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Phillip Island and District Historical Society Inc.
Photograph, Eric Juckert Mural, 1988
Photograph donated by Anne Davie 4/6/2020 Mural has been moved to Cowes Primary School for safekeeping during the Cultural Centre demolition and rebuilding. Joy NivenColour photograph of the Cowes Cultural Centre Mural with Eric Juckert, mural artist, explaining the mural's contents to Gov. General Sir Ninian Stephens and Lady Stephens (not in the photo). cowes cultural centre mural, eric juckert, eric juckert mural, phillip island, anne davie -
Phillip Island and District Historical Society Inc.
Photograph, Bryant West
One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of a Sketch of Head Station of Messrs. W & W J McHaffie by W. & E. Liardet. Copy of water colour by Victoria's earliest artist late 1840's.Hand written inscription by W. J. McHaffie - "Sketch of Head Station of Mssrs. W & J.M. McHaffie of Phillip Island by W.F.E. Liardet."local history, photography, photographs, painting, early settlement, black & white photograph, farming, settlement, mchaffie, john jenner, bryant west -
Federation University Historical Collection
Artwork: Sketch Books, David Alexander, Dr: Ballarat, 1971 to 2012
David Acrum Alexander was born c1925 and died in 2015. He practiced medicine in Ballarat but also had a keen interest in sketching and painting. The 52 books range from 1971 to 2012. They include rough outlines for characters, often with a comment re changes to be made. If a pencil sketch or water colour 52 artist's sketch books of varying sizes, spiral bound. Some are thematic in content; characters from novels, places, people Some comments are written and names of peopleDate of work written on covers and on some individual pages. Place name and those of characters from novels.david alexander, sketchbook, artists sketchbook -
St Vincent's Hospital Melbourne Archives
Artwork, other - Painting, Circa 1966-1967
This painting was presented to the St Vincent's civilian medical team by the people of An Giang Province, Vietnam, in recognition of their work in the area. St Vincent's sent four civilian clinical teams to Long Xuyen, South Vietnam, 1965 - 1966 as part of an aid program administered by the Australian Department of External Affairs to assist Vietnamese medical and paramedical personnel and provide medical aid to everyone who needed it. The service of the Australian civilian teams who went to Vietnam 1964 - 1972 was recognised with a special plaque within the grounds of the Australian War Memorial in October 2008. This item has historical significance because it is a memento of the hospital's involvement in a nationally significant wartime aid program to South Vietnam. Landscape painting of deer near a forest stream. Painted in the traditional Vietnamese style using lacquer and paint. Artwork is framed in a black frame but is not behind glass. The artist is unknown.Plaque is attached at lower left corner and translated reads: The people of An Giang Province / are extremely grateful to the Australian Surgical Team.st vincent's hospital melbourne, paintings, artworks, south vietnam, medical aid -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HISTORIC
Bendigo Advertiser "The way we were" from 1999. Historic: W.J. Straughair was in Mitchell Street, Sandhurst. Specialising in artists' materials, it was also a house, land and commission agent.newspaper, bendigo advertiser, the way we were -
Bendigo Historical Society Inc.
Newspaper - JENNY FOLEY COLLECTION: HISTORIC
Bendigo Advertiser "The way we were" from 1999. Historic: W.J. Straughair was in Mitchell Street, Sandhurst. Specialising in artists materials, it was also a house, land and commission agent.newspaper, bendigo advertiser, the way we were -
Whitehorse Historical Society Inc.
Article, Heritage festival, 21/04/1999 12:00:00 AM
Activities which are featured at Schwerkolt Cottage on the Open Day including blacksmiths, wood turners, lace makers, artists, spinners and weavers, paper-makers, quilters and patch workers.Activities which are featured at Schwerkolt Cottage on the Open Day including blacksmiths, wood turners, lace makers, artists, spinners and weavers, paper-makers, quilters and patch workers.Activities which are featured at Schwerkolt Cottage on the Open Day including blacksmiths, wood turners, lace makers, artists, spinners and weavers, paper-makers, quilters and patch workers.heritage festivals, schwerkolt cottage, nunawading and district historical society, rotary club of forest hill, tymms, pat, durham, norm, lavis, andrew -
Whitehorse Historical Society Inc.
Article, Painting soldiers isn't child's play, says artist, 1990
Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.Graphic artist, Phillip Walden, of Nunawading, has been making detailed models of historical war figures from different battles and has won several major awards.crafts, walden, phillip, model soldiers -
Whitehorse Historical Society Inc.
