Two unstrung Head Competition squash racquets (.1-.2), with open throat, and synthetic handle grip. Materials: Graphite, Ceramic, Fibre, Synthetic material, Adhesive tape, Plastic, Inktennis

An ATP Fox oversize tennis racquet, with Gosen 'Hy-Sheep' netting, and Prince 'Duraperf' handle grip. Materials: Graphite, Synthetic material, Ink, Adhesive tape, Gut, Plastic, Painttennis

A Prince 'Lightning' Extender 730 Power Level tennis racquet, with Prince 'Softzorb' synthetic handle grip. Materials: Synthetic Gut, Graphite, Plastic, Adhesive tape, Ink, Synthetic materialtennis

A Pro Kennex 'Power Innovator' tennis racquet, with widebody design, and vibration absorber. Materials: Graphite, Paint, Plastic, Adhesive tape, Synthetic material, Ink, Adhesive label, Nylon, Metaltennis

A Wilson 'Rakattak 23' junior racquet with cardboard retail label affixed to net and plastic wrap on handle. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Cardboard, Synthetic materialtennis

Demonstration panel for explaining how tennis balls are manufactured. Shows raw materials and components of tennis balls in downward sequence to a complete ball. No text. Materials: Felt, Rubber, Metal, Woodtennis

A sealed Wright & Ditson by Spalding domed-top can of three 'Championship Tennis balls'. Key attached to base of can. Materials: Metal, Ink, Rubber, Natural fibre, Synthetic materialtennis

A sealed can of four Slazenger (U.K.) 'Wimbledon' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A can of three Sears 'Butch Buchholz Autographed' tennis balls. Metal ring-pull seal perforated but in place. Ring-pull missing. Materials: Metal, Ink, Rubber, Synthetic materialtennis

An unsealed Super Tournament (Czechoslovakia) tennis ball can. Missing seal strip & key winder. Contains all three original balls. Materials: Metal, Ink, Rubber, Synthetic materialtennis

This specimen was found in Cape Patterson, Vic. Cape Paterson is a cape and seaside village located near the town of Wonthaggi, 132 kilometres southeast of Melbourne, in the Bass Coast Shire of Gippsland, Victoria, Australia. These dark, fossiliferous Mudstones were deposited in slow-moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon-rich material would remain unoxidised during subsequent deposition & diagenesis. it has an imprint of a leaf in the rock itself, displaying the fossil of the plant. This specimen is unique due to the leaf impression within the stone itself. Imprint fossils are formed from an organism moving in some way, leaving behind a trace or track. These tracks are preserved when the clay/silt dries slowly and is covered by other sediment. Plants can also leave imprint fossils when they are covered by sediment. The leaf tissue degrades, leaving an imprint of where the leaf once was. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.These dark, fossiliferous Mudstones were deposited in slow moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon rich material would remain unoxidised during subsequent deposition & diagenesis. FOSSILIFEROUS MUDSTONE / Locality: Cape Patterson, Victoria | Descriptive catalogue / Pg 27 No 95 / "Grey Clay, / Cape Paterson with leaf impressions' / 15/4/21 C. William /mudstone, cape patterson, leaf imprint, fossilised leaf, fossiliferous mudstone

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is a scoop or large bowl at one end for the material to be weighted and a flat platform at the other end that holds the weights. Around the cast iron base is an embossed strip weight and bowl missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

The badge was worn by YMCA representatives while on service supporting the Australian Army.Badge rectangular shape, metal for with stretched white material over sewn at back, rear has a pin and loop for clothing attachment, the lettering in red “YMCA” is sewn onto the white material background.badges, accessory’s, ymca

Part of hostess/stewardess uniform of 1950's era.Complements the collection of air flight crew attire.Navy blue hostess beret. Crown is folded, creating a pleat. Has a scalloped turned brim. Wool gabardine material outside. Black cotton interior lining. Damage to material at front of hat.hostess, stewardess, ansett, navy, side cap, flight attendant

A Dunlop Graduate, wood/composite squash racquet, with string whipping around shoulders, and cotton handle grip. Materials: Wood, Composite Materials, Nylon, Ink, String, Adhesive tape, Cotton, Plastictennis

A rare Dunlop Mad Raq, graphite/composite squash racquet with open throat, and 3-way stringing pattern. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Ink, Composite Materialstennis

A painted tennis racquet; composite materials; no visible model or maker markings. Marked post-maufacture with silver ink on butt: 'HB'. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Painttennis

A Dunlop 'Blue Max' mid-size, split shaft tennis racquet, with black plastic bridge. Materials: Leather, Adhesive tape, Synthetic material, Ink, Plastic, Metal, Graphite, Kevlar, Painttennis

