This is a thank you letter to Robin Boyd for the recent visit to his home, and for the book 'The Australian Ugliness'. It is written on paper with the Hotel Esplanade, Perth letterhead.

This letter from the Assistant Editor of Sunday Review, W.B. Green, to Robin Boyd states that they are interested in receiving material from him early in 1971.Quarto

Congratulation note to Robin Boyd for Commander of British Empire honour. Written en route to London. The signature is difficult to read, but could be Bernard Callum.

From Yvonne Boyd (wife of Robin Boyd's first cousin, painter Arthur Boyd ) in London, to Patricia Boyd regarding their upcoming visit to London.ohm2022, ohm2022_41

Robin Boyd travelled to Malaysia, Macau and Singapore in 1970, after a visit to Expo 70 in Osaka, where he was Exhibits Architect of the Australian Pavilion.Colour slide in a mount. Singapore Hilton, Orchard Road, Singapore 1969. (Architects: Booty, Edwards and Partners.)Made in Australia / 36 / MAY 70M3expo 70, osaka, robin boyd, slide

Heidelberg Golf Club: Members packing up the old locker room 1997. Robin Bienias, Barb Hancock, Frances Tosh, Jan Balgowan.Colour photograph and captionladies' golf, hgc women's golf, ladies' locker room

Photographs, minutes of meetings, activities of the Probus Club of Diamond Valley Inc.: Year 23, March 2010 - March 2011. President: Robin SmithA complete record of the first 20-plus years of this Probus Club; many local identities were among members. Importantly, most photographs have captions naming people, places, dates and events.Large photo album containing photos and memorabilia.probus clubs, probus club of diamond valley inc, .

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood. When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth, brilliant light, grittier textures and luminous colour. Stoneware bowl on a tall foot. Calcium matt glaze, underglaze colour with underglaze metallic lustre. ceramic, jan feder memorial ceramics collection, robin welch, gippsland campus, mungeribar pottery, stadbroke pottery

Robin WELCH ( 23 July 1936-5 December 2019) Born Nuneaton, Warwickshire, England Robin Welch is one of the most highly respected contemporary British potters. The full range of his work includes large vessels with related paintings, fine drawings, and distinctive bowls and vases which explore colour, surface texture, form, detail of edge, and line. He is one of small group of significant British potters who expanded the language of throwing pots on the wheel through post-wheel additions and alteration. This gave his generally cylindrical forms a more organic and sculptural aspect, but their heavily coloured and textured surfaces were as much about painting, too, as Robin sought an integration of the visual disciplines he enjoyed. As he once wrote: “There’s no divide between art or craft. You decide to be an artist and you’ll use anything. If marooned on a desert island you’d use driftwood.” (https://www.theguardian.com/artanddesign/2019/dec/27/robin-welch-obituary, accessed 23 March 2021) When not in his Suffolk studio Robin Welch spent much time in Australia where he appreciated the outback’s arid earth and brilliant light, its grittier textures and luminous colour, qualities he sought to convey in-the-round and on canvas. Apart from his studion work Robnin Welch was a skilled designer for industry including Wedgwood, Midwinter and Denby. Initially studying at Penzance School of Art under Michael Leach (son of Bernard Leach) and the Central School of Art, London Robin Welch then worked part-time at the Leach Pottery between 1953 and 1959 before opening his own pottery in London's west end (1960 to 1962). After a couple of years of world travel, including working in Australia from 1962 to1965 helping Ian Sprague set up his Mungeribar Pottery and exhibiting in Melbourne, Robin Welch returned to England setting up Stadbroke Pottery in Eye, Suffolk in 1965.Stoneware bowl with split flange, glazed with matt white, black and a touch of copper red Tobin Welch stamped on basejan feder memorial ceramics collection, ceramics, robin welch, gippsland campus, jan feder

Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; two interior perspectives. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. Interior perspectives, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35

Project: Stegbar Windowalls, Springvale drawn by Robin Boyd of Romberg and Boyd; external perspective. In 1952-53, Robin Boyd designed the Stegbar ‘Windowall’ - a prefabricated, structural framing/glazing system - to create a wall of windows. These ‘Windowalls’ were used extensively in domestic architecture across Australia from the 1950s to the 1970s. Boyd also designed the factory and showrooms for Stegbar Limited. The Walsh Street Archive holds exterior and interior perspectives of the building. External perspective, watercolour on board.windowall, robin boyd, stegbar, ohm2022, ohm2022_35

In 2006, the RAIA 25 Year Award was presented to Robin Boyd House II by Grounds Romberg and Boyd. The jury said: “This house, designed by the late Robin Boyd for his family, is an exemplary expression of modernity from an optimistic period of artistic endeavour.” “This award acknowledges the breathtaking skill and daring with which Boyd has exploited the opportunity to design his own home to reject domestic convention and contribute a house of programmatic and technical innovation and mastery.”Jury citation, section and plan drawings, two photographs in a black timber Ikea frame around two insets size, off white mount.

