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Merbein RSL Sub Branch
Photo
black and white photo of soldier standing with hands behind his back. In uniform wearing a peaked hatworld war one, photo black and white, percival s bailey, severice number 1868 -
Glen Eira Historical Society
Album - Album page, "Ripponlea", Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 94 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - stables, lookout and neighbouring cottages.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 256 Dec 1972 STABLES [under top left photo] / Neg 248 Dec 1972 LOOKOUT [under top right photo] / Neg 254 Dec 1972 / COTTAGES WILLOW STREET [under bottom left photo] / Neg 259 Dec 1972 STABLES [under bottom right photo] / 94 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, guilfoyle, adam anderson, ripponlea, victorian, sir frederick sargood, architects, bricks, polychrome bricks, taylor and fitts, stables, lookouts, cottages, outbuildings, rippon lea -
Glen Eira Historical Society
Album - Album page, Bureel (Kooyong Road), Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From: Glen Eira Heritage Management Plan 1996 by Andrew Ward In 1856, John Allee, a builder from Brighton, purchased C.A. 37 on the south-west corner of Glenhuntly and Kooyong Roads. The land comprised just over 45 acres. By 1863, Francis John Sidney Stephen, a lawyer and cousin of J. Wilberforce Stephen, owned most of lot 37. By 1866, Stephen had a built a "small mansion" named ''Burreel". It was a brick house and Stephen lived there until 1882. By 1884, Mrs Buxton of Hillside Terrace, East Melbourne, had purchased the property. Richard Buxton, a gentleman was listed as occupant and the house described as "brick, eight rooms". NAV was £300. Richard Buxton continued residency in 1887 however in 1888, George Allen, music seller, became occupant. At that time the house had thirteen rooms on twenty-three acres of land. Twelve people lived there and NAV was £920. In 1900, Daniel Luxton, stock and sharebroker and the Honourable John Taverner, M.H.A. leased the property. Fourteen people lived there. Mrs Buxton continued as owner. By 1910, ownership had passed to Mrs Mary Neate, who converted the house to a nursing home. The land had been subdivided by 1913 and sold by ''Buxtons Estate". Burreel Avenue, Baxter, Buxton and Hoddle Streets were created. "Burreel" was rated to Burreel Avenue and stood on lot 13 with frontages to Burreel Avenue and Kooyong Road of 198' and 214'. The house had ten rooms. NAV was £60. Mary Neate, a nurse, continued as owner/ operator of ''Burreel" nursing home in 1927. At that time there were sixteen rooms and fourteen residents. NAV was £100. Mrs Neat remained there until 1947. In 1948, the house was turned into apartments. In the 1980's, the Alexander family purchased it and restored it to a private residence.Burreel 331 Kooyong Road, ELSTERNWICK VIC 3185 - Property No B4950 National Trust https://vhd.heritagecouncil.vic.gov.au/places/65648 This is a large and substantially intact example of the grand villas of nineteenth century Melbourne. The bulk of the house most probably was built in 1866-1868 for Francis John Sidney Stephen, a prominent and highly regarded Melbourne solicitor and a member of an illustrious legal family. Stephen conducted a lucrative private practice and in 1845 was appointed first solicitor to the City of Melbourne; a position he held until his death in 1895. He took an active part in the development of Caulfield and was Shire President in 1874 and 1877. He was a resident at Burreel from 1868 to 1882. The house has evolved in stages, the rear wings possibly remaining from a house built during the 1850s. The existing ornate cast iron verandah was probably built between 1882 and 1888 during the residence of Richard Buckhurst Buxted, a notable boom period auctioneer and real estate agent. George Allan, the founder of Allan's music store, was another important occupier from 1888 to 1991. Bureel's essentially residential quality has been retained and the interior has been well preserved. The significance of this building does not rest in any single unusual outstanding architectural feature, or in its association with a particularly prominent member of society in the past, but rather in the consistent integrity of both the interior and exterior, which results in the survival of an outstanding example of this type of residential building and its associations with two notable citizens. Classified:11/08/1990Page 113 of photograph album with 1 photograph of Burreel in its garden.Handwritten: Bureel [top left] / 113 [bottom left]trevor hart, caulfield, caulfield north, kooyong road, thomas king, mansion, 1860's, bureel, burreel, francis john sidney stephen, city of melbourne, shire president, 1850's, verandah, nursing home, john allee, ornamented corner stones, new orleans manner, plaster rendered, mrs luxton, vincent willis, alexander family, victorian architectural style, ornate cast iron work, lawyers, brick houses, richard buxton, richard buckhurst buxton, george allen, george leavis allan, allans music, daniel luxton, john taverner, mary neate, buxtons estate, land subdivision, mary neat, gardens -
