Showing 9154 items
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Tatura Irrigation & Wartime Camps Museum
Folder, The Rosella Story 1895
Major events in the life of Rosella. Taken from early company recordsBlue plastic cover, black spine, white labelrosella, unilever, newspapers -
Tatura Irrigation & Wartime Camps Museum
Book, 1940's
Made by internee in Camp 3Scrapbook of a collecton of fruit labels and pressed flower and a leafbook, scrapbook, flowers, fruit, beck h, camp 3, tatura, ww2 camp 3, books, scrap -
Tatura Irrigation & Wartime Camps Museum
Folder, Early History of Goulburn Valley Irrigation, 1953
Duplicate copies of newspaper articles of early history of irrigation 31.7.1953Black plastic folder, white label, blue writingirrigation, documents, newspapers -
Tatura Irrigation & Wartime Camps Museum
Folder, Early Irrigation Trusts, 1994
Collection of reports and articles on Water Trusts in Goulburn Valley 1880-1900.Life history of Stuart MurrayRed plastic cover, black spine, white labelearly irrigation trusts, mactier p, tatura, irrigation, documents, reports, rural, industry -
Tatura Irrigation & Wartime Camps Museum
Folder, Major Outlet Waranga Basin Upgrading 1999, 1999
Photos of various stages of upgrading construction of Waranga Basin. Also contains photos of Research Station and Tatura Museum with new fence in 1999Red plastic cover, white label, black writingphotographs, waranga basin, old railway bridge, research station, museum, tatura, photography, photograph, rural, industry, irrigation -
Tatura Irrigation & Wartime Camps Museum
Folder, Irrigation in the Goulburn Valley
Collated information from various sources including Rushworth Chronicle on irrigation from weir to basin includes minutes of meetings 1882 and 1889 Farmers Union Meeting re experimental farm 1901Black folder with black handwritten label on a white backgroundgoulburn river -
Tatura Irrigation & Wartime Camps Museum
Folder, Rodney Irrigation Trust
Correspondence 1887 to and from Tatura Water Trust office. Alexander Arbuthnot photo, Starritt's sheep sale. Index and story of irrigation, Goulburn Valley Pumping Station 1885, Waranga Basin 1906Blue plastic cover, white label, gold letteringrodney irrigation trust, arbuthnot, starritt, tatura, irrigation, document, reference, rural, industry -
Stawell Historical Society Inc
Functional object - Bottle, c1960's
Hemley’s Soft Drink Bottles Labelled in Red and Whitestawell -
Clunes Museum
Container - BOTTLE
USED IN PHARMACY IN CLUNES.DARK BLUE HEXAGON BOTTLE RED LABELLING - WITH CORK.ATROPINE SULPHAS - B.P POISON - NOT TO BE TAKEN. J.F. MACFARLANE.& CO. EDINBOROUGH AND LONDONlocal history, medicine, pharmacy, shrigley - chemist -
Stawell Historical Society Inc
Archive, 'The Final Pinnacle' Photos
Contains Various photographs that were used in the Final Pinnacle Magazine.Cream Phot Album with Flowers on Cover and White LabelThe 'Final Pinnacle Album' on Front Cover. On the side on Blue Circle Sticker 15. This Album contains Photos used in 'The Final Pinnacle' the History of Stawell High Schooleducation -
Whitehorse Historical Society Inc.
