Photographed from an early sketchBlack and white photographic postcard showing work in progress on building of entrance piers. On partially built pier workmen standing on decking, sand dunes and lake at back and Jemmys Point in background. Lakes Entrance VictoriaWork on the new entrance, from an early sketchdredging, occupation, waterways, public works

Set of 8 plans, including blue-prints, of various gardens, dated c. 1947 - 1981. See paper catalogue for complete list.Plans by Hilda Marriott Dance (1) Sketch plan and 2 blueprint copies of School of Horticulture Burnley. Garden Alterations New Building Area, Working Drawing by H. Dance, Scale ⅟₂₀"=1', 2/4/47, on reverse handwritten,"Proposed Garden Lay-out for New School Building (H. Dance-plan)." (NB Emily Gibson was also involved in the planning of this site.) (2) Tracing paper, paper and blueprint copies of Ararat & District Hospital Garden Plan - MacDonald Memorial & Court, Landscape Architect - H. Dance, Scale 1 inch=8 feet. Includes handwritten note, "Replacement for Ararat Hospital Nov. 1979," list of plants. (3) Blueprint Proposed Design for Garden Watermill Farm, Newbury for Norman Gadsden Esq., Scale ⅟₄₀"=1 ft. (4) Sketch Plan for Garden, Barcombe, Buangor - January 1981 by Hilda Marriott, Scale - Approximate Only - 1:40. (5) Tracing paper copy of plan of Garden at Plumhill, Templestowe, for Mr. & Mrs. Colin Smith. Hilda Dance, Designer 26/4/47, Scale ⅛"=1'. (6) Blueprint Garden House - Sketch. (7) Tracing paper and paper copies Ararat Medical Centre Courtyard Garden, Landscape Architect - Hilda Marriott, Scale - 1:25, Date 8.5.79. (8) Tracing paper copy National Trust of Australia (Victoria) The Heights, Newtown, Geelong Garden Plan, Scale 1:250, Drawn by - Hilda Marriott, Date 12.10.79.(1): on reverse handwritten,"Proposed Garden Lay-out for New School Building (H. Dance - plan)." (2): Includes handwritten note, "Replacement for Ararat Hospital Nov. 1979," list of plants.hilda marriott ( dance), burnley school of horticulture, students

Bulgana School Early 1920's Children and possibly some adults standing outside weatherboard schoolBulgana School Early 1920's

Anzac Day Parade in Wangaratta early 1950'sBlack and white photograph of men in suits marching in formation along main street. Photograph is sticky taped to brown cardboardAnzac Day Wangaratta Early in the 1950's.anzac day, wangaratta, 1950's

Coloured photograph glued to cardboard showing the boys boarding a bus for football trip to Ararat.bendigo, institutions, sandhurst boys centre

Photo of Lansell's Big 180 Victoria Hill - early 1870's. In the background is New Chum Hill. In the right foreground is Ballerstedt's second Open cut. On the left edge of the opencut is a building with a chimney beside it and poppet legs and a chimney further behind the building. Behind the opencut are more chimneys, poppet legs and buildings. Two photocopies donated by A Richardson in Folder 124 (3556.1).Lansell's big 180 Victoria Hill early 1870sphoto, lansell's big 180 mine, new chum victoria, nth old chum, old chum, ballerstedt's 2nd opencut, a richardson

5 Coleridge Street early 1970s windstormblack and white gloss photograph fair condition unmounted5 Coleridge st. Early 70s. Windstorm. C184.

This booklet was given to subscribers to the Warrnambool Standard newspaper as an almanac for the year 1912. Warrnambool Standard Almanacs were produced from 1875 to 1930. They contain much local information on Warrnambool and district about government officials, harbour management, businesses, banks, churches, large landowners, schools, societies and organizations etc. The Warrnambool Standard newspaper was established in 1872 and continues to this day. This booklet is of high significance as it contains much valuable information on Warrnambool and district for the year 1912. It is a very important resource tool for those studying and writing the history of Warrnambool and district. This copy has no known original owner but came into the collection of the Warrnambool and District Historical Society via the Langi Morgala Museum in Ararat This is a soft cover booklet of 116 pages with several pages of advertisements at the front and the back of the book. The cover has a white background with an ornamental blue border and blue lettering. The cover is stained and a little torn. The inscription is handwritten in blue ink and includes a blue stamp. The booklet contains several black and white photographs. ‘from Langi Morgala Museum Ararat’ warrnambool standard newspaper, history of warrnambool, standard almanac 1912

Shows the Ararat district's rich mining history.Black and White photo of five miners digging in a pit at Malay Gully, Mafeking. Three of the men are named George Peirbox, Serio Kitchell and Sam Osman. The sides of the pit are supported by horizontal logs.Label on front: Malay Gully, George Peirbox, Serio Kitchell, Sam Osman 1901-2 donated by Mr E Osman 1971. On back of photo: Property of E. Osman housemover and contractor ph 477 Ararat, donated by E. Osman Malay Gully Mafeking down from Browing Claim.

