This cup and saucer set was issued as a souvenir of the opening of the Federal Parliament in Canberra in 1927. The building was opened by Prince Albert, the Duke of York who was accompanied by Elizabeth, the Duchess of York. The Duke of York later became King George VI of England. The colonies in Australia became Federated States in 1901 and from that date to 1927 the Australian Federal Parliament sat in Melbourne. When Canberra became the capital of Australia a Parliament House building was erected at a cost of £600,000 but it is now known as Old Parliament House as the present Parliament House was opened in 1988. This cup and saucer set is of interest as a memento of an important event in Australia’s history – the creation of a capital city and the opening of the first Federal Parliament House. It will be useful for display. This is a white china cup and saucer set. Both the cup and saucer have two gold bands around the rims and are decorated with black ornamentation and the portraits of the Duke and Duchess of York contained within gold oval patterns. There is also black lettering on both objects. The name of the maker is printed on the bottoms of both objects. On both objects: ‘The Federal Parliament opened by H.R.H. The Duke of York at Canberra 1927’ ‘Foley China E.B. & Co. Made in England’ opening of federal parliament 1927, history of warrnambool

Letter from Nillumbik Council to H.Gilham in response to consultation on Wattletree Road Bridge replacement, 13 August 2007, 1p. VicRoads brochure on Wattletree Road bridge replacement project, August 2007, 1p Photo of "Coleman's house", 1904 with brief family history. (Photo retrieved by Harry Gilham from from a 1972 'time capsule bucket' found at the Eltham Shire Office during its demolition in July-August 1996 (See also SEPP_0745 and 1678A) Photo of "Coleman's house", 1971 Survey plan showing location of Coleman's houseFolder of information and photos relating to the Colemans Corner precinct located on the corner of Main Road and Wattletree Road, Eltham. HG Booklet 9bus services, wattletree road bridge, coleman family, coleman's corner, harry gilham collection

Opera House update news on narrow fold out (& Appletree Hill Estate). Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.sydney opera house, utzon, sydney opera house project, walsh st library

Minister for External Affairs Lord Richard Casey visited International House in January, 1957, its first year operating as a residential college. Lord Casey was Minister for External Affairs in the Liberal-Country government from 1951 to 1960, becoming involved in patronage of International House with his wife, Lady Maie Casey. Thean Pak Ken, pictured here, was one of six Malaysian students to attend International House in its first year. He was in his final year of medical school, going on to a career as a doctor and marrying in Perth.richard casey, students

The letter writer G. R. Locke has read Robin Boyd's newspaper articles on early public buildings and homes. This letter tells Boyd about the historic home "Auburn House", 4 Goodall St Hawthorn, established for Robert Hepburn with land purchased in 1856. It also tells of the confusion with neighbouring house "Auburn Lodge". Since Boyd writes on early Melbourne public buildings and homes, the writer is inviting Boyd to view the house. It is not known whether Robin Boyd took up the invitation. In 1960 it was included in the National Trust Register.

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.This is the earliest known photograph of Ordsall / South Esk, a significant mansion in Kew, built for John Halfey and now demolishedMembers of the Kew Congregational Church in front of one of the verandas of Southesk, circa 1900.congregational church - kew (vic), south esk - south esk - ordsall - kew (vic)

'Ordsall', renamed 'Southesk' in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.Rare, and possible unique fragment of a plaster cornice from one of the most architecturally distinctive houses in Kew, demolished 1970.Section of plaster cornice removed from Southesk on the corner of Charles Street and Cotham Road, Kew, when it was demolished in 1970 by the City of Kew. The cornice has a narrow layer of previously coloured plaster which is now overlaid with a grey distemper. The foundation of the cornice is moulded cement. Remnant flowers moulded in the central band of the cornice include a rose and a sunflower. The plaster decoration was probably located in the entrance hall, dining room or ballroom, all of which were created in the 1870s by Michael Hennessy and decorated by the firm of art decorators, Cullis Hill & Co in 1882.Nilordsall, south esk, cullis hill, plasterwork, cornices, victorian interiors

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This triangular piece of the fresco is of a cherub's face.Label: 'This is from the "Southesk" ballroom 14-7-70'ordsall, southesk, cullis hill & co.

