A black and white postcard photo of The Close, Gt, Duoroow. On the back a description of the inside of the house.buildings, house, the close

A black and white postcard depicting Broad Street Corner, Ludlow. The postcard is addressed to miss E. Wells, 51 Barklay Place, Bendigo, Victoria, Australia and is signed A. W. Shaplandsplace, streetscape, ludlow

A black and white postacard of Gobolion (near Wellington NSW) addressed to Miss Wells, Montefiore, Wellington. The signature of the sender is too hard to read.place, landscape view, gobolion

Black and white photograph, multiple people, photograph of Leanne Walker and Rob Gaylard at the Miss Victoria Fund Raiser Bendigo Advertiser description: Leanne Walker Miss Victoria Fund Raiser Rob Gaylord Host SLA 2661 4.1recreations, sports, awards, leanne walker, rob gaylard.

A small black and white photograph labelled our new home, 134 Sydney road. On the back: wishing you a very happy new year, from us all in this new home.place, house, sydney road

A black and white photograph of a large number of soldiers and nurses in front of two red cross tents and a building. On the back: Wimeraux, Lady Dudley's Hospital Ship. Bob Wallace.military, world war 1, wimeraux

A black and white photograph of a large number of military personnel and nurses in front of two red cross tents and a building, a red cross van on the background. On the back Wimeraux, Lady Dudley's Hospital ship, Bob Wallace.military, world war 1, wimeraux

A black and white photo postcard of the Wellington choir, there are nine sited women and ten standing men. On the back the words Wellington choir. No names or date. There are three photos all the same.performing arts, music, wellington choir

Composite face legs and arms. Painted features. Hair - possibly real, dark brown colour. Doll dressed in royal purple gown. Long sleeves with lace cuff. Faux fur collar around V shaped neckline at front and squared collar at back. Lace trim across front of neckline. Faux fur trim across centre front and centre back at hem. Three underskirts. Mauve satin with darker mauve frill around hem line. Stiffened white fabric (Vilene?) White drawers with lace trim on lower legs. Painted on shoes in gold paint. Purple velvet handbag edged with silver cord. Boudoir dolls are dolls that are made to sit on beds and sofas as decorations rather than being used for play. They are also called bed dolls, flapper dolls, and French dolls. Years of Production Although dolls that sit on beds are still being made today, the classic vintage boudoir dolls were made from approximately the 1920s through the 1940s. Some of the earliest dolls, made even earlier than 1920 in some cases, were made in France. Many of the dolls were made in an art deco style.

A black and white photo postcard of Mr. Barsly (?) at the Wellington organ. No dateperforming arts, music, organ

Red velvet hat with a white feather trim. Covered by a red band.

Marseille My Dream Baby doll, 8-22" tall, bisque head, lightly painted hair, painted or sleep eyes, doll mold 351 has an open mouth with two upper teeth, cloth body with bisque or composition hands or composition jointed body, came as either a white doll or black doll. Doll face shown is a socket bisque head with sleep eyes on a composition jointed body. Armand Marseille of Sonneberg and Koppelsdorf, Thüringia, Germany was one of the worlds largest and best known bisque doll head manufacturers. The founder was born in 1856 in St. Petersburg, Russia the son of an architect and immigrated to Germany with his family after 1860. In 1884 he bought the toy factory of Mathias Lambert in Sonneberg and in 1885 acquired the porcelain factory of Liebermann & Wegescher in Koppelsdorf . . and his empire in the doll world began. Made 1924 - 1930 and later Bisque heads made by AM represented a new born infant. They came in white, brown and black versions. Mold 351 with open mouth and two lower teeth. The bodies were either cloth or composition AM doll. China haed, sleep eyes, painted lashes, two bottom teeth. Doll’s head has been repaired (badly) Composition body in good condition Embroidered lawn dress with pink embroidery. Appears to be original clothes Doll purchased from Harrods in London in 1926

A small black and white photograph of Edgar Shapland. Edgar was a relative of Elma Winslade Wells. Edgar is shown looking left wearing a white shirt and a light coloured jacket buttoned up. He has fair hair parted in the middle. On the back the logo of Henry Goodman, portrait & landscape photographer, 1&6 Fort Hill, Margate, established 1858.person, individual, edgar shapland

A small photograph of Edgar Shapland. A relative of Elma Winslade Wells. Edgar is shown looking right. He is wearing a dark overcoat over a white shirt and tie. He has short, fair hair. On the back the logo of J. C. Turner & Company photographers to their Royal Highness the Prince & Princess of Wales, Duke of Edinburgh and Duke of Cambridge. 10 Burnsbury Park, London.J. C. Turner & Companyperson, individual, edgar shapland

Black one piece ladies bathers with bra inserts and skirt front. Square neckline. White embroidered chain pattern around neckline and on straps over shoulders.Tag on Inside seam, ''Made in England'' '' All Bri Nylon'' Palmers Swimwear''.costume, female, black one piece bathers

3 copies of booklet, The Electrical Factor in Metabolism (Section 5C) Crystalloid and Colloid Structures in Relation to Electrical Charges, Radiation and Water by W.N.Abbott and E.F.Fowler. 67 pages with black and white photographs.books, technical, chemistry

White cotton infant's nightgown with long sleeves. Yoked front and back. Front yoke has diagonal pintucks. Back yoke has horizontal pintucks. Front of nightgown attached to yoke with series of knife pleats with lace trim on outer edges. Decorative lace across front at waist level with 40cm ties attached on either side. Back of nightgown gathered onto back yoke. Back opening (36cms) fastened with two different one cm plastic buttons. Long sleeves trimmed at wrist with two rows of lace and diagonal pintucks. Six horizontal rows of pintucks four cm above hemline.costume, children's, white cotton infant's nightgown