A Dunlop 'Max LT' tennis racquet, with netting strings bearing inscription: 'TOA STRINGS LEOINA 86'. Materials: Graphite, Composite Materials, Paint, Plastic, Leather, Ink, Nylon, Adhesive tapetennis

A Prince 'Pro' split shaft oversize tennis racquet, and vinyl cover. Materials: Nylon, Metal composite, Plastic, Adhesive tape, Ink, Synthetic material, Leather, Vinyl, Metal, Plastic, Inktennis

A Prince 'Precision' tennis racquet, with Prince 'Duratac' synthetic handle grip, and Prince 'Duraflex 17' synthetic gut strings. Materials: Graphite, Paint, Ink, Plastic, Synthetic Gut, Synthetic materialtennis

An unstrung Pro Kennex 'Power Dominator' split shaft tennis racquet, with black plastic bridge. Materials: Metal, Composite Materials, Paint, Plastic, Adhesive tape, Leather, Ink, Adhesive labeltennis

'Tennis Ball Caddy'. Ball-holding bracket for wear during tennis play. Holds five balls and is intended to be worn around the waist. Materials: Cardboard, Ink, Plastic, Synthetic material, Papertennis

A box of Dunlop (U.K.) 'Fort' tennis balls, containing all six original balls. Printed on box ' LTA OFFICIAL TENNIS BALL'. Materials: Ink, Cardboard, Rubber, Synthetic material, Wooltennis

An unsealed Wilson dome-top tennis ball can. Key and metal seal strip missing. Contains all three original balls. Materials: Metal, Ink, Rubber, Synthetic material, Wooltennis

A box of six Slazenger (UK) yellow tennis balls. Contains all six original balls. Balls printed with '1982 LTA OFFICIAL BALL'. Materials: Ink, Cardboard, Rubber, Synthetic materialtennis

A history of the second world war memorial window at Christ Church, Mitcham. It includes material on the history of the window, the dedication service and photographs and information on the five men remembered. Gordon Crawford, Ross Fenton, Owen Loftus, Ron Peake and Alwyn Till. Also included is an essay by Alwyn Till on Wood Carters in the district, a letter to his mother from Britain and a letter regarding his service and death with the Belgian Marquis. Colour photograph of window 25 pagesA history of the second world war memorial window at Christ Church, Mitcham.christ church anglican church mitcham;, stained glass windows, world war, 1939 - 1945, crawford, gordon douglas, fenton, william ross, bremner, loftus owen spencer, peake, ronald mosely, till, alwyn, wood carters

A Slazenger Panther Club squash racquet (1), with vinyl cover (2). Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Nylon, Vinyl, Synthetic material, Ink, Plastic, Metaltennis

Two Slazenger Phantom Silver Junior, graphite/composite squash racquets (.1-.2), with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Racquets accompanied by vinyl covers. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastic, Composite Materials, Vinyl, Ink, Plastic, Metaltennis

Kaolin is also known as china clay. This specimen came from Dunolly, Victoria and was donated to the Museum in 1868 as part of the Geological Survey of Victoria. This survey helped map and study the geology of Victoria. In Victoria, Kaolin is particularly used as a filler and coating material in paper manufacture. It can also be used in paints, ceramics, rubbers and plastics. There are many kaolin deposits in Victoria but many of these have been mined out and there is not much Kaolin left. Rocks that have a high amount of Kaolinite and it can be formed through the decomposition of other materials. There are two types of Kaolin; hard and soft kaolin. Soft kaolin's are coarse but have a soapy texture. It can also break easily. The hard kaolins have an earthly texture and are finer grained. This means that they are harder to break, unlike the soft kaolin. Hard kaolin's are formed by flocculation in salt water, a process that in basic terms, bonds particles together. Kaolin is a common material in Victoria and that is why it is significant. While this specimen was mined in Dunolly, Victoria Kaolin can also be found Pittong, Pakenham, Bulla, Hallam and Ballarat as well as many other places throughout Victoria. This specimen represents the presence of Kaolin deposits in this region of Australia. It is also significant because Kaolin has many uses and is largely beneficial to many manufacturing processes in Victoria. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.Two pieces of Kaolinite mineral with shades of white and graygeological specimen, geology, geology collection, burke museum, beechworth, kaolin, china clay, dunolly, geological survey of victoria, kaolinite, victoria, mining, mining deposits, geology of victoria, australia, filler, coating material, paper manufacture, paint, ceramics, rubbers, plastics, decomposition, materials, soft kaolin, hard kaolin, flocculation, particles, salt water