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Culls Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.One of only two fragments of the painted domed ceiling of the ballroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This roughly square piece of the plasterwork shows a woman's head. Given the size of the face, it is believed that this section of the fresco represents one of the four 'geographic depictions of the earth including the seasons, night and morning'.Label: 'This is from the Southesk Ballroom 14-7-70'cullis hill & co., fresco, ordsall, southesk

Ordsall, renamed Southesk in the 20th century was built for John Halfey in or before 1865. The house was rebuilt in the 1870s to designs by architect Michael Hennessy. In 1882 the house was redecorated by the firm of Cullis Hill & Co., who hired the artists 'Mr Vandenbrandt' and 'Signor Rizzi" to paint the ceilings of the ballroom and the drawingroom. The artistic triumph was described in detail in The Argus, 30 October, 1882. In 1947, Southesk was purchased by the Kew City Council. For 23 years it was used as a meeting place for community groups. The house was then demolished in 1970 to make way for a new Town Hall.The interiors of the two main reception rooms at Ordsall included some of the most outstanding domestic frescos painted in Australia in the late Victorian period. These frescos were executed by artists hired by the firm of Cullis Hill & Co. While a number of photographs were taken of the interiors prior to the house's demolition in 1970, this small fragment of the fresco is one of only three extant. The fresco allows conservators to examine and evaluate fresco techniques of the period.A fragment of the painted domed ceiling of the drawingroom of Ordsall (later renamed Southesk) which once stood at the corner of Cotham Road and Charles Street, Kew. This rectangular fragment of painted plaster is a small section of the rectangular frieze of neo-gothic scenes that were a feature of the drawingroom ceiling. The fragment differs from those remaining from the ballroom in that it includes a section of gold leaf.Label: 'This is from "Southesk" drawing room'ordsall, southesk, cullis hill & co., halfey, john

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)The house at 7 Hume Street was designed in 1955 by the modernist architect Douglas Alexandra (1922-2000). Between 1951 and 1996, Alexandra completed a number of significant projects including a regional art gallery and library complex at Hamilton, Victoria (1958-59). The residence in Hume Street is included in the RAIA Victorian Chapter's 20th Century Buildings Register. The house, and another residence in Molesworth Street (1961), is one of his notable residential projects. The aerial property illustration of the house by Margaret Picken was commissioned by the real estate agent Woodards in 1998. Gift of Margaret Picken, 2020Pen and ink property illustration on drafting film of 7 Hume Street, Kew by Margaret Picken.7 HUME ST., KEW / MARGARET PICKEN ~98 / WOODARDS ~ HAWTHORN artist -- margaret picken 1950-, 7 hume street - kew (vic)., d.d. alexandra - architect, property illustrations -- buildings -- kew (vic.)

This book was produced as part of the centenary celebrations in 2006. In 2006 Orbost Golf Club celebrated its’ Centenary having originally been formed as the Snowy River Golf Club and played on private land near the banks of the Snowy River just to the south of town. In the 1930’s the Golf Club relocated to its present site and was renamed Orbost Golf Club. The land was shared by the Show grounds and Racing Club. Orbost Golf Club later acquired the land outright to provide a permanent home for golfers in Orbost and surrounding district.This is a local history book.A 38 pp spiral bound book titled Orbost Golf Club Centenary Booklet 1906-2006 Centenary Celebrations 9/12 2006. The front cover is cream and has a black line sketch of the old club house at Orbost Golf Club.recreation orbost-golf-club

The Grinton Collection. The wedding of Jack Grintons younger Brother Fred and wife Lucy. Refer - Cat No. 1280 for Jacks service details.Photograph framed. Photograph - black and white photograph on paper depicting a semi-formal full-length portrait of a bride and groom. The bride is standing. Groom is seated. Background - house verandah. Frame - timber, light varnish finish, Perspex front, cardboard backing."Group 6: Life after 1919". "A. Fred Grinton and Lucy Sutherland". framed accessories, camera on the somme, ww1, 38th bn, grinton