Yields information about the tram crossover point in Albert St Sebastopol during the last few years of the tramways and the condition of the roadway at the time.Black and White photograph of SEC tram No. 12 crossing Albert St. from east to west side at Ophir St. late 1960's or early 1970's. Tram has destination of SEBASTOPOL, and Twin Lakes sign on rear. Photo taken after tram has passed photographer. Photo by Chris Wurr. Photo shows sealed road (to Colac) and tram stop sign on west side of road. Photocopy made 4/1999 for display purposes. Copy 2 added 27/7/2007, ex Alan Bradley photographs.On rear, in black stamp ink "Photo by Chris Wurr / 12 Truscott Street, Ararat 3377 / (053) 523403 Copy 2 - Additional words to above "Donated to BTPS by and"trams, tramways, albert st., sebastopol, tram 12

Yields information about the tramway and the street scene in Lydiard St Nth during the last few years of tramway operation.Black and White photograph of SEC tram 34 travelling along Lydiard St. North, bound for the Lydiard St. North terminus. Photo shows the tree lined route and how the road surfaces was not fully sealed to the gutter, but with a crushed rock edge. Photo taken by Chris Wurr during late 1960's or early 1970's. Photocopy made 4/1999 for display purposes. Copy 2 - as above, ex Alan Bradley 5/2007 - added 27/7/2007.Copy 1 - On rear, in black stamp ink "Photo by Chris Wurr / 12 Truscott Street, Ararat 3377 / (053) 523403. Copy 2 - Additional words to above "Donated to BTPS by and"trams, tramways, lydiard st. nth, tram 34

An early black and white photograph taken at the entrance to "The Hermitage" in Narbethong in Victoria.An early black and white photograph taken at the entrance to "The Hermitage" in Narbethong in Victoria. "The Hermitage" was built by photographer John William Lindt as a home and guesthouse in 1894. John Lindt had previously photographed the mountain scenery of the Black Spur and purchased 71 acres and subseqently built his home and guesthouse from where he continued his career. "The Hermitage had a garden designed by John Lindt's friend, Ferdinand von Mueller, who was at one stage the Director of the Melbourne Botanic Gardens. The garden featured New Guinea tree houses from which John Lindt made frequent panoramas of his property and the surrounding forest of towering mountain ash. Aged 81 Lindt died of heart failure during disastrous bushfires on 19 February 1926 at the Hermitage. He was survived by his wife Catherine who continued to run ‘The Hermitage’ guest house before she retired to the city.the hermitage, john william lindt, narbethong, victoria, black spur, ferdinand von mueller, melbourne botanic gardens, new guinea, catherine lindt

Inspector’s reports. [Book 1] Typed loose reports 1913, 1914, 1915, 1916, 1928. Written in book: 1921-1928. To Box 1912-1919.1; Inspector’s reports. [Book 2] 1920, 1930. To Box 1920-29.1. Also photocopies for 1929-1968 These are original and official education department documents reporting on the courses, staff and amenities at CTS.2 volumes, 1914-1928, 1929-30. Hard cover 'minute' books. Earlier volume has loose pages of typed reports for 1914-20. All other entries handwritten.All book entries are handwritten. Early typed entries have covering letter "from Education Department, Melbourne"collingwood technical school, cts, reports, inspectors reports, education department melbourne, inspector of technical schools, nmit,