Glen Eira Historical Society
Album - Album page, Orrong Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Victorian Heritage Database H0704 FORMER UNION CHURCH 84-86 ORRONG ROAD ELSTERNWICK https://vhd.heritagecouncil.vic.gov.au/places/428 The Former Union Church, Elsternwick, designed by the architect George de Lacy Evans, and erected in 1889-90 is a building of historical and architectural significance for the following reasons:- (1) it is a rare and well- developed example of the early French Gothic manner as popularised through the muscular Victorian re-interpretation of English architect William Burgess, which in turn were derived from the publications of EE Viollet-le-Duc. Other Victorian cases of detailing derived from Viollet-le-Duc include Barwon Park (1868), the Presbyterian Church at Skipton (1871), the Bourke Street West Police Station by Bindley and Brittingham (PWD) dating from 1888-9 and the Lutheran Manse, East Melbourne by JAB Koch (1890). However, none of these buildings relates closely in form to the Union Church, Elsternwick. The only building which has been identified as closely comparable is The Bairnsdale Court House by AJ Macdonald (PWD) which dates from 1892. (2) the use of bright red brickwork is of significance, as the Former Union Church is believed to be only the second church building in Victoria to employ this material as a matter of conscious choice. Amongst red brick churches, it is thought to be preceded only by Reed, Henderson And Smart's Sacred Heart (1884), a Renaissance inspired design. (3) the building is believed to be a rare, possibly unique, surviving example of a church building erected for dual use by the Congregationalists and Baptists. In 1894 it was bought by the Congregationalists and continued as a Congregational Church until the formation of the Uniting Church.Page 165 of Photograph Album with four photographs, two of a church with the other two of houses on Orrong Road.Handwritten: ELSTERNWICK CONGREGATIONAL CHURCH [under top left photo] / 82 ORRONG ROAD [under top right photo] / 663-1 ORRONG ROAD / SEMI - DETACHED PAIR / 165 [bottom left]trevor hart, elsternwick congregational church, king street, orrong road, church, elsternwick, red brick, former union church, early french gothic style, architects, george de lacy evans, baptist church, conical towers, houses -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria's first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 90 of Photograph Album with five photographs (one landscape and 4 portrait) of Ripponlea - two different views of the front entrance to the mansion, one of the front gates and two different views of the main residence.Handwritten: "Ripponlea" 192 Hotham Street [top right] / North [under top left photo] / Neg 255 Dec 1972 MAIN DRIVE [under bottom left photo] / Neg 238 8 OCT 1966 [under middle right photo] / 88 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque architectural style, rippon lea, taylor and fitts, land subdivisions, gardens, drives, vegetable gardens, orchards -
Glen Eira Historical Society
Album - Album page, Ripponlea, 192 Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 91 of Photograph Album with four photographs (two portrait and two landscape) of various external views of Ripponlea.Handwritten: SOUTH [under top left photo] / SOUTH [under top right photo] / WEST [under bottom left photo] / 91 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, polychrome bricks, lombardic romanesque style -
Glen Eira Historical Society
Album - Album page, Ripponlea, Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 92 of Photograph Album with four photographs (three landscape and one portrait) of Ripponlea - views of entrance and left front of mansion.Handwritten: "Ripponlea" Hotham Street [top right] / Neg 245 Dec 1972 [under top left photo] / Neg 246 Dec 1972 [under bottom left photo] / Neg 247 Dec 1972 [under bottom right photo] / 92 [bottom right]trevor hart, elsternwick, mansion, hotham street, frederick sargood, reed and barnes, lombardic, romanesque, cast iron porte cochere, conservatory, 1860's, 1890's, ballroom, 1880's, benjamin nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, polychrome bricks, lombardic romanesque style, rippon lea, entrances -