Document, Remarkable Women, 1/03/2017 12:00:00 AM
Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion.Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion of local trailblazing women during the late nineteenth and early twentieth centuries with explanation leaflet.Eight cards created by Whitehorse Manningham Libraries in collaboration with artist Edwina Marion. marion, edwina, schwerkolt, wilhelmina, weber, ivy, goyder, constance, serpell, jane, gaff, janet, sutherland, jane, boorat, annie, burchill, elizabeth -
Whitehorse Historical Society Inc.
Photograph, Whitehorse Road, Mitcham c1925
Black and white artist's impression of buildings at the corner of Whitehorse and Mitcham Roads, Mitcham c1925, with oval section at bottom right. Photographs containing the same view are at Np122 and NP551whitehorse road, mitcham, roads and streets -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/10/1995 12:00:00 AM
Also another black and white photograph of Michael Alvarcz with Toorloo Arm and Nowa Nowa Primary School children during Childrens Day Kite Festival number 04046.1 size 4.5 x 6 cmBlack and white photograph showing Kite Artist in Residence Michael Alvarez with Toorloo Arm Primary School students Jenny Cross and Ben Eaton Toorloo Arm Victoriasports -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1/11/1993 12:00:00 AM
Black and white photograph at Woodsedge Craft Centre TAFE display Artist Ann Greenwood and Pat Waters with Penny Johnston from ABC Sale at Lakes Entrance Victoriaexhibition, sports -
Tramways/East Melbourne RSL Sub Branch - RSL Victoria Listing id: 27511
Print, Attack At Lone Pine, 1993
Framed print of the Allan Waite 1993 painting 'Attack at Lone Pine - 6 August 1915' Image details an artists interpretation of trench warfare at Lone Pine in 1915. Print has 'Attack at Lone Pine - 6 August 1915', 'Allan Waite - August 1993', and 'Printed by the Royal Australian Survey Corps 1993' printed along the bottom of the print. lone pine, allan waite, ww1, gallipoli, turkey -
Whittlesea Historical Society Inc.
Drawing, Bear's Castle at Yan Yean, Victoria
Coloured drawing of Bear's Castle at Yan Yean, Victoria, signed by the artist in bottom right corner, mounted on white board, framed behind glass in black and gold frame(Colin Brindle)yan yean, bear's castle, drawing -
Queenscliffe Maritime Museum
Drawing - Harry Mouchmore, Pencil drawing, Dr Mike Birrell, 1996
Harry Mouchemore was a fisherman in Queenscliffe from 1934 to 1995 using a 30 foot Cayzer built boat called PepeOne of a series of 10 pencil drawings entitles 'The Old Salts' of prominent Queenscliffe fishermen Framed pencil drawing of prominent Queenscliff fisherman Harry Mouchemore signed by artist Dr Mike Birrell 1996. One of a series of 10 drawings entitled 'The Old Salts'Harry Mouchemore; Born Sth Melbourne 1920, fished 1934 - 1995; Boat: Pepe, 30 ft, Cayser builtpepe, harry mouchemore, dr mike birrell -
Queenscliffe Maritime Museum
Drawing - Lewis Ferrier, Dr Mike Birrell, 1996
Lewis Ferrier was a fisherman in Queenscliffe from 1938 to 2008 using a 26 foot Couta boat called 'Rosebud'One of a series of 10 pencil drawings entitles 'The Old Salts' of prominent Queenscliffe fishermen Framed pencil drawing of prominent Queenscliff fisherman Lewis Ferrier signed by artist Dr Mike Birrell 1996. One of a series of 9 drawings entitled 'The Old Salts'dr mike birrell, lewis ferrier, 'rosebud' -
Bendigo Historical Society Inc.
Document - IAN DYETT COLLECTION: BUSINESS CARD - OWEN W WILLIAMS
Light green business card with Owen W. Williams (Late foreman brooks, robinson & Co., Melb.) artist is Stained Glass, Domestic & Ecclesiastical. Hargreaves Street, Bendigo.business, auctioneers, j h curnow & son pty ltd, ian dyett collection - business card - owen w williams, brooks robinson & co -
Bendigo Historical Society Inc.
Photograph - MERLE HALL COLLECTION: PHOTOGRAPH OF LINDA THOMPSON AS FIORDILIGI
B&W Photograph of Linda Thompson as Fiordiligi in Victoria State Opera's ''Cosi Fan Tutte'' with Sunday annotations. Artist in stage costume with hands clasped around waist. -
Bendigo Historical Society Inc.
