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Ballarat Diocesan Historical Commission
photograph, Photograph of Br Purton's burial
... Ballarat Diocesan Historical Commission 5 Lyons St South ...Br Purton was the retired principal of St Patrick's College Ballarat and this image shows the scene at Ballarat New Cemetery 28 September 1948, with graveside prayers being led by Fr John Shelley. The funeral was attended by civic leaders and leaders of Ballarat's schools and churches Catholic and non-Catholic.br purton, ballarat, fr j. shelley, st patrick's college. -
Ballarat Diocesan Historical Commission
alb, bishop's alb lace trim
... Ballarat Diocesan Historical Commission 5 Lyons St South ...The alb (from the Latin albus, meaning white), is a white liturgical vestment coming down to the ankles. In most pre-Vatican II albs the lower segment of the vestment was made of or trimmed in lace as is the case in this example. This alb is possibly that of Bishop Foley, Bishop of Ballarat 1916 - 1941. -
Ballarat Diocesan Historical Commission
Mitre, Bishop's Mitre
... Ballarat Diocesan Historical Commission 5 Lyons St South ...A mitre is the traditional, ceremonial head-dress of bishops. This early 20th century example is of a low cut style in its original case. It is decorated in a baroque style with arabesques and paste and is believed to have belonged to Ballarat's second bishop James Moore.bishop moore, ballarat, mitre, gold embroidery, stones, paste. -
Ballarat Diocesan Historical Commission
Books, Illustrations of Japanese Life tourist books
... Ballarat Diocesan Historical Commission 5 Lyons St South ...Rev Daniel Foley was Bishop of Ballarat 1916 - 1941 and was very interested in Japan and these books among others in the archive reflect his interest in that country and its people in the early 20th century. The illustrations are in the Japanese manner and are collotype images on French fold crepe paper.Signed on title page of each, "D. Foley".japan, bishop foley, ballarat japanese tourist books, crepe paper, collotype. -
Ballarat Diocesan Historical Commission
Medallion, Vatican II Medal
... Ballarat Diocesan Historical Commission 5 Lyons St South ...The Second Vatican Council or Vatican II, also termed the Second Ecumenical Council of the Vatican addressed relations between the Catholic Church and the modern world. The council, through the Holy See, was formally opened under the pontificate of Pope John XXIII on 11 October 1962 and was closed under Pope Paul VI on the Solemnity of the Immaculate Conception on 8 December 1965. The Bishop of Ballarat participated in the Council and this silver medal is one of his mementoes of the historic council. Many changes within the Catholic church were instituted as well as in relations between the Catholic church and other religions. -
Ballarat Diocesan Historical Commission
photograph, Photograph of St Mary's Colac 1934
... Ballarat Diocesan Historical Commission 5 Lyons St South ...The Altar at Colac decorated for Holy Thursday 1934. Prior to the 1955 reforms of Pope Pius XII the Mass of the Lord's Supper and the Easter Vigil were celebrated in the morning of Thursday and Saturday respectively, and Holy Week and Lent were seen as ending only on the approach of Easter Sunday. The Altar is highly decorated and the ceremony focused upon as following the Mass of Holy Thursday Mass is not celebrated on Good Friday and the communion distributed at the Celebration of the Lord's Passion on Good Friday is consecrated on Holy Thursday.Caligraphy to board "St Mary's Colac Holy Thursday 1934".holy thursday, st mary's colac, easter, 1934. -
Ballarat Diocesan Historical Commission
Photograph, Ballarat CYMS Football Premiers 1937, 1937
... Ballarat Diocesan Historical Commission 5 Lyons St South ...The Ballarat Catholic Young Men's Society was established on 01 August 1892. The society provided sporting and debating for young men and later prime ministers Curtin and Scullin were members of the organisation, and it is where they learnt to debate. This image of the 1937 local football premiers is evidence of the sporting prowess of the members. The organisation ceased in the Ballarat Diocese in the 1940s. -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Correa reflexa var angustifolia ), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. This particular plant is Correa reflexa variety angustifolia – Grampians Correa. It is endemic to the Grampians and listed as rare. It has been propagated by the Marriotts and planted in the new Endemic Garden at the WAMA site. NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanSmall painting of red/yellow Correa reflexa angustifolia showing 2 flowers and 1 in bud, painted on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, von mueller, baron von mueller, henrietta d'alton, wama, wildlife art, halls gap, painter, goauche -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Epacris impress - Common Heath), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this plant as Epacris impressa - Common Heath - white flower form. Common and widespread. NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife artGift of Barbara Crick in memory of Marjorie