The photograph printed on this postcard comes from the collection of the Mitchell Library in Sydney. It is sepia in tone and depicts seven men standing and sitting around a mine shaft in the Beechworth region. The photograph has been dated to approximately 1872. This period in history post-dates the Victorian gold rushes which occurred 1852-1853 in Ballarat, Bendigo and Beechworth. During this period, in the 1870s, the surface alluvial gold had been discovered and removed from location. Therefore, in order to reach the deeper and less accessible alluvial gold, diggers began to dig shafts into the earth. These shafts sunk below the ground level by 20 to 30 feet and required timber structures around the entrance and winches to bring the paydirt to the top. The top of this wooden structure is visible behind the man standing in the upper right of the image. This type of mining was highly dangerous as mines often caved in which injured the minors and often resulted in death. Thus, following this period, in the early 1900s, miners opted instead for hydrolic slucing which cut away the earth without the devastating consequences of a mine cave in. This particular group of miners appear to have been unable to afford a horse (then worth around 50 pounds) which were generally used at mines like this to help pull buckets attached to ropes up and down the mine. Instead, this group brought the buckets up and down by windlass. The windlass was a wooden structure mounted over the mining shaft and fitted with a hand-cranked winch which enabled the bucket attached to the rope to be brought up and down.Gold was first discovered in Beechworth in Spring and Reid's Creek in the summer of 1852-1853. At its popularity, this region had approximately 8000 people on the gold fields searching for gold on the banks of these creeks. These periods did not require the use of heavy machinery or the digging of deep mining shafts like the one depicted in this image. Therefore, this image has important connotations for the technologies associated with mining during the approximated 1870s when gold was harder to access. This is a later period in gold history which does not fit into the "gold rush" period. Instead, it occurred after the surface gold had disappeared and therefore, is essential for researchers who are investigating the mining techniques and structures used to reach the alluvial gold which was located deeper under ground in the 1870s. This period predates the use of big heavy machinery used to mine in the 1900s which include dredges. Images such as this one can also impart essential information as to the wardrobe and fashion of men during this period. It also imparts knowledge about the landscape of Beechworth which is useful for people researching the environment and impact of gold mining in the north-east region of Victoria. In addition, since this image is a postcard reproduction of an early Australian image which may date to approximately 1990 it can impart knowledge as to the interests of people during this time period when there may have been an increase into Australian history.A sepia tone facsimile of an early Australian photograph (circa 1872) printed as a postcard.Obverse: BEECHWORTH / Victoria, Australia / Reverse: GM 2 3275 / CORRESPONDENCE / AUSTRALIAN / YESTERYEAR / CARDS / ADDRESS / Published by George Symons (057) 65 3240 / THE MINEHEAD C. 1872 / The easily gleaned gold of the early fields did / not last very long. In order to reach less / accessible alluvial gold diggers began sinking shafts as much as twenty to thirty feet down / and the mines required timbering and winches / to bring the paydirt to the top. / This syndicate has been unable to afford the / luxury of a horse (about 50 pounds) and so everything / must go up and down by windlass and rawhide / bucket. / Photo: Mitchell Library, Sydney / A sepia tone facsimile of / an early Australian photographmining album, gold mine, beechworth, burke museum, mine shaft, postcard, australian yesteryear cards, george symons, the minehead, gold fields, alluvial gold, early australia, c.1872, 1872, gold diggers, north east victoria

Newspaper article glued to backing board: HERITAGE WEEK - HISTORICAL PHOTO COLLECTION The launch Heritage Week (April 8-15 [1984]), the Kew Historical Society has arranged the display of large colour photographs (the Koelmeyer-Edmonds Collection) of early suburban Melbourne Street scenes. This important collection may be viewed during Heritage Week at the City of Kew Library, Charles Street, Kew. Laurie Koelmeyer, a collector old and rare photographs, commissioned Jenny Edmonds, a noted local artist, to paint scenes such as Kew Junction, Auburn Village and the Hawthorn Railway Station in historical detail from old photographs. The paintings were then colour photographed for the heritage Week display. Kew residents will see twenty photos in all at the Kew Library. We should feel honoured that our suburb has been chosen for this display. The Koelmayer-Edmonds team was invited to launch the public exhibition in Kew at the instigation of the Historical Society and its President, Rae Brunette, who are to be congratulated for their efforts in arranging this special collection. The State Bank has indicated its support for the photographic display. Later it is proposed that the completed paintings will be exhibited at the Head Office of the Bank to coincide with Victoria’s 150th Anniversary celebrations. The display at the Kew Library is a significant honour for our City and is one which you should not miss. The Kew Historical Society can be contacted on ’80 3657.”Framed oil painting on board of the 'Commercial Heart of Kew', copied and painted from an early postcard published 1905.Labels on reverse: "THE COMMERCIAL HEART OF KEW / COPIED AND PAINTED FROM AN EARLY POST CARD PUBLISHED 1905 / RESEARCHED AND DONATED BY MR LAWRIE KOELMEYER APRIL 1982 TO KEW HISTORICAL SOCIETY." "SMALLER COPY OF THE KEW HISTORICAL PHOT0 DISPLAYED IN THE KEW LIBRARY."jenny edmonds, cotham road -- kew (vic.), lawrie koelmeyer