Drawing - TED HOCKING COLLECTION: COLOURED SKETCH SAMSON COTTAGE, SPECK GULLY, GOLDEN SQUARE
Coloured Sketch Samson Cottage, Speck Gully, Golden Square Signed but artists name is not clear Rear of sketch references: Samson Cottage, Symons Street, built 1856 -
Kew Historical Society Inc
Work on paper, Joy Stewart, Merritt House, Roberts House and Roxeth House, Trinity Grammar School, c.1978
Sydney Joy (joy) Stewart (1925-2018) was a founding member of the Kew Historical Society, and during the 1970s its secretary. During her residence in Kew, she completed numerous property illustrations on commission. These ranged from preliminary sketches, including architectural details to finished pen & ink and wash illustrations on paper. On moving to Queensland, Joy Stewart donated the remaining property illustrations in her possession to the Kew Historical Society. In 1987-88, she fulfilled a commission by the Society of designs for a series of embroideries completed by residents during the Australian Bicentennial commemorations.Sydney Joy (Joy) Stewart was born in Melbourne 1925. She studied at Swinburne Technical College Art School from 1941-1945, then the National Gallery Art School 1946-1948. Her career included employment positions as a display artist, designer/painter, gallery assistant, and art teacher. Joy relocated to Cairns in 1981. Solo exhibitions in Melbourne and Cairns, including 'Done By Me' at Cairns Regional Gallery in 1999. Group exhibitions at Cairns Regional Gallery, 'The Fish John West Regrets, 1993' and 'Facets of Life' 1994. Joy Stewart died in Cairns in 2018.Pencil, pen and ink drawing of Victorian buildings that comprise Trinity Grammar School - Merritt House, Roberts House and Roxeth House by the artist Joy Stewart. c.1978Inscription: Trinity Grammar School". Unsigned.joy stewart, roxeth house, roberts house, merritt house, trinity grammar school -
Federation University Art Collection
Artwork - Painting, [Reconciliation] by Leoda Atkinson, 1999
Leoda ATKINSON "A few years ago Leoda Atkinson had never painted but now she works around the clock to keep up with the demand for her work. Leoda, a student in Koorie Art and Design at the School of Mines and Industries, Ballarat, was separated from her family as a child and wanted to learn more about her culture. ... (The Age, September 9, 1997) This work was commissioned by the University for the Aboriginal Education Centre's wall. It was designed and painted by Leoda Atkinson, a graduate of the University of Ballarat Koorie Art and Design course. With the assistance of Tom Clark and two third year students the painting of the mural was completed in two weeks. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.A brightly coloured work featuring themes of reconciliation and the University's campuses and learning. The use of the platypus reminded the artist of many different animals, represented the coming together of cultures at the University. art, artwork, leoda atkinson, aboriginal, alumni -
Federation University Art Collection
Gouache, Don Refshauge, 'Ideal Homes Exhibition' by Don Refshauge, c1935
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you can assist please make contact via the comments link below. art, artwork, poster, ballarat technical art school, don refshauge, refshauge, colpin avenue -
Federation University Art Collection
Gouache, Allan, S.J, 'Ideal Home Exhibition' by S.J. Allan, c1935
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below. art, artwork, s.j. allan, colpin avenue, posters, ballarat technical art school -
Federation University Art Collection
Gouache, Keith, 'Ideal Home Exhibition' by Keith, c1935
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. We are seeking information on this artist who studied at the Ballarat Technical Art School in the 1930s. If you are able to assist please make contact via the comments link below.art, artwork, keith, posters, colpin avenue -
Federation University Art Collection
Ceramic - Artwork - Ceramic, (Untitled) Tea cup
Wheel thrown cup with handle glazed and surface decorated with three drawn faces. If you can assist with information on this artist or artwork please use the comment box below. teacup, ceramics -
Federation University Art Collection
Painting, [Water Creatures], 2014
Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile -
Bendigo Military Museum
Painting - EAGLEHAWK RSL
This building was the HQ of the Eaglehawk RSL Sub Branch. It is the 2nd in a series of 3 water colours by Stan Thomas. For all items relating to Eaglehawk RSL type in the letters ehrsl in search. Refer Cat No 8231 for the 3 in the series.Painting, water colour, gold timber frame, painting is set in two white insets, shows a long building with a round roof with a brick front by artist Stan Thomas.Hand painted on, "Stan Thomas"brsl, smirsl, ehrsl, painting, eaglehawk -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: ABORIGINAL MAN AND BOY - TRADITIONAL IMPLEMENTS
Postcard of aboriginal man and boy with traditional implements. Made in Western Germany in perfect colour for John Englander and Co Pty Ltd, Melbourne. Aboriginal artist at work, Australia.basil miller, aborigines, postcards. -
Federation University Art Collection
Painting - Acrylic on Linen, 'Tingari Cycle' by Walala Tjapaltjarri
