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Stawell Historical Society Inc
Photograph, Fire Brigade Members Running Team
Fire Brigade Members of the Running Team 1930's. The group consists of males and females both members and supporters.Small black & white photograph of a group of people from the Stawell Fire Brigade. The group consisting of around 16 people some in uniforms others not.stawell uniform -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty, her sister and other female workers at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty, her sister and other female workers at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty, her sister and other female workers at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty or her sister or another female worker at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
National Wool Museum
Photograph
Photograph depicts Alice Kittelty, her sister and other female workers at the Federal Mill, c.1900-15.textile mills staff, federal woollen mills ltd, kittelty, ms alice, textile mills - staff -
Unions Ballarat
Story of my life (Don Woodward Collection), 1975
Autobiography of Golda Meir. Golda Meir was the first and only female prime minister of Israel, from 1969 to 1974.Politics - Israel. Autobiographical interest - Golda Meir.Book; 396 pages. Cover: blue background; gold lettering; author's name and title. Library card envelope glued to the inside cover. Red biro, "50P". Library stamps: "WITHDRAWN FOR SALE FROM ENFIELD LIBRARIES" & "London Borough of Enfield Public Libraries: P15527" btlc, ballarat trades hall, ballarat trades and labour council, meir, golda, politics and government - israel, autobiography -
Vision Australia
Image, circa early 2000's
Vision Australia Foundation volunteer Edna Allen. Dianne Kerr (right), unidentified female and Edna Allen (left)2 x col. photographdianne kerr, ballarat office -
Vision Australia
Photograph - Image, John Cook presenting boots
John Cook holds one extreme platformed boot and looks on as as female staff member views the other one.B/W photograph of John Cook presenting boots to a staff memberassociation for the blind, john cook -
Vision Australia
Image, October 1968
An older gentleman is assisted with using a white cane, by a younger female, in the gardens outside the Alexis Albert Hostel in Sydney.5 B/W photographs of older man using a white caneMobility - historical Alexis Albert hostelwhite cane day, royal blind society of new south wales, alexis albert hostel -
Bendigo Historical Society Inc.
Photograph - GOLDEN SQUARE LAUREL STREET P.S. COLLECTION: STAFF PHOTOS
Two Golden Square primary school staff photographs laminated upon blue cardboard. [a] Standing female photographed in front of school with three boys in background. Caption below reads '1949, Miss Mary Reed, Infant Mistress. [b] Photograph of three adults with two females either side of male. Caption below reads '1949, Student Teachers : Anne Pink, Vern Wilkinson, Betty Von Leven.bendigo, institutions, golden square primary school -
Bacchus Marsh & District Historical Society
Photograph, Burnip Family and House Coimadai 1883
The family group in this image is the Burnip family. George Burnip came to Australia in 1854. In 1856 he married Juliette Grant. Sometime after this he came to the Bacchus Marsh area and purchased a farm near Coimadai and named it 'The Pines'. George Burnip was active in public affairs as a member of School Board of Advice and the Agricultural Society. One of the two men in this image is likely to be George Burnip, probably the man on the left. The woman standing with her arms crossed is possibly Juliette Burnip. The children pictured are likely to be the Burnip children.Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. An image showing a brick house with a pitched roof in three separate sections. Two chimneys on either side of the house can be seen. Standing in front of the house is a group of people, male and female, young and old. One female is older and is seated in a chair. At the front of the group is a dog.On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE houses coimadai vic, stevenson and mcnicoll 1883 photographs of bacchus marsh and district, houses bacchus marsh, burnip family bacchus marsh -
The Beechworth Burke Museum
Photograph
Taken in the mid 1900s, the photograph depicts seven unidentified male and female performers. They are all dressed in different theatrical costumes.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5656 /1900s, beechworth, theatre, actor, actress, costume, entertainment, entertainment album -
Federation University Historical Collection
Book, John Mawurndjul: I am the Old and the New, 2018, 2018
Hardcovered book with an image of a crocodile with rarrk design. The book is a catalogue for an exhibition developed and co-presented by the MCA and the Art Gallery of South Australia (AGSA), in association with Maningrida Arts & Culture, this exhibition presents the work of one of Australia’s leading contemporary artists – master bark painter John Mawurndjul. Bringing forth a tradition shared by generations of Kuninjku artists, Mawurndjul is celebrated for his mastery of rarrk (cross-hatching) and his depiction of djang (sacred sites). Bark paintings and sculptures made over a thirty five year period, from private and public collections, and chosen by the artist, will introduce audiences to the concepts that shape Kuninjku culture and the significant ancestral locations in Central Arnhem Land. Born in 1952, Mawurndjul is a Kuninjku elder and artist. He lives and works in Milmilngkan and Maningrida in Central Arnhem Land. Since his first exhibition in 1982, he has become one of Australia’s most widely recognised artists. In 1989 he was included in the landmark exhibition Magiciens de la Terre at the Centre Pompidou and Grande Halle de la Villette in Paris, and his works have been included in numerous solo and group exhibitions in Sydney, New York, Paris and Japan. Following the presentation of this exhibition at the MCA, it will be presented at AGSA from 26 October 2018 until 28 January 2019 as part of TARNANTHI Festival of Contemporary Aboriginal and Torres Strait Islander Art.(https://maningrida.com/exhibition/john-mawurndjul-old-new/, accessed 05 November 2018) non-fictionjohn mawurndjul, bark painting, exhibition catalogue, rarrk -