and Lachlan McLennanPainting of white heath spray, on brown paperLL ' MW' (underlined)wildflowers, flowers, marianne wehl, marianna wehl, flower painter, botany, works on paper, baron von mueller, von mueller, henrietta d'alton, wama, wildlife art, painter, goache, halls gap, wildlife art museum australia -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Daviesia brevifolia - Leafless Bitter Pea), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil identifies this particular plant as Daviesia brevifolia - Leafless Bitter Pea - a widespread but very showy plant in the heathlands. "It's very difficult to propagate, but due to its extremely showy nature, we have plants ready to plant in our Grampians Endemic Garden as ‘filler plants’." NB In some records she is called Marianna (as the donor calls her) and in others Marianne.Wildflower art, Wildlife art, Wildflowers, Marianne Wehl, Marrianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Ferdinand von Mueller, Henriette D'Alton, WAMA, Halls Gap, painter, gouache, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara Crick in memory of Marjorie and Lachlan McLennanUnframed pinky orange pea flower painted in gouache on smoother side of brown cardLL ' MW' (underlined)wildflowers, flowers -
The WAMA Project : The National Centre for Environmental Art
Painting, Marianne Wehl (1867 - 1926), Untitled (Hardenbergia violacea - Purple Sarsaparilla Creeper and Ultricularia dichotoma - Fairy's Apron), c1887 to 1924
The artist: Marianne Louise Charlotte Amalie Wehl (19 Sept. 1867, Mt Gambier; 26 Oct. 1926, Melbourne), a flower painter who was active in South Australia and Victoria, and not to be confused with Marie Magdalene Wehl. Connection with Baron von Mueller: Von Mueller’s younger sister, Clara married Doctor Eduard Wehl and they lived in South Australia. They had 14 children, 6 of whom collected and painted botanical studies – some now in the National Herbarium, Melbourne. A cousin of Doctor Wehl – Carl Wehl – married Sophia Caroline (née Gorte) and one of their daughters was Marianne Wehl. It is recorded that von Mueller visited the Wehls and D’Altons in Halls Gap (Henrietta D'Alton was also a painter of wildflowers), so it is hard to believe that there is no influence at least. Von Mueller had over 1,400 collectors/artists working for him and 225 of them were women and children. Their work is housed in the National Herbarium, Melbourne. The donor believes that Marianne contributed to this work. There is no record of that, however, as only 169 of the artists have been identified, it may be a possibility. Marianne was one of six children of Carl Jakob Wilhelm Wehl (1830–1899) and Sophia Caroline Wehl (née Gorte) (1843–1920). She never married. https://data.environment.sa.gov.au/Content/Publications/JABG34P001_Dowe.pdf The plants: All of the plants painted by Marianne Wehl's in this donation were identified by Botanist Neil Marriott & Wendy Marriott, in July 2022. Neil Marriott said that the quality and beauty of these botanical studies made it easy for them to identify all the plants. He suggested they may be some of the first paintings of Grampians wildflowers. This makes the paintings highly important scientifically and botanically. Visitors to WAMA will be able to compare them with today’s plants in the Endemic Garden. Neil marvelled that Marianne found the specimens, as some of them are endemic and found only in the highest parts of the Grampians (Mt Rosea, Mt William and Major Mitchell Plateau) and are listed as rare and endangered. Some of these same rare plants have now been propagated by the WAMA team and in winter 2022 were planted in WAMA's Endemic Garden. Neil says "This one is a composite of Purple Sarsaparilla Creeper Hardenbergia violacea (common and widespread throughout SE Australia), and Fairies Aprons Utricularia dichotoma - reasonably common and widespread in SE Australia." NB In some records she is called Marianna (as the donor calls her) and in others Marianne. Wildflower art, Wildlife art, wildflowers, Marianne Wehl, Marianna Wehl, Flower painter, Botany, works on paper, von Mueller, Baron von Mueller, Henrietta D'Alton, WAMA, Wildlife Art Museum Australia, Wild Art Museum AustraliaGift of Barbara CricksPainting of purple pea flower and pink fan-shaped flower, intertwined & placed asymmetrically to left, trailing to right. On textured brown paper with mottled brown matt.Signed “M.W.” left of stems. Reverse side backed with stained brown paper shield-shape stamped centre top: “J.A. Reynolds. Decorator & Picture Framer, 28 Sturt St., Ballarat”. Hand-written right side (in black felt pen) “McLennan, 106 Bennett Rd. (5)”. wildflowers, flowers -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Photograph - Wooden framed photo finish, A Bad Smash at Epping Trots Sydney NSW
Photo capturing a race fall at Epping Trots, Sydney, New South Wales. One large black and white photograph in a black and gold frame. Bottom of Photo: A Bad Smash at Epping Trots Sydney NSWhorses, race, fall, smash, epping trots, sydney -
Victorian Harness Racing Heritage Collection at Lord's Raceway Bendigo
Clothing - Race Colours, John Phyland and Ced McLean