The photograph shows the state of the Echuca wharf in 1973 or 1974. The P.S Pevensey looks like it has just received a fresh coat of paint. There is also a train parked on the wharf behind the school students. The river also appears to be quite high. This photograph shows the state of the wharf in the early 1970's. It shows the fence between the wharf and Murray Esplande was relatively new. The tourism industry was very new to Echuca in the 1970's but the P.S Pevensey looks ready to take Tourists cruising on the Murray River. It also shows schools were using the port as a valuable resource for teaching History.A black and white photograph of the P.S Pevensey tied up to the Echuca Wharf. There is a group of school children leaning over the wire fence at the edge of the wharf. There is also one teacher supervising the children. The Steam Packet Inn and the Customs House can be seen in the background.Pevensey; Melbourne can be seen clearly written on the paddle steamer. On the back of the photograph is written "This photograph is with the compliments of the Ministry of Tourism, Government of Victoria. Please acknowledge photo; Michael Cheshire. There is also a purple Port of Echuca stamp on the back of the photograph.echuca wharf, p. s pevensey, ministry of tourism, cheshire, michael

Items relate to Jack Grinton No 1043, 38th Batt AIF. The photographs were taken during and after WW1. The series of postcards, some of which are labelled, were collected by Grinton. Pictures of 38th Battalion soldiers are depicted on a number of postcards. Other photographs and postcards feature scenes from France and the UK. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. See also 1290.2P and 1291.2P. Refer Cat No 1280 for Jacks service recordBlack three ringed plastic folder in a black plastic box. Folder is divided into labelled sections each of which contains a number of photographs or postcards. Photographs and post cards are housed in clear plastic pockets. A handwritten white label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'ADDITIONAL PHOTOS', 'PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS'. .2) On spine label handwritten in blue ink: ' ADDITIONAL PHOTOS', PHOTOS WITH WRITING', POSTCARDS', SCHRAPNEL POSTCARDS', HEATHER'S CARDS', JEAN GRINTON'.38th battalion, postcards, photography - photographs, books - albums, grinton collection, western front

Photos relate to James Worland MILLS No 3441 59th Battalion. James is the soldier in both photos. Refer Cat No 169P for his service details. .1) Photo post card, sepia, showing a group pf men & 1 soldier at a farm around a drive belt. .2) Photo, post card, black / white, showing a group of men, women, a child & a soldier in a vegetable garden with a house in the background. ..1) On rear in ink: “L B Mills Mincha” .2) On the front in red ink: “Findlay 1916”photographs, 59th

Black & white photograph of soldiers in uniform on parade with military band in front. Parade of soldiers standing in front of timber building & house with picket fence. Children in foreground watching the parade. 1900's rectangular timber frame painted dark grey colour.photography-photographs, frame accessories, trades -carpentery, passchendaele barracks trust

Items relate to Jack Grinton No 1043, 38th Batt AIF. The postcards document Grinton's visits to various UK, French and European sites of interest. The ephemera in the last section include booklets, sketches, souvenirs, programmes, paper money, photo wallets, letters, pay slips and Grinton's discharge certificate. Part of the Grinton Collection which included hundreds of negatives and developed photos taken by Jack Grinton during WW1. Refer Cat No 1280 for service details. See also 1291.2P and 4528.2P. Black three ringed plastic folder in a rectangular black plastic box. Folder is divided into labelled sections each of which contains a number of postcards and assorted ephemera. Postcards and ephemera are housed in clear plastic pockets. A handwritten label is taped to the spine of the box..1) Each section divider is labelled in blue ink: 'P/Cs CAPE TOWN', 'P/Cs ENGLAND & SCOTLAND', 'P/Cs FRANCE & EUROPE', 'ASSORTED EPHEMERA' .2) On spine label handwritten in blue ink: 'POSTCARDS - Sth AFRICA, UK, FRANCE, ASSORTED EPHEMERA, JEAN GRINTON'. 38th battalion, books - albums, western front, john 'jack' grinton, grinton collection

Donated by N. M. & J. D. Archibald, April 1973.Colour Photograph. Ventnor. Hurricane Hill (Richardson's Hill). Built about 1883. 18' x 18'. Brick double one story. Originally built for Mr. T. Richardson. Now being used as a holiday house (1973). Chicory Kiln Album.local history, photography, photographs, agriculture buildings, historic, chicory kiln, hurrican hill, home, richardson, ventnor, n & j archibald, richardson's hill ventnor phillip island