Walala Tjapaltjarri (b. c1960) Language: Pintupi Region: Kiwirrkuru In late 1984 Walala Tjapaltjarri and several other members of the Pintupi Tribe walked out of the remote wilderness of the Gibson Desert in Western Australia and made contact for the first time with European society. Described as 'The Lost Tribe', he and his family created international headlines. Until that day in 1984, Walala and his family lived the traditional and nomadic life of a hunter-gatherer society. Their intimate knowledge of the land, its flora and fauna and waterholes allowed them to survive, as their ancestors had for thousands of years. It is this sacred landscape, and its significant sites, that Walala so strikingly describes in his paintings. His style is generally highlighted by a series of rectangles set against a monochrome background. He paints the Tingari Cycle (a series of sacred and secret mythological song cycles) which are associated with the artist's many dreaming sites - they are Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These Dreamings are the locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) Walala Tjapaltjarri started painting in 1997. His earliest works were in a classical Tingari style usually reserved for body painting, ground painting and the decoration of traditional artifacts. Within a couple of months his painting had evolved into his own innovative style of work, including the abstraction of classical Pintupi designs which resulted in a highly graphic language to speak of his country and ceremonial sites. The rectangles so prominent in his paintings form both a physical and spiritual map establishing Walala as a discerning draughtsman for his ancient country. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Tingari Cycle - During the Tjukurrpa (Creation Era) Tingari ancestors beings gathered at a series of sites for Malliera (Initiation) Ceremonies. They travelled vast stretches of the country, performing rituals at specific sites that in turn created the diverse natural features of the environment. The Tingari men were accompanied by novices and usually followed by Tingari Women. The creation stories and rituals are venerated in the song cycles and ceremonies of today, forming part of the teachings of the post initiatory youths, whilst also providing explanations for contemporary customs. Walala Tjapaltjarri uses a highly personalised and minimal style to represent aspects of the sacred Tingari Cycle, an epic journey of Ancestors of the TJukurrpa (Creation Era). He paints aspects of the Tingari Cycle which are associated with the artist's many sacred sites - such as Wilkinkarra, Maruwa, Tarrku, Njami and Yarrawangu, to name a few. These are locations of significant rockholes, sandhills, sacred mountains and water soakages in the Gibson Desert. (http://www.kateowengallery.com/artists/Wal90/Walala-Tjapaltjarri.htm, accessed 18 May 2015)art, artwork, walala tjapaltjarri, aboriginal, dreaming, creation era, acrylic on linen, pintupi, kiwirrkuru, tingari, wilkinkarra, tarrku, njami, yarrawangu -
National Wool Museum
Uniform - 1992 Barcelona Olympic Games Women's Official Occasions Floral Print Gilet Shirt, Wendy Powitt, c. 1992
About the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- During the 1980s the Australian wool industry was at its most prosperous times with record numbers of sheep producing wool receiving ever increasing values due to the success of the Reserve Price Scheme, and the overall guidance of the Australian Wool Corporation (AWC). As a humble technician, my role was a low profile newly created position of Controller, Technical Marketing, where wool was to be marketed on its technical properties, as distinct from the Product Marketing Group which exploited the traditional high profile approach of marketing wool's superior fashion attributes. The Woolmark was the tool central to this approach. The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The ensemble consisted of three elements- 1. The Official Uniform which was used for travel and all official functions. This included: a tailored blazer and trouser/skirt (all water repellent) by Fletcher Jones, pure wool olive-green faille fabric by Foster Valley, cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy. 2. Opening Ceremony Uniform a lightweight wool fabric printed with floral designs that had been inspired by the work of Australian artist Margaret Preston. This included: Lightweight W/PE shorts by Fletcher Jones in Foster Valley Fabric, socks by Holeproof and footwear by Hush Puppy. 3. Village Clothing was designed to be highly visible garments to make it easy to spot the Aussie and helped to contribute to good team spirit. This included: A pure wool shirt featuring blocks of contrasting colours, and a newly developed stretch 50:50 wool/cotton fabric by Bradmill was made into shorts and jeans by Fletcher Jones.The shirt is sleeveless and in majority cream coloured. Around the hem, buttons and across the front of the shoulders is an appliqued floral design of Australian flowers and leaves inspired by the designs of artist Margaret Preston. The appliqued pattern continues around the bottom hem but not over the shoulders of the shirt.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform