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Scotch College Archives
Scarf, c. 1920
The scarf was worn by Clive Tingate (attended Scotch 1915 - 1918) father of W (Bill) S Tingate (attended Scotch 1951 - 1955). The scarf was knitted by his wife Dorothy. She was Dorothy Slona daughter of A. B. Sloan coach of the 1st Crew 20 times (1898 - 1925). Hand knitted (probably wool), grey scarf with bands of claret, yellow, blue and claret at each end, plus tasselsNoneclothing, scotchcollege, scarf, knitting, tingate, sloan -
National Wool Museum
Booklet - Guide to Successful Homemaking Vol. 2, Odhams Press Ltd, 1961
Sixteen page booklet with printed text, photographs and illustrations in both colour and black and white. Image depicted on the front shows two adults and two children seated in a home environment crocheting. front: [printed] WR / Guide to successful homemaking / Volume 2 / CROCHET MADE EASYfashion, women, magazine, knitting, crochet, home life -
National Wool Museum
Book - Gloves, Stockings and Socks by Stitchcraft, c.1950s
Twenty page black and white pattern book featuring designs for gloves, stockings and socks. Book contains black and white photographs and printed text. Front cover shows a colour image of a woman seated on the floor wearing a long jacket, stockings and knitted socks, gloves and scarf. front: [printed] Gloves Stockings / and Socks / BY Stitchcraft / 8 D. fashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Book - Crochet and Knitwear Novelties, No 31, New Idea, c.1950s
Eighteen page black and white pattern book with colour front and back cover. Book contains black and white photographs and printed text. Front cover shows a colour image knitted items, a chicken tea cosy, knitted dolls outfit, and two crocheted textile items. front: [printed] FUN TO MAKE AND FUN TO GIVE / CROCHET AND KNITWEAR / Novelties / No 31 / 9 d. / A “NEW IDEA” PRODUCTIONfashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Booklet - Crochet Gloves with Flower Gauntlets, Women's Weekly (England), c.1950s
Four page booklet featuring black and white graphics and text. The front cover features an image of a woman wearing a hat and gloves. [printed] Presented with / English / WOMAN’S / WEEKLY / CROCHET GLOVES / WITH FLOWER GAUNTLETSfashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Book - Crafts in Wool, Woman's World, c.1950s
Thirty six page book with black and white text and graphics. Front and back cover feature colour graphics, with the front showing a detail of brown and yellow textile with green text. front: [printed] CRAFTS / IN / WOOL / BY JESSE JENKINS / A WOMAN’S WORLD PRODUCTION / 1’3fashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Book - Patons Classics, Book 107, Patons and Baldwins, 1960s-1970s
Twenty page book with black and white printed text and graphics. The front cover features a colour image of two men wearing knitwear, with an illustrated burnt orange decorative frame. front: [printed] PATONS CLASSICS / Men’s Set-in Jumpers / and Cardigans. / Sizes from 33 to 48. / Patons / BOOK 107 / Totem/Double/Baroness.Jet/Skol. / Bluebell. Patonyle/Easycare. / 45 cfashion, women, knitting, crochet, home life, patterns -
National Wool Museum
Book - Bedjackets, Bootees & Balaclavas Exhibition, Handknitters Guild Inc, Handknitters Guild Inc, August 1991
W8693.1 Exhibition booklet with printed text and graphics in black, white and cream. The front cover features printed text and a graphic of a man, woman and child. W8693.2 A4 Stapled pages containing black and white text listing the items and artists on display. front: [printed] HANDKNITTERS GUILD INC. PRESENTS / BEDJACKETS / BOOTEES / & BALACLAVAS / EXHIBITION / RE-INTERPRETING THE HANDKNITTING OF THE / 1930s / 1940sfashion, women, knitting, crochet, home life, patterns -
8th/13th Victorian Mounted Rifles Regimental Collection
Weapon - Bayonet (French), 1914 circa
Used with Lebel Model 1886 bolt action rifle and was the basic French infantry weapon of World War 1 (1914-1918). Probably brought to Australia by a returning soldier as a souvenir. Donated to 8th/13th Victorian Mounted Rifles Collection when no longer of interest to family. Nickname 'Rosalie' by French soldiers, a reference to a popular song of the war years. Called French knitting needles by German soldiers.Fine example of World War 1 weaponry used by allied forces.French Model 1886/93 "Rosalie" bayonet, 500mm steel cruciform section blade with quillon (hook) and brass anodized handle.On Quilion "M 78124"rosalie, knitting needles, french, bayonet -
National Wool Museum
Bag, Costume
Crochet example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crochet example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Hat
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker."Jaunty Pair" Cap. J. Hucker Lake Bolac Viccrochet, hucker, mrs joyce -