Glen Eira Historical Society
Album - Album page, Ripponlea, Hotham Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages.From Victorian Heritage Database citation for Rippon Lea H0614 https://vhd.heritagecouncil.vic.gov.au/places/427(as at 23/10/2020) Rippon Lea was commenced in 1868 by Frederick Sargood, a most successful politician and merchant. He was born in England in 1834 and arrived in Melbourne in 1850. He soon joined his father's wholesale soft goods firm, spending some time as its manager on the goldfields. Sargood entered the Legislative Council in 1874. He was Victoria?s first Minister for Defence in 1883. Sir Frederick Sargood was created CMG. In 1885 and KCMG in 1890 as a reward for his contribution to public life. He died suddenly in 1903. Rippon Lea was designed by the leading firm of architects, Reed and Barnes. Joseph Reed had travelled in Europe in 1863, including northern Italy. When he returned he introduced the use of polychromy. While not the first examples, Rippon Lea and the Independent Church in Collins Street were the best and set a fashion which became a distinctly Melbourne style, particularly used for houses and churches. Its popularity was possible because of the new availability of different coloured bricks. Reed's fine Lombardic Romanesque details soon became debased by others. As Sargood's family grew and his fortunes prospered, Rippon Lea was extended to include 33 rooms - a complete mansion. The cast iron porte cochere and the northern conservatory were added in 1897. The architects were Taylor and Fitts. The ballroom was added in 1882 and remodelled in 1889. Many alterations have changed the interior and exterior during the ownerships of Benjamin Nathan and later his daughter Mrs Louisa Jones in the 1930s and are in their own right of significance. Sir Thomas Bent owned the property from 1903 until 1911 but never lived there. He subdivided much of the land. The original garden dates from about 1868, and it seems that William Guilfoyle of the Botanic Gardens was involved. It was redesigned in a more natural style in the 1880s by Sargood and his head gardener, Adam Anderson. The lake, waterfalls, fernery, hill and grotto are balanced by mighty deciduous trees and conifers. These are interspersed with, but never dominated by Australian species such as eucalyptus and other exotics. The sinuous drive with its carefully prepared approach to the house is notable. The original vegetable gardens, orchard and outer paddocks no longer survive. The shade house is important as the largest known in Australia and possibly the world. Its curved plan and form of construction are particularly notable. It was built about 1884.Page 93 of Photograph Album with four photographs (two landscape and two portrait) of Ripponlea - lake and gardens.Handwritten: Neg 239 Dec 1973 LAKE [under top left photo] / Neg 242 Dec 1973 FERN HOUSE [under top right photo] / Neg 243 Dec 1972 FERN HOUSE [under bottom left photo] / Neg 241 Dec 1972 LAKE [under bottom right photo] / 93 [bottom left]trevor hart, elsternwick, mansion, hotham street, frederick sargood, sargood, reed and barnes, 1860's, 1890's, 1880's, benjamin nathan, nathan, louisa jones, thomas bent, sir thomas bent, william guilfoyle, adam anderson, lake, grotto, shade house, portico, ripponlea, victorian, sir frederick sargood, architects, taylor and fitts, rippon lea, gardens, ferns, bridges, walking trails -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Wedding Dress, Mary Box (nee Closter), circa 1918
Alonzo Box, of Oakleigh ,a nephew of William and Elizabeth Box who resided in 'Box Cottage' 1865 - 1914, married Mary Closter (Kloster), of Oakleigh, on June 12th 1918. Alozo's elder sister, Rebecca, sent a bolt of Chinese hand-embroidered silk from which this wedding dress was made. Rebecca Viloudakia, nee Box, was a missionary in China, and married to a Greek Silk Merchant. Alonzo Box, the 9th child of John and Martha Sheldrake Box , enlisted in the Army and landed at Gallipoli 25/4/1918. He was evacuated to Egypt and then sent to the battlefields of France and Flanders before returning home to Melbourne in February 1918. Rebecca Box, the eldest child of John and Martha Sheldrake Box, was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890. During the Boxer Uprising 1900-1901 her Mission outpost was attacked but she escaped and was taken to Shanghai. She later married one of the rescue party Nicholas Viloudakia a Greek silk merchant .Australian Dress Register ID 573 12/5/2015 Following Henry Dendy's Special Survey 1841 pioneer settlers bought allotments of land in the area of Moorabbin Parish. Alonzo Box was the nephew of William and Elizabeth Box