Joseph Butterworth COOMBS (1842-1901), was an accountant who founded a successful mercantile trading company. At the time of his marriage to Caroline Mary MICHEL in 1869, Coombs had already purchased ten acres of Studley Park. The acreage included land on the west of Fenwick Street that extended along lower Stawell Street to the corner of Yarra Street, all of it connected directly to the Yarra environs. A right of way to Studley Park Road was on the title, though Coombs went on to purchase more land, some of which faced Studley Park Road. In addition to owning the Studley Park acreage, Coombs later acquired 1,201 acres of land abutting the Acheron River. While retaining the Kew property he became a Taggerty Councillor and was Shire President for a time. J.B. Coombs died at Acheron Station in 1901 (aged 59 years). A few months after, tenders were called to repair the Kew dwelling, the Fenwick Street property now appearing in records with the name ‘Hope Mansell’. Caroline Coombs remained at Hope Mansell until she died in 1924, survived by three sons and five daughters. Not long after her death, advertisements appeared for the sale of the Studley Park land. The sale seems to have been a mechanism for distribution of the Estate, as the following year the original ten acre holding was transferred to members of the family. The eldest daughter Mabel married William Younger who, with his brother Alexander, developed Younger and Mackie Courts, both south of Studley Park Road. [Research: Kerry Fairbank]In 1961, the granddaughter of Joseph and Caroline Coombs, Mabel Isola (Younger) Grattan, donated ten 19th century dresses and parasols to the Kew Historical Society. The costumes, now known as the 'Coombs Collection', are the earliest recorded items of clothing to enter the Society's collection. Each of the items in the Coombs Collection, of which this item forms a part, is historically, aesthetically and socially significant. As a collection, the costumes includes outstanding examples of morning wear, day dresses, wedding dresses, and clothing accessories, providing evidence of outstanding dressmaker skills in Victoria during the mid to late Victorian period. One-piece, floor length blue silk day dress with a bell skirt that is slightly longer at the back. The dress is joined, centre-front with hooks and eyes. It is probable that the 19th century cream-coloured lace on the bodice and cuffs is a later addition. The lace extends in a long loop at the font of the skirt. The bodice has a high round neck, later modified to a V-shape. The dress must at one stage have been reconfigured or strengthened at the join of the bodice and skirt, as there is evidence of the use of new machine stitching. The dress is fully lined with a stiffened cotton lining fabric. Apart from minor staining, the dress is in excellent condition. The dress is the earliest complete costume in the collection. Measurements - 145.0 cm (centre back) 25.0 cm (waist, flat)Nilcoombs collection, fashion - 1860s, women's clothing, costumes, daywear

These domestic kitchen bags were donated to the National Wool Museum by Lila Gore. Lila donated Children’s Clothing (RGE 8324) to the museum in 2022 and at her time of donating, inquired as to whether the museum would also be interested in these bags she had been collecting. Lila said there was no reason as to why she was saving the bags, other than she liked the art works and thought they were too good to end up in landfill. She had thought perhaps she would make something out of the bags, or perhaps give the bags to a friend to make something. When Lila was donating the Children’s Clothing to the museum, she thought that the National Wool Museum would be the perfect home for the bags. Domestic kitchen bags such as these date from the late 19th century through the mid-20th century. They were used at home, usually by women, containing household items which would not spoil, such as flour, sugar, animal feed, seeds, and other commodities. In modern times a trip to the supermarket is a daily chore, in the past however, these trips happened far less often, with big sacks such as these a large reason why. In the rural US and Canada, Feed sack dresses and Flour sack dresses, were an iconic part of rural life from the 1920s through the Great Depression, World War II, and post-World War II years. Australia also reused these sacks, typically for making wagga style blankets, but re-use for clothing was not unusual.Calico oat bag with graphic image on front showing three bears holding porridge bowls with yellow background and red, white and black text. Back of bag shows red and white graphic image of a woman wearing a dress and heeled shoes holding a coffee cup, with red and white text.Front: THREE BEARS \ PORRIDGE \ FLAKED \ OATMEAL \ SOMEBODYS BEEN TASTIN' MY PORRIDGE \ AN' THEY'VE EATEN IT ALL UP \ Jas. F. McKenzie & Co. Pty. Ltd. \ AUSTRALIA \ 7 LBS. NET. Back: MCKENZIES \ EXCELSIOR \ COFFEE \ ESSENCEwagga, flour, oats, bag, calico, lila, gore, depression, war, kitchen

Small portrait of a lady and a baby. The lady is seated on a chair and holding the baby on her knee. She is wearing a long dress with a pleated hemline and a frill at the shoulder. The dress has a high neckline with a short lace collar. The baby is wearing a longish dress and shoes. Photographer's name and address printed on the back and front (in gold with a gold border around the photo).Johnstone, O'Shannessy & Co., 3 Bourke St. East, Melbournephotograph, portrait, lady & child, portrait of a lady and baby, johnstone o'shannessy & co.