Kew Historical Society Inc
Photograph, Stuart Tompkins, Kew City Council Meeting, Cr Marie Dalley, O.B.E., J.P., Mayor, 1955
Cr. Marie Dalley was the first female mayor of Kew in 1954-55. The photograph shows the interior of the Council Chamber in the 1950s.An original photograph of Cr. Marie Dalley and councillors in 1955. The photograph was once part of the Municipal Collection of the former City of Kew and was presented to the Kew Historical Society in 1989.Framed photograph of the Kew City Council at a meeting in the Council Chamber of the Walpole Street {Kew] Town Hall in August 1955; the Mayor Cr. Marie Dalley chairing the meeting. Names of the councillors and council staff are inscribed on the mount. mayors of kew (vic), kew city council - 1955, council chamber - walpole street (kew) town hall, kew (vic.) — municipal collection -
The Beechworth Burke Museum
Animal specimen - Ring Ouzel, Trustees of the Australian Museum, 1860-1880
The Ring Ouzel can commonly be found in small flocks or pairs. They have a distinctive white strip across their chest which helps to identify this species. They generally reside in large open grassy spaces such as farmlands, and can be found in mountainous areas with large boulders and slopes. They are located across Western Europe, the Mediterranean and Northern Africa. In some countries such as Ireland, England and Wales, the Ring Ouzel is endangered due to human disturbances, however elsewhere the species thrives. Although this is a taxidermy mount, it is highly similar to the real female Ring Ouzel. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This female Ring Ouzel is a predominantly brown in color. It has a white strip across its chest. The torso is a lighter shade of brown. The tale of the Ring Ouzel is long and a darker shade of brown when compared to the red colouring of the body. This specimen stands upon a wooden perch and has an identification tag tied around its leg. The bill is thin and has a pointed appearance. It has been styalised by the taxidermist in an open position which conveys the idea that this bird is mid call.Swing tag: 109a / Ring Thrush / Catalogue Page 27 / Metal tag: 4139 /taxidermy, taxidermy mount, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, ring ouzel, ouzel, european birds, african birds, mediterranean birds -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1920s
Photo shows three walkers, one male and two females, on the track to "The Pinnacle". The man is holding onto either a walking stick or some railing. One woman is holding an umbrella.scenery, wonderland range -
Australian Queer Archives
Poster, Cathie Knox, International Women's Day 1995, 1995
The use of the colours purple, green and white reference the colours used during the first wave feminist movement initially in the UK by the Women’s Social and Political Union (WSPU), and subsequently emblematic of the Australian women’s movement.Graphic illustration of a naked female seated figure in purple, white and red, against a background with 'rays' of purple, green and white. Main text in red, with additional text at base in purple.Additional text: "A woman's place is… …in the struggle : 24th consecutive rally and march : 6:30pm steps of Parliament House : Dance afterwards 8:30pm Brunswick Town Hall (cnr. Sydney Rd. + Dawson St.)."women's liberation -
Bendigo Historical Society Inc.
Document - 1934 CALENDAR DIARY
Small 1934 Calendar & Diary with pencil / Cream cover with picture of female child feeding a pigeon contains Calendar, notes space and postal info. /telephone directory / printed in Australia.personal effects, pocket books, small 1934 calendar & diary with pencil -
Bendigo Historical Society Inc.
Photograph - FEMALE PORTRAIT, 1900 ?
sepia print mounted on buff board, priunt is 5.7 circular, apparently copied from a snapshot. Print is cameo image of young adult female with double picket gates in background.cottage, miners -
Bendigo Historical Society Inc.
Photograph - GROUP PORTRAIT MALE AND FEMALES IN FRONT OF WATERFALL, approx. 1920's
black and white photo mounted on grey card. Mixed group of males and females, seated in front of waterfall and broken branches. Some people holding long sticks - walking group ?person, group, casual -
Bendigo Historical Society Inc.
Photograph - 3 TUTTLES CO PHOTOGRAPHS
Three small portrait photographs, 1 male 2 female by Photographer Tuttles Co Melbourne ,Sydney & Adelaide, written on back of 7923/1 in ink yours sincerely Robert.W.Greville.Tuttles Cophotograph, portrait, male & female -
Bendigo Historical Society Inc.
Photograph - Myer Bendigo Staff Easter Parade 1920
B&W photograph of the Myer Bendigo staff and float for the Easter Parade 1920. Photo shows seven female staff. The float is decorated with lattice and balloons. Several staff in costume.social history, myer store -
Bendigo Historical Society Inc.
Photograph - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE STUDENTS
A black and white photograph of Bendigo Teachers' College students c. 1950's. The female students are all in Summer frocks and the male students are all in shirts and ties. See 3320.100bendigo, education, bendigo teachers' college students, la trobe university bendigo collection, collection, bendigo, bendigo teachers' college, education, tertiary education, teacher training, miss j.c. burnett, mr. geoff pryor, teaching, photo, photos, photograph, photographs, fashion, costume, clothing, students -
Bendigo Historical Society Inc.
Document - OPENING OF PARLIAMENT INVITATION TO GEORGE LANSELL, 1901
Invitation to Mr G and Mrs Lansell to attend the celebrations in Melbourne in connection with the opening of the Parliament of the Commonwealth of Australia. Paper certificate mounted on card with illustrations of female figures and coats of arms.person, individual, george lansell -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Australian Road Cycling Championships, Ballarat, 05/01/2012
Each year the national cycling championships are held at Ballarat.Colour photograph in digital format of a number of female bicycle riders taking part in the National Road Cycling Championships at Ballarat. The church is St Andrew's Kirk, Sturt Street, Ballaratballarat, st andrew's, cycling, bicycle