1973 Flood at Gordon Park, Charlton Vic. Used in the Charlton Tribune 09/02/1973.Unframed photograph/sepia of 1973 flood at Gordon Park, Charlton Vic.flood, gordon park

The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of performers in Vincent Wallace's opera Maritana. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1958. Music was provided by the Kew Philharmonic Society conducted by John Trotter. Marion Tilley, the creator of the scrapbook in which the photo is pasted is given credit for designing and making the costumes. Set design was by R. Jewell. An annotation underneath the photo identifies two of the leads: Carla Jeffries and Alan Wilson. The photograph was taken on the night of 21 or 27 June when Jeffries performed the title role, a role she shared with Val Breen. Stan Wilson played Don Jose on these same nights.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Carla Jeffries, Stan Wilson - I made the men's and women's costumes including hats".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria

Program, Bendigo Repertory Society presents ''Two Dozen Red Roses'' by Kenneth Horne.Girton Hall, Vine Street. Tuesday April 29th, Wednesday 30th, Thursday May 1st 1958. Programme One Shilling. Copyright 1953Bolton Bros.Pty. Ltd. Printers, Bendigo.program, theatre, bendigo repertory society

Gold like metal, Hanro Badge with single clasp at the back and makers name. Green centre with Hanro printed in gold. Below Hanro on a black background is the year 1958. In the yellow surround printed in gold is "Hanro Social Club"Stokes, Melbbusiness, retail, hanro social club badge

Awarded to Dora when Mitcham had a Horticultural Society, 1958. Second PrizeDark blue Rayon sash, 88cm long, gold coloured fringe each end, stamped gold writing, 'Mitcham Horticultural Soc/ Autumn Show, 1958, Best Floral Art Exhibit'|(Refer to Documents - ND6294 for certificates)As abovetrophies & awards, public events, ethnographic material, dress and ornament

Pale pink nylon 1958 nightdress showing signs of pink roses and green leaves pattern that has been washed out. Gathered under the bust on to a band, frill on top and roulean straps. Gathered skirt of two layers.nilcostume, female underwear

Yields information about the frequenting of workshop areas by non workshop staff during wet weather.Typed notice or instruction titled "Important Notice Workshops and Works' Areas", dated 6th June 1958 and signed by the Works Superintendent about non workshops employee not to access workshops areas during inclement weather. An undesirable practice!trams, tramways, workshops, ballarat, crews

From the early 1950s, the Kew Repertory Players performed more substantial, if less spectacular fare in the Recreation Hall, and later in the new Kew City Hall, after the former’s demolition in 1960. Their repertoire ranged from plays by Noel Coward to J.B. Priestley. Many of their programmes, the earliest from 1953, and the last from 1965, form part of our collection.Arthur Henry Dear was an employee of the City of Kew, acting as Hall Keeper of the Kew Recreation Hall in Wellington Street, and later the new Kew City Hall in Cotham Road. The Arthur Dear Collection contains memorabilia - tickets, programmes, invitations - as well as his identification badge. Items in the collection dates from the 1940s to the 1970s. The Kew Recreation Hall (Wellington Street) and later the Kew City Hall (Cotham Road) were major locations in suburban Melbourne in the postwar period for civic and private events including theatre productions and exhibitions. The Arthur Dear Collection (in conjunction with the scrapbooks compiled by Marion Tilley) provide a comprehensive snapshot of performing arts in Kew during the 1940s, 1950s and 1960s. The collection includes valuable data about performances, performers, directors etc., during this period. Programme issued by The Kew Repertory Players for a performance of Trial and Error by Kenneth Horne. Performances took place in the Kew Recreation Hall in November 1958. The 4-page programme includes a cast list, a synopsis and advertisements for local businesses.arthur dear collection, the kew repertory players, theatre - victoria, theatre - kew, kew recreation hall, trial and error, kenneth horne

Vera Scantlebury Brown was born in Linton in 1889, a daughter of Dr George Scantlebury and his wife Catherine, née Baynes. Vera undertook medical training at Melbourne University between 1907 and 1913. After serving in the British Army Medical Unit during World War I, she worked in various positions in Melbourne hospitals and then studied in the US and Canada. In 1926 she was appointed Director of Infant Welfare by the recently established Victorian Department of Health, and became responsible for the development of maternal, infant and pre-school services in Victoria. In 2023 a statue of Vera Scantlebury was erected in Linton's Avenue of Honour in Denison Street. This copy of the book appears to have been owned/used by Barbara Safstrom of Linton.Textbook for nursing students and other health professionals. First compiled by Dr Vera Scantlebury Brown, and published as a "Guide to Infant Feeding". Book revised (with Kate Campbell) in 1941, 1951 and 1958. Pages 346 p. : index, tablesInscribed top right of front endpaper: 'Barbara Saftstrom / FF8269'.vera scantlebury, kate campbell, 'a guide to the care of the young child' [textbook]