John Phyland It was during 1890 to 1918 that John Phyland, son of Irish immigrants, born in 1866, ran a 2000-acre sheep station. The property, Lake Vale, was south of Balranald, towards the Murray River town of Swan Hill. This would seem to be an unlikely location for a harness racing breeding operation, being more than 400km from Melbourne, where harness racing was centred on the Richmond track. But, undeterred by distance, Phyland purchased his first trotter in 1882 and proceeded to acquire expensive, high quality standardbred mares and stallions and embark on a venture that saw him: • Breed and race winners of major races including The Melbourne Thousand, Bendigo JC Handicap (raced almost continuously on the grass track at Epsom, Bendigo, from 1867 to 1946), Boort Cup and numerous races at the Melbourne metropolitan tracks at Richmond and Ascot; • Acquire Soultline Villa and training stables adjacent to the Royal Melbourne Showgrounds so he could race at metropolitan tracks; • Develop a large self-contained training facility (including resident blacksmith) and home at 19 Raleigh St, Essendon; • Become the chair of the Victorian Trotting Horse Owners and Breeders’ Association, which lobbied strenuously for night trotting in the 1930s; • Breed from imported and locally bred mares that left families that are still active today. Heaven Rocks, the Ballarat Cup, New Zealand Jewels three and four-year-winner, and 1:49.6 ($554,529) export to the US, is six generations on from the Phyland bred mare Dusky Ribbons; • Saw the start of the training career of colourful and controversial Cedric (Ced) McLean, Phyland’s son-in-law, with a mare left when Phyland died.Blue with yellow starsbalranald, trotting, phyland, richmond trotting -
Linton and District Historical Society Inc
Photograph, Bank of New South Wales, Sussex Street, Linton
Black and white image within a grey cardboard mount. Image is of a brick building with a picket fence. The building was originally the Bank of New South Wales building built between 1903-1904. The building in now a private residence.buildings, banking, bank of new south wales, linton -
Linton and District Historical Society Inc
Photograph - Postcard, Post Office, Sussex Street, Linton
Black and white postcard photograph of the Linton Post Office in Sussex Street. Part of the Bank of New South Wales building can be seen on the left. The building is still standing but is now in private hands.post offices, buildings, linton -
Linton and District Historical Society Inc
Photograph - Postcard, Post Office, Sussex Street, Linton, circa 1904
Black and white postcard image showing Bank of New South Wales building to the left of Post Office, Sussex St, Linton. People outside Post Office, including one on a horse and one with a bicycle. Both buildings are still standing. The bank building is now a private residence and the Post Office is now a B&B.Text, front: " LiNTON. "bank buildings, post offices, telegraph offices, horses, bicycles, dogs, linton -
Thompson's Foundry Band Inc. (Castlemaine)
Sheet Music, Down South
... Street Castlemaine goldfields Sheet Music Down South ... -
Hymettus Cottage & Garden
Certificate - Award Certificate, South Street Competitions Ballarat First Prize certificate, 1918
... goldfields Award Certificate Certificate South Street Competitions ... -
Hymettus Cottage & Garden
Photograph, Trombone Champion, 1915
An inscribed presentation mounted photographic portrait of A. Le Mesurier Australian champion bandsman and trombonist in 1915 to a young Ballarat boy, fourteen year old Michael Taffe who later became Australian champion junior cornet soloist.Script printed on front mounting board Richards & Co Ballarat. Inscribed on back of mounting board, "To my little "mascot" Michael Taffe, Wishing you and yours the "Compliments of the Season". from Yours Sincerely A. Le Mesurier. Xmas, 1915.le mesurier, taffe, ballarat trombone, south street competitions, australian band championships. -
Hymettus Cottage & Garden
Photograph, South Ballarat Football Committee
... goldfields Photograph Photograph South Ballarat Football Committee ...This mounted and framed photograph of the South Ballarat Football Club was presented to Patrick Taffe who had served as Secretary and Treasurer in 1933. -
Hymettus Cottage & Garden
scarf, Scout Scarf
Scouting scarf blue with , belonging to Glen Taffe 3rd Wendouree Scouts 1980s from attending the fourteenth Australian Jamboree at Cataract Park New South Wales 1985-86.scouting movement, glen taffe, jamboree, cataract park, new south wales, 3rd wendouree scouts, ballarat. -
Hymettus Cottage & Garden
Article - McKay's Sunny South coaster, c.1960
... goldfields McKay's Sunny South coaster Article ... -
Hymettus Cottage & Garden
Book, If & What? Lectures on Theism, 1882
The bookplate/premium plate identifies this book as being from the Young Men's General Debating Society South Street Ballarat 1897. This society was formed six years earlier and evolved into The Grand National Eisteddfod of Australasia or the Royal South Street Society in 1962. This book of sermons was written by Ballarat personality the Rev William Henderson who was responsible for the building of Ballarat's St Andrew's Kirk and the establishment of Ballarat College. It is one of many books of sermons published by Henderson and is the most significant of those productions, most of which are booklets. The bookplate identifies this book as belonging to one of Australia's oldest and most prestigious Eisteddfods The Royal South Street Competitions founded in 1891, the best known feature of which is the Sun Aria operatic competition. The book itself is a totally local product printed, published and bound in Ballarat in 1882, the publisher & binder being McHutchison & Campbell of Lydiard St, Ballarat.theology, sermons -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Horse drawn tram back in town", "Fair offers change to take a trip in time", 5/10/1994 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Wednesday 5/10/1994 about the forthcoming Central Highlands Historical Association Fair to be held at the Army Drill Hall on Sunday. Item features the planned presence of Horse Tram No. 1, the history of the horse trams, details of the CHHA's Fair and organisations attending. Features a photo of the line up of horse trams in the Gardens and one of the Ballarat Historical Society's stand the previous year. See Reg Item 802 for another reproduction of the photograph. The one in the newspaper appears to be of better quality originally.trams, tramways, ballarat, btps, chha, horse trams -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Trams: an international disease", 22/05/1984 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Tuesday 22/5/1984 of the visit of US tram enthusiast Mr. Jim Walker of the Orange Empire Railway Museum to Ballarat on his way to the COTMA conference in Auckland. Also has a photograph of Mr. Walker on the steps on tram 14 on the depot fan. Tram has destination of Rubicon St. Item was in the Tuesday Column of the Courier.trams, tramways, orange empire museum, btps, cotma, jim walker -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram's bid for City Circle", 5/12/1995 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Tuesday 5/12/1995 with photo of launch of 'City of Ballarat' tram 671by the BTM the previous day, 4/12/1995. Includes a colour photo of Richard Gilbert, Len Millar, one other person (possibly Barry Traynor, MP) and Mr. Vern Robson, Chief Commissioner of the City of Ballarat. Article on the front page of the Courier, written by Andrew Laing and picture by Ian Wilson. Accompanying article mentions the tram, the Begonia Festival, running in Melbourne, support by Council for Peter Hiscock's 'City Tramway' and volunteer work on the tramway itself. Item continues onto page 2, at the bottom left hand corner. Second copy added 9-6-2006On rear of 2nd copy "5/12/1995 Courier" in black ink.trams, tramways, 671, btm, city of ballarat, city tramway -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "In retrospect", 20/06/1998 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Saturday 20/6/1998 in the 'In Retrospect' section of the newspaper, of the report 75 years ago of the derailment of a tram car, fully loaded at intersection of Sturt and Lydiard Streets. Notes passengers left quickly and that traffic was delayed for some time. Another item also mentions of the plans, 25 years ago, of traffic lights at the intersections of Sturt St. with Lydiard, Armstrong and Doveton Streets.In bottom right hand corner in ink, "Sat 20/6/98", and ink markings on either side of the tramway item.trams, tramways, in retrospect, accidents, derailments, traffic lights -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Tram carries Ballarat message to City Circle", 24/02/1996 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Saturday 24/2/1996 of City of Ballarat Tram W4 671 leaving the depot on a low loader bound for Melbourne. Has front page colour photo of truck and tram at the rear of the depot in Gilles St. Tram has destination of 'City Circle'. Photo by Herman Ruyg. Accompanying item written by Ian Haberfield quoting Peter Hiscock about the tram and the running on the City Circle route in Melbourne. Also mentions Alan Brown, Public Transport Minister.trams, tramways, 671, btm, city of ballarat, city circle, melbourne -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Ballarat tram turns heads in Melbourne", 8/03/1996 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Friday 8/3/1996 of tram W4 671 running on the City Circle route with a black and white photo with Flinders St. station in the background. Picture and story by Alison Wynd. Quotes Warren Doubleday about the running of the tram in Melbourne, its promotional use and other details.trams, tramways, 671, btm, city of ballarat, city circle, melbourne -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "Unusual sight of tram in a paddock", 5/07/1988 12:00:00 AM
Newspaper cutting from The Courier, Ballarat, Tuesday 5/7/1988, page 11 of replica Melbourne Zoo horse tram 269 at Daryl Hawksworth's Swiss Mountain Hotel on the Glenelg Highway between Creswick and Daylesford. Mentions use of tram at Kilmore, proposed use at Ballarat but coupling problems and soon to return to Kilmore.trams, tramways, zoo tram, kilmore, swiss mountain hotel, daryl hawksworth, horse trams