One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed photographic half portrait of Winifred Noble in the original carved wooden frame. Winifred lived at 'Avalon' in Molesworth Street, Kew.Handwritten label on rear "Winifred Noble c 1910-12"noble family, winifred noble, photographic portrait, kew

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed portrait of Frederick Noble"Frederick Noble". The name "PRENTICE" is handwritten below the label.noble family, frederick noble

One of five group and individual portraits of the Noble family of Kew, two in the rear garden of what is presumed to be ‘Charnwood’, in Station Street, Coburg. The photographs date from the period c.1890-1914. One of the larger framed photographs is a portrait of the entire family group, while another is of two of the children, Frederick and Winifred. The father, Frederick William Noble was a businessman, and, at one period Secretary of the Victorian Creamery & Butter Company in South Melbourne. Later he was to manage J. Bartram & Co., Ice & Cold Storage Department in Flinders Lane. By 1906, the Noble family had moved to Kew, living for almost 20 years at 100 Walpole Street before relocating to 26 Molesworth Street in the mid 1920s. The five photographs in the collection reveal details of family life and social values as expressed through attire. The family is formally costumed in a manner indicative of their social status. Mrs Noble, in one of the large framed portraits, is dressed in a sombre manner in a long, dark-coloured long-sleeved, high-necked gown. It is difficult to know whether she is dressed in mourning wear in this black and white photograph. It was not uncommon for a woman to regularly wear mourning attire due to the high mortality rate in the Victorian era. This situation was compounded for women due to the size of extended families. A woman might rarely be out of mourning due to the death of a parent, a sibling, a husband, a child or a near relative. The portraits of the Noble family children, particularly Frederick and Winifred, show the elaborateness of formal attire worn by the children of wealthy families during the late Victorian era. Winifred is dressed in a long cotton dress and a broad-rimmed hat; both liberally covered in lace. Winifred and Frederick’s lace collars extend to their shoulders. Winifred’s diaries, covering the period 1908-50, are now in the collection of the State Library of Victoria. The most detailed of the diaries is from 1914, just before the outbreak of World War 1, and includes ‘Accounts of my Dancing Evenings - Season 1914’. The diaries were the inspiration for an art exhibition by Jim Pavlidis in 2014. One of the family’s two sons, Frederick, was to work at The Age newspaper for 50 years. His obituary records that “He was regarded as the epitome of accuracy and a fount of knowledge on many subjects, but especially cricket, the Royal Melbourne Show and Gilbert & Sullivan”. With Robert Morgan he compiled Speed the Plough, a history of the Royal Agricultural Society of Victoria and its role in developing agriculture in Victoria.Framed oval portrait of Mrs P. W. Noble in a carved wooden frame."P. W. Noble" handwritten on label on reverse. noble family

The correspondent of The Argus recorded that: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. ... To-day the Heir to the Throne will review some 15,000 Australian troops at Flemington. ... It is a function which, on a lesser scale, might have been arranged at any time for many years past; but it could never previously have conveyed the meaning it does now. Soldiering was popularly regarded as a pastime here until South Africa tried the mettle of our men. It is serious business from henceforth. Those who followed the nascent aspirations of the volunteer soldiery in Australia must be impressed at the rapidity of their fulfillment. ... The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items owned and displayed at 'Fairyland' by Mrs Grace Tabulo, and a rare survivor of that collection.An invitation, mounted on card to the Royal Review held at Flemington racecourse on Friday 10 May 1901, as part of the Government of Victoria's Australian Commonwealth Celebrations. The border is vividly decorated with flags, shields and a large coat of arms. The photographic images depict various scenes of Flemington in Melbourne, in addition to two separate portraits of the Duke and Duchess of Cornwall and York. Illustrations of military servicemen on foot and horseback flank the central block of text. The invitation was part of the 'Fairyland Collection assembled by Jim and Grace Tabulo. The name on the certificate was expunged.Printed: AUSTRALIAN COMMONWEALTH CELEBRATIONS/ The Government of Victoria/ requests the honour of the presence of/ [name deleted] / AT THE/ ROYAL REVIEW/ at Flemington on Friday/ the 10th of May 1901. Reverse: Mrs G. Tabulo, 57 Malmsbury St.federation events, royal review - 1901, federation -- invitations, grace tabulo -- fairyland -- 57 malmsbury street -- kew (vic.)