black and white photo: seated male and female with three girls ( daughters ? ) in foreground. Seated outside, in background paling fence, longish grass surrounds group. Male dressed in black coat, white shirt, bow tie. Female - long dark dress, hat, holding fern frond in hand. Three girls, dark dresses, large hats.Mac Korumburraperson, family

Photograph 3 - Sepia photo of 2 female children, standing, both dressed the same, black shoes, white knee high socks, dark coloured dress with a motif on dress, centre front. Both with white ribbons in hair. Next to the taller female, sits a small dog, black and white in colour. Picket fence (unpainted) behind them.Coopers, Bendigophotograph, portrait, group, photograph, portrait, 2 young children (female), burrowes st., golden square.

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of two men dressed in suits and a woman dressed in a skirt and long sleeved top. They are standing beside a very high stone wall. The man on the right is Frank Wright and his companions are elderly.frank wright, conductor, stone wall

Small, head and shoulder portrait of a lady. She is wearing a high neck dress with a frilled lace collar with a brooch at the neck. She has a lace cap on her head. Her dress has embroidery on the front.Richard Keene, Repository of Arts Derby.photograph, portrait, female, portrait of a lady

A black and white photograph of a man standing against a corrugated iron fence, He is dressed in fancy dress and is wearing a top hat, a shirt with a stand up collar, knee length trousers and gaiters or long socks.men, clothing and dress, fences, corrugated iron, unidentified, george evans collection

B/W copy of Kit Richards from Grampians Community Health Centre Book Kit is sitting in a chair dressed in a dress and cardigan with pearls around her neck. Holding a photograph. Floral curtains in background.

Two women on back of Ute, one in Brides dress, the other in blue dress and white gloves. both are holding oversized cutlery. also on float is a canteen of cutlery. text on float reads Devlin Jewellers for trophies.parades

Black and white photograph of Joyce Suto ( nee Baker) on left. Bridesmaid dress is of gold nylon with olive green sash. Worn at wedding in Gloucestshire, England on 8th April 1947.|See NA2823.1-2 for dresssuto, joyce

Worn by sister of Cecilia during the 1960s. Nylon fabric was a popular option to cotton.1960s Black dress for day wear. Dress has w2white stripes and a wide border of paisley design and three smaller bands of floral design. A zip fastener extends from neck edge to below the waist.Osti Australia Arnelcostume, female

black and white photo of boys cricket team 1971. Male teacher in centre of front row, dressed in suit. Boys dressed in white shorts and tops. Sign in front ' golden Square Primary School 1971'bendigo, education, laurel street primary school

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.White cotton petticoat with bands of inserts of lace. Th petticoat was donated at the same time as a white cotton day dress. Probably of Tasmanian origin, and of a similar period to the dress, the petticoat was donated by a local Kew resident.women's clothing, petticoats, underwear, coralie coulston

Black and white copy of original photograph showing four children, two boys dressed in dark jackets and white collar. Two girls are wearing white dresses. Also featured are a tricycle, a doll, a football and a dog.james blair donaldson, alexander somerville donaldson, amelia roberta donaldson, agnes donaldson

see page 4 Lakes Post Newspaper 30 August 1995Black and white photograph VW Combi Van dressed as Melbourne Tram, man dressed as Tram Conductor, entry in Variety Club Bash, parked at Apex Park. Kalimna escarpment in background. Lakes Entrance Victoriacharities, clubs, vehicles

This photograph is thought to have been taken c.1919, when Violet was about 17. Violet married Carl Hoffman in 1926.Black and white copy of original photograph showing a young lady dressed in a white dress with her right hand resting on a book on an ornately carved tall table. She is wearing a large bow in her hair.violet reid (afterwards violet hoffman)

An early photograph of a miner and his family standing outside their tent in the Australian bush.An early sepia photograph of a miner and his family standing outside their tent in the Australian bush. This postcard was produced by George Symons as a souvenir of Marysville.AUSTRALIAN/ yesteryear/ CARDS P7 CORRESPONDENCE ADDRESS IN THEIR SUNDAY BEST c. 1880 A miner's family dressed in their Sunday best/ outside their tent dwelling./ Despite the difficulties of tent life the woman/ has brought her touch to the camp and is still/ able to dress her family immaculately for their/ Sunday stroll down the track. Photographer Unknown A sepia tone facsimile of/ an early Australian photographmarysville, victoria, mining life, australia, george symons, postcard, souvenir

Brown leatherette case containing ladies' sewing kit. Lined with flesh coloured moire silk, gathered pocket containing a sheet of 200 pins, brass thread holder containing 2 reels of silk thread, one shade 677 the other 706. Other half of case has leather strap with 2 packets of Lighthouse brand needles, scissors, thimble, two needles, punch, button hook, one unknown tool, 1loose '30's button, 2 needle cards, one containing 12 safety pins of various colours.Lithgow Sheet, 200 solid headed English Pins. Abel Morrall's Dress and Lingerie Pins. Art Silk Hose Mending, Flora MacDonald Needles are a Pleasure to Use.domestic items, sewing