Container - Bottle
Used by Philip Bennett of 122 Thames Street Box hill,m 1926-1997.Brown glass bottle, with cork, containing Lysol. Label.Lysol Disinfectant + germicidemedicine, pharmacy, glass technology, bottles -
Ballarat Heritage Services
Memorabilia, Yandoit Creek Vineyard Label, c2002
WIne bottle label from Yandoit Creek Vineyard.label, wine label, yandoit creek vineyard -
Numurkah & District Historical Society
Wooden planks labelled Brown & Corke
The wood was found during renovations of the house at 36 Katamatite Rd. The wood was around the window sills of the house3 x Wooden planks labelled with "Brown & Corke"timber, wood, planks, house construction, renovations, brown & corke -
Numurkah & District Historical Society
Cartridges box containing matchbox labels, Nobel Industries Ltd (Eley Factories)
Square cardboard box containing labels from matchboxesGrand Prix Cartridges (see photo)cartridges, matchboxes -
Numurkah & District Historical Society
Leather coat
Used by Jim Waites (Shearer/Farmer), Kanyapella (Item over 100 years old?)Long, brown leather coat. Well-worn. No labelleather, satin lining -
Robin Boyd Foundation
Audio - Tape, 1970
This audio tape consists of music for two of the temporary displays (Fashion; Tourism and Industry) in the Australian Pavilion's Exhibition space at Osaka's Expo 70. Robin Boyd was appointed Exhibits Architect for the Australian Pavilion.Reel tape with labels. Duration: 26:50 minutesexpo 70, robin boyd, ohm2022, ohm2022_8 -
Moorabbin Air Museum
Manual (Item) - Rolls-Royce Nene Engine Fabrication Techniques, Foundry Technique and Pattern Making on the "Nene 100"
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Stawell Historical Society Inc
Memorabilia - Realia
Blue Stawell Golf Club, Club identification Label stawell -
Stawell Historical Society Inc
Memorabilia - Realia
White Stawell Golf Club, Club identification Label stawell -
Stawell Historical Society Inc
Memorabilia - Realia
Yellow Stawell Golf Club, Club identification Label stawell -
Stawell Historical Society Inc
Functional object - Bottle
Household Items - Blue Bottle with Cork, Not to be Taken Labelstawell -
Beechworth Honey Archive
Honey Tin
Honey tins were made to industry standards, and beekeepers bought tins from manufacturers. One of the largest manufacturers was Pender Bros, based in Maitland NSW. When a customer had emptied a tin, they returned it to the beekeeper when they went to buy more honey.Metal honey tin with lid and handle. Rusty, no label.rusty, old, honey, tin, honey tin, beechworth honey -
Beechworth Honey Archive
Honey Tin
Honey tins were made to industry standards, and beekeepers bought tins from manufacturers. One of the largest manufacturers was Pender Bros, based in Maitland NSW. When a customer had emptied a tin, they returned it to the beekeeper when they went to buy more honey.Metal honey tin, with lid and handle. Rusty, no label.rusty, old, honey, tin, honey tin, beechworth honey -
Beechworth Honey Archive
Branding Iron
This was the Robinsons family brand, registered by Alan + Keith Robinson. Heated in fire, it was used to burn an impression into a pine beebox. It has always been a legal requirement that bees be identified to a particular owner. This allows the owners to be contacted in event of complaints or disease outbreak, among other things. Metal branding iron with head. Label reads R52branding, iron, beechworth honey -
National Wool Museum
Document - Label, Tina Knitwear, 1980-2000
Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Thin paper white label with gold printed text.front: An Original by / Tina Knitwearknitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
University of Melbourne, Burnley Campus Archives
Photograph, Justine Curry Album Page 7 Wilsons Promontory, 1953-1954
Using a machine? In the Orchard. Separate label, "John Sutherland."students, justine curry album -
University of Melbourne, Burnley Campus Archives
Photograph - 35mm Colour slides, Hazard Trees
20 slides labelled "Hazard Trees". Numbered, not dated.hazard trees, trees, arboriculture, dangerous trees -
University of Melbourne, Burnley Campus Archives
Album - 35mm Colour slides, E. maculata Trial
22 slides labelled "E. maculata Trial". Not dated.eucalyptus maculata, arboriculture, tree trial -
University of Melbourne, School of Chemistry
Lumioteryl 3:5 Dinitrobenzolate
Chemicals, with label date 1905, appear to be photo-steroids. -
University of Melbourne, School of Chemistry
Neodymium-Rich Hydroxides
label refers to Dr.Anderson possibly related to CH 158