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Glenelg Shire Council Cultural Collection
Photograph - Photograph - Sir Rohan Delacombe in Portland for opening of the grain terminal, 8th April 1965, 1965
Port of Portland Authority archivesFront: (no inscriptions) Back: Sir Rohan Delacombe - In Portland for opening of the grain/ Terminal 8th April 1965 (pencil, top)port of portland archives -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - street scene, Portland, n.d
Street scene with a man herding a bullock train down a street in Portland.portland, street scene, bullock train, farming -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Library, May-02
Coloured photo. Portland Library. Man and woman posing with group of children -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, man's razor blade in box, 20thC
Safety razors had been developed in the mid-19th century, but still used a forged blade that dulled and rusted. In the 1870s, the Kampfe Brothers ( Germany) introduced a type of safety razor. Gillette improved these earlier safety-razor designs, and introduced the high-profit-margin stamped razor blade steel blade. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. King Camp Gillette observed in 1902 that as existing, relatively expensive, razor blades dulled quickly and needed continuous sharpening, a razor whose blade could be thrown away when it dulled would meet a real need and likely be profitable. In 1918, when the U.S. entered World War I, the Gillette company provided all American soldiers with a field razor set, paid for by the government, and as they were allowed to take them at discharge they continued their use of this product thus ensuring future sales. An unused, wrapped, man's razor blade in a box. 7 O'clock brand '7 O'CLOCK / REGD. TRADE MARK / BLADES / DOUBLE EDGED shaving equipment. razorblades, safety razors, cheltenham, moorabbin, bentleigh, pioneers, early settlers -
Halls Gap & Grampians Historical Society
Photograph - B/W, C 1918
Men in front of Myrtlebank Guesthouse.Four men on horseback and one man standing, in front of guest house108 m CNNA 10A06 Dec 99 Gold reef Photosaccommodation, guesthouses, myrtlebank -
Halls Gap & Grampians Historical Society
Photograph, C 1930s
Wilfred (Fred) Warren and niece Ida Warren (who later married Robert Greer). They are shown standing in front of Warren's Bakery van, which is parked in front of their house. Warren bakery was started in 1929 by John Warren, his wife Florence, their daughter Ida and an aunt Miss Vine. see Bridging the Gap p.58A man and a woman standing in front of a truck marked "Baker.". There is a house in the background.people, warren, transport, trucks -
Halls Gap & Grampians Historical Society
Photograph
Arnold John Pickering chopping wood in 1910-1915,A man standing with an axe in his hand. He is dressed in a singlet and trousers.people -
Victoria Police Museum
Photograph (police motorcycle)
Unidentified man in uniform seated on an Ariel, registration number 67-039police vehicles; wireless patrol; motor transport branch; motor transport section; motor cycle patrol; police motorcycles; ariel motorcycle -
Ringwood and District Historical Society
Photograph, Deep Creek Road in the early days (undated)
Narrow Dirt Road, with you man and dog standing in road. No date.Typed below photograph, "Deep Creek Road in the early days". -
Federation University Historical Collection
Photograph - Photograph - Black and White, Frederick Martell, c1879, c1879
Frederick J.C. Martell was born in 1912 in Geelong. He was Principal of between in 1895 and 1912, and registrar of the School from 1895 to 1914. He was an avid amateur photographer, and was involved with pioneering X-Ray demonstrations at the Ballarat School of Mines. Head and shoulder of a man with beard.He is Frederick Martell of the Ballarat School of Mines.ballarat school of mines, frederick martell, martell, x-ray, xray -
Federation University Historical Collection
Poster - Theatre Poster, The Prince of Tempters, 1926
Prince of Tempters is a 1926 American silent romance film directed by Lothar Mendes and starring Lois Moran, Ben Lyon, and Lya De Putti. It is based on the 1924 novel The Ex-Duke by the British writer E. Phillips Oppenheim.Large coloured movie poster with image of man and women with devil in between A First National Picture. Robert Kane presents "The Prince of Tempters" with Lois Moran, Ben Lyon, Lya De Putti, Mary Brian, Ian Keith, Sam Hardy, Olive Tell Adapted from "the Ex-Duke" by E. Phillips Oppenheim A Lothar Mendez Production First National Pictures1I-SH-A "Country of origin" USA R-919lya de putti, mary bria, ian keith, sam hardy, olive tell, "the ex-duke", e. phillips oppenheim, lothar mendez production, first national pictures, usa, a first national picture, robert kane, the prince of tempters, lois moran, ben lyon, theatre, movies, kiss -
Federation University Historical Collection
Photograph - Colour, Vice-Chancellor David James
A man in the regalia of the University of Ballarat Vice Chancellor. It is Professor David James.david james, vice-chancellor, university of ballarat, graduations -
Federation University Historical Collection
Postcard - colour, An Irish Jaunting Car