Penleigh Boyd comments "Slides in clear plastic sleeves have been put there recently by someone attempting to order the slides. This is not the storage system used by Robin."23 plastic sleeves containing some slides. Some are labelled.

Book review by David Saunders of Living and Partly Living: Housing in Australia by Ian McKay, Robin Boyd, Hugh Stretton, John Mant (Melson $10.95)living and partly living. book review, ian mckay, robin boyd, hugh stretton, john mant , walsh st library

Final account for the construction of 290 Walsh Street from the builder John Murphy. This document is owned by the Murphy family and was provided to the Robin Boyd Foundation for digitisation.Final account for the construction of 290 Walsh Street.

Robin Boyd travelled to New Zealand in 1967, possibly combining it with a visit to Montreal Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67.Colour slide in a mount. Student Union, University of Canterbury, Ilam Campus, New Zealand, 1967. (Architects: Warren & Mahoney.)Made in Australia / 7 / APR 67M7 / Encircled 5 (Handwritten)new zealand, slide

Robin Boyd travelled to New Zealand in 1967, possibly combining it with a visit to Montreal Canada, where he was Exhibits Architect for the Australian Pavilion at Expo ‘67.Colour slide in a mount. University of Auckland Science Building (under construction), Auckland, New ZealandMade in Australia / 35 / APR 67M7slide, robin boyd, new zealand

This letter confirms to Peter Ryan, Director of Melbourne University Press, that Penguin will reprint Robin Boyd's 'Australia's Home' , with a new cover and on more attractive stock.Photocopy

John Hooker of Penguin will think about Peter Ryan's suggestion of Professor Joe Burke writing a new foreword for the reissue of Robin Boyd's 'Australia's Home'.Photocopy

A letter from Sandra Forbes, the Senior Editor of Pergamon Press to Robin Boyd, regarding Mark Strizic's paste-up and photographs for the book 'Living in Australia'.Quarto, 1 page

Letter thanking Robin Boyd for sending him a copy of 'Living in Australia', and for including McCaughey Crt in the book, and for all he has done for Ormond College.

Invoice to Robin Boyd for a six berth cabin cruiser "Magnolia" from Wednesday 20 May to Sunday 24 May 1964, at the cost of ten pounds.

This contains Lecture 3 (28 min 56 sec) and Lecture 4 (28 min 32 sec) of the series Artificial Australia by Robin Boyd. Artificial Australia was the title of a five Boyer lectures given by Robin Boyd in 1967 on the Australian Broadcasting Commission radio. The lectures were (1) Creative Man in a Frontier Society, (2) The Architecture of Ideas, (3) Integrity in the Artificial Object, (4) The Environmental Arts in Australia. (5) The Australian Myth in the Modern World.Sanyo CDboyer lecture, artificial australia, robin boyd

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection. A black and white photograph - Townsville, Queensland 18/08/1968, rock and roll stars Little Patty and Col Joye entertain in the lounge room of a private home.Members from Delta Company 6 RAR who had missed the original concert in Vietnam on the 18/08/1966 being otherwise engaged in the Battle at Long Tan. Ross McDonald, Robin Rencher, Phil Dixon, Ian Campbell and Peter Doyle.photograph, col joy, townsville, battle of long tan, entertainers, robin rencher, phil dixon, ian campbell, peter doyle, gibbons collection catalogue, little pattie, ross mcdonald, denis gibbons

Robin Boyd met architect Neil Clerehan at the end of 1943 when they were both in the army. They worked together on Victorian Small Homes Service and were friends.Watercolour of a mining building in an outback landscape.On the reverse side "Neil Clerehan, 1945" on top left in blue pen, and "No 8" on bottom right in pencil.neil clerehan, robin boyd, ohm2022, ohm2022_29

Project: Tower Hill Lake Reserve Museum drawn by Robin Boyd of Grounds, Romberg & Boyd. Drawing no 3 (but different to item PL139). Preliminary cross sectionSketch, Dyeline

Dr Davis McCaughey gave the address at the private funeral of Robin Boyd at Ormond Chapel (which Boyd designed) on 18 October 1971. This is the text of his address.Five page speech in envelope to Patricia Davies. Photocopy and carbon copy. Accompanied by a With Compliments not signed "As promised Davis'.Patricia Davies (formerly Boyd) has written on envelope the contents of this envelope.

This is an invitation to Robin Boyd to contribute to a compilation of an 'International Fairy-Tale and Fable-Book' in collaboration with UNICEF in Paris and Cologne. Marchen und Fabelbuch are West German Publishers.Typewritten