who bought the cottage on the 30acre allotment from an unknown pioneer settler in 1868 and resided there until Elizabeth's death in 1914. Alonzo Box served in the Army World War 1 1914- 1918 at Gallipoli, France and Flanders. Rebecca Box -Viloudakia was in the first party of Methodist Missionaries to leave Australia for the China Inland Mission in 1890 and was rescued during the Boxer Rebellion 1900-1901 and taken to Shanghai by her future husband.A cream two piece wedding dress made from a bolt of hand embroidered Chinese silk for the marriage of Mary Closter and Alonzo Box on June 12th, 1918. The bolt of Chinese silk was sent by Alonzo’s older sister, Mrs Rebecca Viloudakia, a missionary in China, who was married to a Greek silk merchant. The machine sewn dress was made by a dressmaker in Dandenong, Victoria. The jacket is blouson, with a front opening and is gathered at the waist by a band enclosing a drawstring. The collar is a sailor style that forms a slight / high V-shape front neckline. Four vertical roses are separated by three bands of lacework. The back of the jacket is plain silk. The right front of the jacket has a panel of embroidered roses, band of lacework and a facing fold that encloses 4 fastening presses. There are crocheted bobbles on the front representing buttons. The left jacket front also has the panel of embroidered roses, lacework and matching fold for the 4 fastening studs. The full length inset sleeves are gathered to a cuff that fastens with silk covered buttons. The sleeves have floral embroidery down the outside centre line. The left sleeve has an extra detachable cuff with embroidery on the flounce that matches the bottom panel of the skirt. It is held in position around the wrist by 4 white metal press studs. The skirt sits above the ankle. It consists of 5 panels slightly gathered at the back waistline with a left side placket 21cm with hooks and eyes and press studs. The waistband is lined with petersham and has 6 whalebone inserts. The front of the skirt has small pleats to fit the 3 decorated panels to the waistline. The front has 3 bands of lacework around the lower part. 3 panels form the centre front each embroidered with a different floral pattern. The back of the skirt is plain with 3 bands of lacework rising from the hem, which is sewn with spoke work stitch. The long waist sash/belt is plain silk with embroidered ends and 3 silk balls with crocheted caps suspended on 3 crocheted silk chains. It has a rose knot with 2 metal press stud fasteners. There are a variety of floral designs embroidered on the material including ‘corner motifs’ on the 2nd inner front panel of skirt. brighton, moorabbin, silk, box william, box elizabeth, box alonzo, box mary, kloster mary, closter mary, oakleigh, dandenong, chinese silk merchant, boxer rebellion 1900-1901, box rebecca, methodist china inland mission, viloudakia nichols, anzac landings, world war 1, gallipoli -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Book, Making Melbourne's monuments : the sculpture of Paul Montford, 2012
Based on recently discovered letters, this book tells the story of Paul Montford 1868-1938, who, as Basil Burdett described,left his mark so definitely on the civic landscape in Melbourne.xv, 307 pages : some colour illustrations, facsimiles, photographs : Includes bibliographical references (pages 289-291) and index.non-fictionBased on recently discovered letters, this book tells the story of Paul Montford 1868-1938, who, as Basil Burdett described,left his mark so definitely on the civic landscape in Melbourne.paul montford, sculptors, melbourne -
Bendigo Historical Society Inc.
Document - THE LAZARUS MINE - NOTES ON THE THE LAZARUS MINE
One handwritten and three typed copies of notes on the The Lazarus Mine including the Lazarus New Chum and the Lazarus No 1 on the New Chum Line of Reef. Notes include locality, depth of shafts, size of lease, plant, early history, the Lazarus Company, Prominence, Best Gold and Total Gold Yields.document, gold, the lazarus mine, the lazarus mine, notes on the the lazarus mine, lazarus new chum, lazarus no 1, australian headquarters survey unit, george lansell, new chum hill, b c v 8 studios, sheepshead, central red white & blue, mr lazarus, lansell's 222, old chum mine, lazarus company, mr george gibbs, lansell's fortuna, ballerstedt, mr barnet lazarus, the black lead, the white lead, mount alvernia hospital, mines dept special edition 'australian mining standard' 1/6/1899, mines dept booklet 'bendigo goldfield' 1936, mines dept annual and quarterly reports, annals of bendigo mining sections 1868 - 1910, a richardson, the bendigo goldfield registry j n macartney 1/3/1871 -
Bendigo Historical Society Inc.
