tour of merino sheep 1928/9. The slides were possibly used as supporting material in presentations made by J W Allen when on tour.Black and white glass lantern slide with paper edging showing a graph and wool sample.agriculture, new south wales graziers association, travel, sheep, breeding, photography, glass lantern slides, j w allen -
Mont De Lancey
Waistcoat, 1950's
Typical of fruit picking attire. Used for Bicentennial tableau in 1988.Mens black wool waistcoat, with 5 plastic buttons, lined pockets, and satin lining.waistcoats