This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand.The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Small, black and white photo of High Street, Kew, looking west towards Kew Junction."High St / Looking towards Junction / Jim's / 4high street -- kew (vic.), shopping strips -- melbourne

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small black and white photographic positive, of Mrs Grace Tabulo standing in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of Grace Tabulo and two girls in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of items displayed in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of a woman and two children in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of items displayed in the garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo

A bi-monthly magazine published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 2 No. 5, November-December 1931; Size 21.5cmHx14cmWjames m. johnston, bedggood boot factory, eva hair, eva johnston, e.r . peacock, n. armstrong, l.a. cleveland, r. j. oehr, ernest j. d. abraham, mrs f. e. frewin, lambert, mrs t. peters, mrs d. ashby, w. o'bryan, percy smith,gerald edwards, hamson, jim walters, hately, fred kendall, w. h. crush, bert walters, mrs j. sutherland, m. g. b. mortimer, mrs j. o'gorman, g. hawkins, e. leber, e. johnson, bessie graham, alice graham, hope campbell, elizabeth mills, robert adam mills, william patrick monahan, mary ann monahan,

Published by the Deaf Committee of the Adult Deaf and Dumb Society of Victoria'The Victorian Deaf News' Newsletter is a significant publication as an historical record giving and insight into the people, activities and events of the Deaf Community in Victoria.Vol. 1 (New Series) January 1936; Size 24.5cmHx18.5cmW; 24 pagesedgar h. peacock, warwick ashby, rev j. h. frewin, theo frewin, fred frewin, freda connolly, iris connolly, lord mayor's queen carnival campaign, mrs abraham, alice graham, victorian deaf and dumb institution, jim johnston, douglas abraham, w. h. crush, henry w. gladwin, j. boortz, dorothy johnston, charlie buck, colin johns, w. mcmillin, h. r. gillet, i. boast, s. nielson, f. sandon, willie hately, joe unsworth, rivers, a. sutherland, m. reiffel, w. durston, j. boal, deaf tennis club, adult deaf cricket club, lacrosse, deaf chess, w. donnelly, willie smith, les sutton, lydia sanders, melby allsop, ruth peters, mortimer, e. r. e. noble, c. graham, l. smiththelma whateley, thomas newton, roy white, mra and mrs white, h. blackmore, e. raines, elsie denman, g. mccaffrey, ethel dow, james frame, muriel smith, ray cornell, w. grant, john mcgonigal, thomas tonkin, john cardwell, william kent, richard hann, annie secombe, winnie henry, g.g. mercy,

Colour photograph of Jim Courier serving at Australian Open. Materials: Photographic emulsion, Papertennis

Authors Stephen Ziguras, Geoff Stuart, Steven Klimidis, Harry Minas, Jim Lewis, Jo Pennella, Alun Jackson, published by Victorian Transcultural Psychiatry Unit June 2000Blue cover, 24.5cmHx17.5cmW, 244 pagesbilingual case management, stephen ziguras, geoff stuart, steven klimidis, harry minas, jim lewis, jo pennella, alun jackson, victorian transcultural psychiatry unit

Two seasons, the first on the 14th & 15th August, 1952 was part of the Company’s 1952 playbill and contains advertisements from local retailers in Ivanhoe and Eaglemont and advertises the forthcoming play, The Playbill by Terrance Rattigan, embracing The Browning Version and Harlequinade. The second season, on 2nd October, 1952 was in aid of City Of Heidelberg Eisteddfod Society Prize Fund and the Society acknowledges the Group's co-operation. Scans of original programs that are printed on both sides of single sheets.reg markham, ken proctor, leonard tonge, keith featherstone, clement meadmore, mel morgan, lois james, helen hyne, graeme tonge, jim howard, george tanner, patricia walker, bruce mcbrien, peter maxwell, laurie woods, peter goad, jack campbell, gwynneth roberts, reg rudd, max mundy, fred tipping, thora berg, stella guererro, the ringer, city of heidelberg repertory group, eistdford hall, 1952, 4, directed by joyce carthew