Document - LAZARUS MINE - NOTES ON THE LAZARUS MINE
Five pages of notes on the Lazarus Mine including Lazarus New Chum and Lazarus No 1. Notes include locality, depth of shafts, size of lease and plant. Includes the history, prominence, best gold, Total Gold Yield and Dividends.mining, parish map, lazarus mine, lazarus mine, lazarus new chum, lazarus no 1, george lansell, b. c. v. 8 studios, sheepshead, central red white & blue, mr b lazarus, mr george gibbs, black lead, lansell's fortuna, mr ballerstedt, mr barnet lazarus, white lead, mines department special edition 'australian mining standard' 1/6/1899, mines department booklet 'bendigo goldfield' 1936, mines dept. annual and quarterly reports, annals of bendigo mining sections 1868 - 1910, a richardson, the bendigo goldfield registry j n macartney 1/3/1871. -
Bendigo Historical Society Inc.
Document - BENDIGO MEMORIES, 1860 - 80
Typed notes titled ' Bendigo Memories, 1860 - 80'. Mentioned the Meudell family, some successful mine owners, the statue of the shepherd and the wild beast in the Conservatory Gardens, an argument over a rooster between two Chinese neighbours, Laying the Foundation Stone of the Sandhurst Masonic-Hall, a ring presented to Mr Lysaght by the Chinese, and 'It Slowly Fades Away' which is about a house near a tennis court which has an old brewery under the back garden.document, bendigo memories 1860 - 80, g d meudell, 'the pleasant career of a spendthrift', william meudell, bank of victoria (bendigo), hon henry miller, george lansell, bank of new south wales, oriental bank, union bank, adventure and advance mine, g ballerstedt, 180 mine, garden gully united co, john boyd watson, carlisle mine, kentish mine, barnett lazarus, william hunter, joseph hunter, robert hunter, burnewang park, william moffat, bendigo advertiser 1930, mr r buck, statue in conservatory gardens, bendigo advertiser 26/2/1949, mr wells, abraham harkness, alex h stone, bendigo advertiser 16/6/1868, sing toe, ming foy, mr flegg, mr mclachlan, mr w perry, laying the foundation stone of the sandhurst masonic-hall, messrs vahland and getzschmann, mr w c vahland, brother j m'intyre w m, brother buckley, brother connelly, golden and corinthian grand united lodge, the rev j c m'cullagh, brother g p joseph, the australasian sketcher 9/8/1873, chinese testimonial, mr lysaght, bendigo advertiser 27/11/1856, ben eagle, 'it slowly fades away', michelson home, joch, mr michelson -
Ballarat Base Hospital Trained Nurses League
Ballarat District Hospital, Cnr Sturt & Drummond Sts, c.1868
Photoballarat, district, hospital, sturt, drummond, 1868 -
Ballarat Base Hospital Trained Nurses League
Chinese Quarter Ballarat - Illustrated Australian News - 11th July 1868
Photochinese, ballarat, illustrated, australian, news, 1868 -
Koorie Heritage Trust
Journal - Serials, Aboriginal History - Volume 32. 2008, 2008
A series of articles by leading writers on Aboriginal History.217 P. fac. ill. notes; footnotes; refs. photographs.A series of articles by leading writers on Aboriginal History.aboriginal australians -- periodicals. | ethnology -- australia -- periodicals. | aboriginal circus performers, australia. | honorary correspondence scheme. victoria 1860-1868 and 1869-1904 | andrew porteus honorary correspondent, northern wathaurung, reports - mt. emu tribe. | edward stone parker - protector loddon aboriginal station. | dja dja wurrung, loddon protectorate. | aboriginal oral histories - childhood and playlore australian childhood folklore collection, museum victoria. -
Queenscliffe Maritime Museum
Domestic object - China crockery recovered from wreck of Light of the age
Subsequent to the wrecking of the Light of the Age marine concretions and corrosion products formed a cement capping over the cargo, stabilising and protecting it. The site of the Light of the Age was found by divers in late 1960s, and soon became a popular diving site. Huge amounts of intact crockery were removed from the wreck by boatloads of divers, including distinctive brown glazed teapots with legs (one diving author named it 'the Teapot Wreck' (Denmead, 1973: 78-82), 'Greek Key' patterned transferware, Cooper & Wood Portobello black glass three piece bottles, and sauce, preserve and condiment bottles often with contents (gooseberries, raspberries, olives) and seals intact. Larger items including a signal cannon and an anchor were removed from the