White cotton child's lace dress. Unlined. Dropped waistline. Bodice made up of vertical strips of two different laces. U shaped neckline with flat gathered lace collar (7cms) with one cm fine lace trim around neckline. Cap sleeves (7cms). Skirt (16cms) of gathered lace in one piece. Back opening full length of bodice (22cms) with three buttons two X .6cm and one X .9cm.costume, children's, white cotton child's lace dress

White cotton girl's nightdress with kimono cut short sleeves. Sleeves have 1.2cm casing at hemline with 2.5cm lace trim on edge. U shaped neckline with 2.4cm casing with 2.5cm stand up gathered lace frills. Back section of nightie gathered at centre back where attached to casing on front of night dress is a centre tab of lace (6cm X 10cm) with six vertical pintucks on either side. No openings. Heavyweight cotton fabric.costume, female, white cotton girl's nightdress

White cotton infant's nightgown with long sleeves. Front insert below neckline of broderie lace with lace (2cm) trim on outer edges. Broderie lace band at waist below insert (14.5 X 3cm) has ties attached at each side (61cm X 6cm). gathered lace trim around neckline above casing (.6cm) threaded with cotton tape tie. 33cm back opening fastened with tie at neckline. Lower part of skirt has broderie all over pattern with 27 cm border. Set in long sleeves with 2cm lace trim at wrist.costume, children's, white cotton infant's nightgown

Fine white cotton girl's night dress. Yoke at front and back. Full length back opening fastened with tie at neckline. Back yoke has three vertical pintucks on each side of opening. Front yoke has vertical pattern of pintucks and embroidered fabric with horizontal section at waist. Sleeveless nightdress overlays of embroidered fabric attached to sides of yoke to form cap sleeves over shoulders. U shaped neckline has casing with cotton tape tie. Gathered skirt attached below yokes. Finished with French seams. Lower edge of night dress trimmed with embroidered fabric with scalloped edge. Note in box with garment ''The child's nightgown is about 60 years old and was made by Mrs. Antoinette Catling for her eldest daughter''. Undated. Not attached. This is the most probable garment.costume, female, white cotton girl's nightdress

Off white knitted infant's socks. Decorative ribbed pattern on main body of socks.costume, children's, pair of infant's socks

Black and white photograph of Paul Stevenson holding a badminton racquet in a holder. Paul is dressed in his sporting attire. His white top is covered in geometric designs.clubs, social, paul stevenson, paul stevenson

A 1981 Calendar of Sandhurst (Bendigo) in 1881. The front cover has many shots of the city including the Mining Exchange, the Fountain, the train station and many more. Second page, a, for January and February is a larger photo of the front of the Beehive Chambers and Mining exchange. Second photo,b, for the months of March and April is a view from Post Office tower looking north to White Hills. Third photo ,c, for the month of May and June is a photo of the Sandhurst Post Office in Pall Mall. Fourth photo, d, for July and August is a top view of the Sandhurst Railway Station. The fifth photo, e, for September and October is shows a very busy Alexandra Fountain with many people walking around it. The sixth photo, f, for November and December shows a fine view from the Post Office tower looking south to Golden Square.bendigo, history, city history

A small black and white photograph of Emily Shapland who married Arthur Northover. A relative of Elma Winslade Wells. Emily has grey or blonde hair, wearing a flowery top. At the bottom Henry Wayland, Blackheath. On the back the logo of Henry Wayland photographer Rembrandt House Blackheath.person, individual, emily shapland

These Walls Speak Volumes, A history of Mechanics Institutes in Victoria, hardcover book with dust jacket, 704 pages with black and white photographs & information on Mechanics Institutes all over Victoria, published by authors, printed by BPA Print Group Burwood. Published 2015Pam Baragwanath & Ken Jamesbooks, school, mechanics institutes, victoria-mechanics institutes-history

A small black and white photograph of Arthur Northover. A relative of Elma Winslade Wells. Arthur is showing looking right, in a white shirt, tie, breast jacket and an overcoat. Arthur is a middle age man, with receding hair line and moustache. At the bottom Henry Wayland, Blackheath. On the back the logo of Henry Wayland photographer Rembrandt House, Blackheath.person, individual, arthur northover

A small black and white photograph of Dorothy Northover (Mrs. L. Williams) as a child. A relative of Elma Winslade Wells. She is standing on a chair wearing a light coloured dress. At the bottom G. Brown & Son, Broad St. Deal. On the back: from G. Brown & Son electric and daylight studio, Broad St. (near pier), Deal. Electric light every evening at dusk till 8pm. these portrait are equal in every respect to the best daylight work.person, individual, dorothy northover

A small black and white photograph of Mr. Snowdon partner of (first name unreadable) Rotherham. A relative of Elma Winslade Wells. Mr. Snowdon is wearing a white shirt with a bow tie, jacket and overcoat. He has dark hair combed back with curls, he also has a beard. On the back the logo of J. W. Clarke, artist and photographer, 7 Angel Hill opposite Abbey Gate Bury St. Edmunds.person, individual, mr. snowdon

A small black and white photograph of "Harriet", there is no surname, Balmoral Hill Blackheath. A relative of Elma Winslade wells. Harriet is show standing with her arms resting on a cushion on top of the back of what looks like a leather chair, she is wearing a black long dress. At the bottom T. Wright, Poplar. On the back the logo of T. Wright, photographer, 199 East India Road, opposite Poplar church, London.person, individual, female portrait