One of a collection of photographs and drawings donated by Mr J. W. Gliddon and used in his book "Phillip Island in Picture and Story"An early drawing of the McHaffie homestead, possibly by J. B. Henderson during the 1860's. Although unfinished it is probably an accurate portrayal."An early sketch of the McHaffie homestead" "Incomplete parts shown in pencil. Probably the most truthful record extant. J. W. G." "John David McHaffie."mchaffie homestead, phillip island, mr. j. w. gliddon

Donated by B. C. GraydenPhotograph of 6 to 7 cars parked at The Nobbies. Two figures of a man and woman in background.On Back: Cars at The Nobbies early thirties.the nobbies, phillip island, b c grayden

A5 sized hardcover book. Mustard colour fabric like cover with gold markings. Also a mustard coloured sleeve Copy of book from early works to 1800British Library Cataloguing in Publication Data. Butler, Charles The Feminine Monarchie 1. Bee Culture - Great Britain- Early works to 1800

Black and white photograph, mounted on cardboard, of a horse and cart with the family of the "Stewarts". Photo taken in the early 1920s outside Roger's General Cash Store, Great Northern Township"Early 1920s at Great Northern Township, via Rutherglen. L to R Fanny Stewart, Hector Stewart, Rae Stewart, Myra Stewart."stewart family, fanny stewart, hector stewart, rae stewart, myra stewart, rogers store, general cash store, great northern township

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

An early steel engraving print of Marysville in Victoria.An early steel engraving print of Marysville in Victoria by Nicholas Chevalier. Nicholas Chevalier, born in 1828, was a Russian-born artist who worked in Australia and New Zealand. In 1851 Chevalier moved to London and worked as an illustrator in lithography and watercolour. After further studies in painting in Rome he arrived in Australia in December 1854. In August 1855 he obtained work as a cartoonist on the newly established Melbourne Punch. Later he did illustrative work for the Illustrated Australian News and also worked in chromolithography. He accompanied explorer/meteorologist Georg von Neumayer on trips to remote areas of Victoria, and the material gathered on such journeys resulted in some of his most recognised pieces of this period, including his painting of Mount Arapiles in Western Victoria. In 1864, when the National Gallery of Victoria was founded, an exhibition of works by Victorian artists was held. The government agreed to buy the best picture exhibited for £200. Chevalier's oil painting The Buffalo Ranges was selected, and was the first picture painted in Australia to be included in the Melbourne collection. In 1865 Chevalier visited New Zealand, travelling widely and doing much work there which was exhibited at Melbourne on his return. In 1869 he joined HMS Galatea as an artist with the Duke of Edinburgh, on the voyage to the East and back to London with stops in Tahiti, Hawaii, Japan, China, Ceylon (Sri Lanka) and India. The pictures painted during the voyage were exhibited at South Kensington. In January 1874 Chevalier was commissioned by Queen Victoria to travel to St Petersburg and paint a picture of the marriage of the Duke of Edinburgh. Chevalier made London his base and was a continual exhibitor at the Academy from 1871 to 1887. He had one picture in the 1895 Academy but had practically given up painting by then. Chevalier died in London on 15 March 1902. N. Chevalier 1870 N. Chevalier/ W. Forrest MARYSVILLE, VICTORIA. LONDON, VIRTUE & CO.marysville, victoria, n. chevalier, w. forrest, steel engraving, print, mount arapiles, georg von neumayer, the buffalo ranges, national gallery of victoria, hms galatea

A copy of an early pencil sketch of Fernshaw in Victoria.A copy of an early pencil sketch of Fernshaw in Victoria by Louis Buvelot. Louis Buvelot ( 1814–1888), born Abram-Louis Buvelot, was a Swiss landscape painter who lived 17 years in Brazil and following 5 years back in Switzerland stayed 23 years in Australia, where he influenced the Heidelberg School of painters. Arriving in Melbourne in February 1865, after leaving the cold of Switzerland, which was impacting on his health, for the warmth of Australia, Buvelot was in business as a photographer in Bourke Street for a year but soon resumed his painting. He lived in Melbourne for a number of years before moving to Fitzroy. The National Gallery of Victoria purchased two of his paintings and he continued painting until his death in 1888. He was buried at the Boroondara Cemetery, where a large monument was erected in his memory. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.Fernshaw 17.2.83louis buvelot, fernshaw, victoria, national gallery of victoria, switzerland, boroondara cemetery, kew cemetery, artist