site, while divers seeking souvenirs commonly used cold chisels to chip objects free of the concretion 'cap' which had stabilised and protected the remaining cargo for so long. In 1982 this situation was drastically changed when someone used explosives to further break concretions. However the charge was too powerful resulting in the site's complete destruction and the remaining items to become scattered and broken. Abraded and worn ceramic objects washed up on the beach are invariably collected by beachgoers, including fragments of crockery, figurines and animal figures used for 19th century household decoration and toys. The Light of the Age is archaeologically significant as the wreck of an international immigrant ship with an inward bound cargo. It is historically significant for its association with both the Black Ball and White Star Lines which carried thousands of immigrants to Australia. Built in 1855 and lost on 16 January 1868 now lies at Point Lonsdale Beach, half a mile west from Point Lonsdale, Port Phillip Heads.01- 1 shallow bowl, 02- 1 sweet bowl, 03- 1 willow pattern service dish, 04- 2 ladle cups [no handles], 05 06- 2 egg cups, 07- 2 bread and butter plates, 08- 1 condiment bowl lidWedgwood deep saucer; Pearl stone china, Ribbon, Wedgewood Willow Pattern service dish, Staffordshire Stone China, Fenton, No10shipwrecks, salvage, crockery, light of the age, clippers -
Friends of Ballarat Botanical Gardens History Group
Work on paper - The Day the Lake Caught Fire 1868, A Reminiscence of the Early Days of Ballarat by Mr R. Kerr, 1920, 1920
Early residents of Ballarat were invited by the Mayor to a reunion to recall memories of Ballarat's early days.There is R. Kerr's recollection of Ballarat's first water supply coming from Lake Wendouree and, in 1868, the Lake was dry. These are interesting historical events given the more recent millennial drought.A 1/4 of a page of print with heading and and author cited after the last small paragraph.Nonejohn garner, doctor john garner, ballarat botanical gardens, friends of ballarat botanical gardens, lake wendouree, yuille's swamp, ballarat water supply, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949. Australian Dictionary of Biography. 19/11/2019, Richard Armstrong Crouch, Benefactor and the Avenue of Sculptures of Australian Prime Ministers
john garner collection, ballarat botanical gardens, gardens, ballarat, crouch, prime ministers, avenue -
Canterbury History Group
Booklet - Balwyn State School 1868-1968
Booklet produced to celebrate the Centenery of the Balwyn State School. Includes some black and white photographsbalwyn, balwyn road, murray> andrew, bennett> george jesse, bennett>henry gordon, principals, teachers, maling family, primary schools, macinnes> alan f -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, War Service Records, 3/1915 - 4/1916
R.A.Crouch is remembered in Ballarat for his Ballarat Fine Art Gallery bequests and initiating the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens.Richard Armstrong Crouch is a significant figure in Ballarat's history having started the Prime Minister's Avenue in the Ballarat Botanical Gardens which has become a famous landmark in the city.6 pages of photocopies, grey in colour, with ring folder holes, left hand side of each page.P.5 4 lines of notes in blue biro written by John Garner concerning dates of Crouch's War Records. john garner, doctor, ballarat botanical gardens, prime ministers' avenue, bequests, ballarat fine art gallery, war service, barrister and solicitor, protectionist, labor party, philanthropist, benefactor., politics, central gardens, john garner collection, crouch, gradens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949, Notes on his life by John Garner
Richard Armstrong Crouch initiated the Avenue of Sculptures of Australian Prime Ministers in the Ballarat Botanical Gardens. R.A.Crouch is mainly remembered for initiating the Prime Ministers' Avenue in the Ballarat Botanical Gardens. 1 white sheet of paper; half a page of print. (3 copies)Nonejohn garner, doctor, ballarat botanical gardens, avenue of australian prime ministers, benefactor, ballarat fine art gallery bequest, politician, labor party, barrister and solicitor, protectionist, war record., lt colonel, richard armstrong crouch, crouch, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Crouch, Richard Armstrong (1868-1949), Benefactor, Soldier and Politician