Mt Beauty township was built in the late 1940s by the State Electricity Commission of Victoria for its workforce during the construction of the Kiewa Hydro Electric Scheme.This is a list of the early occupants of Mt Beauty township, naming the head of the household. It lists their phone numbers but not their occupations or family members.16 pages of Foolscap paper held by 2 staples in the top right hand corner. It consists of the following headings: - Name, Address, Phone No., and Sect-Allot.. The names are in alphabetical order. Commission owned houses are asterisked. All lists are as at 1st October, 1964Written in pen on top of first page "Patrol Supvr. - Info. Centre'mt beauty householders, mt beauty directory, mt beauty telephone directory, mt beauty residents 1964, mt beauty township

World War 1 post card from Australia to a soldier overseas.This card demonstrates to relationships during this time and the artwork of the period.Rectangular paper card with a picture of hands reaching to touch between the stems of flowers. A horse shoe with a county scene of a house, sheep, horse and man walking down the road from a tall building. The colours are pink, red, yellow green brown and blue.On the front Medium font " Many Happy Returns across the top and in blue are font "Wishes true I send to you. For pleasures many Troubles few". Along the bottom edge. On the back written in fine ink the words "My Dear Little lovy Duck Bill wishing you a Happy Birthday. Hope you are all well remember me to all with love to you Gooby & my only one J.J. x xww1, art, post, card, greetings

Cruets or Communion Jugs (2) cut glass used for religious ceremony. Lid features glass cross. Both containers have "IHS" engraved in the glass. One container has broken handle but has been repaired. Housed in a chamois drawstring pouchflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, communion jugs, cruets

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a man dressed in a three piece suit sitting on a canon which is located in a park overlooking a lake. Trees and houses can be seen on the other side of the lake. The man is Frank Wright and the place is "View Point", Lake Wendouree, Ballarat.Written in pen on back - Frank Wright - on canon at "View Point", Lake Wendouree, Ballarat. Photo by Vernon Holt 3/2/22frank wright, vernon holt, lake wendouree, ballarat, canon

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a young man dressed in a dark three piece suit, with one hand resting on his hip. He is standing outside the bay window of a weatherboard house. The man is Frank Wright and the place is 118 Doveton Street South, Ballarat.Written in pen on the back - Frank Wright, at the age of 19 years, taken at 118 Doveton St. South, Ballarat, by Vernon Holt, 23-7-1921frank wright, vernon holt, 118 doveton st south, ballarat

The stauroscope is an instrument for studying characteristic properties of anisotropic mineral particles. Later petrografic microscopes incorporate the stauroscope feature. Calderon Stauroscope in a hinged timber box. An optical device resembling a microscope with a vertical axes. The composite tube is made of brass, and is adjustabbly attached to a splayed-leg base equipped with a traingula section pillar. Instrument and accessoried housed in a brown polished timber box stauroscope, scientific instrument, microscope

Used for surveying classes at the Ballarat School of Mines.Telescope with cross hairs and stoidia wites. Internal focussing. Vertical tilt adjusted with vernier mocrometer screw mirror lid longitudinal bubble level. Pea bubble level on plate. Housed in wooden storage carry box. Fits tripod cat. no. 4118Serial number 67543 On box lid in white paing "L 6". In yellow paing "59". Inside box lid - Manufacturers label; grades table label, calibration label reading "instrument No 67 543, date 13.5.50" (ink faded) constant: +0.19 ft"dumpy, level, surveying, scientific instrument, e.r. watts & son ltd, ballarat school of mines

Diggers & mining. The gold era. In 1855, a new constitution provided for responsible government under two houses of legislature (a Legislative Council and a Legislative Assembly), both elected under a restricted franchise. Markings 37 994.031 GOL:5. Used as a teaching aid.hanimounteducation, tertiary, goldfields

Conditions of sale by private contract dated 15th August, 1928 between R. Strahan and A. Jacka for property at 32 Curnow Street Bendigo described in residence area certificate of registration No. 20368 together with 5-roomed weatherboard house for the price of 310 pounds.organization, business, h.a. & s.r wilkinson real estate

Black and white photocopy of a photo of a house beside a building with A. Connell. Baker above the veranda. The edge of the veranda has Alex Connell. Bread. Biscuits painted above the veranda poles. Title pasted under the picture is Eaglehawk Road next to Mechanics Institute.bendigo, history, long gully history group, the long gully history group - eaglehawk road - mechanics institute, alex connell