A copy of an early oil painting of Fernshaw in Victoria.A copy of an early oil painting of Fernshaw in Victoria by Isaac Whitehead. Isaac Whitehead (1819–1881) was an Irish-Australian artist who worked in watercolour and pastel. He was also a picture framer and art promoter. It is believed that Isaaz Whitehead emigrated to Australia with his family in either 1853 or 1858. Isaac Whitehead died at his home 50 Punt Road, Prahran, Melbourne, on 21 April 1881. Isaac Whitehead had established himself as the foremost picture framer in Melbourne by 1860, known for his highly ornate frames with floral decorations. Among the clients of his framing business were Louis Buvelot, Nicholas Chevalier, and Eugene von Guérard. In his own paintings, he painted a number of scenes of the forests of Gippsland, Victoria. His work focused on the rich landscapes with trees and ferns, with a high degree of botanical detail. His work won him two medals and his work was posthumously exhibited at 1884 Victorian Jubilee Exhibition, the 1886 London Colonial and Indian Exhibition, and the 1888 Melbourne Centennial Intercolonial Exhibition. Fernshaw was a rural township 63 km northeast of Melbourne and 10 km northeast of Healesville. Situated on the Watts River, near where a log had fallen making a convenient crossing, Fernshaw was settled in the 1860s. It provided good country for orchards and berry growing. The location was at the foot of Blacks Spur, with Mounts Juliet and Mondah rising on either side, providing spectacular scenery. There were nearby fern gullies giving rise to the name – ‘shaw’ is old English for thicket or wood. By 1875 Fernshaw had a post office (1865), two hotels, a school (1871), and stores. It was famed for its beauty, attracting tourists. In 1886 the Melbourne and Metropolitan Board of Works began work on the Watts River water catchment scheme – later to become Maroondah – and the Board obtained approval for the catchment country to be reserved and kept free of settlement. This required the removal of the Fernshaw township, which was completed by about 1890.isaac whitehead, fernshaw, victoria, louis buvelot, nicholas chevalier, eugene von guerard, gippsland, victorian jubilee exhibition, london colonial and indian exhibition, melbourne centennial intercolonial exhibition, watts river, healesville, blacks spur, mount juliet, mount mondah

Various views of Greensborough & district in the early 1900's.Records the houses, roads and bridge in Greensborough.2 copies of early Greensborough district photographs.Nilgreensborough, bluestone bridge, main street, aqueduct bridge, plenty river

One of the earlier nylon stocking from the WW2 era. Many believed they would melt off the legs if you stood too close to the fire.One of the earlier nylon stockingscostume, female footwear

EARLY CLUNES BUILDINGSPHOTOCOPY OF EARLY CLUNES VIEWS OF BUILDINGS CHIMNEY STACKlocal history, photography, photographs, clunes landscape & buildings

Hardcover book, 314 pages. Front cover of book has a colour image of a man on horseback wearing a blue shirt punching at a man wearing a red shirt. Stamps indicating book was previously in another collection: 'Property of Ararat Mechanics' Institute and Free Library'; 'J. R' Lahn, Maldon'. Book plate pasted to rear cover: 'Variety Library Service'.fictionWestern novel.clarence e. mulford, westerns, fiction

2 copies, not originals. 3 people working in the garden in the foreground. T.H. Kneen suggested early 1900's as ponds not yet constructed.On reverse, "Photograph by Information Branch Victorian Department of Agriculture Ref. No.1981(889-3). Earlier copy, handwritten on reverse, "Exhibition Building later to become the Lecture Theatre."luffmann ponds, students working outside

Diggers & Mining. Getting the Gold. Slide: In the early 1850s, Ballarat was the most important field for deep sinking. But in the later years of the decade, the diggers were working important leads on many other fields; e.g., Maryborough, Dunolly, Ararat, Indigo, Amherst, and McIvor. Markings: 39 994.LIF:4. Used as a teaching aid.hanimounteducation, tertiary, goldfields