Probably acquired because of its connection to rural life and the Irish immigrants settled in the Ballarat DistrictA postcard of a grey horse pulling a cart with a man in a hat holding a whip.chatham-holmes family collection, ireland, irish jaunting car, horse, carriage, cart, transport -
Federation University Historical Collection
Image - black and white, Spear Fishing on the Daly River
Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal man spearing fish at the waters edge. aborigine, aboriginal, spear, fishing -
Federation University Historical Collection
Photograph, Awarding Medal, not dated
Large format coloured photographic print of man awarding medal to a student portrait photograph, medal, alumni, award -
Federation University Historical Collection
Image - Black and White, George French Angus, Tattayarra Sneaking Emu, c1847, c1847
From 'Savage Life and scenes in Australia and New Zealand' by George French Angas.Black and white image of an Aboriginal man pointing a spear at two emus. george french angus, aborigines, aboriginal, emu, spears -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - T. C. Jarrett, Chairman, Portland Harbour Trust, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Theo Jarrett (blue pen, centre)port of portland archives, theo jarrett, portland harbour trust -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lifting cement products with a forklift, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour, forklift -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lifting cement products with a forklift, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour, forklift -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lifting cement products with a forklift, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour, forklift, bricks on pallets -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lifting cement products with a forklift, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour, forklift, bricks on pallets -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lifting cement products with a forklift, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: (no inscriptions)port of portland archives, portland harbour, forklift, bricks on pallets -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Inside the Maritime Discovery Centre, c. 1998
Back: 'C11'port of portland archives, maritime discovery centre, whale jawbone -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Authority Archivesport of portland archives, tanker berth, lee breakwater, harbour -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lou Moulton, Secretary, Portland Harbour Trust, n.d
Port of Portland Authority archivesFront: (no inscriptions) Back: Lou Moulton/ Secretary/ PPA (blue pen, centre)port of portland archives, lou moulton -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Lee Breakwater, Portland, n.d
Port of Portland Authority Archivesport of portland archives, tanker berth, construction, portland harbour -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Accessory - Clothing, black bow tie, c1960
The Bow Tie is a type of men's necktie that consists of a ribbon of fabric tied around the collar in a symmetrical manner such that the two opposite ends form loops. Ready-tied bow ties are available, in which the distinctive bow is sewn and a band goes around the neck and clips to secure. Bow ties may be made of any fabric material, but most are made from silk, polyester, cotton, or a mixture of fabrics. The Bow tie originated among Croatian mercenaries during the Prussian wars of the 17th century when the Croat mercenaries used a scarf around the neck to hold together the opening of their shirts. This was soon adopted under the name cravat, derived from the French for "Croat", by the upper classes in France, then a leader in fashion, and flourished in the 18th and 19th centuries. The most traditional Bow ties are usually of a fixed length and are made for a specific size neck. Sizes can vary between approximately 14 and 20 inches just like a comparable shirt collar. Fixed-length Bow ties are preferred when worn with the most formal wing-collar shirts, so as not to expose the buckle or clasp of an adjustable bow tie. Bow ties are worn by magicians, country doctors, lawyers, paediatricians, professors musicians and by people hoping to look like the above and clowns also wear oversized ones. In the 1980’s fashionable and professional women wore a type of Bow tie. Most men only wear Bow ties with formal dress. A man's pre tied black bow tie with an elastic fastening clipmenswear, neckties, bow ties, cheltenham. moorabbin, bentleigh -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A MAN
Small head and shoulder portrait of a man with a beard wearing a jacket and shirt.Verey & Co., Castlemaine and Daylesfordphotograph, portrait, male, portrait of a man, verey & co. -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: BIKES, 1990s
Photograph: Man with racing bike On Rear: Haydn Haydn Bradbury Cyclistrecreations, sports, cycling, bendigo advertiser -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF A MAN IN A GARDEN
Black and white photograph of a man in a garden - Cameo style faded and stainedphotograph, person, male