2003, 332, chris baldock

433, artspace exhibitors downstairs eddie dix & sharon chang & jan bottcher & ann martin & sue norris & jaclyn wong, artspace exhibitor upstairs susan garrett, artspace curator - teresa schipano, madame pernelle played by catherine christensen, monsieur orgon played by jim thomson, elmire played by veneita macken, damis played by broderisck mcdonald, mariane played by emma warner collins, valere plated by alexander dimitrovski, cleante played by sam howard, tartuffe played by chris mclean, dorine played by maree barnett, officer played by david ruunnalls, monsieur loyal/laurent played by laurie jezard, flipote played by rebecca bassett, ass director liam gillespie, production coordinator tim scott, stage manager rebecca bassett, ass stage manager tamsin mackie, lightning designer craig pearcey, set designers marie mackerell & owen evans, sound design rob wanless, costumes wendy drowley, costumes assistant catherine christensen, props karen wakeham & melanie belcher, set construction: owen evans & dough mcnaughton & brett hunt & des harris & norm munks & paddy moriarty & tim scott & bib dyers & nicholas gugel & ben chapman and htc members, set painters marie mackrell & gaye billing & mal cother, sound/lighting operators john rowe & margaret hassall, technical assistant tom agar, rehearsal prompt bobby parish, photographer david belton, program/poster design chris mclean, publicity jim thomson & toni tyers, box office toni tyers & june cherrey & jenni purdey & carol farr & brett hunt, front of house jenny gilbert and htc members, production review by ken barnes

Throughout its history, the YCW movement produced numerous publications for members and for the wider community. Some of these were regular papers or newsletters with high production values. Others were short lived efforts, produced 'in house' on low budgets. Reading across the collections, these public expressions of YCW communication provide insight into the movement's methods, the concerns of young women and men of the period, and how these shifted over time and across location.This four page document reveals the key concerns of the YCW movement in Melbourne in 1971; internal migration from regional Australia to the cities and road safety. It features photographs taken by chaplain Jim Nippard. Black and white printed newsletter with photos over four pages.

Two Black White Photographs

Black and white photograph of two RAEME officers inspecting a vehicle towing frame. At right Lieutenant Jim Farrelly 8/13 VMR Workshop Commander.military, vmr, raeme, towing

Sergeant Cook Muller had WWii service in the German Navy.Post- War he migrated to Australia The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment.Colour photograph of Sergeant Cooks Kurt Muller and Jim Robertson cooking for Formal Dinner at Buna Barracks 25 May 1991. Both were members of 8/13 Victorian Mounted Rifles.vmr, cook, muller, robinson, military

" A " Squadron 8/13 VMR won the 3rd Division Small Arms Competition in 1977.Black and white photograph of 3 soldiers of 8/13 Victorian Mounted Rifles with Commander of 3rd Division, Major General Jim Barrie at Divisional Shooting Competition Puckapunyal 1977." 3 Div Small Arms Competition 1977. Cpl. S. Loughton, Cpl. B. McDonald, Tpr. J. Ranftel being congrarulated by Major General Barry. "

Army Reserve regiments had ARA officers and senior NCOs posted to them for training and administrative purposes. The duration of the posting was usually two years.Four colour photographs taken at Buna Barracks Albury when Major Robert Morrison farewelled 4 members of the 8/13 Victorian Mounted Rifles Cadre Staff: Sergeant King, Corporal Greg Nye, Sergeant Jim Whitney and Sergeant Len Scott.

The former student, Jim Hume, has written a short history of Bulla and the school which is in the Bulla Primary School collection held by the Sunbury and District Heritage Association.A coloured photograph of a group of children talking to three adults. The older man is Jim Hume, who was a former pupil at the school.schools, boardman, a, bulla primary school, hume, jim, school capsules.

