Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: Charatome / Corning Buggy / Braise & Drag / believed to (illegible) built by Crawford and (illegible) / COBB & CO / WAGONETTE / B'WORTH MUSEUM Reverse: BEECHWORTH NOSTALGIA / BW-07(a) / B 8 / ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

Names Pam Pendlebury, Val Gilbert, Barbara Walton, Karen and Rob Gilfillan, Sue Dooley, Andrew Dooley, Andrew Light, Shannon Salsbury, Alan Ferguson, Andrew and Tim Nichols, Melanie Bertrand, Shannon Hurren, Rebecca Phillips, Martin Phillips.Black and white photograph Rob and Karen Gilfillan, participants in Fun Run. Lakes Entrance Victoriacharities, sports

Bendigo Advertiser '' The way we were'' from 2001. Men in uniform: the police force of Bendigo and district between 1909 and 1920 while David Andrew was mayor. The clip is in a folder.newspaper, bendigo advertiser, the way we were

Each year the national cycling championships are held at Ballarat.Colour photograph in digital format of a number of female bicycle riders taking part in the National Road Cycling Championships at Ballarat. The church is St Andrew's Kirk, Sturt Street, Ballaratballarat, st andrew's, cycling, bicycle

A large lot of papers, including this and many other birth and death registration forms, were apparently found in the ceiling cavity of the Sandy Creek/Tarnagulla Post and Telegraph Office in the later 20th Century, during building works. Donald Clark Collection. Registration of Birth form for: Child's name: Louise Addison Date of Birth: section missing Place of birth: Tarnagulla Father: Andrew Addison Mother: Isabella Addison (nee Lawson)

Hardcover publication with a dust cover featuring a black and white photograph "threshing at Oakley in 1907. John Donaldson's machine, Andrew James Donaldson operating. Title lettering in Green and white.non-fictionwilliam donaldson, rose donaldson, cheryl elliot, temora, tatura, donaldson, harston

Document. Profit and Loss account. One page document of receipts and expenditure for an unknown gold company. Names mentioned include J Evans, W E Brown, T Horsfield & Co., Silberberg & Co., Crawford, Quick, Hyett & Rumer, Jaques Fisher & Co. (Document is possibly for Marong Gold Co.)cottage, miners, profit and loss account, j evans, w e brown, t horsfield & co., silberberg & co., crawford, quick, hyett & rumer, jaques fisher & co.

Black & white photograph, Bert Graham Collection, Maurie Erwin is presenting something to Joan Crawford and shaking her hand as well, with others in the background watching. Names appear on the back with in red ink 58-59 Graham. Also 6 1/2 X 4 3/4, 5/6.bendigo, clubs, bendigo east swimming club

Eltham Gateway, Eltham War Memorial Gate, procured from funds donated by the late Cr Ernie Andrew and wife, Ellen AndrewTomorrow's history documented todayeltham, jim connor collection, main road, eltham gateway, eltham war memorial, eltham war memorial gate, war memorial buidings

The photo was taken to record the laying of the foundation stone of St. Andrew's Presbyterian Church (now St. Andrew's Uniting Church) Sunbury 1904.A mounted sepia photograph of a group of men and one woman standing on a construction site and in front of a foundation stone. There are 22 men in the photograph with 7 of them dressed in clerical attire. The other men are wearing dark suits. Cream mounting 1.5cm x 2.5 cm.CHR. CHRISTIANSENclergymen, st. andrew's uniting church, churches, foundation stones, christiansen, chris, photographers, sunbury, clothing and dress, men, st. andrew's presbyterian church, george evans collection

P.F. Garrison (bearded man Andrew Kell) Andrew Kell was the leader of PF Garrison so would assume he is the man in the front.Black and white Photograph of 10 members of the volunteers defence force garrison in uniformdefence, port fairy, garrison, group, men, uniform, andrew kell

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Thomas Henry Deakin (1845-1915), born in Monmouthshire, Wales and his wife Janet (Jessie) Longmore (1851-1939), born in Morayshire, Scotland had 2 sons: John Henry (1879-1962) and William Andrew (1883-1939) and 4 surviving daughters. A fifth daughter Daisy Jessie was born in 1880 and died the same year at the age of 7 months. Elsie Longmore Deakin (1881-1969) was a nurse and remained single; Minnie Winifred (1886-1966) married Charles Williamson in 1923; Lily Vipond (1890-1943) married David Mair in 1910 and Jessie Alice, known as Alice, married Hector Williamson in 1921. Hector and Charles were brothers. Margaret was the daughter of Jessie Alice, known as Alice, and Hector Williamson. Donald was the son of Minnie and Charles Prosser Williamson who lived at 12 Barloa Road, Mont Albert. There may be transcription errors in the identifications on the back. It is not known who Howard is - unless there has been an error in transcription and it is one of the Deakin sons or sons-in-law, nor whether Jessie and Alice are correctly identified. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A black & white photocopy of a family group centred around Janet (Jessie) Deakin. LtoR standing at back: Alice Deakin, Howard, Elsie Deakin (order may not be correct) LtoR seated in middle: Jessie, Donald, Janet Deakin, Elsie, Minnie Standing in front: MargaretOn rear in grey lead pencil: "Elsie Howard Alice / Minnie Elsie Janet Deakin Donald Jessie / Margaret / Janet Deakin (nee Longmore) 1851-1939 / and her husband Thomas were parents / of Henry, Elsie, Minnie, Andrew, / Lily and Alice"janet longmore, janet deakin, jessie longmore, jessie deakin, minnie winifred deakin, minnie winifred williamson, margaret williamson, donald williamson,

Photocopy of a four pages typewritten document. St. Andrew's Church, Bendigo, April 1964. A brief account of the activities and achievements during the first decade of the second century of our congregational life.church, history, st. andrew's bendigo

These four officers were a familiar sight leading the Anzac Day March in Melbourne in the 1960s. They represented the four World War One Light Horse Regiments raised in Victoria.Black and white photograph of four returned servicemen in uniform and mounted on horseback outside of Waltons Store in Melbourne. Inscription along lower edge of photo.Manuscript on lower edge of photo "ANZAC DAY 1966 8th, 9th, 13th, 4th Light Horse / Col A Crawford, Capt H Ewart, Lt JE Holland, Col JR Hall"light horse, anzac day, melbourne, hall, ewart, crawford, holland

Three empty unclaimed letter envelopes and one buff coloured returned Letter envelope, postmarked My 4 91. Other letters to Mr. Downie, Back Creek My 4 94; Mr. W. Donohue, Echuca, Ja 24 94; Mrs. Crawford, Myrtle Creek, Jy 4 98.business, legal, connelly & tatchell, connelly & tatchell collection - document, mrs crawford, mr w donohue, mr downie, connelly & tatchell

Legal document, Deed of Covenand and extension of term of mortgage. Written on front of document ' dated 27 January 1896, Mr. Henry Larkin to Mr. James Andrew, deed of covenant, and extension of term of mortgage., on bottom Connelly, Tatchell & Dunlop, solicitors, Williamson Street, Bendigo. Document details indenture between Henry Larkin of Pyramid Hill and James Andrew of Hargreaves Street, Bendigo., Auctioneer. Brown one penny stamp at the top left of the document .business, legal, connelly, tatchell & dunlop, connelly, tatchell & dunlop., henry larkin, james andrew.

Thomas Robert Noel Lothian best known doe Directorship of Adelaide Botanic Garden and establishment of Mt Lofty Botanic Garden. Certificate of Competency 1934.obituary, thomas lothian, thomas robert noel lothian, stephen forbes, don riddell, andrew lothian, adelaide botanic gardens, mt lofty botanic garden, peter may, vivian lothian, andrew smith, noel lothian, tony lothian, janet lothian, certificate of competency in horticulture

St Andrew's Church Bendigo Baptismal & Marriage Index of all available records up to 1925 published by Bendigo Area, Australian Institute of Genealogical Studies, 90 pages in a green soft cover.church, history, st andrews, bendigo-history-church-st andrews-baptismn-marriage