National Wool Museum
Muff
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Collar
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.N.F.S. samplecrochet, hucker, mrs joyce -
National Wool Museum
Scarf
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dress
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Cape
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Knitted example by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Layette
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Bag, Costume
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Crocheted item by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Dressing Gown
Crocheted example by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and crocheting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Dressing gown crocheted by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker. Detail from crocheted dressing gown by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Place mat
Placemat made with the in 'wrapping' technique taught by Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Placemat made with the 'wrapping' technique developed by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Container
Conatiner made with the 'wrapping' technique developed by Hucker. She began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Toy (container and pig) crocheted by Joyce Hucker.crochet, hucker, mrs joyce -
National Wool Museum
Foot stool
Example of wrapping technique of crochet by Joyce Hucker. Hucker began working with unspun wool and making dyes from the natural sources from her garden and the farm trees around her. From knitting and croceting articles, she progressed to felting and a 'wrapping' technique, always using unspun wool. She was a successful exhibitor at many craft shows and was always willing to pass on her experience and knowledge to others, often travelling widely to help groups requiring a demonstration.Example of wrapping technique of crochet by Joyce Hucker.crochet, hucker, mrs joyce -
Brighton Historical Society
Clothing - Swimsuit, circa 1930s
This swimsuit belonged to Jessie Aldred (nee Dell, 1903-1995). Jessie was a dressmaker who married Frederick Ashley Aldred (1902-1974) in 1928. They lived at 34 Thomas Street, Sandringham from the late 1920s until at least the late 1970s. BHS also has a photo of Jessie on Hampton Beach in the 1920s. Seagull swimsuits were designed by Peter O'Sullivan (who also designed Black Lance swimwear) and manufactured by Botany Knitting Mills Pty Ltd in Melbourne.One piece black wool lastex swimsuit with mini-shorts and a modesty skirt to cover the tops of the thighs. White straps and white lacing down centre bodice. Seagull logo on left thigh. Low back; straps fasten with buttons at back waist. Hidden drawstring at back waist.Label: "This Seagull Swimsuit is protected by the patent and designs reg. nos. 22340/35, 13277, 16028/34".jessie aldred, jessie dell, swimwear, seagull, 1930s, melbourne designers -
Churchill Island Heritage Farm
Clothing - Knitted Woolen Shawl, 2008
Triangular cream coloured knitted woollen shawl with open stitch cross design and 2 open stitch diagonal lines at edges.churchill island, working horse festival, sheep to shawl challenge, shearing, spinning, knitting, wool -
National Wool Museum
Book, Yarn sample, Children's wear colour card: basic range for knitwear
"Children's wear colour card: basic range for knitwear", British Colour Council, 1960.dyeing knitting yarn production, alexander lau pty ltd british colour council, lau, mr alexander - alexander lau pty ltd, dyeing, knitting, yarn production -
National Wool Museum
Textile - Wool
Used by Sylvia Maidment.Left over wool used by Sylvia Maidment to knit bed jacket.knitting, maidment, mr ian maidment, ms sylvia, wool, yarn, blue -
National Wool Museum
Book, Proceedings: 5th International Wool Textile Research Conference vol. I, 1975
"Proceedings: 5th International Wool Textile Research Conference, vol. I" Sept. 1975.wool - chemistry knitting wool processing textile finishing, deutsches wollforschungsinstitut an der technischen hochschule aachen e.v., dyeing, wool - chemistry, knitting, wool processing, textile finishing -
National Wool Museum
Book - Magazine, New Idea, New Idea, 12 May 1965
Fifty four page magazine featuring black and cream printed graphics and text. The colour cover shows a woman and child both dressed in matching knitted jumpers.front: [printed] MAY 12, 1965 / 1'. / New Idea / The USELESS SEX / The year's most / talked about book / 8 / ADORABLE / COLLARS / TO CROCHET / MOTHER-DAUGHTER / COVER GIRL / SWEATERS TO KNIT / Instructions inside / Registered in Australia for trans- / mission by post as a newspaper. front: [handwritten] Abbsknitting, pattern, fashion, knitwear, children, women, new idea