Richard Armstrong Crouch is remembered for initiating the Avenue of Prime Ministers' busts in the Ballarat Botanical Gardens and as a politician.R.A. Crouch was known for his gifts to Ballarat institutions and sporting clubs and as a politician.2 pages with a photograph of R.A.Crouch top right hand corner.Australian National University Logo and Melbourne University Press Logo at end of article.john garner, doctor, ballarat botanical gardens, ballarat fine art gallery, benefactor, prime ministers' avenue, war service, politician, barrister and solicitor, protectionist, writer., crouch, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949. Historical Society, 14/12/1971 by McCallum, R.A, Colonel the Honorable R.A. Crouch, solicitor, parliamentarian, soldier and public benefactor, 14 December, 1971
This article gives an analysis of R.A. Crouch the person as well as an account of his achievements.R.A. Crouch is often remembered for beginning the Prime Ministers' in the Ballarat Botanical Gardens.6 pages of typing on grey photocopy. (draft copy?)p.1 at the top of the page, "Historical Society by R.A. Mc Callum 14 Dec. 1971". Bottom of page 1, See also, Deed Box 150. Col.R.A.Crouch.john garner, doctor, richard armstrong crouch, politician, solicitor, soldier, benefactor, ballarat botanical gardens, ballarat fine art gallery, prime ministers' avenue, prime ministers' busts -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Richard Armstrong Crouch. 1868-1949. Last Will and Testament, Benefactor - Prime Ministers' Avenue, Ballarat Botanical Gardens, 30/10/1948 and 8/12/1949
R.A.Crouch made this Will the year before he died.R.A. Crouch became famous especially for his endowment to the Prime Ministers' Avenue.3 typed pages; copy grey at the bottom of each page. p.1 bottom of page, dated 30/10/1948. pp.2&3 Inventory of Assets.Signed R.A.Crouch and in longhand below, Jean, Elva, Honey and then an illegible signature. pp 2&3, Heading "In the Supreme Court dated 8/12/1949 and witnessed.john garner, doctor, richard alexander crouch, ballarat botanical gardens, prime ministers' avenue, prime ministers' busts, ballarat art gallery, solicitor, soldier, politician, benefactor., crouch, john garner collection, gardens, ballarat -
Friends of Ballarat Botanical Gardens History Group
Work on paper - Lindsay Gordon's Cottage, Ballarat Courier 15 August, 1934, 15 August 1934
The Australian poet Lindsay Gordon had a strong following in Ballarat half a century ago.The cottage where Gordon lived was once the sample room at Craig's Hotel and by renovating and moving it to the Ballarat Botanical Gardens, it was hoped that it would become a tourist attraction.2 pages of newspaper print with one column relevant to Gordon on each page.In the top lefthand corner of p.1 15 August 1934 is written in blue biro.adam lindsay gordon, adam lindsay gordon cottage, lindsay gordon's cottage, craig's hotel, poet, ballarat botanical gardens, john garner, doctor, john garner collection, craft cottage, brighton cemetery, "the sick stockrider"., westminster abbey, livery stables 1867-1868, gardens, ballarat -
Bacchus Marsh & District Historical Society
Book, Club Number 4: A Short History of the Bacchus Marsh Rifle Club
A brief history of the Bacchus Marsh Rifle Club written to celebrate its 125th anniversary. The club was preceded by an association which formed in 1868 with 14 initial members. It later formed into a club. According to this book rifle shooting is the oldest organised sporting activity in the district of Bacchus Marsh and this work documents this long history up to 1993. The club continues to exist in 2024. Citation: Club Number 4: A Short History of the Bacchus Marsh Rifle Club. Written by John Tidey with additional research by C.D. (Doug) Watson. Published by Bacchus Marsh Rifle Club, Bacchus Marsh, Vic., 1993.A printed book published in paperback edition. 21 pages, with illustrations and portraits. BMDHS Location: AR/SU5 Pamphlets Box 4non-fictionA brief history of the Bacchus Marsh Rifle Club written to celebrate its 125th anniversary. The club was preceded by an association which formed in 1868 with 14 initial members. It later formed into a club. According to this book rifle shooting is the oldest organised sporting activity in the district of Bacchus Marsh and this work documents this long history up to 1993. The club continues to exist in 2024. Citation: Club Number 4: A Short History of the Bacchus Marsh Rifle Club. Written by John Tidey with additional research by C.D. (Doug) Watson. Published by Bacchus Marsh Rifle Club, Bacchus Marsh, Vic., 1993.bacchus marsh rifle club, rifle clubs, shooting -