This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. Like many species of quail, the Brown Quail is often difficult to see, as it inhabits rank, overgrown grassy areas, often in damp, low-lying patches beside wetlands. They are difficult to flush from this cover, preferring to squat among the grass or run quickly off through the vegetation rather than fly off. As is the case with many species that inhabit dense habitats, the Brown Quail may be heard more often than it is seen, with its characteristically mournful two-note call whistle often heard at dawn and dusk. The Brown Quail is found across northern and eastern Australia, from the Kimberley region in Western Australia to Victoria and Tasmania, as well as in south-western Australia. It is also found in Papua New Guinea and Indonesia, and has been introduced to New Zealand. The Brown Quail feeds in the early morning or evening, on the ground, mainly on seeds and green shoots, but also on insects. In some area, quails will readily cross roads and may be seen feeding along roadsides.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. The Brown Quail is a small, plump ground-dwelling bird. It is variable in colour, ranging from red brown to grey brown with fine white streaks and black barring above, and chestnut brown below. The eye is red to yellow, the bill black and the legs and feet orange-yellow. In Tasmania, this species is called the Swamp Quail and tends to be larger and darker than mainland birds, with a pale yellow eye. Female Brown Quails are larger and may be more heavily marked with black and paler below than males. Young birds are like adult females, with less distinct markings and a dark brown eye.Label: 33. / Swamp Quail / See Catalogue, page 30 / Mount: 09/taxidermy, quail, brown quail, taxidermy bird, burke museum taxidermy

Small red diamond shaped 1948 member season ticket. On the reverse side stamped W. S. Edney 01/09/1948.clubs, cricket, bendigo united cricket club

Three copies Compaq Grand Slam Cup (Munich) Daily News 28/09/1997. Contents in German. Materials: Paper, Inktennis

A video recording of the ArtsFest event. This performance by the Diamond Valley Choral Society was recorded on 24/09/1990.1 video cassette (VHS) in cardboard caseHandwritten on case: "DVCS ArtsFest 29.4.1990"; typed on label affixed to tape; "ARTSFEST at the BRDO 29/04/1990".diamond valley choral society, artsfest 1990

On Thursday 06/09/2018, a group of senior citizens from Manningham visited Greensborough Historical Society.1 p. typescript, 2 col. photographsmanningham senior citizens, greensborough historical society

Yields information about the closure of the system and how the various small tasks, eg removal of tram stop signs were undertaken. The newspaper item details the name of the people.Black and White copy photograph of a newspaper photograph taken by The Courier - photo taken 6/09/1971, published 7/09/1971 of the Removal of tram stop signs, Mt Pleasant terminus at the corner of Cobden and Barkly Streets. Has a Milk Bar in the background, advertising Streets Ice cream, Coca Cola, Briquettes and Vincent's Cold and Flu tablets. See Reg Items 1032 for the actual newspaper cuttings for the names of the two workmen. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details.tramways, trams, mt pleasant, barkly st, cobden st

Newspaper clippings titled: “Tracking their way through a deserted city” by Timna Jacks Newspaper clipping from the Age 21/09/2020 Tram driver Tamara Startin describes experience of driving trams through the deserted Melbourne streets during the COVID-19 lockdown.trams, tramways, route 58, covid-19

William Morley Johnson established a stock and general auctioneers business in Kyneton in 1886 before opening a furniture store in Bendigo in 1897. The initial business operated from Pall Mall opposite the Post Office and then moved to 23 Mitchell Street in 1898. In 1906 the business moved to Sydney. It became a public company in 1952 and ceased business in 1964.Morley Johnson's Invoice: Cream coloured with Mitchell Street, Bendigo Phone 185 27/09/1949. Bought of Morley Johnson's (Bendigo) Pty Ltd. (Incorporated in N.S.W. Everything for the Home. Estimates and Designs on Application. Served By Mall for a light pendant. No 48. Box 625business, retail, house furnishings, morley johnson's

The Bendigo Football League Constitution and Rules. Pale blue cover with printed logo of the Bendigo Football League containing 28 printed buff coloured pages. Publisher: Bendigo Modern Press. Rules were adopted on 29 Oct 1958.The Bendigo Football Leaguebook, bendigo, football, bendigo football league constitution and rules

Ford Mainline with unidentified man in full uniform standing beside passenger door. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section; ford mainline car

Ford Customline van with Accident Appreciation Squad. Registration number GWK 074. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section;ford customline van; accident appreciation squad

Ariel Square 4 MkII, registration number BV-035, without rider. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; ariel square four motorcycle

Triumph Outfit with sidecar in Russell Street garage registration number BS-206. Circa 1958police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; triumph motorcycle

Bendigo 1950s. Bendigo Crèche 5/6/1958. Brass Band in Bendigo Easter Fair.event, easter fair, bendigo easter fair, bendigo crèche 5/6/1958. brass band in bendigo easter fair.

Robin Boyd wrote two books on Japanese architects and architecture - “Kenzo Tange” published by George Braziller in 1962 and “New Directions in Japanese Architecture” published by Studio Vista in 1968. During the 1960s he travelled several times to Japan to research these books and as part of his role as Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka.Colour slide in a mount. The New Kabuki Theatre, 1958, Osaka, Japan (Architect: Togo Murano)Made in Australia / 9japan, slide

In 1964, Robin and Patricia Boyd spent several weeks on a world tour - Boyd took a leading role at the International Design Conference in Aspen and he also visited Chicago, Yale University, and New York’s World Fair. The Boyds then travelled on to England, Finland (especially to see Tapiola), Russia and India to see Le Corbusier's Chandigarh, and also Hong Kong and Thailand.Colour slide in a mount. Moskva Swimming Pool, Moscow, Russia, 1958. (Architect: Dmitry Cechulin.)slide, robin boyd, russia