72p; ill; fascims; ports This book is about Robert Benjamin Stevens, a leather merchant and his family and their descendants, who lived in Surrey Hills.72p; ill; fascims; ports This book is about robert Benjamin Stevens, a leather merchant and his family and their descendants, who lived in Surrey Hills.stevens family, genealogy, (mr) john fidler, (mrs) jane fidler, (mrs) jane sebeston, (miss) jane sebbison, (miss) ann selina stevens, (miss) mary jane stevens, (mr) robert benjamin stevens, (miss) mary ann matilda stevens, mont albert road, surrey hills, (miss) margaret fidler, (miss) christina fidler, (mr)william cromarty, (miss) mary fidler, (mr) robert stevens, (mr) (rev) andrew mitchell ramsay, (prof) (mr) frederick sargood, union road, (mr) eric marshall, (mr) robert archer, (mr) frederick stanley, (mr) jim cerato, (mr) norm bainbridge, (capt.) - pearson, (mr) john rae brown, (mr) james barclay, (ms) agnes sarah goding, (ms) mary ann wilkins, (miss) - bowes, box hill market, mosgiel hospital, leather merchant, (mr) clifford james, (mr) keith mackay, arbee handcraft, (mr) noel stevens, (mr) don fowler, (mrs) doris may, (mrs) doris stevens, (miss) grace elizabeth archer, (rev) j morley, (rev) p schweiger, (rev) g shepherd, a michaelis, a cromie, a cravino, w h doery, r king, b j parkinson, h perrin, e williams, (mr) bruce torode, (mrs) illma bruce, (mr) malcolm gill, (ms) sandra shepherd, (mr) don lewis, (mr) clive shepherd, (ms) fiona mccaughey, (mr) alan stevens, (ms) helen skilbeck, (ms) patricia stevens, (mr) peter austin, (mr) ross shepherd, (mr) geoff stevens, arp warden, pembroke road, mont albert, (miss) zilla bertha loughrey, (mr) cliff snape, (miss) lyn bull, gascoyne street, (miss) cheryle patricia charlton, scouts, (mrs) margaret duckworth, (mr) barry duckworth, chatham state school, (ms) gwen dovey, (miss) agnes millicent, (miss) joyce shepherd, (miss) elsie may good, langford street

Gunyah (aka The Surrey Hall) used in 1889 and after that for Masonic Lodge functions until they built the Emulation Hall in Rochester Road for local functions. There were many local dances both at Surrey Hall in mid 1930s, 1934 and 1935. Also on Saturday night at the Holy Redeemer. Foreword by the Honorable Wendy Baden-Powell.(Lord Baden-Powell's grand-daughter. Dedicated to Mr Jim Richards who followed in the great footsteps of "Rainbow" Simpson. History of scouting in Canterbury beginning with 1st Canterbury Scout Group. Includes many references to local Surrey Hills people.History of scouting in Canterbury beginning with 1st Canterbury Scout Group. Includes many references to local Surrey Hills people.Title Page: (signed by the author) James Nicolas17th camberwell, st paul's anglican church troop, surrey hall, gunyah, rainbow simpson, (mr) toby rechner, (m r) jim willis, (mr) jim richards, (mr) john wilson, (mr) c hammond, (mr) k smith, (mr) d hadaway, (mr) j mason, (mr) - fawcatt, (mr) g burmeister, (mr) george thomas, (mr) charles p middleton, (mr) w mccallum, (mr) h wilks, (mr) robert macfarlane, (mr) john moffat, (mr) gary everitt, (mr) peter milburn, (mr) bruce manks, (mr) wilfred o darby, (mr) - buscombe, (mr) - buchanan, (mr) j sinclair, (mr) f edwards, (mr) ray underwood, (mr) jack sinclair, (mr) don pittard, (mr) don webster, (mr) gerard van veenendaal

Includes : History of the Box Hill District - 1837-1887, players lists of those within Victorian Football League connections. Includes: Reporter District Football Match results Includes: Football team photographs, medals and associated club insignia. Other names mentioned include: Arthur Leach, Jim Flynn, Jack Geddes and Bob StrachanHistory of the Box Hill Football Club formed in 1936. Includes events leading up to the Club's formation. Covers 1888 to 1950. 146pDonated by one of the authors, Armin Richter 4/4/2016box hill football club, football clubs, sporting clubs, sport - victoria, box hill district, nunawading football club, reporter district football, (mr) arthur leach, (mr) jim flynn, (mr) jack geddes, (mr) bob strachan, (mr) armin richter, (mr) john ure