Wodonga & District Historical Society Inc
Booklet - The Buildings of the Gordons, 2001
John Gordon was born in Chelsea, London in 1826. He and his wife Eliza migrated to Australia in mid-1853. They settled originally in Sydney where John practiced his profession of carpenter. By 1868 John was advertising himself as an architect. In May 1876 he and George Sheppard of Wagga announced they had entered into partnership, adopting the name "Gordon and Sheppard". John drowned in the Murrumbidgee River at Wagga on the 19 December 1880 when aged 54, leaving a wife Eliza, two sons William Joseph and Charles Goodwin and a daughter, Ada Martin. In 1881 William and Charles established the firm Gordon & Gordon. Gordon & Gordon's practice initially covered southern Riverina, however by 1890 it was very Victorian orientated having offices in Melbourne, Corowa, Rutherglen, Mansfield, Benalla, Euroa, Wangaratta, Albury, Seymour and Wodonga. This publication documents many of the buildings designed by William and Charles Gordon, including images of many of them. Some of the more well-known ones were St. Patrick's Church in Albury, Fairfield villa at Brown’s Plains for G F Morris, the Wodonga Shire Hall of 1890, A. Schlink's Store in High Street, Wodonga, Old Tallangatta Shire Offices and Butter Factory, St. Joseph's Convent, Wodonga, "Cambourne" and the de Kerilleau Homestead.An A4 size spiral bound publication detailing the work of John Gordon and his sons William and Charles. It includes a speech transcript as well as articles and images.John Gordon was born in Chelsea, London in 1826. He and his wife Eliza migrated to Australia in mid-1853. They settled originally in Sydney where John practiced his profession of carpenter. By 1868 John was advertising himself as an architect. In May 1876 he and George Sheppard of Wagga announced they had entered into partnership, adopting the name "Gordon and Sheppard". John drowned in the Murrumbidgee River at Wagga on the 19 December 1880 when aged 54, leaving a wife Eliza, two sons William Joseph and Charles Goodwin and a daughter, Ada Martin. In 1881 William and Charles established the firm Gordon & Gordon. Gordon & Gordon's practice initially covered southern Riverina, however by 1890 it was very Victorian orientated having offices in Melbourne, Corowa, Rutherglen, Mansfield, Benalla, Euroa, Wangaratta, Albury, Seymour and Wodonga. This publication documents many of the buildings designed by William and Charles Gordon, including images of many of them. Some of the more well-known ones were St. Patrick's Church in Albury, Fairfield villa at Brown’s Plains for G F Morris, the Wodonga Shire Hall of 1890, A. Schlink's Store in High Street, Wodonga, Old Tallangatta Shire Offices and Butter Factory, St. Joseph's Convent, Wodonga, "Cambourne" and the de Kerilleau Homestead.gordon and gordon architects, building albury & wodonga -
Wodonga & District Historical Society Inc
Booklet - Memories of "Redlands" 1850s to 2006, George Glass, C. 2006
A history of the Glass Family and the development of "Redlands" farm and homestead at Allan's Flat, Northeast Victoria. Jesse Glass was born in Bratton, Wiltshire, England and married Elizabeth Smyth in 1868 in Beechworth. They established Redlands in Allan's Flat and their descendants became pioneers of the surrounding district. He passed away at "Redlands" in 1916.non-fictionA history of the Glass Family and the development of "Redlands" farm and homestead at Allan's Flat, Northeast Victoria. Jesse Glass was born in Bratton, Wiltshire, England and married Elizabeth Smyth in 1868 in Beechworth. They established Redlands in Allan's Flat and their descendants became pioneers of the surrounding district. He passed away at "Redlands" in 1916.glass family, redlands farm, allan's flat pioneers, yackandandah -
The Mrs Aeneas Gunn Memorial Library
Book, Ernest Benn Ltd, The letters of Gertrude Bell, 1927
The experiences of Gertrude Bell during her times in the Middle eastIndex, p.626.non-fictionThe experiences of Gertrude Bell during her times in the Middle eastmiddle east - politics and government, gertrude bell 1868-1926