Admission tag to Australian Open 2002. Played at Victoria Golf Club 21-24 Nov 2002. Bruce Harding was a rules official at this Australian Open at Victoria Golf Club.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open Victorian GC Vic” Reverse: “Admits to course and clubhouse. Victoria Golf Club 21-24 Nov 2002. Dress regulations apply”bruce harding, australian open (golf)

Admission tag to Australian Open 2002. Played at The Grand Golf Club, Queensland 22-25 Nov 2001. Bruce Harding was a rules official at this Australian Open at The Grand Golf Club, Queensland.Bruce Harding is a past HGC President and was involved with Victoria's junior teams, the Victorian Golf Association and was a rules official..Red enamel on metal with red strap. Keyring style.Obverse: “Holden Australian Open The Grand GC QLD” Reverse: “Admits to course and clubhouse. The Grand Golf Club 22-25 Nov 2001. Dress regulations apply”bruce harding, australian open (golf)

Photo of VR Tram 23 with a sign "Merry X'Mas", decorated, being used for a Christmas party on Tuesday 22-12-1953. Appeared in The Age, 23-12-1953. Has many children leaning out of the tram waving, The Conductor has a cash bag.Yields information about VR tram 23 decorated for the 1953 Christmas and used as a party tram.Black and white photograph with notes on the rear.In pencil "No. 4, The Age 23-12-53, relic of first rolling stock on Sandringham - Black Rock line? and a newspaper clipping "All dressed up and somewhere to go"tramcars, tramways, vr, sandringham to black rock, tram 23, christmas trams

Black Officer's Dress uniform Trousers with Red Stripes 4.3cm To be worn with BracesRed Stripes Tag on inside CGCF

Moira Bird Oliver (nee Good) daughter of Rev Good of St Jude's Carlton first met Frank Oliver circa 1915. They were engaged for some 7 years while Frank did wartime service and then on return to Melbourne completed a Theology degree at Trinity College and was then ordained. They married on the 18th of July 1925 at St Jude's Church in Carlton. Frank Oliver was then naval chaplain on the HMAS Platypus. After various postings the married couple eventually arrived and were appointed to the Chaplaincy to the Mission to Seamen based at 717 Flinders St from 1930-1960. The Olivers weathered many significant issues between 1930 and 1960, a depression, WW2, strikes and waterfront unrest in the 1950s and financial struggles resulting from changed shipping patterns. This photograph was gifted by a descendant who told us that Mrs Oliver was a very enthusiastic photographer. Mrs Oliver was a well loved and respected woman and is memorialised by a window in the Mission Chapel. It is possible she is one of the many anonymous photographers who contributed various photographs especially of the 1930s and forties that make up a substantial part of the Mission Heritage Collection. Mrs Oliver died in 1969 see elsewhere this database for memorial plaque and window.Mounted studio b & w photograph portrait of a bride in white dress and trainpadre oliver, reverend good, st. jude's church, reverend frank leslie oliver, moira bird good, moira oliver, hmas platypus, royal australian navy, r.a.n. chaplain

Seated japanese doll with traditional dress and black hair and purple bow in hair. "PMA 0121"

Japanese doll with traditional dress. Standing upright supported by black square base. On doll: "PMA 0130/1" On base: "WMA 57" "PMA 0130/2" Japanese writing at base in pencil

giftJapanese geisha doll with traditional dress standing in fame carrying water buckets Japanese writing On reverse "New Port of Mita/ Tuesday, 10 November, 1992/ Tri City Municipality" "WMA 4" "PMA 0122"

Taken at a Debutante Ball 1957 St Kilda Town Hall. David Canolly was a lay reader and Marjorie Stafford, the daughter of George Stafford, a policeman who was involved in the Mission helping during the 1950s. (Conolly interview in 2016)Subjects LHLG member MS and Lay Reader DC had a long standing connection with the Mission Black and White Gloss print photograph of a couple in evening dress, both are standing.Hand written in black texta; l Circa 1957 Marjorie Stafford daughter of George Stafford, & D C at Debutante Ball for Robert Burns Lodge at Stkilda TRown Hall lay reader, david conolly, marjorie stafford, lhlg, st kilda town hall, george stafford

Small monochrome photograph (faded) depicting a small group of seamen dressed as women

Photograph of Jessie May Partington as a child.Jessie Angus was a Greensborough identity for her work with the local choral society and as a member of the pioneering Partington family.Postcard Studio portrait of small child in lace dress. Photograph in oval mount.In pen on mount: Jessie May Partingtonjessie may partington, jessie angus, jessie scholes, partington family